VIETNAM: CHOPPER WAR

On July 11, 1798, a body of less than 1, 000 men was formally established as a United States Marine Corps. Over the next 100 years, although still relatively few in number, they were frequently dispatched overseas in a key role when U.S. interests were threatened. The Marines saw action in many places. Using some remarkable archive footage, this program develops the valiant story of the U.S. Marines through World War 2 to Korea and Vietnam.

THE MEDALS OF WORLD WAR II DVD

RITE OF SPRING

This documentary by Martha Argerich's daughter Stephanie was filmed in several countries, showing important musical and private stages of Martha and Stephen Kovacevitch, Stephanie's father. It follows Martha and Stephen through their everyday lives, in rehearsals and performances. As a bonus it includes Martha's 2010 Warsaw performance of Chopin's Piano Concerto No. 1 and encore performances of Mazurka Op. 24. No 2 and Schumann's Traumeswirren Op. 12, No. 7.

This moving documentary takes US from the rubbish dumps and barrios of Caracas to the world's finest concert halls. It shows how El Sistema, Venezuela's unique system of music education which has been founded by the visionary Jose Antonio Abreu.

BLUE NOTE

This DVD celebrates the musical quest of one of the great symphonists of the 20th century as seen through his music, letters, and words of his wife Aino, who was with him for more than 64 years.

Opulent and intimate, this enchanting chamber piece combines dance, text and music in a fascinating exploration of the life and loves of Queen Elizabeth I. Choreographer Will Tuckett and playwright and librettist Alasdair Middleton co-direct this special performance, which brings together Royal Ballet Principals Zenaida Yanowsky and Carlos Acosta with actors Laura Caldow, Sonya Cullingford and Julia Righton in an atmospheric and nuanced tribute to the remarkable nature of this extraordinary woman. Martin Yates’s original score recalls the structures and harmonies of Elizabethan music, in a modern reimagining of a typical Tudor-period ensemble, deftly performed by world-renowned cellist Raphael Wallfisch and acclaimed baritone David Kempster.

Humperdinck: Hänsel und Gretel

Also available on Blu-ray

Mozart’s trilogy of operas composed to librettos by Lorenzo Da Ponte delight and entertain audiences with their combination of sublime music and their mix of humor, romance and drama.

Cosi Fan Tutte, also known as ‘the school for lovers,’ stars a cast of young rising stars, conducted by Semyon Bychkov, in this 2016 production playfully set in a theatre. Kasper Holten’s production of Don Giovanni reveals the inner turmoil of the eponymous antihero, sung by Mariusz Kwiecien.

Erwin Schrott, Miah Persson and Gerald Finley star in David McVicar’s production of Le nozze di Figaro, one of the world’s most beloved operas."Kwiecien’s eloquently sung Giovanni heads a strong cast. Particularly impressive is Malin Byström’s Donna Anna, whose moving Non mi dir is addressed not to Don Ottavio but first to her dead father (via his bust) and then to Giovanni himself. Véronique Gens offers a sympathetic Donna Elvira, impassioned rather than hysterical in her inability to give up on Giovanni. Even in Leporello’s Catalogue Aria she embraces Giovanni, willing it not to be true. Alex Esposito’s resourceful Leporello also seems to be smitten by Giovanni, as is Elizabeth Watts’s lively, engaging Zerlina. Nicola Luisotti draws sensuous playing from the ROH orchestra, he and Paul Wingfield generating daring and witty dissonances in their keyboard continuo." (The Evening Standard - Giovanni) "…This success is no doubt also down to a shining cast: Corinne Winters’s rich-toned Fiordiligi contrasts with Angela Brower’s lighter lyrical Dorabella; Daniel Behle fetchingly adopts gentle head-tone colouring in Un Aura Amorosa and Alessio Arduini is a virile Guglielmo. Sabina Puertolas exudes street-smart confidence as Despina and Johannes Martin Kranzle delights in his role as social architect. Semyon Bychkov draws richly varied colours from the Royal Opera Orchestra, though occasionally favours slow tempos." (The Stage)

In Johanna Doderer's Fatima, oder von den mutigen Kindern, the courageous Fatima defeats the evil Lord of the Castle in a wager and frees the dreams that he has held captive. Drawing on a story by Rafik Schami, Johanna Doderer created this children's opera in 2015 to fulfill a commission from the Vienna State Opera. Austrian composer Johanna Doderer studied composition with Beat Furrer and then later in Vienna with Klaus Peter Sattler and Erich Urbanner. Her catalogue ranges broadly from chamber music to orchestral work and operas. Presently, she is focusing her work in the field of opera. She regularly collaborates with musicians such as Patricia Kopatchinskaja, Sylvia Khittl-Muhr, and conductor Ulf Schirmer. Her works have been performed at the Austrian Embassy, Washington, D.C., and the University of Arts Graz.

