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As far as concertos are concerned, cornerstones by Bach, Mozart and Vivaldi thus gained worldwide fame, and it went the same way for Ibert, Jolivet and Nielsen. Unfailing lyric sense, purity of style, magnificent tone, grace of phrasing, fabulous virtuosity, tremendous commitment... Critics, colleagues and the public were all running out of superlatives. Immediately valued as references, his recordings still fascinate and often leave the listener exhilarated. 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In these early days, it was Nimbus' practice to assemble masters quickly after recording, and given the founders' fierce commitment to 'unedited' takes, it is a reasonable bet that the master was assembled from the best whole takes of each movement. Scribbled words on the last page of the session notes suggest future possibilities: Tartini 24 Sonatas, Boccherini Quartets and Quintets with a 'very, very good pupil' for 2nd violin and 'Amo' (Fleming) on cello. Alas, it never happened. Apart from the Recording Agreement itself, there is no general correspondence in the Nimbus archive to explain how Maurice Clare found himself at Nimbus' Birmingham studio, nor why Telemann was the chosen repertoire. It is intriguing that Maurice's signature on the Agreement dated 24 April 1975 (interestingly eight months after the recording session) is witnessed by Ida G. Carroll-the celebrated principal of Manchester's Northern School of Music. In 1973, she was a key player in the amalgamation of Manchester's two music schools into the Royal Northern College of Music and served as it's first Dean of Management until 1976.  � Adrian Farmer","brand":"Nimbus","offers":[{"title":"CD","offer_id":45985699922154,"sku":"0710357711824","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4495308-3532832.jpg?v=1778222784"},{"product_id":"telemann-six-quatuors-ou-trios-1733","title":"Telemann: Six Quatuors ou Trios 1733","description":"After listening to a substantial number of operas, cantatas, concertos, and chamber music left by the immensely prolific Georg Philipp Telemann, one might assume there would soon be nothing new to discover. This is far from the truth, as demonstrated by the latest production from Camerata Koln and it's director, Michael Schneider. The \"Six Quatuors ou Trios 1733\" are not merely a continuation of Telemann's Concerti da camera. They differ significantly: polyphonic, chromatic quirks, delicate cantilenas, highly virtuosic (and expertly executed) miniatures, and finally, a series of ancient women's portraits in the contemporary colors of the \"Getreue Music-Meister\" - if anything is repeated here, it is the amazement at an almost limitless, inexhaustible imagination.","brand":"CPO","offers":[{"title":"CD","offer_id":46012435497194,"sku":"761203542727","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4371537-3238072.jpg?v=1778231419"},{"product_id":"georg-philipp-telemann-quadri","title":"Georg Philipp Telemann: Quadri","description":"The quartets featured on this CD belong to the first collection of quartets that Telemann  wrote in Hamburg in 1730, in anticipation of a trip to Paris (which he would only make  in the autumn of 1737, staying in the French capital for eight months), invited by four  important French musicians: the flautist Michel Blavet, the violinist Jean-Pierre Guignon,  the gambist Jean-Baptiste Forqueray and a cellist and harpsichordist named Prince  �douard. The collection was published in 1730 and contributed significantly to the  spread of the composer's fame throughout Europe, particularly in France (so much so  that it was reprinted by the Parisian publisher Le Clerc in 1736); it includes six quartets,  and was published under the Italian title Quadri a violino, flauto traversiere, viola di  gamba o violoncello, e fondamento: ripartiti in 2. concerti, 2. balletti, 2. sonate. The six  Quadri constitute a r�union des go�ts, as they incorporate diverse national styles. 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All the featured singers perform in the “Gutenberg Soloists” vocal ensemble consisting of twelve members – in accordance with the Baroque practice, in which the solo parts are assumed by members of the choral ensemble.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis first double album present cantatas from the late summer of 1715 and five additional cantatas for the Lenten season from the cycle known as the “French Annual Cycle.” A significant reference is found on the original Frankfurt organ part of Telemann’s cantata “Gott schweige doch nicht also” from this year: “Judica, from the French Annual Cycle.