In her new album acclaimed pianist Tomono Kawamura invites listeners on a satisfying journey through classical piano music. Blending personal favourites with timeless masterpieces, Tomono's profound connection to the piano is evident in every piece. Her distinct poetic sensitivity and technical brilliance bring each composition to life, creating a deeply personal and immersive musical experience. The album opens with Tchaikovsky's Autumn Song, Op. 37a No. 10, from The Seasons. Tomono captures the reflective and nostalgic mood of October, emphasising the delicate interplay of light and shadow in this evocative work. The journey continues with Sibelius's "Edit," Op. 76 No. 2, where Tomono masterfully balances subdued elegance with quiet intensity, reflecting the stark beauty of the Finnish landscapes that inspired it. Brahms' Hungarian Dance adds a lively burst of energy, with Tomono navigating it's spirited rhythms and fiery folk influences with joyful intensity. Her deep affinity for Chopin shines through in her performances of six of his works, each chosen to highlight different facets of his genius. From the lyrical intimacy of his nocturnes to the virtuosic brilliance of his etudes, Tomono's interpretations resonate with the emotional depth central to Chopin's music. The album also explores diverse stylistic periods with selections from Scarlatti, Rachmaninoff, Debussy, and Grieg. Tomono's performances reflect a profound understanding of these great piano works, whether it's the crystalline precision of Scarlatti's sonatas, the sweeping passion of Rachmaninoff's preludes, the dreamlike textures of Debussy, or the rugged beauty of Grieg. A highlight of Reminiscence is Tomono's original composition, Variations, which bridges classical form with contemporary expression. This piece showcases her creativity and deep understanding of the classical tradition, offering a fresh voice while paying homage to the composers who have shaped her musical journey. Reminiscence is more than just a collection of piano works; it reflects Tomono Kawamura's lifelong devotion to music. Through her thoughtful interpretations and masterful technique, she offers listeners an experience that lingers long after the final notes fade. About Tomono Kawamura: Born in Japan, Tomono Kawamura began piano studies at three and made her orchestral debut at fifteen. After winning numerous competitions in Japan, she received a scholarship to study at the Royal Academy of Music in London, where she graduated with First Class Honours. Tomono has performed as a soloist across Asia, Europe, and the UK, including at Wigmore Hall. She is also a celebrated performer on luxury cruise ships worldwide. Tomono's rich career and dedication to her craft are evident in every note of Reminiscence, offering listeners a glimpse into the soul of a true artist.

Thomas Pitfield: His Friends & Contemporaries pays homage to the multifaceted talent of Thomas Baron Pitfield (1903-1999). Pitfield was not just a composer; he embodied the essence of a Renaissance man, excelling in various fields including teaching, visual arts, poetry, writing, furniture making, and ornithology. Despite his immense talents, Pitfield remained modest and unassuming, dedicating himself to nurturing the gifts of his students at the Royal Manchester College of Music, where he taught composition from 1947 onwards. This album sheds light on Pitfield's contributions to the classical music landscape, showcasing his compositions alongside those of his contemporaries including John Joubert, E. J. Moeran, Ernst Hermann Meyer, John McCabe, and many more. While Pitfield's name may not be as widely recognized as some of his peers from the "Manchester School," such as Richard Hall, his music exudes charm, wit, and inventiveness that captivate listeners. In an era marked by the emergence of modernist compositions, Pitfield chose to traverse the middle ground, creating music that resonates with it's timeless appeal. Throughout his tenure as a composition teacher, Pitfield played a pivotal role in shaping the careers of notable composers like John McCabe, David Ellis, and John Golland, the latter of whom also shared a close personal friendship with Pitfield. Despite being somewhat overshadowed by the achievements of his contemporaries, Pitfield's legacy lives on through a revival of interest in his music. The album offers a glimpse into Pitfield's musical world, featuring a selection of chamber and instrumental works that highlight his artistic vision and craftsmanship. Pitfield's compositions are filled with elegance, lyricism, and emotional depth. His music not only showcases his technical skill but also reflects his genuine love for the art form and his dedication to inspiring future generations of musicians. Moreover, the album serves as a tribute to Pitfield's enduring influence on his peers and students. His selfless encouragement and mentorship left an indelible mark on those he taught, fostering a sense of camaraderie among composers and musicians. Pitfield's generosity of spirit and unwavering commitment to excellence resonate throughout the album, underscoring his legacy as both an artist and an educator. This double album celebrates the life and work of a remarkable individual whose contributions to the world of classical music extend far beyond his compositions. Through this album, listeners will rediscover the brilliance of Thomas Baron Pitfield and the rich music woven by his friends and contemporaries.

