The critically acclaimed Invencia Piano Duo make their Divine Art debut with Dualities, a dazzling album that expands the possibilities of the piano duet and duo repertoire. Drawing on their virtuosity and innovative spirit, the duo explores works that transcend the boundaries of traditional solo piano, delivering arrangements that demand the synergy of four hands. Highlights of the album include Andrey Kasparov's stunning arrangements of Liszt's Totentanz, Ravel's La valse, Scriabin's Vers la flamme, and Albeniz's Triana. These beloved solo pieces are reimagined with breathtaking scope and texture, demonstrating the Invencia Piano Duo's interpretive depth. The album also features two original compositions by Kasparov: Fantasy on Lutheran Chorales and Cadenza for LvB. These works showcase the duo's mastery of both performance and composition, taking full advantage of the dynamic and expressive potential of four-hand piano playing. Founded by Andrey Kasparov and Oksana Lutsyshyn, the Invencia Piano Duo bring a wealth of experience and accolades to their performances. Educated at the Moscow State Conservatory and later at Indiana University's School of Music, the duo has won international recognition for their compelling interpretations and bold programming. Both artists are esteemed faculty members at Old Dominion University in Virginia and serve as artistic co-directors of the Norfolk Chamber Consort. Their individual achievements are equally impressive. Lutsyshyn, a prizewinner at the William Kapell International Piano Competition, made her Carnegie Hall debut following her success. Kasparov, winner of the Albert Roussel Prize, has premiered significant works such as Bartok's revised Piano Concerto No. 3 and earned recognition as a composer of published and recorded works. The Invencia Piano Duo's discography includes a celebrated four-volume series of Florent Schmitt's piano duet works on Grand Piano Records, as well as albums for Albany and Naxos. With Dualities, they continue to push artistic boundaries, presenting an arresting collection that redefines the piano duo repertoire. This album is an essential addition for lovers of virtuosic piano music, blending brilliance, originality, and deep musicality in a singular listening experience.

A Profound Tribute to Reflection and Resilience In the Mirror is an exquisite collection of works by contemporary women composers, masterfully interpreted by cellist Heather Tuach and pianist Yoko Misumi, both members of the celebrated Greenwich Trio. This album is not just a recording-it is an emotional journey born of reflection, healing, and hope. The title piece, composed by Liz Dilnot Johnson, was commissioned specifically for this project, setting the tone for an album steeped in introspection and serenity. The repertoire features original works and new arrangements by renowned composers including Dobrinka Tabakova and Jessie Montgomery, whose contributions enhance the album's contemplative spirit. Each piece carries it's own story, from Jocelyn Morlock's bird-inspired Halcyon to Jennifer Higdon's nocturnal reverie Nocturne. These works are tied together by a shared exploration of human resilience and the quiet strength found in moments of introspection. The project began during the upheaval of the COVID-19 pandemic and became deeply personal for pianist Yoko Misumi, who underwent successful cancer treatment during it's recording. Returning to the piano after her recovery, Misumi found solace and renewal in these compositions, describing the experience as "an emotional and musical healing." Highlights include: � Liz Dilnot Johnson's In the Mirror, a poignant four-movement work dedicated to personal loss and renewal. � Jessie Montgomery's Peace, composed during the pandemic and adapted for cello and piano with the composer's blessing. � Dobrinka Tabakova's Whispered Lullaby, an evocative piece inspired by Goethe's Faust. � Margaret Hubicki's lyrical Lonely Mere, a tribute to the serene landscapes of the Malvern Hills. The album is both a celebration of female creativity and a testament to music's power to comfort and inspire. Listening to In the Mirror is an opportunity to pause, reflect and take in moments of profound calm amidst life's turbulence. This is a must for admirers of contemporary chamber music, fans of women composers, and anyone seeking solace and beauty in music

