Recorded Live in Albert Cummings Home Town Williamstown MA

The legend is back with a dvd/cd, recorded in berlin on march 6 2025

Bo Diddley's iconic beat shaped the foundation of rock and roll. In this jam-packed concert, Bo shares the stage with giants from every corner of rock history: Ronnie Wood of the Rolling Stones, Kenny Jones of The Who, Carl Wilson of The Beach Boys, Mick Fleetwood of Fleetwood Mac, and many more legends. Together, for one explosive performance, they put the rock in rock and roll.

An extravagant showcase of early sound cinema, this 1929 Warner Bros. Extravaganza brings together over 70 stars in a vaudeville-style revue packed with music, comedy, and spectacle. Hosted by Frank Fay, the film marks a turning point in Hollywood history-introducing audiences to the voices of silent-era legends while celebrating the novelty of the Talkies. Highlights include John Barrymore delivering a Shakespearean soliloquy as Richard III, Myrna Loy in two-strip Technicolor as an exotic dancer, French boxing champ Georges Carpentier singing and tapping through "If I Could Learn to Love," and Winnie Lightner's unforgettable rendition of "Singing in the Bathtub." Add appearances from Douglas Fairbanks Jr., Ben Turpin, and even Rin-Tin-Tin, and you have a vibrant time capsule that captures the excitement, excess, and experimental spirit of cinema's leap into sound.

In her first talkie, Bebe Daniels stars as Rio Rita, a Mexican beauty caught between love and suspicion when Texas Ranger Jim Stewart (John Boles) arrives in pursuit of a border bandit known as "The Kinkajou." Adapted from the Ziegfeld stage hit, this pre-Code RKO musical comedy features the film debut of vaudeville duo Wheeler & Woolsey and showcases early Technicolor sequences.

A dance teacher from Boston (Charles Collins) is tricked into joining a band of pirates, which leads to him being fitted for a noose in California. He catches a break when the mayor's daughter demands the hanging be postponed until he teaches her to waltz, but his problems are only beginning! The Dancing Pirate (1936) received an Academy Award nomination for Best Dance Direction, and was billed as The first dancing musical in 100% new Technicolor.

The Subscription Concert Series of the Wiener Philharmoniker from the Golden Hall of the famous Musikverein are special concerts reserved for subscribers. Due to the exceptional quality of the concerts and the limited offer, the average waiting time for subscribers is more than 10 years. With this series, these very special concerts are made available for the first time audiovisually to a wider audience worldwide. Mahler's unusually expansive five-movement Symphony No. 7 is among the composer's most ambiguous and enigmatic works, often regarded as his most challenging to perform. Andris Nelsons leads the orchestra in a new chapter of their Mahler cycle, reaffirming his stature as "one of the most celebrated conductors of our time" (Salzburger Nachrichten). Under his baton, the Seventh becomes "magic in the Golden Hall. [...] Rarely has one heard this work so finely chiselled, so dynamically balanced. An event." (Kurier). "Andris Nelsons and the Vienna Philharmonic bring total coherence to Mahler's Seventh Symphony." (Seen and Heard International)

The first collaboration between John Cage and Scottish traditional music group The Whistlebinkies occured in Edinburgh in 1984. Cage was fascinated by their instrumentation of Lowland pipes, clarsach, fiddle, wooden flute, concertina, drum and voice. This led on to the commissioning of Scottish Circus for the ensemble in 1990, a way of performing traditional Scottish music as individuals of an ensemble together. The September 1990 premiere in Glasgow, in Cage's presence, also included his newly devised version of 4'33" (which lasted 10 minutes!). These recordings showcase Edinburgh's historic Inverleith House as not only the recording venue, but the acoustic of the house as a performer in it's own right. This DVD presents two first recordings of Scottish Circus, demonstrating how no two performances of the piece are the same. Also included are both outdoor and indoor performances of 4'33". Additional features: - Scottish Circus films presented with 5.1 Surround and Dolby Stereo options - Scottish Circus studio version (PCM 24-bit stereo, no video) - John Cage, Scottish Circus and The Whistlebinkies: McGuire and Eydmann in conversation - John Cage in Conversation, Edinburgh 1984 (mono, no video) Includes a 24-page booklet of photos with essays by Eddie McGuire, James Pritchett, Prof. Bjorn Heile and Brian Brandt. Plus interviews with John Cage by Steve Sweeny-Turner and Stuart Eydmann by Neill Martin.

The annual New Year's Concert in Vienna has been a major event for more than eight decades, since 1939, broadcast on television and radio. The concert has so far been conducted by world-famous maestros such as Herbert von Karajan, Lorin Maazel, Claudio Abbado, Carlos Kleiber, Zubin Mehta, Riccardo Muti, Nikolaus Harnoncourt, Seiji Ozawa, Mariss Jansons, Franz Welser-M�st, Gustavo Dudamel, and others. As Austria's musical ambassadors, the Vienna Philharmonic sends people around the world a New Year's greeting in the spirit of hope, friendship, and peace - with lively and carefree yet nostalgic and profound music from the great repertoire of the Strauss family and their contemporaries.

