Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo release under Epic Records, the label he would record on until his death roughly 30 years later.

Michael Riesman - Philip Glass Soundtracks Volume II - Orange Mountain Music presents the new album PHILIP GLASS SOUNDTRACKS VOL. II by pianist Michael Riesman. Riesman was the producer, conductor, and pianist on most every Philip Glass soundtrack including Glass's three Oscar-nominated scores to The Hours, Kundun, and Notes on a Scandal, as well as on Glass' Golden Globe-winning score to The Truman Show. On this new recital, Riesman presents a complement to his 2008 album Glass Soundtracks (Vol. I) in a chronological survey of Glass' work from arthouse films like Koyaanisqatsi, documentary features The Thin Blue Line and The Fog of War, to selections from never-heard-before major commercial films like Taking Lives (starring Angelina Jolie) and Secret Window (Johnny Depp) to a five movement suite from the cult horror film Candyman featuring violinist Chase Spruill. All pieces were pieces chosen by Riesman who is the music director of the Philip Glass Ensemble, and arranged for piano (or violin and piano) by Riesman for this new disc. The result is a refreshing look at treasures from some of Philip Glass's best work in the medium of film.

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year.

Limited vinyl LP repressing in gatefold jacket. Bad is the seventh solo studio album by Michael Jackson. It was released on August 31, 1987, nearly five years after Jackson's previous studio album, Thriller. Bad was recorded during the first half of 1987. The lyrical themes on the record relate to media bias, paranoia, racial profiling, romance, self-improvement and world peace. The album is widely regarded as having cemented Jackson's status as one of the most successful artists of the 1980s, as well as enhancing his solo career and being one of the best musical projects of his career. Five of the singles hit #1 in the United States, while a sixth charted within the Top Ten, and a seventh charted within the Top Twenty on the Hot 100. Bad peaked at #1 in thirteen countries and charted within the Top Twenty in other territories.

Double vinyl LP pressing. Dangerous is the eighth studio album by Michael Jackson. It was released on November 26, 1991 by Epic Records. His first album under his new contract with Sony Music, it was also Jackson's first album since 1975's Forever, Michael not to be produced by longtime collaborator Quincy Jones, who had agreed to split after the final recording sessions for Jackson's 1987 album, Bad. Dangerous has sold over 35 million copies worldwide, 7 million albums were shipped in the United States alone, and has been cited as one of the best-selling albums of all time. The album produced four Top Ten singles on the Billboard Hot 100 including one number-one. Similar to the musician's previous material, the album's music features elements of R&B, pop and rock while also incorporating a newer genre, new jack swing, after the inclusion of producer Teddy Riley to the project in a bid to present Jackson to a younger urban audience. Jackson earned writing credits on all but two tracks on the album. Dangerous received several Grammy nominations, winning only one for Best Engineered Album. In addition to commercial success, the album received critical acclaim from contemporary critics.

The most prolific hit maker of all time returns with an album of truly greatest hits. The album consists of all 17 #1s and brand new song, "One More Chance." Michael is among a few artists who can so an album of #1s. The compilation will comtain some of the famous sons of all time Including "Rock with You," "Billy Jean," and "Black Or White".

2000 release. The Nutcracker Christmas Eve narrated by Prunella Scales with the Slovak Philharmonic Orchestra conducted by Michael Halasz & the Moscow Symphony Orchestra conducted by Igor Golovschin.

Classical Music

Limited 4xLP This Is It: The Movie is made up of intimate and spectacular footage filmed during rehearsals for Jackson's proposed July 2009 comeback shows. When he died in June of 2009, he left behind hundreds of hours of footage, which have been edited together to create a glorious tribute to his majestic talents. Disc One features some of his biggest hits sequenced in the same order as they appear in the film.

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Three years after the creation of Médée, Krzysztof Warlikowski and Christophe Rousset were together again at La Monnaie for the revival of one memorable production whose staging reinforces the violence, tension and cruelty of this tragedy.

