Baroque
541 products
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Musica Danzante
$18.99CDArcoDiva
Jul 25, 2025UP0252 -
200 Jahre-Stille Nacht, Heilige Nacht
$19.99CDBerlin Classics
Nov 07, 20250301165BC -
Le Secret, Music for Cello & Harp
$14.99CDBrilliant Classics
Jul 18, 2025BRI97516 -
J.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1003 & BW
$20.99CDHaenssler Classic
Mar 13, 2026HC25033 -
Soler: Keyboard Sonatas Nos. 99-111
$19.99CDNaxos
Aug 08, 20258574666 -
King of Kings - Bach Orchestral Transcriptions
$21.99CDChandos
Aug 01, 2025CHAN 20400 -
Organ Recital - Niklas Jahn
$19.99CDNaxos
Aug 22, 20258574649 -
Circa Diem
$20.99CDCyprés Records
Apr 24, 2026CYP4672 -
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J. S. Bach & Sons: Flute Sonatas
$20.99CDChannel Classics
Oct 03, 2025CCS49725 -
J. S. Bach: Goldberg Variations (Arr. for Double Reed Trio b
$18.99CDLeaf Music
Feb 13, 2026LM307 -
L’apotheose de Corelli - Triosonatas
$16.99CDChallenge Classics
Apr 10, 2026CC 720033 -
Miho Hazama, J.S. Bach, John Zorn, & Claude Debussy: Crossin
$19.99CDAvie Records
Feb 06, 2026AV2807 -
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Musica Danzante
200 Jahre-Stille Nacht, Heilige Nacht
Le Secret, Music for Cello & Harp
Complete Symphonies; Wind Concertos
J.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1003 & BW
Soler: Keyboard Sonatas Nos. 99-111
King of Kings - Bach Orchestral Transcriptions
Organ Recital - Niklas Jahn
Circa Diem
Alfred Brendel plays Busoni & Liszt
J. S. Bach & Sons: Flute Sonatas
J. S. Bach: Goldberg Variations (Arr. for Double Reed Trio b
L’apotheose de Corelli - Triosonatas
Miho Hazama, J.S. Bach, John Zorn, & Claude Debussy: Crossin
Reimagined - Bach: Goldberg Variations / Podger, Brecon Baroque
Imagining how Bach himself might have transformed the Goldberg Variations for a chamber group, Rachel Podger and Brecon Baroque present a pioneering new arrangement of the Goldberg Variations by Chad Kelly. Employing a variety of instrumental combinations from a typical Bach ensemble of single strings, oboe, flute, bassoon, and harpsichord, these newly-crafted Goldbergs illuminate exquisite responses to the various historical genres inherent in Bach’s scores.
This beloved masterpiece was composed through a period of personal tumult for Bach; two unsuccessful job applications, the premature death of his son Gottfried, and criticism of his music in a prominent Hamburg publication. Bach’s outpouring of beauty in the Goldberg Variations has long captured audience’s imaginations - Chad Kelly, Rachel Podger, and her fleet Brecon Baroque preserve the work’s exquisite intricacy whilst adding breadth, texture and color to its emotional backdrop. This revisioning of Bach’s Goldberg Variations is a perfect transformation of the work for the modern era.
BACH: SONATAS FOR VIOLA DA GAMBA BWV1027-29
WELL-TEMPERED CLAVIER (BOOKS I & II COMPLETE)
Die Kunst der Fuge
Orgelb…hlein
Bach Bachianas / The Yale Cellos Of Aldo Parisot
San Francisco Chronicle: Parisot, the brilliant Brazilian cellist, knew Villa-Lobos, and premiered several of his works. (Villa-Lobos' Second Cello Concerto is dedicated to Parisot.) Parisot has the advantage of a mass of cellos - 20 or so - all from the Yale Music department, and hence, his students. (The jacket lists 34 names.) And what a sound they make - organ-like in resonance and sensational in intonation. Add to this the fact that he has the dulcet voice of soprano Auger for the famous fifth Bachianas, plus Delos' brilliantly lively sonics, and you have a very major release. Highly recommended. Opus: This is a most unusual and enjoyable release. First of all, at long last, recordings of Villa-Lobos' Bachiana brasileiras Nos. 1 and 5 that really do justice to these irresistible scores. Here the works are played by the sort of ensemble Villa-Lobos had in mind: not the usual eight cellos, but an 'orchestra of violoncellos' - the Yale Cellos, twenty in member, conducted by their mentor Aldo Parisot. The gain in tonal richness is immeasurable. And what tremendous vigor and elan they display! I don't mean to imply any degree of roughness or vehemence, however, for this is some of the suavest playing imaginable by such an ensemble. Rather, the rhythms, inflections, and articulations are executed in such an inimitably idiomatic manner as to simply sweep the listener along. In the haunting Aria ('Cantilena') of No. 5, Arleen Auger enters as if another instrument, a soprano cello perhaps. As much as I enjoyed Hendricks' performance, Auger gives the most exquisite rendition I've heard since Bidu Sayao (who recorded only this movement). The aria's central section is treated more expansively than usual, but with a wonderfully apt sensitivity. Auger and the cellists deliver the concluding Dansa ('Martelo') brilliantly, not so fast as to turn it into a meaningless display piece, but at a tempo that allows the infectious dance rhythms to tell. WG, High Performance Review: This recording is an interesting novelty: an orchestra made up entirely of violoncelli! The Villa-Lobos works are placed first and last, in between are arrangements of various compositions by J.S. Bach, including the much arranged 'Chaconne in D-Minor' for solo violin. Aldo Parisot and his student cellists give wonderfully rich, vital and colorful performances. In the famous 'Bachiana Brasileiras No. 5,' we're fortunate to have Arleen Auger. Everything this splendid American soprano does is touched with her intelligence and the beauty of her voice. The Bach pieces are all well-played, and the sound of massed 'celli, at least under Parisot's direction, is not at all as dark, opaque or lush as one might expect. There's light, almost transparent, yet rich, sound, and throughout the compact disc, it is music that's given to us, not a slick demonstration of novel sound.
Brass Music - Mouret, J. / Bach, J.S. / Handel, G. / Vivaldi
Bach: Motets, BWV 225-230
Bach: Clavierübung III, Vol. 2
Bach, J.S.: Violin Partita No. 3 / Chorales for Organ / Tele
Bach: Christmas Oratorio / Funfgeld, Bach Festival Orchestra
Bach: Mass in B Minor
J. C. Bach: Sinfonias Vol 1 / Gmür, Camerata Budapest
Bach: Trio Sonatas Bwv 528-530, Etc / Wolfgang Rübsam
Bach: The Ascension Oratorio, Festive Cantatas / Funfgeld, Bach Festival Orchestra
-- David Vernier, ClassicsToday.com
