{"title":"Contemporary (1970–present)","description":"\u003cp\u003eLiving composers and the new music being written today.\u003c\/p\u003e","products":[{"product_id":"a-choral-christmas-jones-trinity-choir-of-247134","title":"A Choral Christmas \/ Jones, Trinity Choir Of Boston","description":"From the first few seconds of this new recording from Brian Jones and his Trinity Choir, you know it's Christmas. The flute and bell sounds, the dancing rhythm from the organ, the prodigiously joyful voices, and the catchy, unmistakably Rutter-esque melody combine to set off the sparks that promise a bright, happy, thoughtfully and lovingly compiled program. I say \"lovingly\" because this is the type of programming that, as usual with Jones, is not made with the \"snooty\" or \"snobbish\" in mind, but comes purely from the heart and from the experience of a director who knows and cares about the real listening tastes of his audience. (You've got to admire anyone who convincingly and with conviction programs \"The Holy City\" alongside works by Britten and Vaughan Williams, as he did on an earlier recording for Gothic Records.) And, as reflected here, those tastes, especially in Christmas music, cover a fairly wide range--from Rutter (three pieces) to Poulenc (O magnum mysterium) to Luboff (his well-loved arrangement of the Austrian carol Still, still, still).\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e The opening tune indeed is by John Rutter, a setting of the 15th-century text \"Sing we to this merry company\", and it's quickly followed by the Luboff arrangement, Gerald Near's setting of Ding! dong! merrily on high, and the well-known Pearsall version of In dulci jubilo. The combination of familiarity and audience-favorite continues throughout the rest of the 21 selections, with classics such as Rutter's all-time most-popular What sweeter music, Elizabeth Poston's Jesus Christ the apple tree, and Poulenc's motet O magnum mysterium. But mixed in among these revered gems are many less well-known pieces, including a snazzy, bluesy Noël nouvelet arranged by Stephen Jackson, Michael Head's charming and lovely The little road to Bethlehem, and of course a Charles Wood arrangement, Once as I remember (Wood is a Jones favorite).\u003cbr\u003e \u003cbr\u003e  \u003cbr\u003e The choir, one of North America's treasures, always is a treat to hear, displaying not only an enormous stylistic command but also uncommon technical range and interpretive sensitivity. I've said this before, but it's still true: The soprano section would be the envy of any choir. However, the entire ensemble manages a consistent cohesiveness and sonic refinement that's rare among amateur choirs in any part of the world. Even in small details, the choir shows extraordinary care and attention--for instance, in the perfectly rendered endings to the simple but so-often-troublesome \"Gloria\" line in Ding! dong! merrily on high. And for sheer strength and unity of sound, listen to the choir's rendition of Holst's On this day earth shall ring. Other highlights include Bob Chilcott's Mid-winter, a setting of the Christina Rossetti text \"In the bleak mid-winter\" that's become an instant favorite all over the world. Jones himself contributes a very effective arrangement of O little town of Bethlehem that joins the two \"competing\" tunes St. Louis and Forest Green. Although I would prefer a warmer, softer-edged sound in the Poulenc to really capture the \"mysterium\" in the work, and slightly better-tuned tenors in some places (What sweeter music, for example), this is a first rate recording that will satisfy all listeners looking for an ideal all-around Christmas choral collection. The sound, made in Boston's Trinity Church, captures the detail of choir, organ, and occasional percussion while faithfully capturing the fullness and resonance of the church's magnificent space.\u003cbr\u003e --David Vernier, ClassicsToday.com","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":44627026215146,"sku":"053479324023","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/184399.jpg?v=1778187410"},{"product_id":"bernstein-century-jeremiah-the-age-of-anxiety-261406","title":"Bernstein Century - Jeremiah, The Age Of Anxiety, Etc","description":"The true personality of American classical music in the 20th century has to be Leonard Bernstein. No one has done so much to spread the joy of music to audiences young and old as the late conductor of the New York Philharmonic.