From a mysterious Cheshire Cat and a tap-dancing tea party, to frogs acting as footmen and unknown potions that turn you tiny, many treats and eccentricities await in this weird and wonderful world. You never know what you might find when you fall down the rabbit hole. Christopher Wheeldon's?Alice's Adventures in Wonderland?burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot's score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley's wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at it's best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.

Three documentaries on the Stuttgart Ballet and its outstanding dancers Marcia Haydée and Friedemann Vogel.

The Teatro La Fenice opened in 1792 and is one of the most renowned and most beautiful theaters in the world. "Amid mirrors, flowers and confetti, New Year's Eve at La Fenice is a ritual" (MusicPaper). The Teatro Fenice's Concerto di Capodanno - one of the world's most celebrated New Year's concerts - welcomes Daniel Harding back to the podium. After the monumental opening with Beethoven's Fifth, soloists Mariangela Sicilia and Francesco Demuro perform beloved arias by Rossini, Leoncavallo, Puccini, Wolf-Ferrari, Bizet, Gounod and Verdi. Interwoven with the concert are scenes of Aterballetto dancers, choreographed by Marcos Morau, performing in Venice's most iconic locations. The soloists' "perfect vocal blend" in Libiamo ne' lieti calici truly stands out (MusicPaper).

In occasion of it's 200th season opening, Teatro Real presents a spectacular new production of Gounod's Faust, directed by �lex Oll� (La Fura dels Baus). Set in a futuristic laboratory, Goethe's timeless themes of knowledge, desire, and redemption are reimagined through the lens of artificial intelligence and human emotion. Star singers including Piotr Beczala, Marina Rebeka, and Luca Pisaroni lead the cast in this gripping drama. Under the baton of Dan Ettinger, the Orchestra and Chorus of the Teatro Real deliver a thrilling performance that, as Bachtrack wrote, "takes it's cue from Goethe but doesn't shy away from theatrical imagination." // "Beczala's voice was brilliant, dark and even powerful with ringing high notes as he proved with his ringing high C in Salut demeure chaste et pure." (Operawire)

Semperoper Dresden presents an historic performance of Tristan and Isolde, directed by Marco Arturo Marelli and conducted by world-leading conductor Christian Thielemann. The sound he obtains from the Wagnerian score "fills the room with elegiac longing, drawing listeners into the emotional depths of the famous lovers." (Opera Online) Klaus Florian Vogt, in his debut as Tristan, is "fully present and convincing with natural phrasing and clear diction" (Opernmagazin), while Camilla Nylund as Isolde "convinced with her still incredibly lyrical, light soprano" (Sachsische Zeitung). At the zenith of his career, Christian Thielemann manages to set a new standard with his permeation of this difficult score and leads the Staatskapelle Dresden to new heights of artistic expression. "It would be most wonderful if this Tristan never ended." (Opernmagazin). "Brilliant performances that bring you to your knees". (Sachsische Zeitung)

Barrie Kosky, one of the most exciting opera directors of our time, opened his newly staged Da Ponte cycle at the Wiener Staatsoper with a character-driven new production of Mozart's Don Giovanni. Kyle Ketelsen in the title role and Philippe Sly as Leporello "took centre stage (...) and dared to satirise the burden of tradition" (ORF). Hanna-Elisabeth Muller is a compelling Donna Anna, Patricia Nolz gives a remarkable role debut as Zerlina, and Peter Kellner shines as Masetto. Kate Lindsey presents a fascinating character study as Donna Elvira, and Stanislas de Barbeyrac excels as Don Ottavio. Philippe Jordan conducts the Orchestra of the Wiener Staatsoper, bringing "transparency, tangibility and poetry on the basis of historical accuracy" (Der Standard) - even in the subtly played recitatives on the fortepiano. "Kosky and Jordan met congenially in the direction of the singers." (ORF)

Barrie Kosky, one of the most innovative opera directors of our time, creates a new interpretation of Mozart's Le nozze di Figaro at the Vienna State Opera with a very young ensemble: Andre Schuen and Hanna-Elisabeth Muller in the roles of Count and Countess Almaviva, Peter Kellner as Figaro, Patricia Nolz as Cherubino. Susanna's role is interpreted by both Ying Fang (acting) and Maria Nazarova (singing), as Ying Fang could not sing due to a vocal cord illness. Philippe Jordan conducts the Orchestra of the Wiener Staatsoper and together they "deliver an ideal mixture of elegant lyricism and concentrated expression - each and every one" (Wiener Zeitung) // "Beauty and pointedness are combined in the noblest way. " (Der Standard) // "A triumph of Barrie Kosky's directorial brilliance - hilarious yet deeply engaging and thought-provoking. " (klassik-begeistert. De)

In this interpretation of Verdi's MacBeth, stage director Christof Loy skillfully navigates the interplay of light and dark, infusing the opera - based on Shakespeare's work - with remarkable depth and drama. The outstanding vocal ensemble vividly captures the psychological nuances of the characters, featuring Ludovic Tezier as the paranoid MacBeth and Martina Serafin as Lady MacBeth, the mastermind behind the crimes. Giampaolo Bisanti pours his passion into the score, while The Symphony Orchestra and the Liceu Choir deliver exceptional performances in response. Consequently, the audience experiences a flawless blend of lyrics and music, crafted by the Milanese composer, librettist Francesco Maria Piave, and poet Andrea Maffei. "It is a unique scenography." El Pais