\" This means the cantata concerned was intended for the Fifth Sunday in Lent; that is, it belonged precisely to the annual cycle of church cantatas that contemporaries called “French” because of its style. This is music worth discovering – and not only by and for Telemann fans!\u003c\/span\u003e\u003c\/p\u003e","brand":"CPO","offers":[{"title":"CD","offer_id":46012441034986,"sku":"761203543625","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4038004-2785762.jpg?v=1778252034"},{"product_id":"complete-cantatas-franzosischer-jahrgang-vol-2-761203543724","title":"Telemann: Complete Cantatas Vol. 2, The \"French Year\" \/ Koch, Neumeyer Consort","description":"\u003cp\u003eIf you are still looking for proof that quantity and quality need not be mutually exclusive in the case of composing geniuses, you will find plenty here. Listening and discovering is pure pleasure, wrote FonoForum when the first part of Telemann's cantatas of the French Year was released on cpo. And Vol. 2 of our large-scale and unbelievably exciting project with the world's first complete recording of a complete vintage of 72 large-scale church cantatas by Georg Philipp Telemann (Frankfurt 1714 \/ 15) again does justice to these statements. This time, on 2 albums, cantatas for Laetare (Sunday of the Dead), Oculi (Sunday of Lent), Easter and the 22nd to 24th Sundays after Trinity can be heard, depending on the occasion with different musical means of expression and very expressive. It is this ingenuity, this astonishing imagination, which accounts for Telemann's special status - today as well as during his lifetime. Worth discovering, not only for Telemann fans!\u003c\/p\u003e","brand":"CPO","offers":[{"title":"CD","offer_id":46012442018026,"sku":"761203543724","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4160725-2923992.jpg?v=1778250134"},{"product_id":"telemann-complete-cantatas-vol-3-gutenberg-soloists-neumeyer-consort","title":"Telemann: Complete Cantatas, Vol. 3","description":"\u003cp\u003eSix dozen is half a gross. And Georg Philipp Telemann composed that many cantatas for the Frankfurt Church Year of 1714\/15. cpo, Felix Koch, the Gutenberg Soloists and the Neumeyer Consort have taken up the cause to record this so-called \"French church year\" in its entirety – a mighty project that is all the more impressive given that the creative spirit behind these scores never worked en gros. Although he usually limited his instrumentation to two oboes, strings and basso continuo, adding a flute, bassoon, horns, trumpets and timpani for special Sundays or festive occasions, the composer's talent for orchestration was evidently boundless. He finds the appropriate sounds for his musical \"sermon\" on every theological topic. Every subject determined by the church calendar is reflected in his own individual way with a range of expression from the contemplative to the theatrical – and we are only one-third of the way through this fascinating journey.\u003c\/p\u003e","brand":"CPO","offers":[{"title":"CD","offer_id":46012442935530,"sku":"761203543823","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4302715-3148508.jpg?v=1778205941"},{"product_id":"telemann-complete-cantatas-vol-4","title":"Telemann: Complete Cantatas, Vol. 4","description":"Instructing and educating Christians on the one hand and delighting their minds on the other, so that the words and truths of the Holy Scripture would be anchored deeply within them - this was the purpose of the sacred cantata. No master of the Baroque era wrote more of these than Georg Philipp Telemann. He approached this seemingly 'tedious work' with such incredible imagination that his congregations could never be bored. One need only listen to the so-called French Cycle (1713-14). To this end, Vol. 4 contributes ten more first recordings. There are certainly meditative moments in both the music for Advent presented here and the cantatas written for the 'normal' Sundays of the church year; but these works predominantly feature colourful, enormously picturesque music throughout. They always get straight to the heart of the worship service's message and are still instantly appealing today.","brand":"CPO","offers":[{"title":"CD","offer_id":46012443754730,"sku":"0761203543922","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4397864-3315029.jpg?v=1778222965"},{"product_id":"complete-cantatas-vol-5","title":"Complete