Robin Stevens' A Questing Soul, his fifth album with Divine Art, offers a compelling portrait of a composer whose work has evolved over nearly three decades. This collection spans a broad stylistic spectrum, charting Stevens' progression from the lush Late Romanticism of his early works to the more dissonant and experimental idioms of his later compositions. Throughout, Stevens balances technical innovation with an underlying sense of lyricism, humour, and tonal clarity, making this album a rich listening experience for those who appreciate the depth and variety of contemporary chamber music. The two most substantial works on the album-Fantasy Sonata and Sonata Tempesta-were composed during Stevens' late twenties and represent key milestones in his early output. The Fantasy Sonata, written for violinist Christine Townsend and pianist Stephen Robbings, presents an intensely focused sound world built around the octatonic scale. It's single-movement structure moves from a soulful, lamenting introduction to more turbulent, faster sections, culminating in a joyfully intense peroration. Sonata Tempesta, in contrast, is a large-scale, four-movement work whose expansive form allows Stevens to weave together moments of lyrical beauty and stormy intensity. Both pieces showcase Stevens' ability to combine complexity and accessibility, creating compositions that are intellectually stimulating yet emotionally resonant. The album also includes a number of shorter works, or "miniatures," which offer Stevens the opportunity to explore new compositional ideas on a smaller scale. Pieces like Stratospheric! For solo violin and Toccata for solo piano demonstrate his flair for virtuosity and dynamic contrasts, while others, such as Cri de Coeur, evoke more contemplative, intimate soundscapes. These miniatures are fascinating in their own right, offering a glimpse into the composer's more experimental tendencies. One of the album's more unusual works, Scherzo in Blue, brings jazz influences into Stevens' instrumental music-a rarity in his oeuvre. The piece is infused with "blue notes" and jazzy piano chords, creating a playful yet sophisticated contrast to the more classical structures found elsewhere on the album. The title track, A Questing Soul, reflects the essence of the album: a compact tone poem for solo piano that alternates between dreamy lyricism and muscular, assertive themes. The piece encapsulates Stevens' ability to juxtapose contrasting musical ideas, leaving listeners with as many questions as answers-an approach that defines much of his work. With it's blend of large-scale sonatas, experimental miniatures, and the intriguing title track, A Questing Soul offers a comprehensive view of Robin Stevens' compositional range. This album will appeal to those with an interest in the intersections of modernism, Romanticism, and contemporary chamber music.

MALCOLM WILLIAMSON: The uncompromising and divisive Master of the Queen's Music Once one of the most widely performed composers of his generation, Malcolm Williamson's music has since fallen into obscurity. This new recording - featuring 16 world premieres - seeks to redress that balance, offering a fresh perspective on a composer whose work defied easy categorization. Williamson's output ranged from bold serial explorations to tuneful lyricism, often within the same piece. His music was lauded for it's ingenuity yet suffered from the composer's refusal to conform to prevailing academic tastes. As Master of the Queen's Music, he occupied a prestigious position but remained a divisive figure-uncompromising in his artistic voice and unpredictable in both temperament and style. Drawn from recently uncovered archives, this collection spans nearly five decades of Williamson's career, from early student works to some of his final compositions. The album includes the�Clarinet Trio�(1958), a strikingly assured work praised for it's "forthright tunefulness" and loose application of serial technique, and the�Concerto for Wind Quintet and Two Pianos, Eight Hands�(1966), an intricate, often densely chromatic score performed by an extraordinary ensemble of composer-pianists. Other highlights include the ballet-inspired�Pas de Quatre�(1967), the haunting�Pieta�(1973) for mezzo-soprano and ensemble-setting texts by Swedish poet P�r Lagerkvist-and the enigmatic�Gallery�(1966), a set of miniature pieces likely composed for an unknown television project. These performances, led by pianist and producer�Antony Gray, bring Williamson's music vividly to life, illuminating it's rhythmic dynamism, harmonic inventiveness, and sheer expressive range. With the discovery of the Williamson archive in 2023, this recording marks an important step in reintroducing a composer whose legacy deserves reappraisal.

Divine Art presents the songs of Thomas Pitfield, a revered composer whose catalogue boasts over 150 songs crafted over a lifetime of creativity and dedication. From heartfelt dedications to friends and colleagues to whimsical folk-inspired tunes, Pitfield's compositions offer a kaleidoscope of emotions and experiences, showcasing his versatility and depth as an artist.