\u003cbr\u003eThough this is the work for which he is best known, Bernstein was an accomplished composer and performer as well as orchestra leader and goodwill ambassador for the arts. His 'Jeremiah' Symphony launched his career in 1942, when Bernstein submitted it to a competition. Although it did not win, it was performed in Pittsburgh, Boston and New York City, where it was voted the outstanding new work of the season by the New York Music Critics Circle.\u003cbr\u003e'The Age of Anxiety' is a tribute to the W.H. Auden poem of the same name, and aims to capture the disjointed, anxious, disaffected spirit of the postwar period. \"I Hate Music!\" and 'La Bonne Cuisine' are more lighthearted affairs, embodying the spirit that connected Bernstein so well with a children's audience. Performed by Bernstein himself, along with mezzo-soprano Jennie Tourel and the New York Philharmonic, this recording is a beautiful memory.\u003cbr\u003eREVIEWS:\u003cbr\u003eNew York Times (Publisher) (7\/30\/00, p.30) - \"...These whimsical song cycles occupy just a small portion of this CD but are its real reward. Previously unissued, the recordings feature Tourel at her most charming, with Bernstein at the piano...\"","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":44626948620522,"sku":"074646069721","price":11.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4318137-3139783.jpg?v=1778202520"},{"product_id":"boulez-rituel-eclat-multiples-boulez-bbc-so-261374","title":"Boulez: Rituel, Eclat, Multiples \/ Boulez, Bbc So","description":"Boulez: Rituel (In memoriam Bruno Maderna) \u0026amp; Eclat\/Multiples","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":44626901205226,"sku":"074644583922","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4317513-3139549.jpg?v=1778205758"},{"product_id":"christmas-star-carols-for-the-christmas-season-244597","title":"Christmas Star - Carols For The Christmas Season \/ Rutter, Cambridge Singers","description":"Another classic from the John Rutter and the Cambridge Singers, whose recordings have become a tradition of Christmas around the world.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003cbr\u003e \u003cbr\u003e\u003cem\u003eChristmas Star\u003c\/em\u003e is an entertaining collection of familiar holiday tunes and carols, all professionally performed by the Cambridge Singers. This is good, straight a cappella holiday mus­ic and should satisfy fans of that style[.]\u003cbr\u003e \u003cbr\u003e ­– All Music Guide (Stephen Thomas Erlewine)","brand":"Collegium Records","offers":[{"title":"CD","offer_id":44626842943722,"sku":"040888050322","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/198745.jpg?v=1778295347"},{"product_id":"music-of-latin-american-masters-tango-camerata-247079","title":"Tango! - Music of Latin American Masters \/ Camerata Bariloche","description":"Piazzolla, A.: Suite Punta Del Este \/ Bragato, J.: Graciela","brand":"Sono Luminus","offers":[{"title":"CD","offer_id":44626369052906,"sku":"053479020123","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/184313.jpg?v=1778283432"},{"product_id":"on-the-town-261119","title":"On The Town - Bernstein (1961 Studio Cast Recording)","description":"Principal cast includes: Michael Kermoyan, Cris Alexander, Adolph Green, John Reardon, Nancy Walker, Betty Comden, George Gaynes.\u003cbr\u003eProducers: Goddard Lieberson, Irving Townsend, John McClure.\u003cbr\u003eRecorded at the Columbia 30th Street Studio, New York, New York on November 13, 1958 and May 31, 1960; Manhattan Center, New York, New York on June 18, 1963. Includes liner notes by Didier C. Deutsch.\u003cbr\u003eAll tracks have been digitally remastered.","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":44625867833578,"sku":"074646053829","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4318117-3139763.jpg?v=1778238686"},{"product_id":"aho-symphony-no-1-hiljaisus-violin-concerto-103824","title":"Aho: Symphony No 1; Hiljaisus: Violin Concerto \/ Gräsbeck, Vänskä, Lahti Symphony","description":"Given Sibelius’s reputation as one of the great symphonists of the last century, contemporary Finnish composers may be forgiven for feeling a little overshadowed. Fortunately for the young Aho, Rautavaara’s advice and support proved decisive in shaping this symphony, which began life as a string quartet. The work is in four movements, the mysterious opening and ascending brass figures of the Andante strongly reminiscent of Shostakovich. Indeed, this is confirmed by the noted music publisher Fennica Gehrman, in a short article on the Finnish Musical Information Centre website.