Mauro D’Alay was a native of Parma. His fame as a violinist and composer took him all over Europe, and he was employed for many years at the prestigious court of Philip V of Spain. As with the Concertos, Op. 1, these recordings include world premieres from manuscripts mostly found in the Dresden Sächsische Landesbibliothek. These concertos are formally based on models by Vivaldi, but D’Alay’s style is freer, at times incorporating a more ‘modern’ galant fashion in discoveries such as the beautiful and unique Concerto in D minor, and in pieces dedicated to the famous Venetian violinist, ‘Maestra’ Anna Maria della Pietà.