The dynamic duo of pianist David Kikoski and bassist Boris Kozlov is a triumph of musicality and virtuosity. There's some kind of magic happening between the two kindred spirits that goes beyond the notes. The musical connection between the two goes back more than 20 years. They have continued to play together regularly over the years in groups like the Mingus Big Band, in Kikoski's own trio and the all-star post-bop cooperative Opus 5. You can feel their sense of telepathy throughout Sure Thing and it is readily apparent on Kikoski's original compositions like "B Flat Tune," "E" and "Strength for Change," on the swinging version of John Coltrane's "Satellite" and the duo's faithful reading of keyboardist Keith Emerson's classically influenced "Fugue" from "The Endless Enigma". Their playful, relaxed chemistry permeates all eight tunes here and makes Sure Thing a true work of collaborative genius.
The mythical Phoenix speaks of reemergence and continual development, flying higher with each rebirth, riding on the winds of creation. So too does the man of this moment. A pianist of vast skill and experience, Dave Kikoski's eminence in serious jazz circles is beyond dispute. He's taken deep dives with everybody from Randy Brecker to Roy Haynes, served as the harmonic host for the Mingus Big Band, contributed to expansive cooperative enterprises like Opus 5, and pushed his own music to the limits and beyond. Kikoski has seemingly done it all during his three-plus decades on the scene, yet his playing somehow remains something of an underrated asset. The Phoenix metaphor, hyperbolic though it may be, proves apt in it's embrace of this monumental talent's steady surge. This exciting endeavor makes that case in inarguable fashion.
Since his first appearance on record (Randy Brecker's album, In the Idiom), pianist David Kikoski has demonstrated an infinite capacity to swing, a rare sensitivity as a ballad interpreter and genuine harmonic savvy as a composer. He delivers once again on all counts on Kayemode.
Pianist David Kikoski, who's partnered so ably on past Criss Cross albums with horn men like Alex Sipiagin, Seamus Blake, Conrad Herwig and Wycliffe Gordon, is perhaps best known for a series of compelling trio albums he's recorded for the label over the past decade. Now along comes Almost Standards, on which he mixes it up with bassist Eric Revis (Betty Carter, Louis Hayes, Billy Harper and a bunch of Marsalis family members), and much-in-demand drummer Jeff "Tain" Watts (Branford Marsalis), and an invigorating presence on two earlier Kikoski CDs. The new album's a mix of material serving as takeoff points this time out: harmonically intriguing tunes that are already standards or probably ought to be.
This is pianist David Kikoski's seventh and perhaps most ambitious recording for Criss Cross. Helping the leader navigate seven harmonically rich originals with melodies that stick are tenor saxophonist Seamus Blake, who performed on two previous Kikoski quartet sessions, and the incomparable bass-drum team of Larry Grenadier and Bill Stewart, each a musician with tonal personalities defined by limitless imagination. All are in peak form.
This new trio, featuring pianist David Kikoski with the great Russian bassist Boris Kozlov and the legendary drummer Jeff "Tain" Watts, presents a program of all Kikoski originals executed in the solo, duet, and trio format. It's a beautiful album showing US the different sides of a great jazz pianist.
One of the more ideal ensemble combinations in jazz is the piano trio, with David Kikoski serving as a major proponent of the genre. For his fourth Criss Cross album, Kikoski leads a powerhouse trio with bassist James Genus & master drummer Jeff "Tain" Watts. This is easily Kikoski's best album to date, giving him space to romp through a diverse set of tunes, covering everything from Brazilian sambas to pop masterpieces by Frank Zappa & Brian Wilson.