\u003cbr\u003e  \u003cbr\u003e There is no obvious programme here, but in his refreshingly unpretentious liner-notes – a welcome feature of this entire cycle – Aho does speak of ‘nightmares’ and ‘psychological crises’. Even without these pointers the Andante has a certain bleakness – desolation, even – although there’s none of the trenchancy one associates with Shostakovich in similar mood. That said the grim little waltz in the Allegretto could so easily be attributed to DSCH, not to mention the quiet but insistent tread in the lower strings.\u003cbr\u003e  \u003cbr\u003e By contrast the Presto kicks off with an arresting moto perpetuo that drives this fugue like a musical dynamo. This movement has some of the most individual writing so far. That said the shade of Shostakovich hovers nearby, the laconic waltz tune and a splintered remnant of the opening theme bringing the symphony to an enigmatic close.\u003cbr\u003e  \u003cbr\u003e The other works on this disc – Hiljaisuus (Silence) and the Violin Concerto – date from the early 1980s. According to Aho, Hiljaisuus, a Finnish Radio commission that was to last no more than five minutes, was intended as an introduction to the recently completed Violin Concerto. It’s a strange swirl of a piece, a mix of unsettling glissandos and unearthly sonorities. Sample the short passage at 4:02 and you may be forgiven for thinking you’re listening to Ligeti.\u003cbr\u003e  \u003cbr\u003e The Violin Concerto has more momentum and contrast than Hiljaisuus, although it shares the latter’s concentrated, more dissonant idiom. It isn’t the most grateful start to a violin concerto, the solo part – sensitively played by Manfred Gräsbeck – rather less prominent than one might expect. That said it would be difficult to hear it above the orchestral eruptions that punctuate the first movement. At 8:30 the soloist is given some insistent phrases that rise above muted timps, culminating in an equally restrained close.\u003cbr\u003e  \u003cbr\u003e The repeated phrases at the start of the second movement – marked Leggiero – lead into music that fluctuates between light and shade. The soloist has some rhapsodic passages all to himself before we plunge into the spectral waltz of the finale. La Valse this isn’t, but the wild, somewhat demonic element is certainly present. Gräsbeck phrases these tunes like a Mahlerian Ländler – listen to the passage beginning at 3:37 – before he is crushed by a massive orchestral climax worthy of Bartók in Miraculous Mandarin mode.\u003cbr\u003e  \u003cbr\u003e Whatever hints there may be of other sound worlds Aho has fashioned something altogether individual here, combining a range of ear-pricking sonorities with music of considerable punch and power. Nothing quite prepares one for the gentle, introspective close to this concerto which, as I have discovered, is something of an Aho trademark.\u003cbr\u003e  \u003cbr\u003e Despite its obvious influences the symphony is remarkably assured for a student work. It’s economically scored, light on its feet and direct in its appeal, the chamber-like qualities much enhanced by the airy recording. The concerto is more roughly hewn; it’s a protracted tussle between soloist and orchestra, yet it has real presence and power. All credit to the Lahti Symphony Orchestra – just 40 years old when this recording was made – who play these scores with commitment and care. An excellent entrée to Aho’s distinctive sound world.