British born composer Lydia Kakabadse enjoys a multi-cultural heritage (Greek/Austrian mother and Georgian/Russian father) which deeply informs her musical output. Her new album, recorded in London, features an even more diverse range of music than her previous albums, incorporating ethnic instruments into Western music. Making much use of the 'alternative string quartet' (violin viola, cello and double bass), the title track Kefi also introduces the Greek Bouzouki and 'Greek oud' or politiko laout. While demonstrating a wide diversity of textures and styles, overall the music is coloured by use of the double harmonic scale. As well as a number of chamber works the highlight of the album is the choral work Thirty Steps commissioned by the Hellenic Institute at Royal Holloway whose choir, widely regarded as among the best mixed-voice choirs in Britain today, perform the work here. The other performers here are all experienced and very well regarded in their own fields. Lydia Kakabadse, celebrated for her diverse music, specialises in choral, chamber, and vocal compositions. Influenced by her multicultural background and upbringing in Greek and Russian Orthodox traditions, she draws inspiration from Orthodox Church music, medieval melodies, and Greek and Middle Eastern dance. Trained in piano and double bass from a young age, she pursued music studies at Royal Holloway, University of London. Her works, including string quartets, choral pieces, and concert requiems, have garnered critical acclaim and have been featured on recordings by labels such as Naxos and Divine Art. Notable commissions include "I Remember" for Forest Preparatory School and "Odyssey" for The Hellenic Institute. Her compositions have been performed internationally at festivals and by esteemed ensembles, and her string quartet "Russian Tableaux" has been broadcast on BBC Radio 3. Currently pursuing a PhD in ethnomusicology, Lydia continues to enrich the musical landscape with her distinctive and vibrant creations.

This is a remarkable collection of 5 compositions for strings by Thomas Pitfield, performed with thoughtful skill by members of the Pleyel Ensemble. This album of Pitfield's string chamber music is accompanied by two further Divine Art releases - The Songs of Thomas Pitfield performed by tenor James Gilchrist and pianist Nathan Williamson and Thomas Pitfield (DDX 21119): His Friends & Contemporaries, including works from a fine collection of composers (DDX 21246) These albums serve to shed light on Thomas Pifield's considerable contribution to British music. Throughout his tenure as a composition teacher, Pitfield played a pivotal role in shaping the careers of notable composers like John McCabe, David Ellis, and John Golland, the latter of whom also shared a close personal friendship with Pitfield. Despite being somewhat overshadowed by the achievements of his contemporaries, Pitfield's legacy lives on through a revival of interest in his music. This album offers a glimpse into Pitfield's artistic vision and craftsmanship. Pitfield's compositions are filled with elegance, lyricism, and emotional depth. His music not only showcases his technical skill but also reflects his genuine love for the art form and his dedication to inspiring future generations of musicians. The Pleyel Ensemble was formed in Manchester in January 2011. They are friends and colleagues who draw on a wealth of experience gained through many years of music-making. Since forming, they have given over 200 concerts, and have an enormous and varied repertoire of chamber music. The Pleyel Ensemble was delighted to be chosen as Making Music Recommended Artists for the 2016/17 and 2019/20 seasons and has appeared at Music Societies and Festivals all over the UK. The ensemble takes it's name from the Classical composer Ignaz Pleyel (1757-1831), a brilliant musician and businessman, who, in addition to writing a large body of accessible chamber music, helped increase the popularity of this wonderful kind of music-making amongst amateurs and professionals as both music publisher and piano manufacturer in the early nineteenth century.

