On Daydreaming, Italian saxophonist and composer Carla Marciano transforms memory, grief and love into an intensely personal musical journey. Dedicated to her father Giovanni, the album reflects the profound bond between father and daughter and the lifelong passion for music he inspired in her. Marciano's compositions move between intimate reflection, lyrical beauty and powerful improvisation. Her alto and sopranino saxophones are joined by her long-standing quartet (Alessandro La Corte, Aldo Vigorito and Gaetano Fasano with Dario Deidda appearing on acoustic bass). Several pieces are further enriched by the Philharmonic Orchestra of the 'Giuseppe Verdi' Theater in Salerno, conducted by Antonio Sinagra. Created during a period marked by the loss of both parents and Marciano's recovery from a serious road accident, Daydreaming is also a testimony to resilience and renewal. The music evokes childhood memories, shared songs, imagined embraces and the enduring presence of loved ones. It is an album about absence, but above all about gratitude, courage and a love that continues beyond time.
After an artistic hiatus, Jeff Herr Corporation returns with Five Moons, a bold new chapter for the Luxembourg-based trio. Led by drummer, composer, programmer and sound designer Jeff Herr, the group's renewed line-up features Maxime Bender on tenor and soprano saxophone and Pol Belardi on electric bass and double bass. With Five Moons, the trio moves into a more modern, daring sound world, blending contemporary jazz, improvisation, electronic textures and driving grooves. The acoustic dynamic of the previous formation gives way to a powerful new identity: lyrical saxophone lines, deep bass foundations and organic, energetic drumming come together in music that is both subtle and forceful. The repertoire was written and developed during an artistic residency at the Abbaye de Neumünster between December 2024 and April 2025, as part of the band's search for a new sound integrating electronic elements. Recorded in December 2025 and January 2026 at Holtz Sound in Tuntange, Luxembourg, Five Moons captures a trio in full creative motion, where innovation, spontaneity and intense musical interaction shape every performance.
With Traces of Light, saxophonist and composer Jan Prax presents a deeply expressive and spiritually charged new album. Known as one of Europe's most distinctive saxophonists and a protege of David Sanborn, Prax draws from jazz tradition, improvisation, and a broad musical imagination to create a sound that is vibrant, soulful, and unmistakably his own. Joined by Carl-Henri Morisset on piano, Riccardo Del Fra on double bass, and Zhitong Xu on drums, Prax leads a quartet built on trust, intuition, and shared musical purpose. Across nine original compositions, the album moves through tension, stillness, searching energy, and lyrical release. From the opening lift of 'Elevation' and the smouldering intensity of 'Cold Flame' to the reflective beauty of 'Hope in Bloom,' 'Reverie,' and the title track, the music breathes, expands, and glows with emotional clarity. At it's heart, Traces of Light is an album about connection, compassion, and presence. It is music shaped by fire and finesse, but also by openness and vulnerability and a journey toward light, shared by kindred spirits.
Two of the most distinctive voices on the contemporary Danish jazz scene, chromatic harmonica player Mathias Heise and guitarist Pelle von Bulow, join forces on Repertoire, a duo album built on interplay, shared intuition, and a carefully selected body of songs spanning jazz standards, soul, pop, and contemporary material. At it's core, Repertoire reflects the long-standing musical familiarity between Heise and von Bulow. Working as equals in a stripped-down duo setting, the two musicians treat each piece as a flexible framework for improvisation rather than a fixed arrangement. The music unfolds in real time through dialogue, contrast, and a finely tuned sense of balance between structure and freedom. The repertoire draws from a wide range of jazz and pop standards. It includes So Tender by Keith Jarrett, Besame Mucho by Consuelo Velazquez, and Beatrice by Sam Rivers. From the pop and soul canon, the album features Overjoyed by Stevie Wonder, Rock with You by Rod Temperton, popularized by Michael Jackson, and One Day I'll Fly Away, alongside Angel Zoo by Danish band Phlake. Further repertoire threads include Velas, written by the great Brazilian composer and singer Ivan Lins. Always and Forever is part of the broader soul repertoire associated with Heatwave. The album closes with Bluesette, one of the defining compositions in the jazz harmonica tradition, also by Toots Thielemans, and a natural reference point for Heise's instrument. Mathias Heise has established himself internationally as one of the most original voices on the chromatic harmonica. In 2013, he won the Chromatic Harmonica World Championship, followed by the Danish Crown Prince Couple's Stardust Award in 2016 and the Ben Webster Prize in 2017. He was the first musician admitted to the Rhythmic Music Conservatory with chromatic harmonica as his main instrument, and has since released a series of critically acclaimed albums, including his 2023 Storyville quintet album, Mouth Games. Heise is a true virtuoso with a harmonic curiosity and stylistic openness. He can play anything! Guitarist Pelle von Bulow is an established figure on the Danish jazz scene. He is one of a generation of guitarists who are inspired by the legacy of Doug Raney, who lived in Copenhagen. Pelle von Bulow is also a virtuoso and has, among others, incorporated influences from legends such as George Benson as well as the Brazilian jazz guitar tradition. Coming from a family with a strong jazz tradition, Pelle von Bulow is the son of acclaimed alto saxophonist Christina von Bulow, and represents a younger generation of Danish jazz guitarists rooted in both tradition and contemporary expression. Repertoire shows how contemporary jazz continues to evolve through a new generation of musicians.