\u003cbr\u003e  \u003cbr\u003e -- Dan Morgan, MusicWeb International\u003cbr\u003e","brand":"BIS","offers":[{"title":"CD","offer_id":44625705238762,"sku":"7318590003961","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2262811.jpg?v=1778321066"},{"product_id":"benjamin-a-mind-of-winter-etc-benjamin-94664","title":"Benjamin: A Mind Of Winter, Etc \/ Benjamin, Elder, Et Al","description":"\u003cp\u003eGeorge Benjamin is a contemporary composer known best among small circles, but with a loyal international following. This recording contains five of his pieces, and they share a common style. Benjamin treats a composition as a landscape: a kind of blank, rolling panorama onto which he affixes musical ideas. His sound is very textured and evocative. 'Ringed by the Flat Horizon,' for example, portrays a storm that overtakes a vast open space. The music begins ominously and contains a variety of created sound effects along with rapid fire crescendos into huge orchestral crashes. 'A Mind In Winter' is contrarily a setting of \"The Snowman\" (a poem by Wallace Stevens), and yet is built upon the same sort of abstract picture-building and sweeping evocative gestures for the voice. Benjamin's vocabulary is developed from the modern schools of atonality, and his teacher Messiaen is a clear and strong influence on his work. For those attracted to the modern schools of classical composition, they will find a great many layers to be unveiled in this recording.\u003c\/p\u003e","brand":"Nimbus","offers":[{"title":"CD","offer_id":44625610506474,"sku":"710357564321","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/305119.jpg?v=1778294923"},{"product_id":"gubaidulina-seven-words-silenzio-in-croce-selmeczi-234484","title":"Gubaidulina: Seven Words, Silenzio, In Croce \/ Selmeczi","description":"GUBAIDULINA: Seven Words \/ Silenzio \/ In Croce","brand":"Naxos","offers":[{"title":"CD","offer_id":44625366614250,"sku":"730099455725","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/127352.jpg?v=1778346275"},{"product_id":"lutoslawski-orchestral-works-vol-4-wit-polish-234498","title":"Lutoslawski: Orchestral Works Vol 4 \/ Wit, Polish Rso","description":"Somewhat unusually, the fourth volume of the Naxos series of Lutoslawski orchestral recordings concentrates entirely on the music of his full maturity where the composer used brief passages of aleatoric counterpoint. As the composer stated many times, this is not improvisation: All the music is written out, but the precise coordination over a set duration is left to the moment. Thus each performance is, in its small details, literally unique. By the time of 'Livre pour orchestre,' written in 1968, Lutoslawski had begun to incorporate a certain amount of indeterminacy in all of his music.\u003cbr\u003eThe masterful Cello Concerto, written for Rostropovich in 1970, marked Lutoslawski's mature return to concertante writing. At the great cellist's request, only musical considerations were taken into account, hence the fearsome solo part. It is one of the composer's finest works, and is very well performed here. The 'Novelette' was also written for Rostropovich, this time as conductor, as a companion piece to the Cello Concerto in 1979. Finally, from Lutoslawski's last period comes 'Chain No.3,' the last of three works all employing a similar chain method of construction. All three works reflect the increasingly refined idiom of Lutoslawski's final decades.","brand":"Naxos","offers":[{"title":"CD","offer_id":44625210310890,"sku":"730099462525","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/232364.jpg?v=1778349390"},{"product_id":"lutoslawski-orchestral-works-vol-5-wit-polish-224707","title":"Lutoslawski: Orchestral Works Vol 5 \/ Wit, Polish Rso","description":"Volume Five pairs two relatively early works of Lutoslawski with two works of his full maturity. The 'Concerto for Orchestra' of 1955 is a brilliant example of Lutoslawski's orchestral craftsmanship. It also demonstrates that he was a great composer well before he explored the more personal idiom of his later music. Also from this period is the tiny Overture for Strings of 1949. It is a lovely work that has been completely overshadowed by the composer's first symphony as well as the more famous 'Funeral Music.'