Royal Manuscripts: The Genius of Illumination – the British Library’s first major exhibition to bring together the Library’s Royal collection, a treasure trove of illuminated manuscripts from between the 9th and 16th centuries collected by the kings and queens of England between the 9th and 16th centuries. This CD is inspired by the exhibition and includes works performed by The Sixteen from the Eton Choirbook alongside fascinating pieces from medieval and Renaissance France, equally preserved in beautifully illuminated collections of manuscripts and performed here by the Hilliard Ensemble. And finally, one of the crowning glories of music from the Tudor period, Tallis’s monumental Spem in Alium. Over the years it has been our overwhelming desire to rejoice in the survival of this great music. It is collections such as those preserved at the British Library that have enabled us to bring back to life the music that illuminated these fascinating periods in our history.

In the third installment in their acclaimed series, Harry Christophers and the Handel and Haydn Society present a new live recording devoted to the master of the symphony – Joseph Haydn. This release showcases Haydn’s Symphony No. 8 Le soir, which completes the trilogy written for Prince Paul Anton Esterházy. Also included is the later Symphony No. 84 which shows just how much Haydn’s symphonies had transformed from those early years. Not only is it an incredible fusion of grace, brilliance and warmth but it also contains one of the most striking wind band solos in all of his Paris symphonies. Completing the programme is the Violin Concerto in A major performed by H+H’s fiery and expressive Concertmaster, Aisslinn Nosky.

Monteverdi’s sacred vocal compositions introduced the expression of powerful and personal emotions to the world of church music. While it took him a number of years to find fulfillment in his work, Monteverdi was a revered composer within his lifetime and his music is regarded as revolutionary, marking the change from the Renaissance style to that of the Baroque. This album includes some of the finest works from Monteverdi’s years as director of music at St Mark’s in Venice, published posthumously in 1650 as the ‘Messa a quattro voci et salmi.’ “Pure- and vintage- Monteverdi, starting with a Dixit Dominus and ending, grandly with a version of Beatus Vir, using material we know from the familiar one. Ideal consort singing.” (The Sunday Times) “As always with The Sixteen, we get superb tuning, balanced ensemble work and a lively pace.” (BBC Music Magazine)

'Sit back and relish this treasure trove which has clearly been prepared with passion.' Gramophone Choice 'a delightful performance.' BBC Music Magazine 'This is sound you could listen to all day, the kind that no matter how loud you play it, it never appears anything but natural. This is a first-rate job all the way around.' Classical Candor, USA The Sixteen and Associate Conductor, Eamonn Dougan, follow up the success of the first disc in their new Polish series with a new recording devoted to music from the court of Sigismund III Vasa. The second disc in the series explores a selection of fascinating music composed by the Italian maestri at the Polish Court of the 16th and early 17th centuries including works by Asprilio Pacelli (1570-1623), Vincenzo Bertolusi (c.1550-1608), and Giovanni Francesco Anerio (c.1567-1630) .

The Handel and Haydn Society continues it's acclaimed Haydn exploration on CORO with one of the composer's last major works - the dramatic and sumptuous Mass in B-flat major more commonly known as the 'Harmoniemesse' because of it's use of a full wind band. It is accompanied on this album by the Symphony No. 99 in E-flat major - one of Haydn's twelve 'London' symphonies composed between 1791 and 1795 when London was the indisputable musical capital of Europe. Handel and Haydn Society is America's oldest continuously operating arts organisation. Harry Christophers has been Artistic Director since 2008 during which time the Society has released 12 recordings on CORO including Haydn's Creation, all six of his 'Paris' Symphonies, Mozart's Requiem and Handel's Messiah, and a Christmas album - 'Joy to the World' - celebrating America's favourite festive tunes.

There are certain texts which inspire composers more than others but there is one in particular that has provided us with sublime music ever since it appeared centuries ago—the Agnus Dei. This collection from The Sixteen celebrates some of the finest settings from the Renaissance through to the 20th century. Let time stand still whilst listening to the arching melismas and subtle imitation of settings by Tye and Sheppard; delight in the genius of Bach’s setting in the Mass in B minor; and revel in Poulenc’s soaring soprano solo at the opening to his Agnus Dei—so poignant, ethereal and effortlessly beautiful. Of course no collection of this type would be complete without Samuel Barber’s Agnus Dei—probably one of the most famous settings ever written, certainly in recent times, and which rarely leaves a dry eye. From Tallis to Scarlatti and Rubbra to Britten, the variety of settings and musical language featured here is quite astounding and you may even discover an Agnus Dei that you haven’t heard before!

