{"title":"Gustav Mahler","description":"","products":[{"product_id":"a-mahler-complete-songs-paasikivi-panula-tampere-164799","title":"A. Mahler: Complete Songs \/ Paasikivi, Panula, Tampere Philharmonic","description":"\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eIt's the marvelous singing of Lilli Paasikivi, with her intelligence, penetrating insight, and richly rounded tone that fully captures the spirit of these works and makes them little gems that no Lieder enthusiast can afford to overlook. Ondine's warmly resonant, naturally balanced recording makes this important disc even more welcome. It's a \"must-have\".\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIt's not long into this disc before it becomes evident that Alma Mahler was a very different composer from her famous husband Gustav. Alma studied with Zemlinsky, whose influence (along with that of Hugo Wolf) shows most readily in her work--yet this is Alma's music through and through. Even before Mahler forbade her from composing once they were married, Alma displayed a distinctive voice, one steeped in 19th-century Romanticism (her father often sang Schumann lieder) as well as the musical currents of the new century. The first set of Five Songs comes from this early period, and right from the opening \"Die stille Stadt\" Alma's skill at word setting captivates, as does her ability to recreate in music each poem's unique emotional state. Of the five, \"Bei dir ist es traut\", with its recurring falling major second, is the only one that sounds remotely close to her husband's style.\u003cbr\u003e \u003cbr\u003e After Gustav's death Alma again took up composition, and the following Four Songs reveal a new richness and poignancy in her writing as well as an expanded harmonic palette. \"Licht in der Nacht\"'s haunting atmosphere lingers after the song has ended, while \"Anstrum\"'s tonal waywardness displays Alma's awareness of modern musical developments. Alma's last set of Five Songs, published in 1924, is based on spiritual texts, emphasizing both their reverential (Hymne) and mystical (Hymne an die Nacht) themes.\u003cbr\u003e \u003cbr\u003e The program concludes with two unpublished songs, \"Leise Weht ein erstes Bluhn\" and \"Kennst du meine Nachte\", both composed in a cultivated Romantic style that would indicate their belonging to Alma's earlier period. The impact of the music is no doubt enhanced by Jorma Panula's idiomatic and imaginative orchestrations, beautifully rendered by the Tampere Philharmonic.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e --Victor Carr Jr, ClassicsToday.com\u003cbr\u003e\u003c\/p\u003e","brand":"Ondine","offers":[{"title":"CD","offer_id":44625697243370,"sku":"761195102428","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/547758.jpg?v=1778294869"},{"product_id":"mahler-symphony-no-5-192834","title":"Mahler: Symphony No. 5","description":"Gustav Mahler has come to enjoy a unique position in the music of our own time. He was able to revivify the symphony of Austro-German tradition, creating in it a poignant expression of sorrow, a sense of Weltschmerz, but encompassing a much wider range of feeling. He was able to enlarge the symphony, not only by an expansion of form and an enlargement of the orchestra itself, but by the use of song, a logical extension of Beethoven's Choral Symphony, including and summarizing a whole tradition of music. Mahler was born in Bohemia in 1860 into a relatively humble Jewish family of no great intellectual or cultural pretensions. His father, at one time little more than a pedlar, came to own a successful business that included a distillery and several taverns. At the same time he read w hat he could, in an attempt to further his own intellectual interests. Mahler himself was eventually able to study at the Conservatory in Vienna and to enroll in other courses at the University. It was as a conductor that Mahler made his name, with a series of appointments in resort opera-houses during the summer season. From these he moved to more important appointments in Prague, Leipzig, Budapest and Hamburg. Finally, in 1897, he reached the summit of any conductor's ambition, when he was made director of the Vienna Court Opera. During ten years he revived the opera, particularly with his performances of Mozart and of Wagner. By 1907, however, he had aroused sufficient hostility to decide to resign. His high standards in the opera-house made him enemies, and the amount of time he was obliged to give to performances of his own music and his Jewish origins were enough reason for his critics to condemn him. 1907 brought not only Mahler's resignation from the Vienna Court Opera, but the death of one of his two daughters, a bereavement that deeply depressed him. There was further cause for anxiety when it was found that he was suffering from a weakness of the heart that made it necessary to avoid any physical exertion. His final years were spent partly in the United States where he conducted first at the Metropolitan Opera during a difficult period in it's history and undertook to reform the New York Philharmonic Orchestra. At the same time he fulfilled a series of engagements as a conductor in Europe. He died in Vienna in May, 1911. Although his music met opposition from some in his life-time, his subsequent importance has been incalculable, both as one of the greatest composers of his generation and as an influence on his contemporaries and successors. Mahler's compositions include a number of songs and ten symphonies, the last incomplete, as well as Das Lied von der Erde (The Song of the Earth), a symphony in fact, if not in name. He