Begun in the year 1900, amidst the art nouveau curlicues of Klmt and the Jugendstil, Schoberg's grand cantata is wrtten in a lush, late-romantic style indebted to Wagner and Mahler and pre-dating his pioneering atonal works. This setting of the medieval Danish legend of Gurre Castle - a love triangle between King Waldemar, his mistress Tove and a jealous Queen - gains an innovative new dimension in this first-ever staging of the work, directed by Pierre Audi. This album marks the first ever collaboration between DNO Artistic Director Pierre Audi and Music Director Marc Albrecht. This production was the first staging of Schonberg's mammoth cantata with gargantuan orchestra, five soloists, speaker and multiple choruses.

George Benjamin and Martin Crimp's second full-length opera - following the acclaimed Written on Skin - draws on the real-life relationship between Edward II and Piers Gaveston to explore how personal relationships can have fatal political consequences. The King lives in a close but uneasy relationship with his wife Isabel, their two children and his lover Gaveston. When the King banishes his military advisor Mortimer, he sets off a chain of devastating events. Benjamin's richly-orchestrated score perfectly captures the drama's intense emotions, while director Katie Mitchell provides a visually stunning contemporary staging, highlighting the timelessness of the opera's main themes. The composer himself conducts a superb international cast. "... The music, written and compellingly conducted by Mr. Benjamin, is unapologetically modernist, while the libretto, by Mr. Crimp, is often cryptic. Without pandering, they've made another significant contribution to the art form. In the queen, Mr. Benjamin has created another remarkable role for Ms. Hannigan's immense vocal gifts and comprehensive musicianship. He writes lines that shift from earthy emotionalism to angelic purity, knowing that this artist can handle those pivots. He takes advantage of her focused intonation and rhythmic precision to lend even anguished passages structural strength. But it's Mr. Benjamin's remarkable music that gives the work it's charge: The writing is so lush, haunting and detailed - radiant one moment, piercingly dissonant the next - that you are continuously enveloped by the raucous beauty of the sounds." (New York Times)

Also available on Blu-ray

Katie Derham introduces highlights from the past ten years at the Royal Ballet, weaving the history of ballet through carefully curated excerpts from the past decade, and goes behind the scenes to see what it takes to be a dancer in the company of The Royal Ballet as they prepare to take to the stage. With stunning solos, passionate pas de deux and jaw-dropping numbers for the corps de ballet, it is a chance to see your favourite dancers up close, including Carlos Acosta, Marianela Nuñez, Natalia Osipova and Steven McRae, alongside rising stars like Francesca Hayward and Matthew Ball, who will introduce their favourite ballets and share stories of their life on the stage. The ballets featured include the classics Giselle, La Bayadere, Swan Lake, The Sleeping Beauty and The Nutcracker while the 20th-century heritage of The Royal Ballet is explored in works by Frederick Ashton and Kenneth MacMillan. The contemporary life of the company is showcased in works by Christopher Wheeldon and Wayne McGregor

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British Ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage. “The Royal Ballet is at the top of its game in a new triple bill of MacMillan, Ashton, and a pinch of Petipa…” (The Guardian) “O’Sullivan dances with a sunbeam brightness and zest to match her tangerine-colored costume… The ‘Nimrod’ variation is a memorable evocation of mature friendship; catching at the shifting currents of conversation and companionship with a finespun physicality… Princely Vadim Muntagirov follows suit with pantherine leaps and there’s strong support from the soloists and fluffy-hatted corps.”

Also available on Blu-ray

This film is a journey with the famous pianist Yuja Wang. With more than 120 performances a year, she lives a nomadic lifestyle. The exploration of Yuja’s wanderings is a travelogue of exciting venues, glitzy cities and encounters with extraordinary artists, such as Gustavo Dudamel, Gauthier Capucon and Leonidas Kavakos and personalities of other professional horizons but there is also a downside: fatigue, jet lag, pressure, doubts, hostilities, disorientation, and loneliness. With a bittersweet reference to the transience of life, the film reveals the invisible that complements the visible and shows us this artist in a very personal way. “Pianists have to be alone all the time, and it’s hard, it’s lonely. Being a musician is almost like a very isolated life, and the only time you actually get to communicate is on stage with music. It’s not a bad thing. I think being solitary, it really allows us to think about life and to think about why people write this music. [...] It makes you start to wonder about things that are beneath the surface.” (Yuja Wang)

DETAILS:

Picture format: NTSC 16:9
Filmed in: High Definition
Sound: PCM Stereo / DTS 5.1
Languages/Subtitles: English; Ger, Fr, KOR, JPN
Region: 0 (Worldwide)

Originally released in 2007.

