Classical
Emmanuel Pahud
Emmanuel Pahud (b. 1970) - flutist.
5 products
Faure: Dolly, Masques et Bergamasques, Trio / Le Sage, Pahud, Tharaud
FAURÉ Dolly for Piano Four-Hands. Masques et bergamasques for Piano Four-Hands. Fantaisie for Flute and Piano, op. 79. Morceau de concours for Flute and Piano. Piano Trio, op. 120. Aprés un rêve for Cello and Piano (trans. Casals). Pelléas et Mélisande: Sicilienne, for cello & piano. FAURÉ-MESSAGER Souvenirs de Bayreuth for Piano Four-Hands • Eric Le Sage (pn); Alexandre Tharaud (pn); Emmanuel Pahud (fl); Pierre Colombet (vn); Raphaël Merlin (vc); Françoise Salque (vc) • ALPHA 603 (70:32)
This comes wrapped in a certain air of carelessness. It might be called Eric Le Sage and Friends , and one assumes that Le Sage is the principal pianist, but there is no attempt to identify who plays what, on the jacket or in the booklet. Likewise, there is a reluctance to credit the arrangers and collaborators of several items, e.g., the contribution of André Meassager to the Souvenirs de Bayreuth ; some of which are taken at breakneck speed, thus obscuring their allusions to the Wagner operas they’re guying. In other pieces, however, gung-ho spontaneity is salutary. Going for the gusto, finesse occasionally takes a hit. Nestled amid the bonbons, a movingly elegiac reading of Fauré’s late Trio, too often dismissed as a feebly geriatric effort, makes a superb case for it and prompts one to hear Le Sage & Company’s three other Fauré albums. Despite occasional reservations, this gives pleasure. Recommended.
FANFARE: Adrian Corleonis
Fauré: Complete Chamber Music
Here is all the chamber music composed by Gabriel Fauré between 1875 and 1924. These recordings, now viewed as benchmark versions, feature some of the finest artists on the French and international scene: violinist Daishin Kashimoto, cellist François Salque, violist Lise Berthaud, pianist Alexandre Tharaud, flautist Emmanuel Pahud, clarinettist Paul Meyer and the Quatuor Ébène. An exceptional project initiated by the pianist Éric Le Sage, whose 2019 recording of the thirteen Nocturnes completes the anthology.
Romances / Pahud, Le Sage
Flautist Emmanuel Pahud and pianist Eric Le Sage play arrangements of short pieces and songs by four German composers of the mid-19th century: Robert Schumann and his wife Clara (born Clara Wieck), and Felix Mendelssohn and his sister Fanny.
Major composers of the earlier Romantic period somewhat neglected the flute as a solo instrument, even though there were a number of virtuoso players and the flute was popular with amateurs. The fact is that the instrument presented technical difficulties in terms of consistency of timbre and intonation; these were not satisfactorily resolved until 1847, when Theobald Boehm, a German manufacturer of wind instruments, produced the revolutionary prototype of the modern flute. The album comprises: Robert Schumann's three Romances op 94 - originally written for oboe and transcribed for flute in the 1950s by Jean-Pierre Rampal - and his three Fantasiestücke op 73, originally conceived for clarinet; Clara Schumann's three Romances op 22, which she dedicated to the great violinist Joseph Joachim; arrangements of six lieder by Fanny Mendelssohn, and the sonata in F that Felix Mendelssohn composed as a violin work in 1838.
Stories - Mozart: Violin Sonatas (trans. for flute) / Pahud, Le Sage
"Mozart is the reason why I became a musician," says flautist Emmanuel Pahud, who - like Mozart - was born on January 27th. He first became captivated by the composer's music when he was just five years old. In the words of the Baltimore Sun he plays it "with an astonishing array of subtly moulded sounds, superb breath control, flawless articulation and, above all, consistently eloquent phrasing." With pianist Éric Le Sage, Pahud performs several Sonatas, which Mozart originally composed for violin and piano.