Diary of the Bee - A Masterpiece Recorded at Historic Marchmont House, Scotland Composer Helen Leach, known for her enchanting compositions that evoke rich landscapes and deep emotions, releases her album titled "Diary of the Bee." This new collection features a series of rich, tonally traditional compositions. With all tracks being world premiere recordings, the album showcases Leach's remarkable ability to blend lyrical melodies with profound storytelling. "Diary of the Bee" marks a significant addition to the classical repertoire, offering listeners an absorbing journey through Leach's musical landscapes. Each piece on the album unveils a unique narrative, beautifully performed by leading instrumental soloists alongside the esteemed Victoria String Quartet. Reflecting on the inspiration behind her compositions, Leach shares, "Every piece in this album holds a special place in my heart, drawing from personal experiences and the beauty of nature that surrounds me." Indeed, each composition in "Diary of the Bee" tells a story, from the evocative tribute to Prince Philip in "An Edinburgh Farewell" to the introspective musings captured in "Letters from the Owl House." Among the highlights of the album is "Cup of Kindness," a poignant ode to the universal warmth and blessings symbolised by Robert Burns' iconic line, "we'll tak' a cup o' kindness yet." With it's tender melodies and thoughtful arrangements, the piece resonates with a sense of harmony and peace. Another standout track, "Tenera Caritate," showcases Leach's mastery in crafting expressive rhapsodies, as she explores themes of love, hope, and healing through the emotive interplay of clarinet and string quartet. Listeners will also be enchanted by "Where Hope Was Sown," a commissioned piece dedicated to Mr. Oliver Burge, of Marchmont Farms, which beautifully captures the essence of the Lapwing bird and it's pastoral habitat through delicate musical motifs. From the haunting melodies of "The Black Rood of Scotland" to the elegant conversations of "A Song Without Words," "Diary of the Bee" offers a tapestry of sound that is instantly appealing. Recorded at the historic Marchmont House in Scotland, where Leach is Composer-in-Residence, "Diary of the Bee" not only captures the essence of Leach's compositions but also the timeless beauty of it's surroundings. With it's richly layered compositions and superb performances, "Diary of the Bee" stands as a testament to Helen Leach's extraordinary talent and her ability to weave intricate musical narratives.

Celebrating 200 Years of the Diabelli Project To commemorate the bicentennial of Beethoven's Diabelli Variations, the Divine Art label proudly presents " 200 Years: Diabelli Variations". Originally introduced by Anton Diabelli with words of admiration for it's innovation and artistic brilliance, the Diabelli Variations have since transcended time, becoming a cornerstone of the piano repertoire, rivalling even the esteemed works of J.S. Bach. The story behind the Diabelli Variations adds to their mystique. Legend has it that Beethoven initially dismissed Diabelli's theme as a mere "cobbler's patch." Yet, he later transformed this simple waltz into a complex, kaleidoscopic masterpiece, showcasing a wide range of characters, styles, and textures. From playful parodies to profound meditations, Beethoven's variations span over 60 minutes of inventive musical exploration. Renowned pianist Dina Parakhina, who first performed the Diabelli Variations during her final recital at the Moscow Conservatory, brings her deep understanding and lifelong study of this monumental work to her latest recording. Parakhina's interpretation captures the intricate structural unity and the emotional depth of Beethoven's composition, reflecting her illustrious career and devotion to classical music. About Dina Parakhina Dina Parakhina, a distinguished Russian pianist and educator, has been a Piano Professor at the Royal College of Music since 2009 and a College Fellow since 2019. She has taught at prestigious institutions such as the Central Music School in Moscow and Chetham's School of Music, and currently holds a position at the Royal Northern College of Music. Parakhina has performed globally as a soloist, made numerous recordings, and given master-classes around the world. Her expertise and passion for music have also seen her serve on juries for international piano competitions. Parakhina's illustrious career began in Sochi and led her to study under notable mentors in Moscow. She toured extensively with the Bolshoi Theatre Orchestra and later organized significant projects like the Medtner Marathon, which celebrated the works of Nikolai Medtner. Her recording of Medtner's Piano Sonatas and Fairy Tales was critically acclaimed, highlighting her dedication to bringing classical masterpieces to contemporary audiences. Join us in celebrating 200 years of Beethoven's Diabelli Variations with Dina Parakhina's remarkable new recording, a tribute to the timeless genius of Beethoven and the enduring beauty of his music.