completed his Fifth Symphony in 1902 during the summer following his marriage to Alma Schindler, a young woman of considerable and varied talents, daughter of the landscape painter Anton Schindler and later wife of Walter Gropius and subsequently of Franz Werfel. The symphony is in three parts, the first, which includes the first two movements, allows the material of the opening Funeral March to undergo further development and expansion in a turbulent second movement. The March itself recalls the song of the deserter, Der Tamboursg'sell (The Drummer-Boy), from Des Knaben Wunderhorn (The Boy's Magic Horn), von Arnim and Brentano's seminal collection of German folk-song, and the Kindertotenlieder (Songs of the Death of Children), posthumously published poems by R�ckert, while the contrasts of the second movement bring moments suggesting a Bruckner chorale or a fragment of Wagner. The second part is the Scherzo, a substantial centre to the whole symphony, while the third consists of an Adagietto recalling two of Mahler's settings of R�ckert and a final Rondo that touches again on the world of Des Knaben Wunderhorn.","brand":"Naxos","offers":[{"title":"CD","offer_id":44625202577642,"sku":"730099552820","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/587635.jpg?v=1778343604"},{"product_id":"symphony-no-6-095115920725","title":"Mahler: Symphony No. 6 \/ Järvi, RSNO","description":"SYMPHONY NO. 6","brand":"Chandos","offers":[{"title":"CD","offer_id":44624151740650,"sku":"095115920725","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3628229-3479003.jpg?v=1778273289"},{"product_id":"mahler-symphony-no-9-in-d-major-7318590006320","title":"Mahler: Symphony No. 9 In D Major","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624084500714,"sku":"7318590006320","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2265738.jpg?v=1778291909"},{"product_id":"mahler-symphony-no-2-in-c-minor-resurrection","title":"Mahler: Symphony No. 2 in C Minor \"Resurrection\"","description":"Mahler: Symphony No. 2 in C Minor \"Resurrection\"","brand":"Vox","offers":[{"title":"CD","offer_id":44679416611050,"sku":"047163721328","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/268941.jpg?v=1778345582"},{"product_id":"mahler-symphony-no-5-in-c-sharp-minor","title":"Mahler: Symphony No. 5 in C-Sharp Minor","description":"Classical Music","brand":"Vox","offers":[{"title":"CD","offer_id":44679417069802,"sku":"653269720525","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/0653269720525.jpg?v=1781085034"},{"product_id":"mahler-symphony-no-9","title":"Mahler: Symphony No. 9","description":"Mahler: Symphony No. 9","brand":"Naxos","offers":[{"title":"CD","offer_id":44711392411882,"sku":"730099553520","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/219008.jpg?v=1778346555"},{"product_id":"mahler-g-symphony-no-3","title":"Mahler, G.: Symphony No. 3","description":"Classical Music","brand":"Antes Edition","offers":[{"title":"CD","offer_id":44711621951722,"sku":"4014513016812","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2376436.jpg?v=1778319860"},{"product_id":"mahler-g-symphony-no-2-resurrection","title":"Mahler, G.: Symphony No. 2, \"Resurrection\"","description":"Classical Music","brand":"Antes Edition","offers":[{"title":"CD","offer_id":44711625359594,"sku":"4014513016607","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2376435.jpg?v=1778312348"},{"product_id":"mahler-symphony-no-1-in-d-major-titan-lieder-eines-fah","title":"Mahler: Symphony No. 1 in D Major \"Titan\" \u0026 Lieder eines fah","description":"Classical Music","brand":"Stradivarius","offers":[{"title":"CD","offer_id":44722747474154,"sku":"8011570100108","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3345481.jpg?v=1778258196"},{"product_id":"das-lied-von-der-erde-3-ruckert-lieder","title":"DAS LIED VON DER ERDE \/ 3 RUCKERT LIEDER","description":"Classical Music","brand":"ALTO","offers":[{"title":"CD","offer_id":44908071452906,"sku":"5055354411205","price":11.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1682756.jpg?v=1778378420"},{"product_id":"mahler-symphony-no-8-of-a-thousand","title":"MAHLER: SYMPHONY NO. 8 \"OF A THOUSAND\"","description":"All the great reviewing publications, Penguin Guide, Gramophone, International Record Review, gave this release a rapturous reception when first issued. 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Their repertoire features already legendary performances of Verdi's Requiem and Quattro pezzi sacri. In addition, their recording of Bruckner's 8th Symphony features here for the very first time! This box brings together all the recordings that the British conductor Sir Antonio Pappano (b.1959) made with the Orchestra dell'Accademia Nazionale di Santa Cecilia in the years from 2005 to 2022 for Warner Classics.","brand":"WARNER CLASSICS","offers":[{"title":"CD","offer_id":45862030999786,"sku":"5054197793073","price":100.08,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4336720-3177085.jpg?v=1778371588"},{"product_id":"vienna-joyful-apocalypse-aurelien-pontier","title":"Vienna - Joyful Apocalypse \/ Aurélien Pontier","description":"\u003cp\u003eA veritable musical metaphor for the suicide of Europe that was the Great War, both apotheosis and apocalypse. 