Experience two grand classics, alive with all the excitement and verve of their very first performances. Thrill to one of Haydn’s masterful ‘London’ symphonies that wowed England’s capital – the smash hit ‘Military’, so-called for intense depictions of the clash of arms and ferocious roar of war. In the epic Nelson Mass Handel and Haydn Society's magnificent chorus and soloists join the orchestra in this homage to the heroic admiral who helped to vanquish Napoleon. Of conductor Harry Christophers, BBC Radio 3 Record Review wrote: “What Harry is particularly good at is nurturing the natural beauty of the instruments and voices and, indeed, acoustic that are in front of him. It’s very handsome.”

Dramatic, highly-colored music from one of the most approachable and individual voices in contemporary music.

Handel’s ever-popular Messiah was recorded live in the superb acoustic of Boston’s Symphony Hall, to mark the 200th anniversary of the founding of the Handel and Haydn Society, America’s longest-standing performing arts organization. Messiah was first performed in Dublin in 1742 and the Handel and Haydn Society gave the first complete performance of the work in the USA in 1818. It has been performed annually in Boston as part of the Handel and Haydn Society concert season every year since 1854.

REVIEWS:

In his rendering of the score, Harry Christophers eloquently guides us through the entire oratorio with a steady hand and firm conviction. The tempi are sprightly where they ought to be, even sparkling like jewels at times—but not blazing as if on fire—and are equally slackened when they need to be. Further, the text is not merely declaimed; rather, every word is expressed!

The period instrument orchestra plays each and every note, trill, and ornament to perfection. As one would expect, the soloists are likewise fantastic. Soprano Gillian Keith, countertenor Daniel Taylor, tenor Tom Randle, and baritone Sumner Thompson off er impressive virtuoso contributions.

The chorus’s full-bodied yet accurate ensemble singing perked up these ears from the very first pitch of “And the glory of the Lord shall be revealed” all the way through “Worthy is the Lamb that was slain” and the mammoth, closing “Amen.”

– Choral Journal

The music of British composer Edmund Rubbra (1901-1986) has an unmistakable style. His sense of tonality, his frequent use of counterpoint, and his clever melodies set his works apart from those of his contemporaries. While he is most remembered for his orchestral compositions, Rubbra also wrote choral music consistently throughout his career. For this release, The Sixteen explores some of Rubbra’s lesser-known choral works such as his Tenebrae Nocturns and his Missa Cantuariensis. “…exceptional works by Edmund Rubbra… The performances are beautiful and brilliant.” (New York Times)

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REVIEW:

Harry Christophers and The Sixteen, with their signature balance and textual care, make articulate advocates for a composer who is much more than a late echo of Holst of Vaughan Williams.

­– Gramophone

Harry Christophers balances the soaring soprano solo of Julie Cooper caressingly against the ensemble singers, in a performance which achieves ecstasy without any element of overstatement. This is a disc which anybody remotely interested in Rubbra will want to purchase.

­– BBC Music Magazine

"Let these glorious sounds fill your ears and lift your spirits." GRAMOPHONE "Outstanding...astonishing stylistic and expressive range." BBC MUSIC MAGAZINE "One of the finest choirs of our day." GRAMOPHONE This disc features music from over a dozen composers representing ten countries from Palestrina's Assumpta Est Maria and Monteverdi's Beatus Vir to excerpts from Poulenc's Sept Répons des Ténèbrae and Frank Martin's Mass for Double Choir. This disc provides a superb collection of works from some of Europe's most celebrated composers and, alongside the first disc in this set, Great British Choral Works, is the perfect introduction to The Sixteen's wonderful music

Harry Christophers and The Sixteen continue their exploration of Purcell’s stunning music written for royal occasions on the second album in their new series. Charles II’s formal Restoration in 1660 marked both an end and a beginning: the end of England’s republican experiment and the beginning of a long process of monarchical reconstruction; and with a politically accident-prone king on the throne, Charles’s public relations machine could never rest. Purcell joined its small team of composer operatives just as the wave of Stuart propaganda swelled massively, and he surfed the wave with breathtaking panache, from his first court ode – the simple but rousing Welcome, Vicegerent of the mighty King – to the ambitious Fly, bold rebellion involving verse settings in up to seven parts and a six-part chorus.

