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The freely moving Gloria uses some principles of the motet without really being one. Its Amen includes hocket, the “hiccup” technique which splits up melodic lines among various voices. The three-voice Ite missa est is a bilingual motet; a late Medieval amalgamation of contradictions, a union of the heterogeneous, acoustic synchronicity of completely different worlds. The triplum, or top voice, sings a French love song, the motetus, or middle voice, sings a moralizing Latin text, and the tenor cites a fragment of a Gregorian melody using the isorhythmic technique, in which a rhythmic model is repeated once (as here) or sometimes a number of times.\u003cbr\u003e  \u003cbr\u003e In addition to the polyphonic mass ordinary, we also bring one-voice Gregorian melodies of the mass proper to life as well as a series of oneor more-voice sacred works, performing them both vocally and instrumentally as they were once played in ceremonial worship services.\u003cbr\u003e  \u003cbr\u003e With the exception of the motet by Philippe de Vitry, all pieces come from the Codex Musical de las Huelgas. Compiled around 1300 in Spain, this collection is an important source of European polyphonic music from the beginning of the 14th century.\u003cbr\u003e  \u003cbr\u003e The manuscript contains a number of compositions from the Notre Dame school and its successors. 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