Storyville Records presents Between Then and Now, a new trio album by acclaimed American pianist Christian Sands, joined by Danish bassist Thomas Fonnesbaek and Swedish drummer Rasmus Kihlberg. An international collaboration that captures contemporary jazz at the intersection of American tradition and Nordic musical sensibility. The album features 7 tracks, balancing original compositions by Sands and Fonnesbaek with inspired reinterpretations of jazz standards and classic repertoire by Bobby Timmons, Luiz Bonfa, and John Coltrane. Recorded in the spirit of Copenhagen's jazz tradition it presents jazz as both a living art form of the present and a dialogue with it's past, hence the title Between Then and Now. The collaboration grew from Sands' relationship with the Copenhagen jazz scene, initiated when former Montmartre musical director Christian Brorsen discovered him online and invited him to Denmark. Like earlier generations of American jazz musicians, including Ben Webster and Dexter Gordon, Sands quickly became a compelling presence in Copenhagen, where attentive listening and subtle interplay guide every performance. Over the years, he has been a frequent guest in Denmark and loved by the audience here. Together, the trio represents a truly international jazz language. Sands is celebrated for his virtuosic piano playing, rich harmonic imagination, and improvisational energy. Fonnesbaek, one of Europe's leading bassists, offers melodic clarity and technical brilliance shaped by the Danish jazz tradition, while Kihlberg contributes a refined rhythmic approach marked by elegance, precision and responsiveness. Together they have a compelling sound of openness yet you always feel the classic American jazz tradition in the music. This is modern American/ Scandinavian music, not just jazz. Listen to Sands' inventive arrangement of Giant Leaves, which merges John Coltrane's Giant Steps with Joseph Kosma's Autumn Leaves, served as a tribute to legendary Danish drummer Alex Riel, who influenced both Sands and generations of jazz musicians in Europe. Original compositions such as Sands' Where Children Still Play and Where the Light Settles, and Fonnesbaek's Searching in Sahara reveal the trio's lyrical and exploratory approach. The Nordic hymn Til ungdommen / To the Youth (Kringsatt av Fiender) is another beautiful example of how this trio sound together. Enjoy this contemporary recording with three of the most interesting musicians on the Scandinavian and American jazz scene right now.
With their neww album Tolstoy, Too Noisy Fish, the trio of Peter Vandenberghe (piano, compositions), Kristof Roseeuw, and Teun Verbruggen, opens a new chapter full of freedom and adventure. The moves effortlessly between composition and improvisation, between order and chaos, between what is planned and what emerges in the moment. Too Noisy Fish first made it's mark in the Belgian jazz landscape in 2011, when the rhythm section of the Flat Earth Society Orchestra decided to start pushing boundaries as a trio too. They created four albums, including 'Too Many Fish: 10 Years Too Noisy Fish', a record celebrating the ten year anniversary of the trio by inviting musician and artist friends to join them in the studio and on stage. With their upcoming album, they are once again establishing themselves as a singular trio. The band shows how music can be at once profound and light, sharp and open-hearted, fully in line with the seeming contradictions that are rife in Tolstoy's work. Each piece is a journey, unpredictable, honest, and full of twists, with freedom and adventure as the compass, and no fixed destination. The compositions breathe literature: melodies unfold like sentences, rhythms collide like characters, harmonies pose questions rather than giving answers. Too Noisy Fish remains true to it's distinctive sound world: incisive, playful, unsettling, yet always imbued with deep human warmth. On Tolstoy, the music moves freely through space, silence, humor, and melancholy. An album about the lust for life, choices, and the endless search for meaning; in sound, in silence, in freedom.