Whilst this work by Cherubini is considered part of the 'opéra-comique' genre, it is only due to the presence of spoken dialogue, which has been modernised here in the Polish stage director's interpretation.

Written in 1797, Cherubini's faithful version of Euripides' ancient tragedy is one of the most savage and powerful works of the opera repertoire, relating the cruel vengeance of a wounded woman for whom infanticide seems to be the only solution to her humiliation in love. As a continuation of Gluck's music, Cherubini's work is of boundless emotion, at once a refined, terrifying and desperate portent of a tragic outcome.

The cast : Nadja Michael as Médée, Kurt Streit as Jason, Christianne Stotijn as Néris Médée’s slave, Vincent Le Texier as King Créon and Hendrickje Van Kerckhove as Dircé Créon’s daughter. Christophe Rousset is conducted Les Talens Lyriques and the Chœurs de la Monnaie.

Director: Stéphane Metge
Length: 138 min - Image: Color, 16/9, NTSC
Audio: PCM Stereo, Dolby Digital 5.1
Subtitles: French / English / German / Dutch

Includes work(s) by Kaikhosru Sorabji. Soloist: Michael Habermann.

Drummer, vibraphonist, and composer Michael Waldrop's second release on Origin is an ambitious and diverse representative of his work, highlighted by a wide-ranging, cross-genre aesthetic and his wildly dynamic big band. Inspired by the earthy and primal works of Cuban artist Wilfredo Lam, arranger Jack Cooper transformed three of Waldrop's compositions into an evocative and epic "Origin Suite," with the movements titled after three of his paintings. Featuring Waldrop's Big Band, guitarist Jimi Tunnell, saxophonist Mario Cruz, and German vocalist Marc Secara, it's a dramatic opening for an album that goes on to feature several other very distinctive voices including percussionists Brad Dutz & Jose Rossy, and keyboardist Scott Kinsey, and compositions by Jimi Tunnell, Gerald Stockton, Waldrop and Jack Copper. "Waldrop writes hummable tunes that jump in guess-where twists... sharing bustling charts with ex-boss Jack Cooper, he packs missed crannies with lightning fills." -DOWNBEAT

Following the breadth of 2015's live and post-processed electro-acoustic release 'Paradigm Shift', bassist Michael Janisch launches new project Worlds Collide with a band featuring saxophonist John O'Gallagher, trumpeter Jason Palmer, guitarist Rez Abbasi and drummer Clarence Penn. Recorded in Abbey Road's legendary Studio 3, and engineered/mastered by Tyler McDiarmid, it also includes guest saxophonist George Crowley, keyboardist John Escreet and drummer/percussionist Andrew Bain. Another London / An Ode To A Norwegian Strobe / The JJ I Knew / Frocklebot / Intro To Pop / Pop / Freak Out

Digitally remastered and expanded triple vinyl LP edition of this classic album from the King of Pop. Disc Two features 12 tracks including previously unreleased recordings and remixes. Bad was the third Michael Jackson album produced by Quincy Jones and was originally released on August 31, 1987. It was monumental in many ways; Michael wrote nine of the album's 11 tracks and received co-producer credit for the entire album. The album was #1 around the world, made history with five consecutive #1 singles on the Billboard chart, produced 10 chart-topping singles, nine ground breaking short films and to date, the Bad album has generated over 45 million units in sales. Bad was nominated for six Grammys and won two.

Also available on Blu-ray

Three years after the creation of Médée, Krzysztof Warlikowski and Christophe Rousset were together again at La Monnaie for the revival of one memorable production whose staging reinforces the violence, tension and cruelty of this tragedy.

Whilst this work by Cherubini is considered part of the 'opéra-comique' genre, it is only due to the presence of spoken dialogue, which has been modernised here in the Polish stage director's interpretation.

Written in 1797, Cherubini's faithful version of Euripides' ancient tragedy is one of the most savage and powerful works of the opera repertoire, relating the cruel vengeance of a wounded woman for whom infanticide seems to be the only solution to her humiliation in love. As a continuation of Gluck's music, Cherubini's work is of boundless emotion, at once a refined, terrifying and desperate portent of a tragic outcome.