This meticulously curated selection of songs is elegantly presented in a volume adorned with his own captivating artwork. The collection stands as a testament to Pitfield's legacy with evocative interpretations of his songs by acclaimed tenor James Gilchrist, accompanied by the virtuosic pianist Nathan Williamson. With Gilchrist's emotive performances and Williamson's consummate skill at the keys, listeners are invited on a sophisticated journey through the melodies and moods of Pitfield's musical landscape. The album celebrates the remarkable legacy of Thomas Pitfield, whose enduring contributions to the world of music continue to resonate and inspire.

James Gilchrist
Renowned for his expressive interpretations and captivating stage presence, James Gilchrist embarked on a full-time music career in 1996 after beginning his professional life as a doctor. With a repertoire spanning from baroque to contemporary music, Gilchrist has performed in prestigious venues worldwide under the baton of renowned conductors such as Sir John Eliot Gardiner and Harry Christophers. His discography boasts a diverse range of recordings, including critically acclaimed interpretations of British song cycles and baroque masterpieces.

Nathan Williamson
Pianist and composer Nathan Williamson is celebrated for his innovative collaborations and dynamic performances. From recording projects with esteemed tenor James Gilchrist to premiering compositions by contemporary composers, Williamson's artistry knows no bounds. His discography includes acclaimed recordings of American and British piano repertoire, earning praise for his thoughtful interpretations and passionate delivery. As both performer and composer, Williamson continues to push the boundaries of classical music, captivating audiences with his boundless creativity and virtuosity.

Conductor Shea Lolin and composer/producer Christopher Hussey have returned to Prague to record with the Czech Philharmonic Wind Ensemble, carefully curating an album of premiere recordings spotlighting the woodwind orchestra, capturing its kaleidoscopic colours and symphonic potential in order to deepen and broaden appreciation of the medium’s power. A large chamber ensemble of flutes, oboes, clarinets, bassoons and saxophones in various sizes, the woodwind orchestra has a highly adaptable and magical tonal palette—it can be, in turn, boldly vibrant and delicately beautiful, thrillingly powerful and hauntingly tender, earnestly solemn and joyously comical.

The recorded repertoire reflects a spectrum of musical styles that exist in 21st-century concert music, ranging from the familiar and instantly singable to the more avant-garde, but always possessing an accessible and inviting musical narrative. Chromosphere is a landmark album, comprising exciting new and re-imagined pieces by leading composers in the genre and demonstrating the unique soundworld of the woodwind orchestra. Shea Lolin is a dynamic and versatile freelance musician living in London. His principal studies were in clarinet performance, composition and conducting at the Colchester Institute, and he has since developed an inimitable portfolio career as a conductor, performer and teacher.

In her new album acclaimed pianist Tomono Kawamura invites listeners on a satisfying journey through classical piano music. Blending personal favourites with timeless masterpieces, Tomono's profound connection to the piano is evident in every piece. Her distinct poetic sensitivity and technical brilliance bring each composition to life, creating a deeply personal and immersive musical experience. The album opens with Tchaikovsky's Autumn Song, Op. 37a No. 10, from The Seasons. Tomono captures the reflective and nostalgic mood of October, emphasising the delicate interplay of light and shadow in this evocative work. The journey continues with Sibelius's "Edit," Op. 76 No. 2, where Tomono masterfully balances subdued elegance with quiet intensity, reflecting the stark beauty of the Finnish landscapes that inspired it. Brahms' Hungarian Dance adds a lively burst of energy, with Tomono navigating it's spirited rhythms and fiery folk influences with joyful intensity. Her deep affinity for Chopin shines through in her performances of six of his works, each chosen to highlight different facets of his genius. From the lyrical intimacy of his nocturnes to the virtuosic brilliance of his etudes, Tomono's interpretations resonate with the emotional depth central to Chopin's music. The album also explores diverse stylistic periods with selections from Scarlatti, Rachmaninoff, Debussy, and Grieg. Tomono's performances reflect a profound understanding of these great piano works, whether it's the crystalline precision of Scarlatti's sonatas, the sweeping passion of Rachmaninoff's preludes, the dreamlike textures of Debussy, or the rugged beauty of Grieg. A highlight of Reminiscence is Tomono's original composition, Variations, which bridges classical form with contemporary expression. This piece showcases her creativity and deep understanding of the classical tradition, offering a fresh voice while paying homage to the composers who have shaped her musical journey. Reminiscence is more than just a collection of piano works; it reflects Tomono Kawamura's lifelong devotion to music. Through her thoughtful interpretations and masterful technique, she offers listeners an experience that lingers long after the final notes fade. About Tomono Kawamura: Born in Japan, Tomono Kawamura began piano studies at three and made her orchestral debut at fifteen. After winning numerous competitions in Japan, she received a scholarship to study at the Royal Academy of Music in London, where she graduated with First Class Honours. Tomono has performed as a soloist across Asia, Europe, and the UK, including at Wigmore Hall. She is also a celebrated performer on luxury cruise ships worldwide. Tomono's rich career and dedication to her craft are evident in every note of Reminiscence, offering listeners a glimpse into the soul of a true artist.