English composer Marcus Blunt's (b. 1947) work is mainly instrumental, from piano solo to large orchestra, and has been performed internationally. Murray McLachlan, since his 1986 professional debut one of the UK's most acclaimed pianists, has long been a champion of contemporary piano music.. Originally given very limited release the works here are now receiving their first full commercial release.

Carnival is a concept of public merry making enjoyed in many countries and a natural inspiration for composers. In the second of his trilogy of piano music related to public entertainments Anthony Goldstone again excels in musicianship in a superb programme which includes the first recording of the entirety of Khachaturian's Masquerade Suite in the piano version.

It takes a particular and extreme level of skill and dedication to perform virtuoso works for unaccompanied solo violin; suffice it to say these are qualities held by George Zacharia's without doubt. This is a tour-de-force of musicianship and technique - and wonderful music too. Bartok's Sonata is presented in it's original version and of the two awesome Paganini works, the 'God Save the King' Variations are very rarely heard. "The Strad" Gold Star Recommended CD. MusicWeb Recording of the Month October 2009.

This CD stands on it's own merits as an exceptional program of early sacred music, transcribed for and performed by the ethereally beautiful voices of Musica Secreta and Celestial Sirens. However, like their earlier CD (dda25062) it has an added rationale, as the 'virtual sound-track' to the superb new novel 'Sacred Hearts', by Sarah Dunant. The music on the CD refers directly to many of the scenes and events in the book, allowing the reader/listener to more fully absorb themselves into the ancient world and characters so wonderfully portrayed.

The final part of Anthony Goldstone's brilliant triptych of recitals including transcriptions, variations, fantasias, and arrangements of music from public 'spectacles' - the first two CDs attracted enormous critical praise and this volume is no less fine, containing perhaps a few more well-known themes, such as those from Swan Lake and the Nutcracker, but in fresh and new arrangements by the performer - indeed most of the music here is receiving it's first recording.

Written to be played by children perhaps, but not all these pieces are as simple as the title may suggest! Miniature modern masterpieces by some of the 20th century's greatest composers. Raymond Clarke is an acknowledged master of the 20th century repertoire and his previous recordings have received immense praise. He has been described as a staggering pianist of exceptional gifts.

The CD takes it's title from the well loved piece by Michael Head. This recital of British music for flute and piano is mainly romantic in mood, but not sentimental, given the robust nature of the sonatas by Alwyn and Leighton (both rarities despite the stature of their composers). a splendid third divine art CD for Smith and Rhodes which includes a number of little gems recorded for the first time.

Susanne Beer is one of the UK's leading orchestral cellists and here makes her debut solo album with the extremely talented pianist Gareth Hancock. Diverse works, yet bound in commonality by the cello's voice-like quality and ability to convey emotion and mood. "A tour-de-force program easily essential listening" - Chris Spector (MidWest Record)

Paraphrases, transcriptions and variations on operatic themes for piano solo. Some well known pieces here and some very rare pieces, all stunningly performed and the most wonderful programme of delights. An outstanding collection performed with exemplary grace and style." - Julian Haylock (International Piano)