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Music by Jean-Baptiste Lully, Marc-Antoine Charpentier, Michael Praetorius, William Byrd, among others.","brand":"Perfect Noise","offers":[{"title":"CD","offer_id":45841219780842,"sku":"719279934205","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4456889-3456095.jpg?v=1778196128"},{"product_id":"carols-from-kings-college-cambridge","title":"CAROLS FROM KING'S COLLEGE CAMBRIDGE","description":"A wonderful collection of 15 of the favorite and most popular carols for the Christmas season, performed by the world-famous Choir of King's College, Cambridge.","brand":"WARNER CLASSICS","offers":[{"title":"CD","offer_id":45862047088874,"sku":"5054197386541","price":7.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4154609-2916934.jpg?v=1778371300"},{"product_id":"organ-music-from-the-low-countries","title":"Organ Music from the Low Countries","description":"The Brussels court attracted some of the greatest composers and organists of the time at the beginning of the 17th century, including Peter Philips, Peeter Cornet, John Bull, and, a little later, Abraham Van den Kerckhoven, all of whom explored new ways of making organs sound. 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Taking polyphony as a starting point, the versatile young quartet ventures into various epochs, ranging from Purcell's Pavan Z. 752, Chacony Z. 730 and Dance from the opera Dioclesian, to Schubert's String Quartets Nos. 4 and 13 ('Rosamunde') by way of Josquin's famed 'Mille regretz'. Although different in style, these works show an equal care in the treatment of every individual voice, each one meticulously played by Protean Quartet's outstanding musicians. 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Each year he spent a few months in Vilnius, and it was reported that he always travelled with his musicians. Sigismund III, who was himself a musician and a lover of music, was not happy with the standard of the music in the Royal Chapel, and decided to invite Italian musicians to improve the musical life of his court.  Italy was the main influence in music in Europe at that time, not only because of the different styles that originated there (polyphony, poly-choral music, monody, opera, etc), but also because of the achievements of the composers who wrote in these styles.  We can distinguish clearly two main schools of music in Italy: the Venetian school, created by Adrian Willaert, with the new poly-choral style that was performed in the Basilica of San Marco; and the polyphonic Roman school of Giovanni Pierluigi da Palestrina, one of the most influential musicians of the 16th century, and one of the great masters of the art of polyphony of all time.  Sigismund III decided to hire the best musicians from Rome, and from 1595 to 1649 all the Kapellmeisters at the Vasa Court in Poland and Lithuania were Italians. Most of them were not only prominent members of the Roman school, but also former pupils of Palestrina.  The composers represented on this recording were among them, with the exception of Giovanni Battista Cocciola, who was kapellmeister at the Vilnius court under Lew Sapieha.  At the beginning of the 17th century, the Vilnius court was presided over by Lew Sapieha (Leonas Sapiega), Sigismund III Vasa's crown chancellor (the highest official in the country after the King himself). Sapieha was an expert in music and was entrusted with the position of administrator of the Royal Chapel.  He had his own chapel attached to his residence in Vilnius. The 'Sapieha' album is a compilation of pieces with a sacral function. It does not mention the compiler or the composers but is a testimony to the vitality of the musical culture in Lithuania in the first half of the 17th century.    Other information:  - Recorded October 2023, Vilnius  - Booklet in English contains liner notes by the director, as well as his biography and one of the ensemble.     - Rome to Vilnius is a new investigative insight into the cultural heritage of Lithuania: the music at the Vasa Court in the Polish-Lithuanian Commonwealth. It reflects the influence of the greatest masters of the Roman polyphonic school in the musical world of Poland and Lithuania, and shows the Vasa Court as a place of advanced music-making in 16th and 17th-century Europe. At the end of the 16th century, during the time of the Polish-Lithuanian Commonwealth, Sigismund III was the King of Poland and Grand Duke of Lithuania. Sigismund III, who was himself a musician and a lover of music, was not happy with the standard of the music in the Royal Chapel, and he decided to invite Italian musicians to improve the musical life of his court. He hired the best musicians from Rome, and from 1595 to 1649 all the Kapellmeisters at the Vasa Court in Poland and Lithuania were Italians. Most of them were not only prominent members of the Roman school, but also former pupils of Palestrina.  - The composers presented on this new recording include Palestrina (presumably 1525-1594), Merula (1595-1665), Marenzio (1553 or 1554-1599), Cato (after 1560 until after 1618), Pacelli (ca. 1570- 1623), Anerio (1560-1614), Cocciola (2nd half 16th century until after 1625) and Pekiel after 1600 until ca. 1670).  - Beautiful performances by Lithuanian soloists, including Renata Dubinskaite (mezzo-soprano), whose previous recording for Brilliant Classics with works by Barbara Strozzi (BC 96436) received 5 star reviews in the international press. 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While it is difficult to make such analogies when his music is still relatively rarely performed by comparison with these more illustrious names, but Gibbons' fecundity of imagination, his masterly handling of his material, his emotional depth and maturity, the exquisite turns of phrase, his harmonic assurance, his contrapuntal ease and mastery - all this puts him in the first rank of composers - Richard Boothby. \"My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork, and vocalists to sing like the Hilliard Ensemble, so it was with enormous pleasure that I composed this piece.\" - Nico Muhly","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012551004394,"sku":"635212089729","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4413439-3364146.jpg?v=1778195583"},{"product_id":"monteverdi-strozzi-caccini-peri-frescobaldi-sweet-obl","title":"Monteverdi, Strozzi, Caccini, Peri \u0026  Frescobaldi: Sweet Obl","description":"Laments of lost and betrayed love from 17th-century Italy: musical portraits to be set beside contemporary paintings by Gentilesschi in their contained power and violence.   While the featured composers in this recital were born and worked in contrasting provinces of Italy, most of them shared common goals and aesthetic principles. The text came first, and the music was always servant to it. The sweet torment of a broken heart drew from them long-breathed melodies, supported by spare but painfully chromatic harmony. The melody itself was always articulated according to the shape of the text, fitting one to the other like a hand in a silk glove.   Eleni Lydia Stamellou and Konstantin Shenikov have made their own selection from a rich treasury of available repertoire in this vein. The album takes it's title from the final track, 'Oblivion soave', drawn from Monteverdi's final opera, 'L'incoronazione di Poppea'. The aria exemplifies Enlightenment values of humanism which inspire self-examination as well as 'sweet oblivion'.They include perhaps the most famous lost-love song of all, at least until the age of Lieder, Caccini's 'Amarilli, mia bella', and comparably familiar masterpieces in the genre such as Monteverdi's 'Si dolce 'l tormento' and Peri's 'Tora, deh torna'.   There is also space for the no less subtle art of Andrea Falconieri, as well as several songs by Barbara Strozzi, one of the most successful women composers of the time; indeed, she was the most prolific composer - of either gender - of printed secular vocal music in Venice around the middle of the 17th century.  Eleni Lydia Stamellou is a Greek soprano, specialising in this Renaissance-era repertoire as well as new music and Lieder. As a member of Music Aeterna, she has sung operatic roles conducted by Teodor Currentzis including Despina (Cosi fan tutte) and Pierrot in Schoenberg's cabaret-monodrama. The lutenist Konstantin Shenikov has been a regular member of early-opera productions led in Russia by Andrew Lawrence-King.    - A beautifully conceived program of Renaissance and early Baroque songs and arias, sung by Greek soprano Eleni Lydia Stamellou, accompanied on the lute by Konstantin Shenikov.   - The featured composers are Monteverdi (1567-1643), Frescobaldi (1583-1643), Caccini (1551-1618), Strozzi (baptized 1619-1677), Peri (1561-1633) and Falconieri (ca. 1585-1656). The secular texts deal with Love, in both it's sublime fulfillment and it's melancholy abandonment.   - Greek soprano Eleni Lydia Stamellou won Second Prize at the Ferruccio Tagliavini Competition in Austria, with Dame Joan Sutherland as the president of the jury. She subsequently attended masterclasses given by Teresa Berganza, Edda Moser and Christa Ludwig. She sang in opera productions with MusicAeterna conducted by Teodor Currentzis. Her specialization is Renaissance\/Baroque and Contemporary Music. 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The Gramophone citation particularly mentioned the new lustre brought to the piece by instrumental involvement and the clarity brought to the detail by the use of viols, cornetts, sackbuts, dulcians and more. Eight further works by Striggio are also included, each of them premiere recordings in 2011.\u003c\/p\u003e","brand":"Coro","offers":[{"title":"CD","offer_id":46012600778986,"sku":"828021619922","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4235491-3144390.jpg?v=1778227994"},{"product_id":"josquin-missa-l-ami-baudichon-motets-milanais","title":"Josquin: Missa L’ami Baudichon - Motets milanais","description":"Sensual - that's undoubtedly the word that best describes the music on this album dedicated to the early works of Josquin des Prez. In his early thirties, the composer was already developing a unique sense of sound and language. 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As in the art of his time, even when he addresses religious subjects, his music retains a sensual beauty, full of emotion and humanity.","brand":"Musique en Wallonie","offers":[{"title":"CD","offer_id":46012607103210,"sku":"5425008325149","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4478783-3499583.jpg?v=1778209865"},{"product_id":"voices-of-thunder-music-for-choir-organ","title":"Voices of Thunder - Music for Choir \u0026 Organ \/ Williams, The Choir of Magdalen College at Oxford","description":"\u003cp\u003eVoices of Thunder features a range of spectacular choral pieces that showcase Magdalen College Chapel’s new Eule organ. Following on from Peace I Leave with You, this new album combines the sublime voices of The Choir of Magdalen College, Oxford, with the new and exciting sonorities of the Eule organ. The recording includes music from Joseph Haydn to Judith Weir, as well as Arvo Pärt’s atmospheric Beatitudes, Libby Larsen’s playful I Will Sing and Raise a Psalm, and Hubert Parry’s thunderous Blest Pair of Sirens. The Eule organ was built by Herman Eule Orgelbau of Bautzen in Germany and is the first Eule organ of its kind to have been built in the UK for almost 100 years.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eREVIEW\u003c\/b\u003e:\u003c\/p\u003e\u003cp\u003eThe installation of a new pipe organ, like any long-awaited new arrival, is always best marked with some kind of celebratory fanfare such as this splendid, generously filled disc. This disc is a triumph for the Magdalen musicians and an equally enjoyable experience from both choral and organ points of view.\u003c\/p\u003e\u003cp\u003e— Gramophone\u003c\/p\u003e","brand":"Coro","offers":[{"title":"CD","offer_id":46012608119018,"sku":"828021620928","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4368226-3232799_778c785a-798b-4738-a8c8-3cc5e2e5ab70.jpg?v=1778198229"},{"product_id":"expanding-the-choral-canon","title":"Expanding the Choral Canon","description":"This is a collection of great choral works from the Renaissance and Baroque periods that deserve to be heard far more often.","brand":"Centaur Records","offers":[{"title":"CD","offer_id":46012610117866,"sku":"044747407227","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4348907-3201815.jpg?v=1778347349"},{"product_id":"1612-italian-vespers","title":"1612 Italian Vespers","description":"On this 2012 recording, previously available on Decca, Robert Hollingworth leads his celebrated ensemble, I Fagiolini, on a journey unearthing incredible lost works from the late Renaissance and early Baroque, adding to their acclaimed 'Colossal Baroque' series on CORO.    1612 - the death of Giovanni Gabrieli, master of the 'Massive Baroque' and most brilliant of Venetian multi-choir composers but also the publication of Lodovico Grossi da Viadana's very modern four-choir Vespers collection.     