Cut in 1968, this session catches a trumpeter at the height of his command. Showing impact and restraint in equal measure, Don's playing here is focused, unforced, and powered by years of bandstands, studios, and broadcast work.

Praised by The New York Times for her ‘clear articulation … unequivocal phrasing … [and] expressivity’, Ingrid Jacoby has established herself as one of her generation’s most poetic and admired pianists.Winner of numerous prizes and competitions, she has, since moving to England, performed with many major orchestras, including the LSO, the LPO and the RPO, as well as the London Mozart Players, and worked with many eminent conductors.Her new recording of Mozart’s Concertos K467 and K488, complete with the Rondo K386, and accompanied by the internationally celebrated ASMF conducted by Sir Neville Marriner, follows on from her acclaimed earlier recording of the Concertos K449 and K595 which received excellent reviews from Int’l Record Review, Gramophone and Fanfare magazines, among others.The accompanying booklet contains notes by Richard Wigmore and personal insights by Ingrid Jacoby on Mozart.

Praised by the New York Times for her 'clear articulation... unequivocal phrasing... [and] expressivity', Ingrid Jacoby has established herself as one of the most poetic and admired pianists of her generation. She began her piano studies with Larisa Gorodecka, herself a pupil of Heinrich Neuhaus. Graduating at sixteen with highest honours from the St Louis Conservatory of Music, Ingrid Jacoby went on to win the National Baldwin Piano Competition, the Concert Artists Guild International Piano Competition and the Steinway Hall Artists Prize. In America, the National Society of Arts and Letters awarded to her (in 1994) one of it's highest distinctions, the Lifetime Achievement Award. Her discography includes the world premiere recording of Korngold's solo piano pieces, works by Gershwin and Bernstein, and a recording of the Shostakovich and Ustvolskaya piano concertos with the Royal Philharmonic Orchestra conducted by Sir Charles Mackerras, which earned the highest commendation from the American Record Guide. This is the third release from Ingrid Jacoby's critically acclaimed Beethoven cycle, featuring Concertos Nos. 1 & 3. The booklet contains notes by Richard Wigmore in addition to personal insights by Ingrid Jacoby on Beethoven interpretation. Her first disc in the series, featuring Beethoven's Concertos Nos. 2 & 4, received the following review: 'Utterly compelling... here is a performance of Beethoven that is well-nigh flawless in every regard' (International Record Review). Her recording of Beethoven's 'Emperor' Concerto was equally praised: 'It's one hell of a performance! Jacoby brings a vitality and drive to the first movement that is compelling and fresh, vividly accompanied' (Colin Anderson in Classical Source).