Cantatas, Vol. 5","description":"With this release, cpo, the Gutenberg Soloists, and the Neumeyer Consort under Felix Koch have now completed an impressive five of the planned seven parts of their shared journey-on the way to what promises to be the first and, for a long time to come, likely the only and uniquely comprehensive recording of the cantatas that the extraordinarily industrious Georg Philipp Telemann composed in 1713\/14 for the services at Frankfurt's Barfu�erkirche. This latest volume is devoted to the feasts of Ascension and Pentecost and also includes additional works designated for the Sundays after Trinity-each of them a smaller or greater marvel, rich in imagery that appeals to all the senses and pays full tribute to the instructive texts of the poetic pastor Erdmann Neumeister.","brand":"CPO","offers":[{"title":"CD","offer_id":46012444606698,"sku":"761203544028","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4449282-3432750.jpg?v=1778198096"},{"product_id":"fantaisies-pour-la-basse-de-violle","title":"Fantaisies pour la basse de violle","description":"The unearthing of Telemann's Fantaisies pour la Basse de Viole in 2015 has been the most important discovery for the repertoire of viola da gamba in recent times. The compositions are a compendium of how Italian and French influences permeated the purely German language to create a specific style. Using the genre Fantasia, Telemann shows us a portrait full of audacity, freshness and compositional freedom hitherto unknown. Sara Ruiz plays on an anonymous viola da gamba dated around 1700. She�chooses�to emphasize the rotundness and the beauty of the tone, while her technical skills allow her to create a real drama. She does not hesitate to make use of a nice legato where a pleasant melody is encountered: she makes her instrument sing almost like a cello, i.e. a voice. With her, each Fantasia tells a story, every time a particular and thrilling one.","brand":"Challenge Classics","offers":[{"title":"CD","offer_id":46012473082090,"sku":"608917200348","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4442523-3418332.jpg?v=1778193225"},{"product_id":"telemann-ino-cantata-and-double-concertos","title":"Telemann: Ino Cantata and Double Concertos","description":"Ashley Solomon and Florilegium are joined by violinist Rachel Podger, soprano Elizabeth Watts, and recorder player Hannah Parry on Telemann: Ino Cantata and Double Concertos. Based on a story from Ovid's Metamorphoses, Telemann's Ino is a dramatic and theatrical cantata with a single soprano voice carrying the entire narrative. The two double concertos on this recording showcase Telemann's mastery of instrumental color and texture. His innovative and non-traditional approach to the standard concerto form can be seen in the five-movement structure of the concerto for flute and violin. The concerto for recorder and flute is one of his most popular instrumental works and is a wonderful example of his love for unusual instrumental combinations.","brand":"Channel Classics","offers":[{"title":"CD","offer_id":46012485697770,"sku":"723385489269","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4484265-3505453.jpg?v=1778221673"},{"product_id":"telemann-12-solo-fantasias","title":"Telemann: 12 Solo Fantasias \/ Dahl","description":"\u003cspan data-mce-fragment=\"1\"\u003eMinuets, sarabands, bourrées, gigues, gavottes, hornpipes and polonaises. Like many other composers, Georg Philipp Telemann (1681–1767) used dance as a foundation for his compositions and this is no more evident than in his fantasias for flute, where we find several examples. Although the music is written for neither the ballroom, theatre nor opera, references to the baroque French court dance are clear and abundant. The music therefore invites something more than a pure listening experience, also evoking movement and corporeal responses. When music of the 18th century is interpreted today it is not necessarily the qualities of dance which set the framework for the performance. Nor were the fantasias for flute written specifically for dance. Even though the form is free, the references to dance can still provide indications and inspiration for further ways to experience the music. One of these is tempo. If dance tune is played too slowly, the dance will be affected by it. For example, balancing on one leg and pirouetting will require a stronger technique. Too slow a tempo could lead to a certain stiffness, but a tempo can also be too fast, in which case it would be challenging for the dancer to perform all steps with the required precision. It is not always as easy to recognize the underlying dance in the music, but given the required effort the rhythms and different characteristics of the dances can be sensed – the swing, flow and movement in the basic structures of the music can be perceived. Let your fantasy unwind, open up the creative space, and allow the music to move both body and soul!