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The Deauville Easter Festival Orchestra adopts an intimate chamber-style line-up which is characteristically Viennese, perfect for voices to murmur these tales of love and death into the listener's ear","brand":"B Records","offers":[{"title":"CD","offer_id":45919338365162,"sku":"3770005527914","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4488754-3517884.jpg?v=1778218214"},{"product_id":"mahler-symphony-no-6-bavarian-radio-symphony","title":"Mahler: Symphony No. 6 \/ Rattle, BRSO","description":"\u003cp\u003eAmong Simon Rattle's first concert programs as the new chief conductor of the Bavarian Radio Symphony Orchestra was Gustav Mahler's Sixth Symphony. The performances marked the beginning of a new chapter in Mahler interpretation, for Rattle, like his predecessors Jansons, Maazel and Kubelík, is an ardent admirer of the composer. BR-KLASSIK has now released the live recording of the concerts.\u003c\/p\u003e\n\u003cp\u003eGustav Mahler's Sixth Symphony is perhaps the darkest work he ever wrote – its nickname is \"The Tragic\". And there is something almost destructive about the final movement. \"But strangely enough,\" says Simon Rattle, \"it is also a very classical symphony. Yes, it is extreme, but for long stretches it is less wild than other works of his – although of course it does convey a harrowing message. But it's like a lot of great works: there are always different ways of reading them. 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In this monumental work, Mahler combines a text from Nietzsche's Also sprach Zarathustra with the folk song inspirations of Des Knaben Wunderhorn, culminating in eternal bliss in the closing Adagio. To Bychkov, this longest Mahler symphony offers his \"least hysterical\" music, and hearing it for the first time as a 10-year-old choirboy kindled his life-long fascination and love for this composer. With this recording, it comes full circle.\u003c\/p\u003e\u003cp\u003eThe Czech Philharmonic - recently awarded Gramophone's Orchestra of the Year Award - is one of the world's orchestral gems, recognized for its rich tradition with the Czech masters as well as European repertoire. Together with their Chief Conductor and Music Director Semyon Bychkov, they have so far recorded for PENTATONE Mahler's First, Second, Fourth and Fifth Symphonies (2022-2023), part of the complete Mahler cycle to be released by the label, as well as Smetana's Ma vlast and Dvorak's Seventh, Eighth and Ninth Symphonies (2024). 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Jarvi has of course conducted Mahler's works many times in his career, but has waited for the right moment to record the complete cycle in the studio: the right moment not only in his life as a musician but also in his relationship with the Tonhalle-Orchester Zurich; the maturity and power revealed in the orchestra's recordings for Alpha Classics have been hailed by the music press since 2019. \"Mahler truly opened up a new universe with the Fifth, in which he initiated an incredibly personal style of music-making.\" says Paavo Jarvi. \"It is the very nature of it's opening - a military funeral - and of it's tragedy, in conjunction with the very idea of beginning a symphony in this way, which signals that something completely different is in store for us\".","brand":"Alpha","offers":[{"title":"Vinyl","offer_id":46012453683434,"sku":"3701624511541","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4397812-3315045.jpg?v=1778210418"},{"product_id":"befreit-a-soul-surrendered-whately-middleton","title":"Befreit – A Soul Surrendered \/ Whately, Middleton","description":"\u003cp\u003eMezzo-soprano Kitty Whately trained at Chetham’s School of Music, the Guildhall School of Music and Drama, and the International Opera School of the Royal College of Music. Having won both the Kathleen Ferrier Award and Royal Overseas League Award in the same year, she attended the prestigious Academy of the Verbier Festival. She writes of this project: ‘It has been my great pleasure to record with Joseph once again. We have long shared a mutual passion for early-twentieth-century-romantic Lieder and talked of making a disc including songs by Mahler and Strauss. The opportunity to discover and research lesser-known composers from their era has been thrilling and fascinating. As the world endured the pandemic, we all experienced fear and danger and loss in a way that most of our generation never did before, on such a global scale. Joseph and I felt drawn to reflect on grief, mortality, and bereavement.’ The two lesser-known composers featured in the recording are Johanna Müller-Hermann (who studied with several of the most prominent teachers in Vienna – Josef Labor, Guido Adler, Alexander Zemlinsky, Josef Bohuslav Foerster, Franz Schmidt) and Margarete Schweikert, who’s upbringing and life in Karlsruhe and studies with Joseph Haas in Stuttgart could hardly provide a greater contrast – clearly audible in their music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Wie eine Vollmondnacht, Op. 20 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Der letzte abend, Op. 2 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Befreit, Op. 39 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Allerseelen, Op. 10 No. 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Wolke I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Totenhausen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Zusammen sterben\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Auf ein Kind, Op. 47 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Rückleben, Op. 47 No. 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Morgen, Op. 27 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Die Stille Stadt, Op. 4 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Herbst, Op. 20 No. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: In Memoriam, Op. 28 No. 5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Unser Haus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Die Entschlafenen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMahler\u003c\/strong\u003e: Kindertotenlieder\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Widmung, Op. 20 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Einem Vorangegangenen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eThroughout Whately and Middleton prove highly persuasive guides; the pianist bringing the accompaniments vividly to life and the mezzo fully committed to the works and impressive, in particular, in getting the texts across.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- Gramophone\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012459122922,"sku":"095115217726","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4169954-2947520.jpg?v=1778208191"},{"product_id":"mahler-symphony-no-1","title":"Mahler: Symphony No. 1","description":"Paavo Jarvi and the Tonhalle-Orchester Zurich present the second volume of their complete Mahler Symphonies, with his First Symphony, known as the \"Titan\" in reference to the eponymous novel by the poet Jean-Paul that Mahler greatly admired. Although he abandoned this title three years after the symphony's premiere in 1893, the symphony has, like many of Mahler's works, \"a clearly programmatic character\" according to Paavo Jarvi: \"Mahler was a composer who was truly able to explore the inner world of human beings and to question what goes on inside us.\"","brand":"Alpha","offers":[{"title":"CD","offer_id":46012462039274,"sku":"3701624511664","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4454872-3445099.jpg?v=1778198417"},{"product_id":"mahler-symphony-no-1-lp-version","title":"Mahler: Symphony No. 1 (LP Version)","description":"Paavo Jarvi and the Tonhalle-Orchester Zurich present the second volume of their complete Mahler Symphonies, with his First Symphony, known as the \"Titan\" in reference to the eponymous novel by the poet Jean-Paul that Mahler greatly admired. Although he abandoned this title three years after the symphony's premiere in 1893, the symphony has, like many of Mahler's works, \"a clearly programmatic character\" according to Paavo Jarvi: \"Mahler was a composer who was truly able to explore the inner world of human beings and to question what goes on inside us.\"","brand":"Alpha","offers":[{"title":"Vinyl","offer_id":46012463055082,"sku":"3701624511671","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4454873-3445100.jpg?v=1778196815"},{"product_id":"mahler-lieder-volume-1-connolly-middleton","title":"Mahler: Lieder \/ Sarah Connolly, Joseph Middleton","description":"\u003cp\u003eOne of the finest Mahlerians of our time, Dame Sarah Connolly brings her fierce intellect and glorious voice to the music she has spent a life-time studying and performing. In the first release of series curated and performed by Joseph Middleton that will champion the complete piano accompanied Lieder of Mahler, the ‘superlative’ (New York Times) duo of Connolly and Middleton, present the three great song cycles of Mahler: Lieder eines Fahrenden Gesellen, Fünf Rückert Lieder and Kindertotenlieder. This is the first time Sarah has performed all three cycles on one album, which she is justly famous the world over for performing with rare insight and consummate artistry. Her voice is the perfect Mahlerian instrument.\u003c\/p\u003e\n\u003cp\u003e“It is such an enormous honor to have made this recording for Signum with Sarah. Mahler’s music can teach us so much about the human condition, our connection with nature, and our empathy towards other humans. A deep spirituality is built into every bar he writes. - Joseph Middleton\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012473344234,"sku":"635212074121","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4391615-3304368.jpg?v=1778224056"},{"product_id":"mahler-symphonies-nos-1-9-2-bonus-cds-4035719007190","title":"Mahler: Symphonies Nos. 1-9 \/ Jansons, Bavarian Radio Symphony Orchestra","description":"\u003cp\u003eIn the complete edition compiled by BR-KLASSIK, the Symphonieorchester des Bayerischen Rundfunks under the direction of its long-time principal conductor Mariss Jansons explores Mahler's symphonic œuvre. This complete recording of Mahler's impressive symphonies is further enhanced by revealing rehearsal recordings and interesting interviews. In his nine symphonies, Gustav Mahler built up an entire world for himself and his listeners. More than almost any other composer, he tried in his symphonic works to get to the very bottom of the cycle of life, that eternal process of becoming and expiring – so what better complete set of symphonies to express the finest qualities of a modern-day conductor and the unique sound of a leading orchestra?\u003c\/p\u003e\n\u003cp\u003eMariss Jansons found simple and clear words to express what it was that so fascinated and moved him about Mahler's music throughout his life. He said that the composer’s work always related to what was universal and contained absolutely everything that exists in the world. In his symphonies, said Jansons, Mahler captured nature, faith, love, death, pain, tragedy, happiness, humor, utopia, irony, sarcasm - everything that makes up human existence. Jansons regarded his music as posing questions that ultimately every thinking person has to ask, and everyone can find something in it where they recognize themselves as if in a mirror. There are nevertheless no definitive answers in Mahler, \"nothing triumphant that is at one with itself.