Scott Robert Shaw's debut "The English Tenor" takes us on a beautifully performed journey through a who's who of great English composers and their vocal works. The names Ivor Gurney, Benjamin Britten, Ralph Vaughan Williams, Gerald Finzi and Roger Quilter are synonymous with English Song, and a Golden Age of British music. The wide variety of accompanying instruments and artists, the broad range of text settings and the mix of cornerstone works of the repertoire alongside lesser-known cycles make "The English Tenor" a thrilling debut album.

A product of the English church music tradition, Australian born Scott Robert Shaw has been performing works in this oeuvre since childhood. Whether on the operatic or oratorio stage, as an ensemble singer or soloist, his deep cultural roots to the British music world are laid bare for all to see. This deeply personal album stands as testament to his background, and as a homecoming to his earliest steps as artist.

Beginning his career and training as a boy soprano at the St George’s Cathedral Perth Choir, Scott attended the McDonald College of the Performing Arts in Sydney, studying music and acting in the Stanislawksy/Laban tradition, awarded a full scholarship for Excellence in Performance. He then attended the Sydney Conservatorium of Music, and was given the Most Exceptional Contribution to the Arts award from Wesley College, University of Sydney. In London he continued his studies with the English National Opera’s Baylis Programme for young performers and was regularly engaged to perform as a recitalist and operatic tenor in festivals and opera companies in both the United Kingdom and France. He then completed his studies at the Royal Conservatory in The Hague where he studied Early Music and Classical Singing, and now based in Düsseldorf, is regularly engaged as a soloist in The Netherlands and Germany, with a particular focus on Bach oratorios and Evangelist roles in the Passions.

Parallels is meticulously curated album that explores the organ’s remarkable breadth and sonority. Featuring three monumental organ works and delightful arrangements of English classics, the collection is a testament to the grandeur and versatility of the instrument.

Florence Price's Suite No. 1, makes its debut commercial recording. This substantial and captivating composition draws inspiration from spirituals, hymns, and pentatonic themes, showcasing a harmonious fusion of jazz influences. The rhythmic drive and themes in the final Toccato pay homage to the engaging Rubrics by Dan Locklair, creating a seamless connection between the featured works. The album's title, Parallels, reflects Florence Price's artistic vision, aiming to convey a heritage through the past while being influenced by contemporary contacts. This intention is beautifully realised in Suite No. 1, where the chromatic harmony reminiscent of Suite Gothique meets the rhythmic vitality of Rubrics. As a nod to the present day, the album includes Alexander's own arrangement of Coldplay's hit single Paradise, seamlessly blending modernity with Price's timeless compositions. Parallels is not just an album; it's a transformative auditory experience that invites listeners to explore the intersections of tradition and innovation on the Harrison and Harrison organ. The past converges with the present in perfect harmony.

