Ruth Crawford Seeger
3 products
SEEGER, Pete: If I Had a Hammer (1944-1950)
Naxos
Available as
CD
$19.99
Aug 01, 2004
Classical Music
Wagner, Strauss, Seeger
Estonian Record Productions
Available as
CD
The Estonian National Male Choir RAM was founded by the founder of Estonian choral music Gustav Ernesaks in 1944. Originally a male choir specializing in a cappella repertoire, it has grown into a world-renown professional performer of oratorial works. RAM has given more than 6000 concerts all over Estonia, in the former USSR, in Europe as well as in Israel, Canada and the USA. The Orchestra of the Estonian Defense Forces is a state ceremonial orchestra founded on February 1st, 1993, re-established with the Estonian Defense Forces after the country had regained it's independence.
American Classics - A Continuum Portrait Vol 6 - Seeger
Naxos
Available as
CD
Crawford Seeger's life reflects both the positive and the negative charges of a woman's life in music. There were burdens of raising a large family; the hovering presence of her husband, the composer Charles Seeger; the Depression; social activism (one of the song settings concerns the Sacco-Vanzetti case); and with it all, a tough-minded modernism and a muscular personality. All the pieces on this CD derive from the years 1924 to 1932, before marriage and its concerns more or less silenced Ms. Seeger's work until the 1950's. (She died in 1953.)
The early piano preludes (here Nos. 1 and 9) bear the fluidity and sensuousness of Scriabin, as Cheryl Seltzer's booklet note suggests. Pieces like the Suite for Five Wind Instruments have an assertive tang and an increasing distance from tonality that put them closer to the industrial-strength harmonic revolutions of the times. To this way of thinking also belongs the Violin Sonata, an original and confident work.
Exercises in spartan combinations include two Diaphonic Suites," for solo flute and for bassoon and cello. The three Carl Sandburg songs ride on a complex and dense instrumental accompaniment."
- Bernard Holland, NEW YORK TIMES
The early piano preludes (here Nos. 1 and 9) bear the fluidity and sensuousness of Scriabin, as Cheryl Seltzer's booklet note suggests. Pieces like the Suite for Five Wind Instruments have an assertive tang and an increasing distance from tonality that put them closer to the industrial-strength harmonic revolutions of the times. To this way of thinking also belongs the Violin Sonata, an original and confident work.
Exercises in spartan combinations include two Diaphonic Suites," for solo flute and for bassoon and cello. The three Carl Sandburg songs ride on a complex and dense instrumental accompaniment."
- Bernard Holland, NEW YORK TIMES