\" When he first encountered Mahler’s music, this experience struck Jansons like a bolt from the blue. Gradually, he developed into one of the leading Mahler conductors of his era. The fact that he had the Symphonieorchester des Bayerischen Rundfunks as a partner here – an orchestra that can look back on a long Mahler tradition - was certainly a very fortunate coincidence.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":46012476752106,"sku":"4035719007190","price":63.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4140639-2907692.jpg?v=1778208122"},{"product_id":"gustav-mahler-symphonies-1-9","title":"Gustav Mahler: Symphonies 1–9","description":"PENTATONE's release of the Czech Philharmonic's complete Mahler Cycle under Bychkov brings together one of Europe's most historically resonant orchestras with a conductor internationally recognised for his structural command and interpretive integrity. The orchestra occupies a distinctive place within Mahler's geographical and cultural landscape - Mahler was born and brought up in Bohemia and completed his First Symphony shortly after spending a year in Prague. Mahler symphonies have been central to Bychkov's programming with the Czech Philharmonic since 2018, when he opened his tenure as Chief Conductor and Music Director with performances of Mahler Symphony No. 2.    Symphonies Nos. 1-5, released by PENTATONE beginning in April 2022, have received universal acclaim. The recordings have been selected as Gramophone Editor's Choice and BBC Music Magazine Recording of the Month. As The Sunday Times writes, \"This is turning out to be one of the truly great Mahler sets.\"","brand":"PENTATONE","offers":[{"title":"CD","offer_id":46012482617578,"sku":"8717306264907","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4488831-3518055.jpg?v=1778216352"},{"product_id":"mahler-symphonies-nos-1-2-8051773574092","title":"Mahler: Symphonies Nos. 1 \u0026 2 \/ Scherchen","description":"\u003cp\u003eWith Mitropoulos, Walter and Kempler, Hermann Scherchen was among the most constant promoters of Mahler’s music in the years in which the Bohemian musician was little considered. These interpretations of the First (1954) and Second (1958) Symphony, which we already proposed 15 years ago, deserve to be reprinted and known above all for the beauty of the sound and for the fact that every critical edition relating to Mahler refers to the art of Hermann Scherchen.\u003c\/p\u003e","brand":"Urania Records","offers":[{"title":"CD","offer_id":46012484092138,"sku":"8051773574092","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4191046-2966701.jpg?v=1778241145"},{"product_id":"mahler-symphony-no-15","title":"Mahler: Symphony No. 7","description":"Paavo J�rvi and the Tonhalle-Orchester Z�rich continue their complete cycle of Mahler symphonies with the Seventh, considered one of his most complex and challenging symphonies: \"The Mahler we encounter in Symphony No. 7 is more complex, darker, and more philosophical than the Mahler we know from his previous works,\" says Paavo J�rvi. Mahler, who was extremely busy in his role as director of the Vienna Opera, composed this symphony on the shores of Lake W�rthersee in Austria during the summers of 1904 and 1905. Also known as Song of the Night, this symphony is characterized by rich instrumentation (including a guitar and mandolin in the fourth movement) and spectacular orchestral effects: \"Here, nature roars,\" Mahler said of the tenor horn solo at the beginning of the work.","brand":"Alpha","offers":[{"title":"CD","offer_id":46012488679658,"sku":"3701624512067","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4484232-3505382.jpg?v=1778218125"},{"product_id":"mahler-symphony-no-2-rouvali-philharmoni-orchestra","title":"Mahler: Symphony No. 2 \"Resurrection\" \/ Rouvali, Philharmonia Orchestra","description":"\u003cp\u003eMahler 2 is the second album from Philharmonia Records; following their first album - Santtu conducts Strauss. “[Also sprach Zarathustra] Rouvali’s conducting of both is certainly interesting and personal... impressive; an expansive reading that sees the work whole...[An Alpine Symphony] undeniably picturesque; vivid and dramatically projected...top-notch playing; and this extravagant score also enjoys notable recorded sound... lingering lyricism; invariably heartfelt and; in conclusion; cathartic”; Founded in 1945; The Philharmonia Orchestra creates thrilling performances for a global audience and has premiered works by Richard Strauss; Sir Peter Maxwell Davies; Errollyn Wallen; Kaija Saariaho and many others. The Philharmonia has an extraordinary 77-year recording legacy; and has recorded around 150 soundtracks; with film credits stretching back to 1947. In the 2021\/22 season the Orchestra performs in Romania; Spain; Finland; Greece and Germany.\u003c\/p\u003e\n\u003cp\u003eSanttu-Matias Rouvali is a Finnish conductor and percussionist; and is currently principal conductor of the Philharmonia Orchestra. Rouvali continues his relationships with orchestras across Europe; including with the Berlin Philharmonic; New York Philharmonic; Royal Concertgebouw Orchestra; Munich Phillharmonic and the the Orchestre Philharmonique de Radio France.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eIn the first movement Rouvali is animated and engaged, using a lighter hand than most other conductors. Such a natural lyrical bent would seem to run counter to music that Mahler originally conceived as a funeral rite (\u003cem\u003eTotenfeier\u003c\/em\u003e), and it’s certainly unusual for a conductor to have such a relaxed grip on the drama and still make the first movement work.