\u003c\/span\u003e","brand":"LAWO Classics","offers":[{"title":"CD","offer_id":46012487303402,"sku":"7090020182346","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4046109-3177849.jpg?v=1778267658"},{"product_id":"vi-ouvertures-a-4-ou-6-1736","title":"VI Ouvertures à 4 ou 6 (1736)","description":"Telemann remains a paradox: The deeper one delves into his oeuvre, the more boundless his legacy seems - like entering a mysterious treasure trove where the eyes gradually adjust to the wealth amassed within, yet never fully grasp it's true extent. The sheer abundance of his orchestral works and concertos seems to grow exponentially with each new publication. When previously lost compositions unexpectedly resurface - such as these six overtures from 1736, of which only a single printed copy had survived - we are left speechless. Suddenly, an exquisite assortment unfolds before us, featuring \"classical\" Baroque dance forms interspersed with exotic elements such as the Polonaise and Murky, imaginative character sketches, and various fashionable pieces, all presented in a kaleidoscope of colors. How effortlessly time flies by!","brand":"CPO","offers":[{"title":"CD","offer_id":46012487729386,"sku":"761203551927","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4433193-3412764.jpg?v=1778194705"},{"product_id":"telemann-inauguration-cantatas-1721-fantasias","title":"Telemann: Inauguration Cantatas 1721; Fantasias","description":"Georg Philipp Telemann Inauguration Cantatas 1721 On 21 September 1721, Georg Philipp Telemann, the newly installed cantor of the Hanseatic City of Hamburg, directed his first regular sacred music service. At the same time, he presented the faithful with a set program. A cantata was performed both before and after the sermon. At the conclusion of the service, an excerpt from a work to be performed later in it's entirety was presented - a \"cliffhanger\" whose continuation was undoubtedly highly anticipated by the congregation in light of the variety of music on offer. The Hamburger Ratsmusik revives this historic inaugural service here, and Simone Eckert breaks up the already extremely varied sequence of works by including four viola da gamba fantasias to complete the twelve works begun on earlier productions.","brand":"CPO","offers":[{"title":"CD","offer_id":46012497035498,"sku":"0761203554225","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4335083-3202001.jpg?v=1778206219"},{"product_id":"telemann-paris-quartets-vol-1-6-quadri-1730","title":"Telemann: Paris Quartets, Vol. 1 - 6 Quadri (1730)","description":"Georg Philipp Telemann (1681-1767) was-to characterize him in contemporary terms-a workaholic, thanks to which we have, amongst his 3,000-plus works, his two sets of marvellously rich Paris Quartets. SOMM Recordings is pleased to release TELEMANN Paris Quartets Volume 1: 6 Quadri, featuring leading period-instrument specialists from The London Handel Players, praised by the New York Times for their \"soulful depth\" and their \"consummate skill and musicianship.\"     At the height of his phenomenal productivity, Telemann held the positions of Kantor at the Johanneum Lateinschule in Hamburg; Kapellmeister to the five largest churches in the city; and Director of the Hamburg Opera. He also had obligations to the courts in Eisenach and Bayreuth. As if that wasn't enough, he embarked on an ambitious project of self-publication of his works. Amongst these were Quartets for violin, flute, viola da gamba or cello, and continuo; divided into 2. Concertos, 2. Ballets, 2. Sonatas.    The first set of quartets, or quadri, was published in Hamburg�- certainly by 1730 though the exact date is unknown - and such was their popularity that they were republished in Paris by Le Clerc in 1736 without Telemann's permission. It would seem that this prompted him to make a long-awaited visit to the French capital where he stayed for eight months in 1737-38. While there, he composed a second glorious set of quartets, naming his two collections Quadri and Nouveaux Quatuors. In the latter part of the 20th century, the editors of the Telemann Musikalische Werke titled the two sets collectively as The Paris Quartets, by which name we still know them.     