Swedish vocalist Anna Pauline Andersson celebrates over two decades in jazz with her new album, Lucky To Be Me, on Storyville Records. The album is a culmination of years of artistic exploration, mentorship, and collaborative discovery. It features standout performances, including a trumpet solo by jazz legend Randy Brecker on Pauline's original composition Just One Song and a duet with Janis Siegel of the Manhattan Transfer on the title track. This 8-track recording includes one original composition and seven interpretations of jazz standards, cinematic favorites, and musical theatre classics. The repertoire reflects Pauline's deep engagement with the Great American Songbook, the narrative richness of musical theatre, and the improvisational possibilities of jazz. Each track captures a moment of musical conversation and spontaneous discovery, anchored by Pauline's luminous voice and emotional depth. The project gained momentum in 2023, when Pauline met Siegel in Sweden through pianist Mattias Nilsson. Their first duet sparked a musical understanding that quickly evolved into mentorship and collaboration. Siegel later introduced Pauline to pianist, arranger, and producer John Di Martino, whose arrangements and artistic direction shape the album's sound. Di Martino assembled a group of top New York jazz musicians and crafted each arrangement to showcase both Pauline's voice and the ensemble's improvisational interplay. The sessions were recorded in New York with a strong emphasis on live interaction, allowing the music to unfold naturally. For Pauline, Lucky To Be Me realizes a long-held dream while marking a personal and musical turning point. Recording in New York, the birthplace of much of the music that inspired her, was both symbolic and deeply meaningful. Working closely with Di Martino, Pauline blended her Nordic sensibility with the rhythmic vitality and storytelling of American jazz. This creative dialogue has produced arrangements that honor the original material while highlighting her distinctive interpretive voice. This collaborative approach shapes the album's repertoire, which combines an original composition with reinterpretations of classics from jazz, film, and musical theatre. Tracks like Leonard Bernstein's Lucky To Be Me and Michel Legrand's Les Parapluies de Cherbourg showcase Pauline's capacity to inhabit each song fully, while Rodgers & Hammerstein's The Sound of Music highlight her subtle phrasing and improvisational creativity. Collaborators including saxophonist Aaron Heick, trumpeter Freddie Hendrix, and percussionists Khalil Kwame Bell and Vince Cherico bring drive and textural richness to each performance. Recorded at Trading 8s Recording Studio in New Jersey, with duets tracked in Sweden, and mixed and mastered by Dave Darlington at Bass Hit Studio in New York City, the album unites two musical worlds: a Nordic jazz voice in dialogue with American tradition, enriched by mentorship and musical lineage. Lucky To Be Me is a celebration of connection, creativity, and the joy of jazz storytelling, bringing together musicians, traditions, and generations in a shared musical journey.
Clara Haberkamp does not like to be categorized and describes herself as a genre-open pianist and composer. Hailed as 'one of the most distinctive pianists on the German jazz scene' (radio DLF), she has recently made waves internationally with her latest record, Plateaux (TYXart, TXA24184). Blending jazz, classical music, and New Music, her sound is direct, intimate, and unmistakably her own. Occasionally, she adds her voice as another color in her musical palette, speaking directly to the listener. Clara Haberkamp's solo piano album LOVE MAPS (including also two vocal tracks) is a masterpiece of musical navigation-a beautifully crafted sonic map bridging jazz, classical music, and multifaceted improvisation. Familiar pieces and original compositions are transformed through her unique artistic sensibility.
