REVIEW:The contents of this set are identical to RCA’s previous Previn RVW reissue, and the discs do not appear to have been remastered. André Previn’s...

REVIEW:

The contents of this set are identical to RCA’s previous Previn RVW reissue, and the discs do not appear to have been remastered. André Previn’s Vaughan Williams symphony cycle arguably is the best such offering on the market today, particularly given the difficulty of finding the similarly fine Handley and Slatkin sets domestically (or at all!). In contrast to Boult’s famous EMI set, where his all-knowing conducting (he was a lifelong friend of the composer) occasionally takes on a relaxed and autumnal air, Previn’s consistently vibrant renditions reflect his fresh encounters with the music.

Not to say that he’s always faster–Boult is noticeably quicker in many instances–yet, especially in the case of Nos. 3 and 5, Previn sounds more energized and involved despite his slower tempos. Previn also has at his disposal the London Symphony, which provides exceptionally robust playing throughout. Case in point: compare the LSO’s playing in Previn’s potent and dramatic No. 6 with Boult’s generally listless London Philharmonic in the same work.

Previn’s gripping Sinfonia Antarctica and his profoundly atmospheric A London Symphony rank among the finest versions available. However, Previn must yield to Boult in A Sea Symphony, where Boult’s grandiose vision and EMI’s ravishing recording make a tremendous impression. RCA’s sound, except for a dry and edgy No. 8 (did the master tape deteriorate?) is generally clear and well-balanced, with plenty of impact. Factor in the bonus works–the Violin concerto “Concerto accademico”, the Tuba Concerto, and the “Three Portraits” from The England of Elizabeth–and you’ve got a handsome package of memorable, recommendable performances. The bargain price makes it all the more irresistible.

-- ClassicsToday (Victor Carr, Jr.)