Johann Sebastian Bach, though largely unaffected by the trends of his time, reimagined many older forms with striking originality, shaping the course of Western music. Among his innovations is the sonata for a melodic instrument (such as the viola da gamba) and obbligato harpsichord, where both parts engage in equal dialogue-a model later expanded by his sons and composers like Haydn, Mozart and Beethoven. Following their acclaimed first album dedicated to Corelli's Sonatas Op. 5, Teodoro Bau and Andrea Buccarella now present their second duo recording: the Sonatas for viola da gamba and harpsichord by J.S. Bach, each revealing a unique stylistic approach within a unified form.

Under the motto "Dancing Organ," Czech organist Michael Bartek has compiled a varied program of dance pieces from different eras, including original compositions and some virtuoso transcriptions. In addition to popular works, there are also a few surprises to discover. This is performed on "his" Kuhn organ in the Richterswil Church near Zurich. For this SACD, the sound has been optimally captured in stereo and 5.1 surround sound. Unter dem Motto "Dancing Organ" hat der tchechische Organist Michael Bartek ein vielseitiges Programm von Tanzstucken verschiedener Epochen - Originalkompositionen und teils virtuose Transkriptionen - zusammengestellt. Neben popularen Werken gibt es auch so manche uberraschung zu entdecken. Als Instrument dient ihm "seine" Kuhn-Orgel in der Richterswiler Kirche, nahe Zurich. Fur diese SACD wurde der Klang optimal als Stereo- und auch als 5.1 Surround-Aufnahme eingefangen.

The musical interests of Ludwig Guttler know no borders, but the festivity of Christmas in all it's magic is particularly close to Guttler's heart: "I want to bring a selection to the audience that does justice to the occasion and the wonderful music that was created for it," says Guttler about his motivation for the many Christmas editions he was part of in his career. The four best-selling Christmas albums of recent years are presented in this 4 CD Edition, with highlights of popular and heartwarming music for the most atmospheric time of the year

Maurice Steger, the virtuoso and world-renowned recorder player and conductor Conductor, has arranged works by Johann Sebastian Bach for recorder and orchestra for his new album with the La Cetra Basel has arranged works by Johann Sebastian Bach for recorder and orchestra.

Step into a world of musical elegance with this release featuring solo piano interpretations of the most famous compositions by J.S. Bach. This album is a celebration of Bach's genius, showcasing the intricate beauty and emotional power of his work through the expressive medium of solo piano. Performed by Tim Allhoff who has collaborated with an impressive array of musicians and ensembles, including Larry Grenadier, Jeff Ballard, Robbie Williams, Jules Buckley, Vision String Quartet, and many more, this collection promises to deliver a rich listening experience that bridges tradition and innovation. Each piece is thoughtfully crafted to highlight the depth and complexity of Bach's compositions, making them accessible and captivating for both seasoned listeners and newcomers alike.

Peter Schreier is one of the legendary tenors of the twentieth century. The foundation for his exceptional 60-year career is his intensive involvement with Protestant church music, whether as a boy alto of the Dresden Kreuzchor at a young age, or later as an outstanding evangelist. The music of Johann Sebastian Bach is the linchpin of his career. The tenor is accompanied by the Leipzig Gewandhaus Orchestra conducted by Erhard Mauersberger, Johann Sebastian Bach's 14th successor as cantor of the Thomaskirche in Leipzig. For the first time, this album is now released on CD.

Deluxe edition in lavish packaging and an extensive booklet lovingly furnished with full-color pictures, including complete vocal texts. This recording from 1974/1975, which was highly praised by the specialist press, unites outstanding soloists (Arleen Auger, Annelies Burmeister, Peter Schreier, Theo Adam, Michael Wittig) with the Dresdner Kreuzchor and the Dresden Philharmonic Orchestra (first trumpeter is once again Ludwig Guttler). Under the direction of Martin Flamig, the ensemble reaches top form here. Radiant chorales, yet with great attention to detail, and powerful arias characterize the recording, which also leaves little to be desired in terms of recording technology. A well-balanced overall sound, clear weighting of vocal solos and orchestral accompaniment. The members of the orchestra deserve to be mentioned individually, as each instrument is excellently cast.