The famous Hilliard Ensemble presents a live tribute to the late fifteenth-century master composer Antoine Brumel, who was one of the most influential composers of his generation. This disc is the third of four live discs by The Hilliard Ensemble to be released on CORO. The first disc – Pérotin and the Ars Antiqua - has recently won a Diapason D’Or.

The music of Monteverdi is revolutionary, heralding in the Baroque era. For the first time, with Monteverdi’s compositions, deep personal emotion was being heard in sacred vocal works. This collection was released after the composers death as the Messa a Quattro voci et salmi, and was composed during Monteverdi’s time serving as director of music at St. Mark’s in Venice. The Sixteen has gained critical acclaim for their previous recordings of Monteverdi’s work, including a Grammy nomination for the ensemble’s 2014 recording of Monteverdi’s Vespers of 1610.

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REVIEW:

There is no shortage of first-rate music here, dispelling any notion that the Messa et Salmi only consists of pieces that Monteverdi himself did not think were worthy of preserving for posterity. The Sixteen’s performances have the group’s usual unfussy directness; the sound has no churchy over-resonance about it, either, so that the intricacies of the writing are always perfectly clear.

­– Guardian (UK)

Spirit, Strength & Sorrow, the staggering result of the Sixteen's third collaboration with the Genesis Foundation, demonstrates once again their joint commitment to nurturing new artistic talent. This CD features three brand-new settings of the Stabat Mater from emerging composers Alissa Firsova, T�nu K�rvits, and Matthew Martin alongside those by Claudio Casciolini and Domenico Scarlatti.

In celebration of the 250th anniversary of Beethoven’s birth, CORO Connections is delighted to present Ian Watson and Susanna Ogata’s acclaimed complete exploration of the Sonatas for Fortepiano and Violin in one stunning boxed-set edition. All 10 sonatas, performed exclusively on period instruments, from the epic ‘Kreutzer’ to the sublime ‘Spring’ feature in this four volume set. “The music's moody outbursts and vivacity come fully alive in elegant readings that are attentive to quicksilver changes in dynamics and articulation...the Sonata No. 4 in A minor is darkly played, their 'Kreutzer' Sonata brilliant and stormy.” (The New York Times) “There's something positively gleeful about the way the pair deliver the opening gambit of Op. 30 No. 3, and the same sonata's Haydnesque finale practically swings.” (Gramophone) “Their trim, alert reading of Op.24 arguably provides their most effective and expansive vehicle yet...it combines an appropriate sense of idiom with an abundance of vitality, sensitivity and insight, and furnishes Beethoven’s textures with a clarity rarely achieved.” (The Strad)

Two multi-choir Masses from mid-17th-century Rome (one for Easter, the other based on Palestrina's motet for Pentecost) complete I Fagiolini's dazzling series exploring the 'Colossal Baroque' and paying tribute to the 'lost' music of Orazio Benevoli. Maestro of the Cappella Giulia at St Peter's, Rome, Benevoli's mastery of surround-sound is clear in these very different works. The sheer quality of his music shines through and, sung by a group at the height of it's powers, changes our view of 17th-century multi-choir music. All the Masses in I Fagiolini's Benevoli series are premiere recordings.

Christmas simply wouldn't be Christmas without the iconic voices of The Sixteen providing a soundtrack to the season. Celebrated for collections that provide an alternative to the customary festive offerings, this new album from the world-renown choir is no exception. No other festival in the Christian year has inspired so many composers and such a variety of musical styles as Christmas. The Wise Men and the Star features a veritable cornucopia of yuletide music from the premieres of three new works to traditional carols including Away in a manger and In the bleak midwinter, and modern classics such as Eric Whitacre's Lux aurumque and Mykola Leontovich's Carol of the bells. This new album promises something for everyone.

Spanning 500 years from the exquisite simplicity of Thomas Tallis' perfect miniature O nata lux through Britten's jubilant Festival Te Deum to Cheryl Frances-Hoad's majestic O come let us sing unto the Lord, this album celebrates the hope and anticipation that comes with the beginning of a new day. Arise my love perfectly complements Magdalen's first album on CORO, Peace I leave with you, which celebrates music written for the end of the day.