The cast : Nadja Michael as Médée, Kurt Streit as Jason, Christianne Stotijn as Néris Médée’s slave, Vincent Le Texier as King Créon and Hendrickje Van Kerckhove as Dircé Créon’s daughter. Christophe Rousset is conducted Les Talens Lyriques and the Chœurs de la Monnaie.

Director: Stéphane Metge
Length: 138 min - Image: Color, 16/9, NTSC
Audio: PCM Stereo, DTS HD Master Audio 5.1
Subtitles: French / English / German / Dutch
No. of Discs: 2

Deluxe Edition includes 7 extra tracks.

Disillusioned with life, the aged philosopher Faust calls upon Satan to help him. The devil Méphistophélès appears and strikes a bargain with the philosopher: Faust can have youth and the love of the beautiful Marguerite, but only in exchange for his soul... Gounod’s masterpiece is given the grandest of Royal Opera stagings in David McVicar’s richly layered and theatrically exuberant production, with the drama moved to Second Empire Paris, spectacular sets and costumes, and extensive dance. Michael Fabiano as a seductively witty Faust, Erwin Schrott as a devilish Méphistophélès and Irina Lungu as a passionate Marguerite are joined by the Royal Opera Chorus and a cast of Royal Opera favourites. Dan Ettinger conducts the Orchestra of the Royal Opera House in Gounod’s gloriously tuneful score.

Between 1803 and 1968, the Grand Prix de Rome marked the zenith of composition studies at the Paris Conservatoire. In Maurice Ravel’s time the competition included an elimination round (a fugue and a choral piece) followed by a cantata in the form of an operatic scena. The entries were judged by a jury which generally favoured expertise and conformity more than originality and Ravel’s growing reputation as a member of the avant-garde was therefore hardly to his advantage, and may explain why he never won the coveted Premier Grand Prix, and the three-year stay at Rome’s Villa Medici that went with it.

The present set brings together all the vocal works that Ravel composed for the Prix de Rome – five shorter settings for choir and orchestra and three cantatas, each with three characters taking part in a plot which followed a more or less fixed sequence of introduction, recitative and aria, a duet, a trio and a brief conclusion. First published more than half a century after Ravel’s death, these test pieces for the Prix de Rome have never acquired the popularity of his other early works, such as Pavane pour une infante défunte, Jeux d’eau or the String Quartet. They are worth more than their reputation as academic exercises might suggest, however, and deserve to be better known, especially when performed by Orchestre National des Pays de la Loire and Pascal Rophé and a team of vocal soloists including Véronique Gens and Michael Spyres.

REVIEWS:

This two-disc set brings together all of these rare vocal pieces by the composer: five shorter settings for choir and orchestra, and three cantatas, each with three characters taking part in the plot, which followed a more or less fixed sequence of introduction, recitative and aria, a duet, a trio and a brief conclusion. First published more than half a century after Ravel's death in 1937, these test pieces for the Prix de Rome have never acquired the popularity of his later and more mature works, but they are no mean pieces and are worth more than their reputation as academic exercises might suggest. These are compositions that are deftly crafted, full of attractive melodies, harmonically refined, and very often deeply sensitive. Indeed, they encapsulate all of the future Ravel hallmarks that were to make him one of the twentieth century's leading French composers.

Pascal Rophé draws some convincing performances and, in his hands, the music has an immediacy that keeps it consistently fresh and vivid. More than a collector's item which should attract the interest of all music lovers - Ravel aficionados in particular. Sonics and booklet notes are first-rate.

