Dexter Gordon
Performer
1923–1990. American saxophonist in the Bebop/Hard Bop tradition.
Dexter Gordon was a defining tenor saxophonist of the bebop era, known for his deep tone and laid-back phrasing. Later fame boosted by his role in the 1986 film 'Round Midnight.
98 products
Stable Mable
DEXTER CALLING (BLUE NOTE TONE POET EDITION)
LANDSLIDE (BLUE NOTE TONE POET EDITION)
Lullaby for a Monster
OUR MAN IN PARIS
OUR MAN IN PARIS (BLUE NOTE CLASSIC VINYL EDITION)
GETTIN' AROUND (BLUE NOTE CLASSIC VINYL SERIES)
NORTH SEA JAZZ CONCERT SERIES-1979
Bouncing With Dex
WALK THE BLUES
WALK THE BLUES
Copenhagen Coda / Dexter Gordon
Jazz giant and tenor saxophonist Dexter Gordon bids Copenhagen farewell on his new album Copenhagen Coda – Live at Montmartre 1983. This album marks DG’s final farewell to friends and fans in the Danish capital, with which he had had a twenty year love affair. He is quoted as having said: “I don’t think they [his fellow American musicians living in Europe] got the love I got in Copenhagen” The concert was part of a TV production by the national Danish Broadcasting Corporation, who have documented this golden era in Danish jazz history.
On this recording, DG is accompanied by the accomplished and versatile pianist Kirk Lightsey, wonderful bass player David Eubanks and the master drummer Eddie Gladden. DG proves that he hasn’t lost a step, as he projects enormous authority on stage, being a fountain of sound and ideas, melodically as well as rhythmically. He generates a stunning energy, taking off on a flight that is able to captivate the audience with his tenacious be-bop, somewhere between Lester Young and Coltrane, with a bold, dry sound.
DG arrived in Copenhagen in 1962, where he settled and became a regular on the jazz scene, most often at the legendary Jazzhus Montmartre. During the years 1964 to 1967, he played Montmartre 6 nights a week during the summer months. One of those evenings, where DG was accompanied by Tete Montoliu, NHØP and Alex Riel, was recorded and subsequently released as the album Montmartre 1964 on Storyville Records. His year-long stint in Copenhagen helped remold and vitalize DG after his lean years. In return, he also helped Montmartre build and maintain its reputation as one of Europe’s premier jazz venues in the 1960’s, attracting many American jazz players, including Ben Webster, Bud Powell, Kenny Drew and many, many more. All of them contributing substantially to the vitality of the Danish jazz scene, but more than anyone, DG is the musician synonymous with folk’s perception of Montmartre.
Copenhagen Coda is a celebration of and a tribute to Dexter Gordon’s legacy in Copenhagen. The audience in the Danish capital loved the sophisticated giant “Copenhagen Slim” immensely, and their love was reciprocated - Copenhagen Coda is a testament to this intense year-long love affair!
Soul Sister
LIONEL HAMPTON PRESENTS DEXTER GORDON
GO
ONE FLIGHT UP
Montmartre 1964 [Vinyl]
Listening to this album takes you back to the atmosphere and sound of Jazzhus Montmartre on a random night in the 1960s, engulfing you in Dexter Gordons enormous aura. Dexters arrival in Copenhagen had a tremendous impact that left a lasting impression on the Danish jazz scene. He was handsome and well-dressed. His playing was superb, with a giant sound; his introductions and showmanship were unique and captivating. In addition, Dexter felt the Danish mentality was well-suited for playing and enjoying jazz. It was always there, Alex Riel remembers It wasnt a case of going to work, even though we played every, single night in June, July and August during the summer of 1964. Dexter and Tete were there solely for the music, and so were Niels-Henning and I. It is so obvious when I hear the music today. Dexter loved being in Montmartre. He often stayed and jammed with the night shift when it took over, playing on till early morning And Dexter ended up owning Copenhagen!
Montmartre 1964 / Dexter Gordon
SWINGIN AFFAIR
Swiss Nights, Vol. 1
CLUBHOUSE
SCRIABIN: PIANO WORKS
DOIN ALLRIGHT
SOPHISTICATED GIANT
You Are My Sunshine / Grunow, Gordon, Azzara
Children should learn as many songs as possible as readiness for future achievement in music. These high-caliber recordings are the perfect place to start. This release is a wonderful, purely instrumental collection of 100 of the world’s best-known folk songs, performed by the world’s greatest musicians—including artist faculty members and students from the Eastman School of Music, members of the Rochester Philharmonic Orchestra, and members of Rhythm and Brass. There are countless uses for this recording: Ever need to demonstrate the sound of an instrument? Need quick access to high-quality recordings of folk songs of all different styles, tempos, and origins? Interested in exposing young children to the rich variety of instrumental music? Looking for music to play as children enter the classroom? Teachers, parents, and students will quickly wonder how they ever got along without this essential recording!
Something Different
BOTH SIDES OF MIDNIGHT
Biting The Apple
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