• SIGNUM saxophone quartet will release their first album on Berlin Classics
• Feat. Alexej Gerassimez (Percussion) and Eckart Runge (Cello)
• The quartet has made a name for themselves in various exciting projects (e.g. working with Alexej Gerassimez for his solo album on Berlin Classics)
• With Chameleon they show how colorful the sound of the saxophone is with a diverse selection of music from classical (Glazunov, Bloch, Haydn, and more) as well as pop and rock

In the ever-evolving landscape of contemporary classical music, composer Henning Fuchs emerges as a trailblazer with his latest release, Cocoon. This musical odyssey composed by Henning Fuchs, beckons listeners to transcend the conventional and embark on a reflective journey through a unique blend of neo-classical and world music. Fuchs, once the assistant to the renowned Max Richter, brings his cinematic expertise to the forefront, crafting compositions that invite introspection and meditation. The core of this auditory adventure lies in Fuchs' ability to marry neo-classical elements with world music nuances. Drawing inspiration from his contemporary Irish abode, the album introduces rare traditional instruments, resonating with the sounds of a place that has become a muse for the composer. The result is a rich tapestry of tones and textures that transport the listener to an otherworldly realm where time seems to stand still. Collaborating with a talented ensemble of musicians, Fuchs enlists the skills of Katie O'Connor (Violin), Aoife NíDhornáir on (Violin/Viola), Paula Hughes on (Cello), Kieran Moynhihan (Flute), Aisling Ennis (Harp), and Martin Schärer on percussion. Each instrument becomes a storyteller, contributing to the album's narrative and enhancing its emotive depth.

Adding another layer to this sonic journey are the guest vocals of Uzo Nwanaga and Lisa Lambe. Their voices intertwine seamlessly with the instrumental arrangements, creating moments of sublime beauty and emotional resonance. Cocoon becomes a collaborative effort, an immersive experience that transcends the boundaries of conventional genres. As you delve into the tracks, there's an undeniable sense of being cocooned in the intricate melodies and thoughtful compositions. Fuchs' creation becomes a sanctuary, encouraging contemplation and reflection. It's an invitation to explore the uncharted territories where classical and world music intersect, challenging preconceived notions and offering a haven for those seeking a deeper connection with the music. The album is an auditory tapestry that encourages listeners to let go of expectations, immerse themselves in the soundscape, and emerge on the other side with a renewed perspective on the boundless possibilities of musical expression.

Following their acclaimed mix-tape series on Signum Classics, Earthcycle is the fifth album from Orchestra of the Swan and David Le Page. Earthcycle is an innovative and timely project which finds a compelling way to engage with humanity’s most urgent threat. Through three initial performances, a recording and a film, Earthcycle contem- plates our impact on Earth’s environment and the disruption of its natural rhythms. To celebrate the 300th anniversary of Vivaldi’s Four Seasons they have commissioned a new version from our Associate Artist, baroque/jazz musician and composer David Gordon which is interspersed with traditional folk songs related to the theme of the seasons and performed by singer Jackie Oates. Earthcycle highlights the 21st century’s greatest concern whilst celebrating nature and our place within it.

What happens when a soundtrack is taken from a film and given a life on its own? When two Icelandic composers Páll Ragnar Pálsson and Eðvarð Egilsson finished scoring Quake, a psychological family drama, they were not ready to stop just there. What followed was a voyage of musical discoveries as they allowed for new ideas to enter the creative space. Just as a plant spread itself over the whole garden, cues from the movie scenes become independent, mature songs. The soundscape dwells on the border of acoustic and electronic and drifts from song-based to textural, from atmospheric to cinematic with lustrous cello in the foreground.

Hailed as Oregon’s “finest chamber ensemble” (ArtsWatch) the Delgani String Quartet’s first AVIE appearance was on Icarus, an album of chamber works by award-winning composer Elena Ruehr. A leading musical light of the Pacific Northwest, the Delganis devote their new release to music from south of the border. Soul of Brazil epitomises the adventurous, vibrant and passionate qualities of the South American country, blending classical and popular styles – the suave sounds of Grammy-nominated Clarice Assad’s vocals, piano and electronics, new music and arrangements of songs by Antônio Carlos Jobim, alongside the Sixth String Quartet of Heitor Villa-Lobos.

On her new album pioneering Romanian vocalist Teodora Brody joins forces with one of the world’s great orchestras to explore well-known classical repertoire from an entirely fresh perspective. Rising with style and energy to realise virtuosic orchestrations by Lee Reynolds, the London Symphony Orchestra voyage with Teodora through classical, jazz and Romanian folk traditions, resulting in a multi-faceted, truly unique musical experience. Born in Romania, and now based in Germany, Teodora Brody initially trained in classical jazz and rose to prominence in the late 1990s and early 2000s singing with legendary jazz pianist Johnny Raducanu. Acclaimed for her extraordinary vocal power and creative vision, Teodora pioneered the fusion of jazz with Doina – Romania’s improvisatory folk singing tradition – and is widely credited with introducing international audiences to this extraordinary, deeply emotive music.

In 2004 the American government named Teodora a Romanian Cultural Ambassador to the USA, and in both 2007 and 2008 Teodora was awarded the prize for ‘Best International Jazz Contribution by a Romanian Artist’ by the Romanian Radio Broadcasting Company. In recent years with unique projects including ‘From Classical to Jazz’ and ‘Classical Emotion’, Teodora has explored classical repertoire with a completely fresh approach, reimagining well-known works by composers including Bach, Beethoven, Pachelbel, Vivaldi, Bartók, Pau Casals and the beloved Romanian composer George Enescu. In 2019 ‘From Classical to Jazz’ was awarded ‘Project of the Year’ at the Romanian Jazz Awards Gala, and Teodora herself was named ‘Musician of the Year’ for the second year in a row.

“At just 9 years of age Luca had already toured the world with Libera Boys Choir. A featured soloist on Aled Jones' track Vespera and Kurt Bestors' Ave Maria he has also been invited to perform at many charity events. In 2022 Luca was Runner Up in BBC Young Chorister of The Year. He has a large following on social media and high praise from industry professionals including Katherine Jenkins, who claimed he "has a God-given voice". This debut album directed by Robert Lewis with The Hennessey Brown Music Collective includes many fresh arrangements of Luca’s favourite music.”

Benny Andersson started out as a keyboard player and composer in a Swedish rock band in the sixties. After meeting Bjorn Ulvaeus in 1966, his writing developed through their creative companionship and a couple of years later, ABBA was born. With Benny’s music, Bjorn’s lyrics and the girls’ voices, the success was unprecedented. Benny has since then explored and developed his composing skills through musicals, music for film and theater, folk music etc. Bjorn Ulvaeus has been a very important and invaluable partner through the years, but this album is focused on the very music composed by Benny. Despite lack of musical education and not reading music he writes like a classical composer. This has been Anders Berglund’s inspiration for these new arrangements and with the beautiful playing of virtuoso Christian Svarfvar and the great London Philharmonic Orchestra, this album wants to shed new light over Benny Andersson’s music.