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Arise my love perfectly complements Magdalen's first album on CORO, Peace I leave with you, which celebrates music written for the end of the day.","brand":"Coro","offers":[{"title":"CD","offer_id":46012613361898,"sku":"828021621628","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4467007-3467599.jpg?v=1778196543"},{"product_id":"casulana-gesualdo-kidane-purcell-schoenberg-strauss-through-the-night-united-strings-of-europe","title":"Through the Night - Night Music from Renaissance to New \/ United Strings of Europe","description":"\u003cp\u003eFor their fourth release with BIS, the United Strings of Europe with their director Julian Azkoul present another innovative programme, dedicated this time to the night, a source of wonder and fascination, rich with metaphorical associations. The ensemble’s varied, tailor-made programme features counterpoint, aching dissonance and chromaticism from across a range of styles spanning nearly 500 years, from the Renaissance to the present day.\u003c\/p\u003e\n\u003cp\u003eThe album is built around two post-romantic masterpieces: Richard Strauss’s Metamorphosen (here in an arrangement by Éric Mouret), a work composed during the final months of the Second World War that evokes destruction, mourning, nostalgia, but also hope for progress and transformation, and Arnold Schoenberg’s Verklärte Nacht, based on a poem by Richard Dehmel, which, in a nocturnal dialogue between a man and a woman, shows the power of love that can overcome the greatest challenges. These two major works are joined by arrangements for strings of vocal pieces by Maddelena Casulana, Carlo Gesualdo and Henry Purcell, as well as a new work by Daniel Kidane, Be Still, featuring percussionist Beibei Wang, a reflection on recent years marked by lockdowns during which everyday markers, such as meeting with friends and family, travelling or attending concerts vanished.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46012618473706,"sku":"7318599925899","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4247968-3143317.jpg?v=1778219102"},{"product_id":"gibbons-keyboard-works","title":"Gibbons: Keyboard Works","description":"To mark the 400th anniversary of Orlando Gibbons's death, organist and harpsichordist Stephen Farr presents a stunning tribute to one of England's greatest composers of the early seventeenth century. 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Many of the composers are now lost to us and effectively anonymous, but the names that survive are worthy of Margaret’s elevated status, including Josquin and Pierre de la Rue.\u003c\/p\u003e\n\u003cp\u003e‘Like Margaret,’ concludes María Martínez Ayerza in her booklet note, ‘like her courtiers and visitors, we see and hear the music and texts in this songbook and we are moved, stirred. These artworks make us change, as we relate the texts, even the titles, and the rather abstract beauty of the music to ourselves.’ Ayerza and her colleagues in Seldom Sene bring this music and Margaret’s world back to life with intense sympathy. 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Though continuing to satisfy his great popular following with loads of small, lighthearted songs, Marenzio excelled also in writing ambitious madrigal cycles, of which two are recorded here: Baci soavi e cari (five 6-part madrigals describing several aspects of kissing) and, maybe his magnum opus, Capitolo - Se quel dolor (ten 6-part madrigals delving into one of the period's favourite subjects: melancholia).","brand":"Danacord","offers":[{"title":"CD","offer_id":46012652945642,"sku":"5709499935002","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4488788-3518045.jpg?v=1778216199"},{"product_id":"singing-into-space","title":"Singing into Space","description":"The two composers heard on this album, Giovanni Gabrieli (1553-1612) and Giovanni Bonato (born in 1961) have more in common than their first names: both hail from the Veneto in north-east Italy - there is no documentation of Gabrieli's birth, but he was probably Venetian, and Bonato was born in nearby Schio. 