As their extended title indicates, the Quadri are not six works of the same genre. Instead, they comprise two Italianate concertos, two German-style sonatas, and two Balletti or suites of French dances, bringing together a variety of national styles.     The ensemble of London Handel Players is flexible in size, consisting primarily of strings, flute\/recorder, and harpsichord. The featured musicians on SOMM's first volume of the Paris Quartets by Telemann are Rachel Brown, flute; Adrian Butterfield, violin; Gavin Kibble, viola da gamba; Sarah McMahon, cello; and Silas Wollston, harpsichord.    The London Handel Players' critically acclaimed discography for SOMM includes five discs of Handel chamber music: his Trio sonatas Opp. 2 (SOMMCD 084) and 5 (SOMMCD 044); his Complete Sonatas and Works for Violin \u0026amp; Continuo (SOMMCD 068); and two volumes titled Handel at Home (SOMMCD 055)�and Total Eclipse, Handel at Home Vol. 2 (SOMMCD 0676).  �  David Vickers, reviewing Handel at Home for Gramophone, wrote, \"Their consummate musicianship is consistently delightful: sparkling violin-playing (often with two players in perfect unison) and superb continuo contributions are just as impressive as Rachel Brown's poetic flute solos.\"","brand":"SOMM Recordings","offers":[{"title":"CD","offer_id":46012510437610,"sku":"748871069824","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4397771-3315105_7085e578-e494-4216-99bc-68c3771d9b2c.jpg?v=1778201020"},{"product_id":"sonaten-und-fantasien-fur-blockfloten","title":"Sonaten und Fantasien fur Blockfloten","description":"Georg Philipp Telemann is undoubtedly one of the composers who wrote the most parts for the recorder. No wonder, as he had mastered the instrument since his childhood and provided it with rewarding parts not only in chamber music, but also in orchestral and vocal works. The young Portuguese recorder player Joao Francisco Tavora studied in Porto and Leipzig and presents works for recorder by Telemann in various scorings, which show off his extraordinary playing technique and interpretative skills to their best advantage.","brand":"Coviello","offers":[{"title":"CD","offer_id":46012522725610,"sku":"4039956925033","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4424593-3387780.jpg?v=1778210464"},{"product_id":"cremona-2-violin-concertos","title":"Cremona 2 - Violin Concertos","description":"With their new album, the Berlin Baroque Soloists take us again (also available Cremona I HC22084) to Cremona, one of the important Italian centers of violin making and technical developments in the 16th\/17th centuries.  Composers were only too happy to make use of the many innovations, as they opened up unimagined possibilities for them to add additional colors and accents to their musical art. This wonderful recording gives a lasting impression of how different these can be. Reinhard Goebel and his Berlin Baroque Soloists find exactly the right tone for each of the recorded concerti. Pizzicato","brand":"Haenssler Classic","offers":[{"title":"CD","offer_id":46012535210218,"sku":"881488240528","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4404986-3329330.jpg?v=1778199146"},{"product_id":"lukaspassion-1744","title":"Lukaspassion 1744","description":"One of the duties of the office of municipal music director in Hamburg was to perform a Passion every year during Lent, alternating from year to year according to the evangelists Matthew, Mark, Luke and John. Telemann took on this task with particular fervour and created a total of 46 passions throughout his time in Hamburg, from spring 1722 until his death in 1767, half of which are unfortunately lost today.","brand":"Carus","offers":[{"title":"CD","offer_id":46012539601130,"sku":"4009350835429","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4424576-3387773.jpg?v=1778210344"},{"product_id":"telemann-chamber-music-with-recorder","title":"Telemann: Chamber Music with Recorder","description":"Telemann: Chamber Music with Recorder","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012546318570,"sku":"5028421974118","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4413295-3378422_f2b13c97-f1b8-4857-bf6d-16829037a9bc.jpg?v=1778211436"},{"product_id":"telemann-12-fantasias-for-violin-solo","title":"Telemann: 12 Fantasias for