\u003c\/p\u003e\n\u003cp\u003eThe point is underscored in the minuet-like second movement, usually a throwaway, which is captivating in Rouvali’s hands, a nostalgic poem. The Scherzo is taken at quite a clip, divorcing the music from the gently satiric song in \u003cem\u003eDes Knaben Wunderhorn\u003c\/em\u003e about St. Anthony preaching to a school of transfixed fish. Rouvali sharpens the edges and makes the movement rambunctiously exciting—I can’t remember any other conductor leading this music one beat to a bar.\u003c\/p\u003e\n\u003cp\u003eAs the soloist in the raptly reverent “Urlicht,” mezzo Jennifer Johnston is sensitive and sincere, but Rouvali leads such an eloquent orchestral part that one wishes he had a singer of the highest caliber. Johnston’s German is more than a shade too basic for the poetry. The thunder and brass that open the fifth movement display excellent balance, bringing forward this conductor’s ability to extract beautiful playing for which the word “burnished” was invented. The many solos and ensemble passages in the final half hour of the “Resurrection” Symphony come off with unforced gorgeousness, needing no shred of rhetoric to make an impact.\u003c\/p\u003e\n\u003cp\u003eRouvali has held his fire to some extent, making it all the more thrilling when he unleashes the full power of the finale in moments of blazing climax. He must have had the audience on the edge of their seats. Against this tumult, the sudden whispered quiet of the chorus is doubly effective. Soprano Mari Eriksmoen emerges with melting lyricism, and yet you are aware that Rouvali milks nothing for effect—his eye is fixed on the musicality of every measure. You also notice how even the softest passages retain a restrained intensity that keeps the moving line tensile and alive. This is particularly helpful in the duets for mezzo and soprano, where the momentum is most likely to sag. Here, not a single transition is awkward or faltering.\u003c\/p\u003e\n\u003cp\u003eThe final apotheosis is so magnificently handled that I can’t blame the producers for including a minute of excited applause from the audience in Royal Festival Hall. For anyone who has harbored doubts about Rouvali’s meteoric rise, a performance as imaginative and beautifully shaped as this one should dispel them. I’m convinced that he has a special gift. I cannot wait to see how it will unfold in the coming years.\u003c\/p\u003e\n\u003cp\u003e-- Fanfare (Huntley Dent)\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012488941802,"sku":"635212076026","price":25.19,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4391625-3304413.jpg?v=1778214113"},{"product_id":"mahler-symphony-no-16","title":"Mahler: Symphony No. 9","description":"Classical Electronic","brand":"Urania Records","offers":[{"title":"CD","offer_id":46012514959594,"sku":"8051773578168","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4348996-3202033.jpg?v=1778231928"},{"product_id":"mahler-symphony-no-2","title":"Mahler: Symphony No. 1","description":"The series devoted to Vladimir Delman continues with this second album: in the first one Mahler's Symphony No. 9 in D Major; here, by the same composer and in the same key, the Symphony No. 1.","brand":"Urania Records","offers":[{"title":"CD","offer_id":46012519612650,"sku":"8051773578229","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4392694-3307412.jpg?v=1778211423"},{"product_id":"mahler-symphony-no-4-in-g-major-arranged-for-chamber-ense","title":"Mahler: Symphony No. 4 in G major, arranged for chamber ense","description":"\u003cp\u003eIn celebration of his 80th birthday, this four-disc set spans more than five decades of Michael Tilson Thomas' compositional career. It features 18 works, from premiere recordings to remastered archival recordings available for the first time. The deluxe collection also includes an extensive booklet containing composer's notes, original essays, and a timeline of archival photos chronicling MTT's life as a pianist, conductor, composer, recording artist, and teacher.\u003c\/p\u003e\u003cp\u003eAll proceeds from GRACE: The Music of Michael Tilson Thomas will be donated to brain cancer research at the University of California, San Francisco Brain Tumor Center.\u003c\/p\u003e","brand":"Dynamic","offers":[{"title":"CD","offer_id":46012523839722,"sku":"8007144080433","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4357731-3203644.jpg?v=1778212949"},{"product_id":"strauss-mahler-transcriptions-by-clytus-gottwald-schoenb","title":"Strauss \u0026 Mahler: Transcriptions by Clytus Gottwald; Schoenb","description":"Clytus Gottwald possessed the special gift of translating the most diverse vocal-soloistic-instrumental compositions into pure, polyphonic choral sound.   He was rightly apostrophised by the press as the father of modern choral singing. At the centre of this recording with the Kammerchor Stuttgart under the direction of Frieder Bernius are ten songs by Richard Strauss, to which Gottwald breathes a choral soul with seemingly infinite creativity. The recording is complemented by Gottwald's 16-part transcription of Gustav Mahler's \"Adagietto\" from the 5th Symphony - a true miracle of sound. And the recording also includes an original composition: Friede auf Erden (Peace on Earth), one of the few choral works of the Second Viennese School, is performed on the 150th anniversary of Arnold Schonberg's birth. With this programme, the Kammerchor Stuttgart once again proves itself to be one of the best ensembles of it's kind.","brand":"Carus","offers":[{"title":"CD","offer_id":46012531114218,"sku":"4009350835269","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4365216-3225868.jpg?v=1778212631"},{"product_id":"mahler-symphony-no-2-resurrection","title":"Mahler: Symphony No. 2 \/ Vonk, Residentie Orkest, The Hague","description":"A valuable CD reissue for a rare and compelling 1986 account of Mahler's great testament of faith.    