The surprise appearances of music not typically associated with the organ successfully adds an element of excitement and discovery. The album also features splendid organ arrangements of English staples like Elgar's Chanson de Matin and Pomp and Circumstance, further showcasing the instrument's versatility. "Parallels" is an invitation to discover the intersections of tradition and innovation, a celebration of timeless compositions, and a showcase of the capabilities of Cheltenham College Chapel’s Harrison and Harrison organ. This album also celebrates the 150th anniversary of Gustav Holst’s birth with the inclusion of Jupiter, the Bringer of Jollity fromThe Planets Op. 32 arranged by Thomas Trotter.

Alexander Ffinch has established himself as a renowned organist with performances spanning the UK, Europe, USA, and Asia. Notable for his role as the College Organist at Cheltenham College since 2004, Alexander oversees daily organ performances in the College Chapel and accompanies choirs while maintaining an active schedule as a recitalist, featuring prominently in events like the Cheltenham International Music Festival and BBC Radio 3 broadcasts. His 2019 album, "Transformations" (DDA 25193), received critical acclaim.

A fantastic collection of American choral classics ranging from Thompson’s sublime Alleluia to the terrific choral arrangement of Gershwin’s Summertime from Porgy & Bess. Conductor Robin White’s excellent arrangement of the traditional Shenandoah balances the programme nicely along with Copeland’s "I bought me a cat". This is a surprising and entertaining collection. Alban Voices is a chamber-choir formed over 20 years ago by Robin White and his late wife, Freda, originally as a relief choir for services in St. Albans Abbey. It has always been an ad-hoc grouping, drawn together as and when required: many of the current members sing regularly in London’s top symphonic choirs. Among other appearances, it featured most notably in a pivotal episode of the BBC TV soap opera EastEnders in December 2003. More recently, the group’s recording of Robin’s original Christmas song, Light of the World, accompanied by the Royal Ballet Sinfonia, has been well received, and was played on Scala Radio and Classic FM in the run-up to Christmas 2022.

Robin White trained at Imperial College, London and the Royal College of Music, studying conducting with Vernon Handley and orchestration with Bryan Kelly. He has conducted open-air, pop-classics concerts at National Trust and other venues across the south-west of England and the midlands. He has also worked with leading soloists such as John Lill, Christopher Warren-Green, Alexander Baillie and Emma Johnson in concerts in Bristol and the Channel Islands. His 1992 recording of Edwardian light music for Chandos Records was played extensively on Classic FM.

Diary of the Bee - A Masterpiece Recorded at Historic Marchmont House, Scotland Composer Helen Leach, known for her enchanting compositions that evoke rich landscapes and deep emotions, releases her album titled "Diary of the Bee." This new collection features a series of rich, tonally traditional compositions. With all tracks being world premiere recordings, the album showcases Leach's remarkable ability to blend lyrical melodies with profound storytelling. "Diary of the Bee" marks a significant addition to the classical repertoire, offering listeners an absorbing journey through Leach's musical landscapes. Each piece on the album unveils a unique narrative, beautifully performed by leading instrumental soloists alongside the esteemed Victoria String Quartet. Reflecting on the inspiration behind her compositions, Leach shares, "Every piece in this album holds a special place in my heart, drawing from personal experiences and the beauty of nature that surrounds me." Indeed, each composition in "Diary of the Bee" tells a story, from the evocative tribute to Prince Philip in "An Edinburgh Farewell" to the introspective musings captured in "Letters from the Owl House." Among the highlights of the album is "Cup of Kindness," a poignant ode to the universal warmth and blessings symbolised by Robert Burns' iconic line, "we'll tak' a cup o' kindness yet." With it's tender melodies and thoughtful arrangements, the piece resonates with a sense of harmony and peace. Another standout track, "Tenera Caritate," showcases Leach's mastery in crafting expressive rhapsodies, as she explores themes of love, hope, and healing through the emotive interplay of clarinet and string quartet. Listeners will also be enchanted by "Where Hope Was Sown," a commissioned piece dedicated to Mr. Oliver Burge, of Marchmont Farms, which beautifully captures the essence of the Lapwing bird and it's pastoral habitat through delicate musical motifs. From the haunting melodies of "The Black Rood of Scotland" to the elegant conversations of "A Song Without Words," "Diary of the Bee" offers a tapestry of sound that is instantly appealing. Recorded at the historic Marchmont House in Scotland, where Leach is Composer-in-Residence, "Diary of the Bee" not only captures the essence of Leach's compositions but also the timeless beauty of it's surroundings. With it's richly layered compositions and superb performances, "Diary of the Bee" stands as a testament to Helen Leach's extraordinary talent and her ability to weave intricate musical narratives.