When the voices of the Thomaner-chor sing a Christmas song in a cold winter's night, everyone knows that the best time of the year has begun. With the best that the catalogue of the choir of St. Thomas Leipzig has to offer for Christmas, this extensive edition fits exactly into the most contemplative time of the year.

The novelty for this year's Christmas season sets new standards in brass music. With 'Brass Christmas', the well-known ensemble German Brass presents it's second Christmas album on Berlin Classics and demonstrates it's great strengths as a recipe for success: high virtuosity, brilliant musicality and a high degree of humour and charm. This is not classical brass music, but a completely new sound that enchants and delights the audience anew in every concert and recording. It is not without reason that the ensemble, consisting of ten solo brass players and university professors, was honoured with the Echo Klassik 2016 award. Brass Christmas includes the most beautiful melodies to prepare the listener for the Christmas season with a cosy, warm feeling. With tranquil sounds such as the Evening Blessing from Humperdinck's opera 'Hansel and Gretel', festive melodies from George Frideric Handel's Messiah and classical Christmas carols from Johann Sebastian Bach's Christmas Oratorio, German Brass creates a festive atmosphere in typical brass style. As always, the works are arranged by the ensemble's musicians themselves and convey the very own German Brass charm, presenting the original works with the utmost respect for the composers. This time, German Brass completely dispenses with an extended instrumentation and relies entirely on the possibilities of the brass ensemble.

It was important to me to gather composers who expressed the European idea, be it in their origins, their education, their travels or their moves to different places of work Ludwig Guttler This is the idea behind the new album by trumpeter and conductor Ludwig Guttler. The occasion for this edition was Christmas, the holiday of holiday, but Ludwig Guttler would like to point to something fundamental. Hence the title: "Europa Cantat" - "Europe sings": Composers from all over Europe are brought together musically on this edition and thus make clear the similarities on both a musical and lyrical level.

Has it really been a full decade? Yes - this October, Dresden celebrates the tenth anniversary of the Frauenkirche's consecration. People still remember the "call from Dresden" in 1990, which was followed by various phases of reconstruction, which was largely financed by donations thanks to many helpers. The surviving stones were first carefully salvaged, sorted and then used in the subsequent construction work from 1996. As a result, the church, which had been destroyed in February 1945, was finally reconsecrated in 2005 and became a symbol of reconciliation and peace. Throughout this entire process, the trumpeter and ensemble leader Ludwig Guttler has rendered outstanding services to the Frauenkirche. With tireless motivation in the public sphere, through active participation in the concrete organizational implementation and, last but not least, through countless concerts in aid of the reconstruction, the famous Dresden native has played a very significant role in making this vision a reality. We took this anniversary as an opportunity to ask Ludwig Guttler to select pieces from his numerous recordings that have something to do with the Frauenkirche. He gladly complied and found works that have a connection to the history of music or that he often performed at this location - already during the shell construction, but of course also in the years after the consecration. Recordings from the Frauenkirche, some of them live, are of course also included. With it's beautiful and informative presentation, this CD is not only attractive for Guttler fans in the run-up to Christmas, but also makes a special gift.