JOANA MALLWITZ MOMENTUM A film by Gunter Atteln Joana Mallwitz is a conductor. This profession is still seen by many people as predominantly male. Recognized early on for her exceptional talent, Mallwitz was Europe's youngest general music director before becoming chief conductor of the Konzerthausorchester Berlin, one of Germany's leading classical orchestras, in August 2023. Over two years, the film follows her as she embarks on a decisive phase of her international career - with debuts in Munich, Paris, Salzburg, and Amsterdam. At the same time, she and her husband have to reorganize their lives after the birth of their first child. JOANA MALLWITZ - MOMENTUM offers a candid and detailed portrait of the musician. We experience Mallwitz as a perfectionist who works hard, as a music mediator, and an energetic orchestra leader. Despite all her success, we feel the enormous pressure that the conducting profession brings with it, which, like a musical crescendo, steadily increases until her inaugural concert in Berlin. Opening film of FIPADOC Biarritz 2025 DOK. Fest Munchen 2024, Official Selection Krakow Film Festival 2024, DocFilmMusic Competition

Dona Nobis Pacem – give us peace. This title is of great importance to me – even at the risk of seeming naïve; sentimental or even pretentious. In light of the constant and growing tensions in our world; this thought remains an important aspiration and inspires me to approach Johann Sebastian Bach's multifaceted composition with conviction. In my 50th season as artistic director; I consider this creation a great opportunity. John Neumeier; A Historic Document - The film version of “Dona Nobis Pacem” takes us close to the creative evolution of this ballet. Even though there were very high expectations; John Neumeier agreed for the first time in his career to have one of his ballets filmed during the week of the world premiere. Thus; the film became an impressive document of the outstanding quality of the Hamburg Ballet ensemble. It excels not only in terms of technical brilliance; but also expressive intensity and wholehearted dedication.

Richard Strauss described his two-act opera 'Intermezzo' as a 'bourgeois comedy with symphonic interludes'. The soprano role of Christine with her shimmering cantilenas represents Strauss's wife Pauline, while the successful Court Conductor Robert Storch is Richard Strauss's alter ego in a reality drama that was avant-garde for it's time. This acclaimed production from director Tobias Kratzer brings 'Intermezzo' into the present day, highlighting Strauss's own clever switches between reality and fiction with stunning visual effects and a superbly characterful cast.

Set during the Roman Civil W War (49-45 BCE), Handel's "Giulio Cesare" is an intense drama filled with romance, tragedy and political intrigue. The plot centers on Cleopatra's campaign to seduce Julius Caesar in order to enlist his support in her becoming Queen of Egypt. Handel's music breathes the atmosphere of the Baroque with virtuosic vocal fireworks and subtle arias. This acclaimed production is given a modern setting populated by power-hungry oligarchs who are placed by director Calixto Bieito into 'a digital dream world in a desert paradise'.

Alessandro Scarlatti's Il trionfo dell'onore (The Triumph of Honour) - his only comic opera - was first performed in Naples in 1718. With it's distinctive recitatives and expressive arias, and a cast including four pairs of lovers, it can be considered one of the forerunners of opera buffa. The central character is the unrepentant seducer Riccardo Albenori, a Don Giovanni-like figure though without the villainous aura. In this opera, Scarlatti ensures not only perceptive psychology but a rich variety of arias, duets and quartets that generate the work's pathos as well as it's humour and eroticism.

MacBeth is one of Shakespeare's greatest tragedies, telling the story of a power couple galvanised by witchcraft and superstition, and obsessed by a craving to conquer the throne by force, even by murder. This French version of Verdi's opera takes us into a sphere of decorum and decency that hides monsters capable of the worst atrocities, portrayed in some of the composer's most blood-curdling and intense passages of music. A genuine rarity on stage, this 2024 production of the French version was acclaimed for it's powerful vocal performances and fine acting.

Premiered in 1883, 'Lakmé' remains one of the most popular of all French operas. Reflecting contemporary tastes, the original source material presented a tragic liaison between a French officer and a Tahitian woman on a Pacific island, but Delibes moved the location to British-ruled India where the two central characters are torn between passion and loyalty, and assailed by a fanatical religious leader. For this opera Delibes wrote music of indelible beauty, including the much-loved ‘Flower Duet’ and ‘Bell Song’.

Sensuous contemporary ballet meets the energy of musical theatre in four distinctive short works showcasing the extraordinary versatility of The Royal Ballet's Artistic Associate, Christopher Wheeldon. His hugely successful career, spanning ballet to musical theatre from London to New York and beyond, has garnered international acclaim. These exceptional pieces - Fool's Paradise, The Two of Us, Us and An American in Paris - are a feast for the senses highlighting the Tony- and Olivier-award-winning choreographer's remarkable range. This collection is a testament to Wheeldon's diverse expression and creativity.