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This missing link has been proposed and provided by the concerts and recordings of the Capriccio Stravagante Renaissance Orchestra since the first years of the twenty-first century, and is one of their remarkable achievements in 'cutting through the noise'.","brand":"Paradizo","offers":[{"title":"CD","offer_id":46012703375594,"sku":"0865462000483","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4410053-3332309.jpg?v=1778234907"},{"product_id":"d-o-w-l-n-d-r-a-k-e","title":"D O W L N D R A K E","description":"D O W L N D R A K E merges the worlds of soprano Annelies Van Gramberen and singer-songwriter Sim Van Thienen to create a bold sonic universe. 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Christian Thielemann, Staatskapelle Dresden, Live Aufnahme der Saison 2014\/2015 aus der Semperoper   �Ich mag die Neunte gar nicht anfangen, ich traue mich nicht, denn auch  Beethoven machte mit der Neunten den Abschluss seines Lebens!� Anton Bruckner","brand":"Profil","offers":[{"title":"CD","offer_id":46012719595754,"sku":"881488160635","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4491421-3522717.jpg?v=1778196473"},{"product_id":"tabula-tour","title":"Tabula-Tour","description":"With this \"colourful\" selection of pieces, we intend to give an impression of the diverse repertoire collected in the Turin Tablature. The motets and liturgical works were most likely intended for performance in church, whereas dances and madrigals were intended more for secular settings: at festivals, celebrations, and for domestic music-making. Toccatas and ricercars could be played in both ecclesiastical and secular settings. [In light of the wide variety of purposes of this repetoire, we utilized a wide variety of instruments.] Thus, in addition to the Marx-Gunzer organ, three other stringed keyboard instruments were used: a clavicytherium in southern German design from the 17th century, a virginal after Michael Praetorius (1619), and a harpsichord of a seventeenthcentury Italian design.","brand":"Perfect Noise","offers":[{"title":"CD","offer_id":46012762620138,"sku":"719279934199","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4456888-3456094.jpg?v=1778196954"},{"product_id":"gesualdo-silenzio-mio-il-quarto-libro-di-madrigali","title":"Gesualdo: Silenzio mio - Il quarto libro di madrigali","description":"Collegium Vocale Gent and it's founder Philippe Herreweghe continue their recordings of the works of Carlo Gesualdo with 'Silenzio Mio', which contains the Fourth Book of Madrigals, published in 1596. Regarded as one of the most eccentric composers of the late sixteenth and early seventeenth centuries, but also one of the most creative, he experiments here with new melodic and harmonic effects that enthralled listeners of the time. These innovations are applied to poems by Alessandro Guarini and several anonymous writers, all of which focus on the expression of personal feelings, particularly a 'pathos' new on the literary scene. A veritable historical testimony to the artistic turning point that occurred at the court of Ferrara in the early seventeenth century, this fourth book takes it's place in the long-term recording project of Collegium Vocale, hailed by critics for it's 'homogeneity, contrapuntal transparency and luminosity, strikingly evident even in the most tormented pieces' (Diapason).","brand":"PHI","offers":[{"title":"CD","offer_id":46012765241578,"sku":"5400439000438","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4357779-3205615.jpg?v=1778232604"},{"product_id":"supersize-polyphony-striggio-mass-in-40-60-parts-talli","title":"Supersize Polyphony – Striggio: Mass in 40 \u0026 60 parts; Talli","description":"Supersize Polyphony is a celebration of large-scale choral works from the 16th century,  performed here by the Armonico Consort and the Choir of Gonville and Caius College,  Cambridge, under their musical directors Christopher Monks and Geoffrey Webber.    The unique programme features epic motets, such as Thomas Tallis' Spem in Alium and  Alessandro Striggio's Ecce Beatam Lucem, alongside his rarely performed 60 part Missa  sopra Ecco Si Beato Giorno. Interspersed with the serene beauty of ethereal chants by  Hildegard of Bingen, this new recording presents works of magnitude and polyphonic  drama in stellar performances by two of the UK's leading choral ensembles.    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