Classical Music

Classical Music

Composer Douglas Boyce, composer in residence of acclaimed new music ensemble counter)induction, releases his debut portraig album, featuring three of his kinetic chamber works in riveting performances by counter)induction, Aeolus Quartet, and Trio Cavatina. Boyce's music reflects a wide array of interests, from Renaissance traditions to modernist aesthetics, embedding these influences in works that oscillate between tightly organized ensemble mechanisms and carefully curated moments of independent instrumental freedom. Boyce opens the program in a haze with the murky intersection of '102nd & Amsterdam.' His Piano Quartet No. 1 begins with Bartokian off-kilter accents, alternating with hocketed passages between viola and piano. Finally 'Fortuitous Variations' opens with similarly angular music, pillars of repeated octaves in the piano alternating with swooping gestures in the strings. Douglas Boyce is a composer with a powerful focus and impetus in his music, but also a fantastic capacity for expressive range and an uncanny ability to sustain complex rhetorical arguments within his sophisticated structures.

Classical Music

Capriccio Encore is a series of re-releases of the most famous recordings from Capriccio’s back catalogue, fully re-mastered and competitively priced. The legendary recordings of artists such as Sandor Végh, Ton Koopman, Sir Neville Marriner and the Vienna Boys’ Choir also contain repertoire highlights that have a particularly special appeal, from the baroque to the present day. This Encore release features William Boyce's 8 Symphonies, performed by the Academy of St. Martin in the Fields, lead by Sir Neville Marriner.

Classical Music

Classical Music

William Boyce's eight Op. 2 symphonies have been fairly well treated on disc--versions by Pinnock (Archiv), Marriner (Capriccio), Boughton (Nimbus), and Ronald Thomas (CRD) have long satisfied both period- and modern-instrument fans--but it's been about 10 years since anyone's had a go at these very fine and enormously appealing exemplars of 18th-century English style, albeit in the manner of Handel's theatrical works. In fact, casual listeners would be forgiven for believing these relatively short, tuneful, rhythmically buoyant, skillfully scored pieces were from the pen of George Frederic himself. These so-called "symphonies", three-movement works most of which are cobbled from Boyce's stage compositions, are so ingratiating and melodically ear-catching that it's a wonder they aren't more common to concert programs. And certainly, if you're looking for a recording that shows these symphonies at their best, this one should be your first choice, as the vibrant sound, clean articulation, apt dynamic contrasts, and lively rhythms combine to make these performances both irresistible and worthy of many repeats. Kevin Mallon's Aradia Ensemble executes these pieces as well as we can imagine, and the sound places us in an ideal listening perspective. If you like Handel and you don't know these pieces, don't hesitate. [5/16/2005]--David Vernier, ClassicsToday.com