Reveries

The Glière Quartet was founded in 2017 in Vienna. It consists of excellent musicians who are passion-ate about chamber music, especially about quartet works: Polish-Austrian violinist Dominika Falger (leader of the 2nd violin section of the Wiener Symphoniker), German violist Martin Edelmann, since 2018 (Wiener Symphoniker), Hungarian cellist Endre F. Stankowsky (Solocello Budapest Opera), and Ukrainian-Austrian first violinist and founder of the ensemble Wladislaw Winokurow specializing in the interpretation of pieces by Ukrainian and Russian composers from the late nineteenth and early twentieth centuries. On this release, the Glière Quartet showcases their namesake’s String Quartets, Nos 1 and 2.

After the successful release of "Odyssey," pianist Danae Dörken presents her second album on Berlin Classics. Together with her sister - Kiveli Dörken - she invites the listener to embark on an emotional and psychological journey through a very personal selection of music that characterizes the Greek gods Apollo and Dionysus. This unique journey aims to become aware of the characteristics represented in each of us and create a balance between them. The technical brilliance present in their playing and the insightful, sensitive interpretations already make this album a highlight. Their deep personal connection and the decades of playing together at the piano are audible in every moment of these recordings and set this album apart.

A unique recital of 20th-century chamber music, essentially melodic but expressively rich, woven seamlessly together by a Spanish-based duo. In the 20th century, many composers embraced the unique combination of the violin and cello, producing a diverse and captivating repertoire. Deborah Gonsalves and Berthold Hamburger take the listener on an engaging journey from Reinhold Gliere's post-romantic Huit Morceaux for violin and cello (1909), Bohuslav Martinu's folk-influenced Duo No.1 (1927) to Erwin Schulhoff's avant-garde Duo (1925) and Don Jaffe's moving autobiographical suite, The Last Days (2000). These compositions showcase the immense artistic possibilities offered by the juxtaposition of the violin's virtuosity with the cello's depth of sound. Similarly, the duo repertoire of the 20th century shows the evolution of musical language as composers introduced special playing techniques, unconventional harmonies, and rhythmic complexity, pushing the boundaries of tradition. While Gliere, Martinu and Schulhoff are all established names, these works for violin and cello have not received the attention they deserve. They are all products of their composers' full maturity, and perhaps it is only a reluctance on the part of performers and listeners to embrace the possibilities of the violin-cello combination that has prevented them becoming much better known. In each case, the composers demonstrate that no piano is required to anchor the string instruments, when the imagination is fired up, the melodies are firmly shaped and the dialogue engaging. The case of Don Jaffe is different: born in 1933 in Riga, of Jewish descent, he eventually became renowned as one of the foremost cello teachers in the former Soviet Union. However, finding postwar Soviet culture hardly less anti-Semitic than the Nazi regime, he emigrated to Israel and later moved to Germany. He only began composing late in life: this four-movement duo draws on the composer's experience of observing a close friend's painful battle with a terminal illness. Deborah Gonsalves and Berthold Hamburger are colleagues in the Symphony Orchestra of Galicia; as Orphelion, they have toured festivals across Europe and in India, Japan, and South America. - In the 20th century, several composers embraced the combination of the violin and cello, producing a diverse and attractive repertoire for this ensemble. From Reinhold Gliere's (1875-1956) post-romantic Duos for violin and cello "Huit Morceaux", Bohuslav Martinu's (1890-1959) folkloristic Duo Nº.1 to Erwin Schulhoff's (1894-1942) avant-garde Duo (1925) and Don Jaffe's (b. 1933) autobiographic "The final days", these compositions show the artistic possibilities offered by the rich combination of the violin's virtuosity with the cello's depth of sound. Similarly, the duo repertoire of the 20th century shows the evolution of musical language as composers introduced special playing techniques, unconventional harmonies, and rhythmic complexity, pushing the boundaries of tradition. - Played by the ensemble Orphelion, consisting of Deborah Gonsalves and Berthold Hamburger.

A trumpet-tuba duo: what an unusual idea! At the height of the pandemic, the brothers Thomas and Romain Leleu came up with the notion of creating a unique ensemble. While virtuosity (whose Latin origin in the word virtus, at once 'strength' and 'virtue', should never be forgotten) was a given for the two musicians, who play with an astonishing rapport, they are even more fascinated by the search for the appropriate sound world for the newly minted pieces they perform. An opportunity to meet two illusionists.