In this thoughtful collection of chamber music, Ian Stephens' work reveals a rare balance of melodic clarity and inventive disruption, qualities that have drawn artists like Cate Le Bon, Ian Broudie, and OMD to his arranging talents. Here, Stephens' signature rhythmic vigour, theatrical subtlety, and knack for weaving unexpected moments define each piece, creating a body of work that intrigues as much as it soothes. Celtic Elegy for clarinet and cello sets the tone with a gentle homage to Celtic traditions. Initially inspired by the Irish air She Moved Through the Fair, the piece unfolds it's own melody through understated layers, mirroring the drones and ornamentation of Scottish bagpipes. This composition showcases Stephens' sensitivity to the soul of folk music while remaining efficient in form. Springhead Echoes and the Clarinet Quintet, two works linked by memory and place, extend Stephens' nuanced approach to melody and rhythm. Commissioned in memory of Rosalind and Brian Richards, they explore themes rooted in friendship and place. Springhead Echoes for string quartet channels Brahms with themes that emerge in delicate counterpoint, invoking the charm of Rosalind's lifelong connection to her home in Dorset. Meanwhile, the Clarinet Quintet subtly references Beethoven's opera Fidelio, blending nostalgic elements with Stephens' penchant for inventive structure. In North Country for string quartet, Stephens deftly reinterprets the folk tune The Oak and the Ash, transforming it across three movements: Lilting, Heartfelt, and With Abandon. The tune surfaces and recedes, guiding listeners through a series of evolving textures. From the reflective openness of the first movement to the vibrant, Latin-inspired rhythms of the finale, Stephens showcases his ability to shift seamlessly between tradition and innovation. Finally, the Oboe Quintet offers a poignant tribute to two amateur musicians of the Liverpool music scene. Here, Stephens emphasizes the oboe's natural expressiveness through long phrases and joyful rhythmic interjections, balancing lyrical intimacy with structured dance-like sequences. The Passacaglia, inspired by Bach, builds through symmetrical chords and shifting time signatures, adding depth to the piece's intricate framework. These chamber works not only illustrate Ian Stephens' gift for melody and recontextualization but also his acute attention to instrumental character. Each piece encourages reflection, embodying both the intellect and spontaneity that mark Stephens as a contemporary voice with a profound respect for musical lineage. Ian Stephens, composer: Raised in Devon as a cellist and singer, Stephens studied at the University of Bristol and later worked with the Royal Liverpool Philharmonic Orchestra. He now teaches at Chetham's School of Music in Manchester. His works, including Ella's Big Chance: A Jazz Age Cinderella and Pinocchio, demonstrate his skill in elevating melody with strong rhythmic profiles and theatrical clarity. His Celtic Elegy showcases his ability to blend soul and efficiency, earning him work as an arranger for artists like Cate Le Bon and Ian Broudie.

Divine Art presents the enchanting compositions of Australian maestro John Carmichael in this extraordinary collection. Carmichael's distinctive neo-Romantic style, an exquisite fusion of originality with echoes of Rachmaninov, offers a lush musical journey that will resonate with a broad audience, particularly those less inclined towards avant-garde new music.