Violin Solo \/ Cotik","description":"\u003cspan data-mce-fragment=\"1\"\u003eGeorg Philipp Telemann wrote a huge body of music, with many great pieces. The 12 Fantasias for Violin Solo stand out among his greatest. Violinist Tomás Cotik, who has made other exceptionally well-received recordings for Centaur Records, turns in magnificent performances of these masterpieces. Hailed by Michael Tilson Thomas as “an excellent violinist,” Tomás Cotik is internationally recognized as a soloist, chamber musician, and professor. A much sought-after recording artist, Dr. Cotik has released fifteen recordings for Naxos and Centaur Records, which have received over three million streams and more than two hundred enthusiastic reviews from the international press. Committed to passing on his passion for music, Dr. Cotik is the violin professor at Portland State University.\u003c\/span\u003e","brand":"Centaur Records","offers":[{"title":"CD","offer_id":46012549726442,"sku":"044747394923","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4085521-2831572.jpg?v=1778243036"},{"product_id":"complete-violin-concertos-vol-9","title":"Complete Violin Concertos, Vol. 9","description":"Everything has an end sometime. Similarly, this chapter from the great book of Georg Philipp Telemann, which holds a significant place in our label's repertoire, is also noteworthy. After two decades, we have now recorded all the violin concertos that this artesian spring of music committed to paper with overflowing imagination throughout his lifetime. This presents more than three dozen entertaining works, some in expanded suite (overture) form, others in the standard three-movement structure-but always rich in subtle surprises and demanding solos involving up to four violins. This ninth and final volume is once again devoted to concertante duos and contains, as it were, as a bonus, \"the\" Viola Concerto in G major, which until our series appeared was widely regarded as Telemann's most \"popular\" contribution to the genre. Now, however, entirely new perspectives open up","brand":"CPO","offers":[{"title":"CD","offer_id":46012584460522,"sku":"761203569922","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4454970-3445238.jpg?v=1778192077"},{"product_id":"telemann-twelve-fantasias-for-solo-flute-5060262793534","title":"Telemann: Twelve Fantasias for Solo Flute","description":"\u003cp\u003eGeorg Philipp Telemann was one of the most successful and wealthiest German Baroque composers and his Twelve Fantasias for solo flute, TWV 40:2–13 were written between 1727 and 1732. The pieces are given a systematic structure with the pieces in alphabetical order by key, A to G, major and minor. In these solo Fantasias, Telemann combines secular and sacred music using a variety of forms. Solemn courtly dances and rhythmic central European country dances engage in dialogue with pieces that are more akin to the serious and strictly polyphonic musical tradition of the Catholic Mass. Finnish flautist Sami Junnonen performs on a modern Japanese Muramatsu flute, hand-crafted in twenty-four carat gold in the 2000s.\u003c\/p\u003e","brand":"Resonus Classics","offers":[{"title":"CD","offer_id":46012602515690,"sku":"5060262793534","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4207110-3141996.jpg?v=1778207320"},{"product_id":"telemann-sonatas-for-bassoon-guitar","title":"Telemann: Sonatas for Bassoon \u0026 Guitar","description":"Georg Philipp Telemann was the most famous of all German composers during his lifetime and a master of all musical genres. Every piece in this album dates from his triumphant years in Hamburg, where he was the city's music director. They are heard in exciting new arrangements reflecting Telemann's own practice in transcribing his works for various instruments. The two Sonatinas come from the collection Neue Sonatinen of 1730-31, a rich source of material, while the Fantasias derive from the Fantasias for viola da gamba, with much polyphonic writing cast in galant style.","brand":"Naxos","offers":[{"title":"CD","offer_id":46012609331434,"sku":"730099143332","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4069371-2807947.jpg?v=1778240586"},{"product_id":"st-luke-passion-1744","title":"St Luke Passion 1744","description":"Among the large number of passions that Telemann wrote, the St. Luke Passion of 1744 occupies an important place due to it's special interpretation of the