A Dutch tradition in Mahler performance extends beyond the boundaries of the Concertgebouw. Orchestras in Rotterdam and The Hague have often performed the songs and symphonies, and been led by directors with a typically Dutch, humanistic sympathy for the complex texture of expressions and idioms in Mahler, his appeal to the great symphonic tradition as well as his liberation from it's strictures.    Nowhere is that sense of tradition and innovation more finely balanced in his output than in the Second Symphony, which underwent the longest gestation of all his symphonies. The first movement began life as a standalone tone-poem, portraying a dream-sequence autobiographical rite of death in graphically Lisztian terms. Gradually something much more ambitious took shape, and the dream which the young conductor-composer had experienced, seeing his own death as if from afar, became eventually answered by a triumphant affirmation of faith in creativity, with his setting of the Resurrection-Ode by the poet Klopstock.     Hearing this poem at a funeral finally gave Mahler the inspiration he needed to complete the symphony, and it has remained one of his best-loved works ever since, coming to embody within generations of it's listeners a force of death and renewal. Yet the autobiographical, five-movement form of the symphony has it's obvious precedents in the Pastoral Symphony of Beethoven and the Symphonie fantastique of Berlioz, and a successful performance such as this one underlines those connections.     The Amsterdam-born Hans Vonk (1942-2004) served as Chief Conductor of the Residentie Orkest in The Hague between 1980 and 1991. Both the playing and the direction in this performance are imbued with confidence and mutual assurance; the tempi are flowing but not hasty, and Mahler's structure is held together with a compelling force. First issued as a 'private' LP set by the orchestra in 1986, this CD reissue makes a significant contribution to the symphony's extensive discography.    - Gustav Mahler's (1860-1911) Second Symphony, often referred to as the \"Resurrection Symphony,\" was composed between 1888 and 1894, marking a significant progression in Mahler's artistic development. The symphony is expansive, spanning five movements, and delves into themes of life, death, and the afterlife.  - The Second Symphony is renowned for it's emotional depth and grandeur. The opening movement sets a somber tone, with brooding melodies that reflect on human mortality. The subsequent movements explore contrasting emotions, from moments of sublime beauty to passages of intense anguish. The symphony reaches it's climax in the final movement, where Mahler introduces vocal soloists and a chorus. This dramatic conclusion contemplates the concept of resurrection and ultimate redemption, culminating in a triumphant and awe-inspiring finale.  - This excellent and moving recording from 1985 features the Residentie Orkest The Hague conducted by Hans Vonk, one of the most prominent Dutch conductors of the 20th century. The vocal soloists are Maria Oran Cury and Jard van Nes; the featured choir is The Dutch Theatre Choir.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012538781930,"sku":"5028421973906","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4353019-3201886.jpg?v=1778232480"},{"product_id":"mahler-symphony-no-9-4009850025443","title":"Mahler: Symphony No. 9","description":"\u003cp\u003eThis is not the ninth 5th, but still the fifth 9th symphony by András Keller with Concerto Budapest on TACET! After Bruckner, Dvořák, Shostakovich and Schubert (it now counts as the 8th), now Mahler. An impressive testament to the range of this unusual orchestra and its unique conductor. Certainly there are countless other recordings, also very good, of these last finished symphonies of great composers. However, I find that Keller's interpretations, with his unconditional will to express in detail, can compete with any, even the best known. Recordings of that repertoire in TACET Real SS are completely new. They bring to light previously hidden beauties and place the listener in the middle of the music. This also allows you to hear these works in a completely new way.\u003c\/p\u003e","brand":"TACET Musikproduktion","offers":[{"title":"SACD","offer_id":46012541305066,"sku":"4009850025443","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4182511-3141126.jpg?v=1778207403"},{"product_id":"mahler-wunderhorn","title":"Mahler: Wunderhorn \/ Henschel, Sloane, Bochumer Symphoniker","description":"Throughout his lifetime, Gustav Mahler's musical imagination got sparked by the Wunderhorn anthology of folk poetry compiled by Achim von Arnim and Clemens Brentano. Whether autonomous lieder or conscripted into symphonic service, Mahler’s Wunderhorn settings represent some of his most exotic, exhilarating, but also visionary music. The Wunderhorn songs evoke and celebrate a lost era but they also prefigure its demise. Mahler captures this ambiguity in uncompromisingly melodious and idyllic, but also satiric, relentless and cruel music. In this soundtrack from the movie WUNDERHORN by Clara Pons, baritone Dietrich Henschel, “a towering figure, physically, intellectually, musically and theatrically” (Herald Scotland) gives a vibrant rendition of 24 Lieder from Gustav Mahler’s “Des Knaben Wunderhorn”, masterly accompanied by the Bochumer Symphoniker under the baton of Steven Sloane.","brand":"Avanti