This album boasts a diverse selection of duos, solos, and a Piano Concerto characterised by exuberant pianism harmoniously paired with a string orchestra, culminating in a Caribbean-flavoured final movement. Carmichael's compositions extend to a Piano Trio, Towards the Light, spotlighting the viola in works designed to elevate this often-overlooked instrument. The collection is further enriched by a Divertimento for flute, oboe, clarinet, and piano, giving the listener a varied repertoire where melodic elements take centre stage. Collaborating with Carmichael are some of highly talented artists, including acclaimed pianist Antony Gray, whose recent Divine Art recordings of Saint-Saëns piano music have earned glowing praise, making them the label's top sellers of 2022. Join us in this celebration of the potential in new orchestral and chamber music, where Carmichael's melodic brilliance and the artistry of our distinguished performers converge to create a truly remarkable album.

John Carmichael was born 1930 in Melbourne, Australia. He studied piano and composition at the University Conservatorium there, followed by two years piano studies with Marcel Ciampi at the Conservatoire National in Paris. Further composition studies followed with Arthur Benjamin and Anthony Milner in London while Carmichael joined the first group of musicians working for the newly established Council for Music Therapy, for whom he introduced music therapy programs at Stoke Mandeville Hospital and Netherden Mental Hospital, Surrey. In 1960 he became musical director of the Spanish Dance group Eduardo Y Navarra touring extensively with them both abroad and in Britain; foreign languages are one of his passions – the latest challenge being Chinese.

A new album of chamber works by Sergei Rachmaninoff.
This outstanding recording was made at two venues in Poland: the
Łódź Academy of Music, and the Czestochowa Philharmony. The
principal performer is pianist Barbara Karaśkiewicz who has made
several highly praised recordings for Divine Art (and before that the
esteemed Polish label Acte Preable). She performs two piano duos
with her musical partner Michał Rot. The chamber works are played
by the Huberman Piano Trio whose Divine Art recording of
20th Century Chamber music was also acclaimed by critics.
Both the performances and the perfectly engineered recording offer
a sumptuous program of Rachmaninoff that will delight listeners.
The Huberman Trio was formed at the initiative of Barbara
Karaśkiewicz, named in honour of the great Polish artist Bronislav
Huberman, famed for his performances and transcriptions of works
by Chopin and others.

Experience the full scope of Beethoven's musical evolution with this comprehensive collection of his 35 piano sonatas, meticulously organized in chronological order to offer a panoramic view of his artistic journey, tracing Beethoven's transformative progression as a composer.

While opus numbers traditionally guide the dating of Beethoven's works, exceptions abound, notably in the case of the Opus 49 Sonatas. This collection challenges the conventional exclusion of the early "Kurfurst" Sonatas, shedding light on Beethoven's formative years as a composer. Musicologist Professor Barry Cooper's advocacy for their inclusion, based on their publication by Beethoven himself and their intrinsic merit, finds resonance in this comprehensive set.

Pianist Tamami Honma brings these sonatas to life with precision, adhering closely to Cooper's editorial corrections in the ABRSM edition. Cooper's meticulous research, comparing original manuscripts, early editions, and historical sources, ensures an authentic interpretation of Beethoven's intentions, from note values to nuanced articulation. This collection is not merely a recording; it is a vibrant testament to Beethoven's brilliance, offering a fresh perspective on his extraordinary works.

REVIEWS:

“Peter Seivewright plays with style” – Northern Echo

“This is a fascinating disc... [Galuppi’s] music is very tuneful, unpretentious and untrammelled by 'early music fussiness.' They are far more appealing than Scarlatti sonatas. I have to commend the recording engineer who produces a close, intimate and crisp sound. Peter Seivewright gives us a splendid example as to how to play cantabile which all students and fellow pianists would do well to emulate. The sleeve booklet gives an excellent introduction to the life and times of this gifted composer and whets our appetite for further helpings. Highly recommended." – David Wright (Classical Music on the Web)

“A revelatory disc... Galuppi’s invention is rich and fresh, and Seivewright plays these wonderful pieces with a sense of delight in discovery. Highly recommended.” – Robert Cockroft, Yorkshire Post

“Movements are built often quite imaginatively and always resourcefully... [Seivewright] is a sensitive artist and obviously enjoys this repertoire, and he communicates this enjoyment to us." – Penguin Guide to CDs (2005)