Originally released in 2003. Directed by Phil Grabsky. Starring Mir.

Three-quarters of a century of uninterrupted creation, how can you take inventory of that? Nelly Kaplan, a writer and important figure in French film, asked that very question about the work of Picasso. She provided her own answer with Le Regard Picasso, a magnificent film that received the Golden Lion at the 1967 Venice Film Festival. Fr�meaux & Associ�s has made this work available to the public once again along with a second short film entitled � la Source la Femme Aim�e, which takes a look at the erotic drawings of Andr� Masson. The reissue of these cinematographic works provides a fresh overview of two of the greatest representatives of desire in art.

Trop souvent, les animaux, preserves pendant des millenaires par le permafrost, ce sol perpetuellement gele du Grand Nord Siberien, ont ete abîmes par l’alternance gel-degel des saisons et par les pratiques musclees – A la lance A incendie – de ceux qui les ont degages de leur gangue de glace. C’est pour eviter cela que Bernard Buigues, directeur de l’association francaise Cercles polaires expeditions, responsable de l’expedition Mammuthus, dont la direction scientifique est assuree par Yves Coppens, paleoanthropologue au College de France, a decide de maintenir une chaîne du froid autour de Jarkov. “Plutôt que d’envoyer des morceaux de ces animaux, seches ou decomposes, aux laboratoires etrangers, nous avons eu l’idee de le conserver sur place en bon etat, et de faire venir les chercheurs jusqu’A Khatanga”, precise Yves Coppens. » Christiane Galus, LE MONDE / « Un “Jurassic Park” A la mode mammouth? Les geneticiens, japonais et americains en tête, ont dejA clairement affiche leur souhait de tenter un clonage pour “fabriquer” un mammouth du XXIe siecle bien vivant! Pour se faire, il suffirait que la congelation de Jarkov ait permis une bonne conservation de cellules intactes. A partir de l’ADN retrouve, on peut imaginer que les chercheurs remplacent le code genetique d’un embryon d’elephant d’Asie par celui de Jarkov, avant de placer l’embryon qui en resultera dans l’uterus d’une elephante pour esperer faire naître un bebe mammouth... Un “Jurassic Park” A la mode mammouth ? » Jean-Marc Guilbert, LA DEPECHE

Directed by Anna Schmidt. Starring Julian Rachlin, Jonny Greenwood, Andrzej Wajda.

Also available on Blu-ray

The contemporary face of The Royal Ballet is shown in works from three of today's leading choreographers. Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

“Mahler, Live” is a dialogue between two outstanding ballets, the world premiere of “4” by Martin Schläpfer and Hans van Manen‘s icon of dance history “Live”. The new director of the Vienna State Ballet Martin Schläpfer not only presents his first own program at the Vienna State Opera with the premiere “Mahler, Live” but also introduce himself as choreographer with his world premiere “4” to Gustav Mahler‘s 4th Symphony. The result is a great ballet for the entire ensemble, which is preceded by an icon of dance history at the opening of the evening, with Hans van Manen‘s “Live”. Hans van Manen‘s “Live” is the first video ballet in dance history and a masterful puzzle game with the mechanisms of perception. First performed in Amsterdam in 1979, “Live” has so far been danced exclusively by Het Nationale Ballett. With this new production in Vienna, Hans van Manen entrusts his work to another company for the first time. “The ballet evening Mahler, live at the Vienna State Opera is already writing dance history” (Kurier) “A sensational start. The Viennese have undoubtedly drawn a lucky draw.” (Süddeutsche Zeitung).

In the imposing Arena di Verona, soprano Sonya Yoncheva and tenor Vittorio Grigolo present with dramatic and passionate synergy an evening of the most beautiful operatic love arias and duets in opera history. Passion that burns, consumes and sometimes kills is the central theme of this concert including arias from Roméo et Juliette by Charles Gounod as well as from Puccini´s Tosca, La bohème, Madama Butterfly and Verdi´s La traviata, all conducted by Plácido Domingo. Sonya Yoncheva has the full and vibrant timbre of a true lyrical soprano while Vittorio Grigolo, like Cavaradossi and Rodolfo, plays the cards of ardor and passion, with sweet and affectionate colors. An overall successful evening.