Two of the most distinctive voices on the contemporary Danish jazz scene, chromatic harmonica player Mathias Heise and guitarist Pelle von Bulow, join forces on Repertoire, a duo album built on interplay, shared intuition, and a carefully selected body of songs spanning jazz standards, soul, pop, and contemporary material. The album will be released on August 7, 2026 via Storyville Records. At it's core, Repertoire reflects the long-standing musical familiarity between Heise and von Bulow. Working as equals in a stripped-down duo setting, the two musicians treat each piece as a flexible framework for improvisation rather than a fixed arrangement. The music unfolds in real time through dialogue, contrast, and a finely tuned sense of balance between structure and freedom. The repertoire draws from a wide range of jazz and pop standards. It includes So Tender by Keith Jarrett, Besame Mucho by Consuelo Velazquez, and Beatrice by Sam Rivers. From the pop and soul canon, the album features Overjoyed by Stevie Wonder, Rock with You by Rod Temperton, popularized by Michael Jackson, and One Day I'll Fly Away, alongside Angel Zoo by Danish band Phlake. Further repertoire threads include Velas, written by the great Brazilian composer and singer Ivan Lins. Always and Forever is part of the broader soul repertoire associated with Heatwave. The album closes with Bluesette, one of the defining compositions in the jazz harmonica tradition, also by Toots Thielemans, and a natural reference point for Heise's instrument. Mathias Heise has established himself internationally as one of the most original voices on the chromatic harmonica. In 2013, he won the Chromatic Harmonica World Championship, followed by the Danish Crown Prince Couple's Stardust Award in 2016 and the Ben Webster Prize in 2017. He was the first musician admitted to the Rhythmic Music Conservatory with chromatic harmonica as his main instrument, and has since released a series of critically acclaimed albums, including his 2023 Storyville quintet album, Mouth Games. Heise is a true virtuoso with a harmonic curiosity and stylistic openness. He can play anything! Guitarist Pelle von Bulow is an established figure on the Danish jazz scene. He is one of a generation of guitarists who are inspired by the legacy of Doug Raney, who lived in Copenhagen. Pelle von Bulow is also a virtuoso and has, among others, incorporated influences from legends such as George Benson as well as the Brazilian jazz guitar tradition. Coming from a family with a strong jazz tradition, Pelle von Bulow is the son of acclaimed alto saxophonist Christina von Bulow, and represents a younger generation of Danish jazz guitarists rooted in both tradition and contemporary expression. Repertoire shows how contemporary jazz continues to evolve through a new generation of musicians.
2013 collection that celebrates and honors the women of World War II. We Can Do It features music from the WWII era, including hits like 'In the Mood,' 'Boogie Woogie Bugle Boy,' and 'Sing, Sing, Sing,' performed by the great musicians of the United States military, including the Airmen of Note, formed to carry on the tradition of Glenn Miller's Army Air Corps dance band.
'THE Hub, with a growing reputation as undiscovered gems, are rapidly developing a dedicated cult following.' BBC Radio 3 THE Hub is a band whose appetite for far flung sounds often defies categorization and whose members, Sean Noonan, Tim Dahl, Dan Magay play with the conviction and ferocity of men on a mission. A look at their recent European tour schedule indicates that they could be on the road as often as AC/DC. After initially shocking audiences with their eclectic array of original compositions, THE Hub have earned a loyal fan base worldwide. Hub fans have even been known to travel up to six hours to see them perform. So who is THE Hub? 'Maniacally exhilarating, gripping in it's precision and energy, a real breath of fresh air.' John Fordham - The Guardian (U.K) THE Hub is creating a new movement in jazz joining diverse music listeners from the hard core/metal, punk, new music, and electronic music scenes. Their latest album release 'Trucker' is another existential leap that is described as, 'Clearly a totally new form of music with an aggressive heavy metal touch belied by a jazz sensibility and control.' Jeremy Hurewitz - Prague Post 'Trucker' comes straight out of the Brooklyn underground music scene where they create a sonic amalgam of hip-hop, hardcore, punk, funk, and freeform jazz improvisation. All of these modes lead to music with originality . 'Trucker' is now available in record stores worldwide providing an irresistible force for progressive music listeners everywhere.