\u003cbr\u003eFrom the composer's full maturity comes his only work for chorus and orchestra, the 'Three Poems of Henri Michaux.' The score specifies that the two ensembles are only loosely coordinated, and each has its own conductor. The middle movement is a brilliant evocation of a crowd on the verge of riot. Finally there is 'Mi-Parti,' from 1976, a two-part single-movement work written for the Concertgebouw Orchestra of Amsterdam. As always in this series, the performances are completely competitive and offer much repertoire not available elsewhere--and all at a budget price.","brand":"Naxos","offers":[{"title":"CD","offer_id":44625210278122,"sku":"730099477925","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/246963.jpg?v=1778184422"},{"product_id":"nono-polifonica-monodia-ritmica-canti-per-13-265246","title":"Nono: Polifonica-monodia-ritmica, Canti Per 13 \/ Hirsch","description":"This disc of chamber works by Luigi Nono is most definitely not easy listening, and will not fade quietly into the background. It is, however, a fascinating collection of works which owe at least some debt to Anton Webern in the composition of their sound worlds. The titles evoke the most basic elements of Western music: polyphony, monody, rhythm, songs. Yet none of these appears in its traditional sense in the music--Nono is more interested here in suspended or fractured songs, rather than a style of sustained lyricism. 'Polifonica-Monodia-Ritmica' begins with echoes of unheard pitches which coalesce into undulating almost-harmonies before breaking into a halting movement forward.\u003cbr\u003ePeter Hirsch and his Ensemble United Berlin have mastered this music and found Nono's broken and echoed melodies along with his polyphony, monody, and the rest. Whether a group of seven or of thirteen or of only two, they play with excellent ensemble. Soprano Angelika Luz gives the haunting, stratospheric 'Canciones a Guiomar' appropriate voice, giving beauty and life to \"un-pretty\" vocal writing.","brand":"Wergo","offers":[{"title":"CD","offer_id":44625097195754,"sku":"4010228663129","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2857878.jpg?v=1778289961"},{"product_id":"part-summa-kantorow-tapiola-sinfonietta","title":"Pärt: Summa \/ Kantorow, Tapiola Sinfonietta","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44625068490986,"sku":"7318590008348","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263001.jpg?v=1778319566"},{"product_id":"piazzolla-tangos-arranged-for-saxophone-and-orchestra-292732","title":"Piazzolla: Tangos Arranged For Saxophone And Orchestra","description":"Classical Music","brand":"Delos","offers":[{"title":"CD","offer_id":44625053581546,"sku":"013491325224","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/275715.jpg?v=1778342193"},{"product_id":"radiant-light-songs-for-the-millennium-trinity-247120","title":"Radiant Light - Songs for the Millennium \/ Trinity Choir","description":"For the last several years, sacred choral music has been experiencing a resurgence in popularity. 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Spanning more than 45 years of the composer's work, the album functions as something of a compendium of themes that Rautavaara has returned to time and again in his music, from the dodecaphonic experiments of the Wind Octet to his ongoing fascination with angels. In this performance of 1981's Playgrounds for Angels, it becomes unclear if the playgrounds belong entirely to terrifying otherworldly beings or to these instrumentalists, whose superb ensemble skills definitely qualify them as supernaturally talented. 1953's A Requiem in our Time has been recorded at least four times, most memorably--until now--on a BIS disc with Brass Partout. The bold strokes and brash colors of this work are reflected in the more rare Soldier's Mass from 1968, whose \"In Hora Mortis\" movement presages the shimmering intensity of Rautavaara's later works.\u003cbr\u003e\u003cbr\u003eA few shorter compositions round out the collection. Originally written as a compulsory piece for a trumpet competition, the Tarantará must have struck fear into the hearts of those brass players--in Rautavaara's hands, the instrument is nothing short of a wild animal that shrieks, growls, and leaps all over the register with dizzying speed. The extraordinary trumpeter Pasi Pirinen makes it all seem easy. The fanfare written for Finland's 75th independence anniversary is a mere 37 seconds long: blink twice, and you miss it entirely. The most recent composition, 1998's Hymnus for trumpet and organ, ably performed by Deborah Calland and Barry Millington, completes the survey. 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