Ludwig Guttler has been one of Germany's best known and most versatile trumpeters for more than 50 years. His concert activities have taken him beyond Germany across the whole of Europe. Shortly before his 75th birthday, he looks back and dedicates himself in this Edition to the continent united in music: Europe. Selected works and composers allow Guttler to show how music anticipated the political unification of Europe centuries ago. The individual works in this set, representative of many thousand such works and composers, demonstrate what paths music took in past times, what ground it's creators covered and how their paths crossed. National boundaries may have kept changing, but music-makers stayed in touch with each other, emulated or challenged each other and picked up the latest fashions. Composers cross-fertilized each other at these points of intersection and created what we know now as "European classical music". But they were not the only ones who regularly exchanged notes with their colleagues. Their compositions made the rounds too - from that day to this, but very much so even in those days of slow travel. Ludwig Guttler observes: "Sometimes it is the long journeys that indicate the works were durable, long-lived, exceptional - masterpieces, in fact." The spectrum of this Edition ranges from Bach and his contemporaries Vivaldi, Telemann, Pisendel, Zelenka, Neruda and Hasse by way of travellers Haydn and Mozart to Dvorak, who made it across the Atlantic. Guttler himself knows better than practically anyone else how to draw together these threads. His intensive research throughout Europe has caused many forgotten works to see the light of day and enjoy the acclaim of audiences. He has made his own contribution to historically informed performance practice with the reconstruction of the corno da caccia. Edition Europa is also a retrospective. "Less in the sense of reflection than as a review of what has been achieved," says Guttler. "I have been blowing the trumpet for 60 years now, conducting, fighting for what I believe in." But even at 75, he is not ready to sit back. He still has a full concert diary and still spends a lot of time on his "excavations". His goal? "I should like to bring to life as much good music as possible with my colleagues, and show what truly unbelievable riches are still awaiting us."

An exciting listening adventure: The "Ten Preludes" by Sofia Gubaidulina from 1974 merge with the Allemandes from Johann Sebastian Bach's Cello Suites into a fascinating dialogue between past and present.

In memory of the great tenor Peter Schreier, Berlin Classics released a reiussue of the 4-CD box "Vom Knabenalt zum lyrischen Tenor", which was originally released in 1995. The CD box contains recordings of lieder, opera arias, arias from cantatas and oratorios and also from his time as a boy alto in the Dresdner Kreuzchor. A cross section of the entire career of a singer whose enormous talent was already discovered and supported in his childhood by the former conductor of the Dresdner Kreuzchor, Rudolf Mauersberger. Additionally the CDs are accompanied by a short biography, which gives an exciting overview of Peter Schreier's career stages.

The latest volume in an ongoing series by an acclaimed Bach specialist on the modern piano. With recordings of the French Suites, Partitas and Goldberg Variations on Piano Classics, the Chinese pianist Yuan Sheng has placed himself among the most searching of present-day Bach pianists. As Jed Distler remarked in Gramophone, reviewing the Goldbergs, 'Yuan Sheng's disciplined, scrupulously terraced style often reflects his mentor Rosalyn Tureck.' In a new and illuminating booklet essay for this album, the musicologist and pianist Raymond Erickson remarks that the 15 two-part Inventions and the 15 three-part Sinfonias played an important role in Bach's teaching. These pieces, although today mainly associated with basic piano training, are not at all easy and in fact are sophisticated, small-scale masterpieces. 'They were not composed simply to provide technical training in keyboard playing but, perhaps more important, to teach keyboard players how to compose.' In 1720 Bach's oldest son Wilhelm Friedemann (1710-84) was already of an age appropriate for introducing him into the family trade of musician. So Bach started for him a music notebook: a Clavierbuchlein which included these Inventions and Sinfonias. Bach revised them shortly before moving to Leipzig in the spring of 1720, to take up his new post as Thomaskantor, and copied them out with a preface. In learning and playing these works, Bach affirmed, a diligent student would be taught 'a clear manner for playing not only in two voices but also in three obbligato parts and, furthermore, not only how to invent good musical ideas [inventiones] but also how to develop these well. And above all, how to achieve a cantabile manner of playing, and additionally to obtain a strong foretaste of Composition.' So it is that the Inventions and Sinfonias have given much pleasure to both performers and listeners throughout the subsequent two centuries. Brief as they are, each one of these 30 works elegantly outlines a distinct and often playful world of it's own. They reward intensive listening both on their own and in sequence. And Yuan Sheng's performances draw on all the coloristic possibilities and varieties of articulation available on the modern piano, without seeking to exceed the bounds of style which the works themselves inhabit.