text.","brand":"Cantate","offers":[{"title":"CD","offer_id":46012637577450,"sku":"4012476376233","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4426905-3394323.jpg?v=1778193446"},{"product_id":"der-harmonische-gottesdienst-5-cantatas","title":"Der harmonische Gottesdienst – 5 cantatas","description":"Telemann's practicality enabled him to recognize at a very early stage the cantors' desire for cantatas that are easy to perform. For this reason the collection entitled \"Der Harmonische Gottesdienst\" quickly became popular and no doubt earned him a handsome profit. The publication of this collection made him one of the most popular cantata composers of his time. In 1728 Mattheson referred to \"Der Harmonische Gottesdienst\" in his \"Musicalischen Patrioten\" as a standard work of valuable domestic music.","brand":"Cantate","offers":[{"title":"CD","offer_id":46012639215850,"sku":"4012476380032","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4426907-3394325.jpg?v=1778193363"},{"product_id":"telemann-telemandolin-vinyl-reissue","title":"Telemann: Telemandolin \/ Sariel","description":"\u003cp\u003eTo mark the 250th anniversary of the death of Georg Philipp Telemann, mandolinist Alon Sariel presents a diverse compilation of remarkable works by the great German composer. The compilation is enriched with works by three of Telemann’s contemporaries: Carl Philipp Emanuel Bach, Carl Friedrich Abel and Johann Friedrich Fasch, all three of whom engaged in the creative spirit of the Hamburg composer and his works. Together with his ensemble Concerto Foscari he recorded repertoire that has never been heard before in this musical form. This recording is now available on Vinyl.\u003c\/p\u003e","brand":"Berlin Classics","offers":[{"title":"Vinyl","offer_id":46012677783786,"sku":"885470031347","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4408934-3332501.jpg?v=1778196406"},{"product_id":"telemann-harmonischer-gottes-dienst-vol-8-six-cantatas","title":"Telemann: Harmonischer Gottes-Dienst, Vol. 8 - Six Cantatas","description":"This is the eighth album in the first complete recording of the 72 cantatas in Georg Philipp Telemann's collection Harmonischer Gottes-Dienst, published in Hamburg in 1726 - the first complete set of cantatas for the liturgical year to appear in print. The cantatas are designated for voice, an obbligato instrument (recorder, transverse flute, oboe or violin) and basso continuo, and generally take the form of two da capo arias with an intervening recitative. Although intended for worship, both public and private, Telemann's cantatas are a masterly blend of tunefulness with skilled counterpoint and vocal and instrumental virtuosity.","brand":"Toccata","offers":[{"title":"CD","offer_id":46012701212906,"sku":"5060113442666","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4335181-3188770.jpg?v=1778201251"},{"product_id":"telemann-suites-concerto-5902547017617","title":"Telemann: Suites \u0026 Concerto for Orchestra \/ Van Heyghen, Altberg Ensemble","description":"\u003cp\u003eThe impressively rich instrumental legacy of Georg Philipp Telemann, one of the most prominent German composers of the late Baroque era, was a complement to the main area of his activity, which was church and opera music. The composer found great satisfaction in running collegium musicum associations, popular in Germany. They were groups of people interested in making music together, most often recruited from the academic youth and the bourgeois ‘middle class.’ Telemann founded his first collegium in 1702 in Leipzig, where he studied law. At the same time, he significantly transformed the traditional status of such institutions, which so far had been aimed at making music in their own group. Telemann quickly made the collegium musicum an institution organizing more or less regular public concerts in municipal halls, cafes, merchant social clubs, and aca-demic auditoriums; the collegium musicum would also support church ensembles on more important occasions. Telemann continued his co-operation with student collegia throughout his compositional activity, also in Frankfurt and Hamburg, zealously creating new pieces for them. On the present release, the Altberg Ensemble presents a selection of Telemann’s Suites and Concertos.\u003c\/p\u003e","brand":"DUX","offers":[{"title":"CD","offer_id":46012715958506,"sku":"5902547017617","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4098064-2844594.jpg?v=1778229521"}],"url":"https:\/\/arkivmusic.com\/collections\/georg-philipp-telemann.oembed?page=4","provider":"ArkivMusic","version":"1.0","type":"link"}