Spain's Siglo de Oro, the Age of Gold, gave rise to some of the greatest sacred choral music of the Renaissance. Lead, Kindly Light is devoted to the music of two outstanding Spanish composers, exploring majestic works by Crist�bal de Morales, famed throughout Europe and in the New World, and the exquisite polyphony of Sebasti�n de Vivanco, whose intricately crafted counterpoint adorned services at the cathedrals of �vila and Salamanca during the late 1500s. Contrasting and complementing these 16th-century masterpieces are spellbinding settings of words by Saint John Henry Newman: Sir James MacMillan's Nothing in Vain for soloists and double choir, and the world premiere of Kerensa Briggs' Lead, kindly light, specially commissioned for this album.

Featuring timeless melodies from Guide me, O thou great redeemer (known to millions as 'Bread of heaven') to Abide with me, this stunning collection of�some of the best-loved hymns of all time�from The Choir of Magdalen College, Oxford, accompanied by the College's magnificent Eule organ, offers a glimpse into the daily musical life of this celebrated choir.

Recorded live at Boston's magnificent Symphony Hall, CORO brings together on one album the Handel and Haydn Society's recordings of Haydn's early Symphonies Nos. 6, 7 & 8. Known as Le matin, Le midi and Le soir, the three works, written shortly after Haydn joined the court of Prince Paul Anton Esterhazy, are amongst the most striking of the composer's early symphonies. Characterised by unusual virtuoso writing across the orchestral ensemble, all three works feature extensive solo passages for the wind, horn and strings, including rare solo writing for the�double bass�and�bassoon, and demonstrate Haydn's emerging skill as a master of symphonic writing.

In an age of resurgent conflict and frenetic demands on our attention, Angel of Peace offers a slice of tranquillity in many forms courtesy of luminous, purifying music traversing six centuries. This album centres on the power and beauty of poetry in music, bringing together the exquisite simplicity of the songs of 12th-century Abbess Hildegard of Bingen with John Taverner's joyous large scale antiphons composed some 400 years later. Leap forward to more recent times and we hear new settings by Will Todd and Anna Clyne of words by Cardinal Newman and Rainer Maria Rilke. Commissioned for solo violin with choir, both works heighten the intensity of the poetry through the fascinating musical dialogue between strings and voice. Arvo Part, marking his 90th birthday, brings us full circle with his serene clarity. These timeless voices resonate with our deepest need for stillness and with each work we hope to share a moment of peace and connection through the timeless language of music.

Handel's Messiah needs no introduction. This mighty yet majestic masterpiece is the most popular oratorio ever written and includes, arguably, the most famous chorus of all time-the iconic Hallelujah! Handel was a master chorus writer and for Messiah he certainly pulled out all the stops, placing the choir front and centre throughout. Although it has become synonymous with Christmas, Messiah was originally written as an Easter offering, bursting onto the stage of the Musick Hall in Dublin in April 1742. Taken from it's Award-winning 2008 complete recording of Messiah (COR16062), this collection from The Sixteen celebrates the wonderful choruses that have given so many singers, both amateur and professional, such joy and inspired an enduring love for this epic work.

On this 2012 recording, previously available on Decca, Robert Hollingworth leads his celebrated ensemble, I Fagiolini, on a journey unearthing incredible lost works from the late Renaissance and early Baroque, adding to their acclaimed 'Colossal Baroque' series on CORO. 1612 - the death of Giovanni Gabrieli, master of the 'Massive Baroque' and most brilliant of Venetian multi-choir composers but also the publication of Lodovico Grossi da Viadana's very modern four-choir Vespers collection. I Fagiolini's recording remains the only version of these spectacular Vespers as well as of Giovanni Gabrieli's unparalleled military-evoking Magnificat for seven choirs (meticulously researched and reconstructed by Hugh Keyte) and replete with fanfares and canon blasts.

I Fagiolini continues it's rediscovery of multi-choir masses from mid-17th-century Rome by maestro and 'fixer' Orazio Benevoli. The four-choir work on this new recording, 'Missa Benevola', is accentuated with even more instrumental colour to allow the ear to appreciate the dance between the four separated ensembles. Enjoy the famous 'mule' technique that Handel noted 50 years later and then re-used in Messiah. Alongside this, Carissimi's well-known Jephte transposed to the lower pitch at use in Rome at the time, injecting a more profound colour into both individual voices and it's famously plangent final chorus. All the Masses in I Fagiolini's Benevoli series are premiere recordings.