-- Classical Music Daily



This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Disillusioned with life, the aged philosopher Faust calls upon Satan to help him. The devil Méphistophélès appears and strikes a bargain with the philosopher: Faust can have youth and the love of the beautiful Marguerite, but only in exchange for his soul... Gounod’s masterpiece is given the grandest of Royal Opera stagings in David McVicar’s richly layered and theatrically exuberant production, with the drama moved to Second Empire Paris, spectacular sets and costumes, and extensive dance. Michael Fabiano as a seductively witty Faust, Erwin Schrott as a devilish Méphistophélès and Irina Lungu as a passionate Marguerite are joined by the Royal Opera Chorus and a cast of Royal Opera favourites. Dan Ettinger conducts the Orchestra of the Royal Opera House in Gounod’s gloriously tuneful score.

Dido's famous lament, 'When I am laid in earth' has long featured in Joyce DiDonato's repertoire - and she has triumphed as the tragic Queen of Carthage in Berlioz's Les Troyens - but it was in early 2024 that she first performed Purcell's opera Dido and Aeneas in it's entirety. With Il Pomo d'Oro, conductor Maxim Emelyanychev, and a cast including Fatma Said as Dido's companion Belinda, DiDonato toured extensively in Europe. This recording was made in Essen's Philharmonie, where Michael Spyres took the role of Aeneas. The two stars have been through this all before, as Spyres sang Enee to DiDonato's Didon in the prizewinning Erato recording of Les Troyens, conducted in 2017 by the late John Nelson.

Michael Spyres's new album, recorded with the fabulous Il Pomo d'Oro under Francesco Corti, features works by Handel, Hasse, Mazzoni, Pergolesi, Porpora, Sarro, Scarlatti, Vinci, Vivaldi, and more - spanning even to Mozart. He states, "In truth, this album's concept was born out of my research to find the absolute extremes of the human voice whether it be yodeling, tuvian throat singing, overtone singing, or the many categories of the classical voice. There has never been an album dedicated to this era of vocal history which is by all accounts uncategorizable by the fach system not to mention virtually unsingable to most singers in the present day".

For Pianist Michael Wollny, songs are like ghosts. His new album "Ghosts" is a gathering of some of the ghosts that regularly haunt him. Typically for Wollny, they range from classics like Franz Schubert's "Erlkonig" to jazz standards, film music, songs with a certain fragility by Nick Cave, say, or the band Timber Timbre, and also include his own darkly evocative original compositions.

For Pianist Michael Wollny, songs are like ghosts. His new album "Ghosts" is a gathering of some of the ghosts that regularly haunt him. Typically for Wollny, they range from classics like Franz Schubert's "Erlkonig" to jazz standards, film music, songs with a certain fragility by Nick Cave, say, or the band Timber Timbre, and also include his own darkly evocative original compositions.

An intriguing element of Michael Feinberg's superb Criss Cross debut is that the leader could easily have titled it "Bassist In The Background" (Fans of Duke Ellington's wonderful 1960 LP Pianist In The Background will know what I mean.) Throughout Blues Variant - which includes six tunefully percolating originals by Feinberg, one by tenor saxophonist Noah Preminger, and one by pianist Leo Genovese - the 35-year-old bass maestro hews to the mantra, "If you want to hear me solo, come to a gig, where I often play a solo on every tune". The Album was recorded January 17, 2022 at the Samurai Hotel Recording Studio in NY. Recording engineer Mike Marciano also did the editing, mixing and mastering at Systems Two in NY. Photography by Anna Yatskevich.

For his Criss Cross debut, 33-year-old trumpet virtuoso Michael Rodriguez assembles a world-class New York quintet of generational peers (pianist Gerald Clayton and drummer Rodney Green) and mid-career masters (tenor saxophonist Chris Cheek and bassist Kiyoshi Kitagawa) to perform six kinetic originals and a single standard, Portrait of Jennie. Known for his creative melodic approach and pellucid tone via consequential engagementsover the last decade with, among others, Charlie Haden's Liberation Music Orchestra, Gonzalo Rubalcaba, Bobby Watson, and Eddie Palmieri, Rodriguez blends youthful fire with a veteran's focus and mature intention, setting the tone for an immensely satisfying session.