Classical Music

Classical Music

Sonatas For Cello And Piano

Classical Music

Classical Music

Classical Music

Recorded in: Oslo Philharmonic Hall 11-13 August 1986 Producer(s) Brian Couzens Sound Engineer(s) Ralph Couzens Dag Kristofferson [Assistant]

Recorded in: Orchestra Hall, Detroit 15-16 January 1994 Producer(s) Charles Greenwell Leslie B. Dunner Ralph Couzens Sound Engineer(s) Dan Dene Robert Shafer

TCHAIKOVSKY: Songs (Complete), Vol. 1

TCHAIKOVSKY: Liturgy of St. John Chrysostom, Op. 41

TCHAIKOVSKY: Symphony No. 5 / Marche slave (Slavonic March)

Classical Music

Classical Music

Tchaikovsky: Piano Trio in A minor, Op. 50

TCHAIKOVSKY: Symphony No. 6, 'Pathétique'

Classical Music

Tchaikovsky: Seasons / Chanson Triste

TCHAIKOVSKY: Variations on a Rococo Theme / BRUCH: Kol Nidre

TCHAIKOVSKY: Piano Music, Vol. 1

1987 release with highlights from his famous ballets. Tchaikovsky (1840-1893) performed by the Slovak Philharmonic Orchestra recorded at Concert Hall of the Slovak Philahrmonic June 20-25, 1987 & Czecho-Slovak Radio Symphony Orchestra recorded at Concert Hall of the Czecho-Slovak Radio in Bratislava October 13-20, 1987 conducted by Michael Halasz & Ondrej Lenard. The music of Tchaikovsky, in spite of the reservations of contemporaries at home and abroad, must seem to US both essentially Russian and firmly in the West European tradition. In Vienna the critic Eduard Hanslick was able to complain of the "trivial Cossack cheer" of the finale of the Violin Concerto, but in Russia Tchaikovsky never went far enough to please the self-appointed leader of musical nationalists, Balakirev. While by no means a miniaturist, he nevertheless excelled in his mastery of the smaller forms necessary in ballet, writing music that displayed his remarkable gifts of melody and skill in orchestration.

This 1987 Naxos CD has the Nutcracker and Swan Lake suites, but omits the Sleeping Beauty. The Slovak Philharmonic, directed by Michael Halasz, excels on the rather longer Swan Lake suite, with some nice playing in the brass and a lovely duet between solo violinist Josef Bogacz and an unnamed cellist. The Nutcracker is a two-act ballet, originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (op. 71). The libretto is adapted from E.T.A. Hoffmann's story The Nutcracker and the Mouse King. It was given it's premi�re at the Mariinsky Theatre in St. Petersburg on Sunday, December 18, 1892, on a double-bill with Tchaikovsky's opera, Iolanta. Swan Lake Op. 20, is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875-76. The scenario, initially in two acts, was fashioned from Russian folk tales[a] and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger. The ballet was premiered by the Bolshoi Ballet on 4 March [O.S. 20 February] 1877 at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their staging's both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo.

Tchaikovsky's ballet The Nutcracker was first performed in St. Petersburg in 1890, damned with the faintest of praise by the Tsar, who remarked that it was "very nice". The composer himself expressed dissatisfaction with his music for The Nutcracker, a subject proposed by Marius Petipa and the Imperial Theatre Directorate in 1891 and first performed at the Maryinsky in December, 1892, again to a cool reception. The music itself, however, had already proved popular enough in a suite arranged by Tchaikovsky for a concert earlier in the year. The story of the ballet is drawn from E.T.A. Hoffmann's tale, Der Nussknacker und der M�userk�nig. Set in the eighteenth century, initially in the house of the President of one of the German states of the period, the ballet opens with a children's Christmas party, at which Drosselmeyer, a slightly sinister adult, brings presents, a doll for Clara, the daughter of the house, and a toy soldier for Franz, her brother. When the children are told not to open their presents, Drosselmeyer quietens them by giving the two a pair of nutcrackers, promptly broken by Franz who tries to crack the biggest nut he can find. The Czecho-Slovak Radio Symphony Orchestra (Bratislava), the oldest symphonic ensemble in Slovakia, was founded in 1929. The orchestra's first conductor was Franti�ek Dyk and over the past sixty years it has worked under the direction of several prominent Czech and Slovak conductors. The orchestra has made many recordings for the Naxas label ranging from the ballet music of Tchaikovsky to more modern works by composers such as Copland, Britten and Prokofiev. For Marco Polo the orchestra has recorded works by Glazunov, Gli�re, Rubinstein and other late romantic composers and film music of Honegger, Bliss, Ibert and Khachaturian. Ondrej Lenard was born in 1942 and had his early training in Bratislava, where, at the age of 17, he entered the Academy of Music and Drama, to study under Ludovit Rajter. His graduation concert in 1964 was given with the Slovak Philharmonic Orchestra and during his two years of military service he conducted the Army Orchestral Ensemble, later renewing an earlier connection with the Slovak National Opera, where he has continued to direct performances.

Classical Music

TCHAIKOVSKY: String Quartet No. 2 in F major / Souvenir de F

Includes work(s) by Peter Ilyich Tchaikovsky.