Henry Cowell was one of the most remarkable figures in American music. A startlingly innovative composer, an inimitable piano virtuoso who outraged or delighted his audiences, a brilliant writer, teacher, lecturer and organizer, Cowell almost single-handedly laid the foundations for American compositional life. This second Continuum Portrait of Cowell’s music ( Volume 1 is available on Naxos 8559192) includes further examples of his most experimental piano pieces, calling for strumming and plucking the strings, as well as using forearms to produce tone clusters. Other compositions fuse Asian and Western idioms in striking new blends. Yet, however advanced his ideas, or multifaceted his output, Cowell’s music remains immediately accessible.

REVIEW:

This is even more fascinating than the first volume. As previously, there is both commitment and panache from the performers and a decent recording. A well-documented and worthy addition to the American Classics series. Cowell was a prolific composer who wrote twenty symphonies and much else besides. Hopefully Naxos will give us the opportunity to explore his music further.

-- Patrick C Waller, MusicWeb

This recording contains four of Schubert's 12 piano sonatas that survive in fragmentary form. Notwithstanding their varied states of incompletion, the works are well worth getting to know for their harmonic daring and melodic strength. Beethoven's Appassionata, for instance, casts a strong shadow over the F minor sonata's finale, although its unpredictable modulations and thematic detours are vintage Schubert. Listeners who know the E-flat Sonata D. 568 will be fascinated to encounter this earlier, more difficult D-flat major incarnation, minus the minuet and trio Schubert added later. All three movements of the A-flat D. 557 sonata exist intact and include a delightful Allegro whose opening theme would manifest itself more fully in the familiar "little" A major D. 664 sonata.


Many attempts have been made to complete these works, yet pianist Gottlieb Wallisch performs them as they stand. (Consequently, the F minor sonata's opening Allegro suddenly trails off and vanishes at the start of the recapitulation.) As a Schubert pianist, though, Wallisch is quite complete! He plays the A-flat sonata marginally faster than Kempff and with greater brio all around, and his winged, pliable accounts of the F minor's first three movements contrast to the statuesque Richter versions. But the Russian pianist's long-lined power in the finale surpasses Wallisch's smaller-scaled note-spinning. For the most part, however, Wallisch's solid technique and sound musicianship operate on a high level and benefit from Naxos' top-notch engineering. Wallisch also provides his own excellent, informative booklet notes. Highly recommended for Schubertians of every stripe. [7/6/2004]
--Jed Distler, ClassicsToday.com