Classic","offers":[{"title":"CD","offer_id":46012543238378,"sku":"5414706105221","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4072011-2820610.jpg?v=1778240956"},{"product_id":"unendliche-liebe","title":"Unendliche Liebe","description":"Without doubt, the German lieder tradition came to maturity during the first decades of the 19th century. Examples exist throughout the 18th century, and the general song tradition in Europe goes back many centuries earlier. But the first significant outpouring of German song emerged with Schubert, Mendelssohn, and Schumann. Such is the great simplicity of the form - just voice with piano accompaniment, setting texts that touch on powerful emotions - that composing lieder remained relevant well into the 20th century and beyond. The present recording demonstrates the genre's enduring attraction for both composers and performers, as well as it's expressive range.","brand":"Haenssler Classic","offers":[{"title":"CD","offer_id":46012558115050,"sku":"881488250572","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4491394-3523984.jpg?v=1778221507"},{"product_id":"mahler-symphony-no-9-minnesota-orchestra","title":"Mahler: Symphony No. 9 \/ Vänskä, Minnesota Orchestra","description":"\u003cp\u003eFor the latest instalment in their Mahler series, the Minnesota Orchestra under the direction of Osmo Vänskä presents what many consider to be the pinnacle of the Austrian composer’s entire work, the Ninth Symphony, his last completed symphony. After a vast and emotionally intense first movement that shows an astonishing fluidity of form, theme, texture and tonality, ‘the most glorious thing Mahler has written’ according to Alban Berg, the second movement brings joy and playfulness and seems to evoke both an urban Straussian world and folk music cultures. To the bitter irony and anger of the third movement the last movement, a mystical Adagio, seems to respond with ineffable tenderness. Often regarded as the composer’s monumental – both in terms of scale and emotional scope – leave-taking of the world, the Ninth Symphony can also be understood as a requiem for his daughter who died a few years before, an acknowledgment of the transience of life, a memorial to Vienna, an evocation of fading Austrian and Bohemian landscapes, a homage to a vanishing European cultural world.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46012568961258,"sku":"7318599924762","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4191808-2972865.jpg?v=1778241334"},{"product_id":"mahler-symphony-no-19","title":"Mahler: Symphony No. 3 \/ Johnston, Vänskä, Minnesota Orchestra","description":"The Minnesota Orchestra and Osmo Vanska bring us Gustav Mahler's Third Symphony, an extraordinary work by any standards. Scored for extended Wagnerian woodwind and brass sections, posthorn, a large array of percussion, women's chorus, alto soloist and boys' choir, the symphony has a duration of over 100 minutes and is filled with extreme emotion, revealing what the composer wanted to say about his own connection with nature and humanity's place in it: 'My symphony will be something the world has never heard before! The whole of nature will have a voice in it...' he wrote about this mammoth work. The recording was made following a concert performance in November 2022. In this musical communion with nature, we hear the beautiful voices of English mezzo-soprano Jennifer Johnston, the Minnesota Boychoir and women of the Minnesota Chorale. The symphony's finale, a deeply absorbing adagio, might simply be some of the most beautiful music ever written. The last work recorded by the Minnesota Orchestra and it's conductor laureate, Osmo Vanska, Mahler's Third Symphony is a fitting culmination to this complete cycle, which began in 2016.","brand":"BIS","offers":[{"title":"SACD","offer_id":46012573057258,"sku":"7318599924861","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4335047-3177852.jpg?v=1778199024"},{"product_id":"mahler-romberg-weber-weill-atlantic-crossings-9003643992788","title":"Mahler, Romberg \u0026 Weill: Atlantic Crossings \/ Doerner, Parisian Orchestre Pasdeloup","description":"\u003cp\u003eThe album “Atlantic Crossings” by the Parisian Orchestre Pasdeloup, directed by Wolfgang Doerner, is dedicated to music written by European composers who came across the Atlantic to New York or later had to flee there from the Nazis. Gustav Mahler, who since 1907 has been travelling annually to New York over the winter to perform there, is introduced with the “Lieder eines fahrenden Gesellen” with the Austrian baritone Daniel Schmutzhard, “Das himmlische Leben” with the French soprano Amel Brahim-Djelloul, as well as the orchestral pieces “Blumine” and “Entracte” (from “The Three Pintos”).\u003c\/p\u003e\n\u003cp\u003eExtended by the jazz orchestra of percussionist Franck Tortiller, Orchestre Pasdeloup presents Sigmund Romberg’s “Lover Come Back to Me”, again featuring Amel Brahim-Djelloul; Romberg had been living in New York since 1909 and had established himself on Broadway. In the same line-up, Kurt Weill, who had to leave Europe for good in 1935, can be heard with “Berlin im Licht”, the chanson “Je ne t’aime pas” written in France in the early thirties and the Broadway song “That’s Him” from 1943.\u003c\/p\u003e","brand":"Gramola Records","offers":[{"title":"CD","offer_id":46012573155562,"sku":"9003643992788","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4160776-2922289.jpg?v=1778250157"},{"product_id":"mahler-symphony-no-8-vanska-minnesota-orchestra","title":"Mahler: Symphony No. 8 \/ Vänskä, Minnesota Orchestra","description":"\u003cp\u003eFor its final concert of the 2021–22 season and Osmo Vänskä’s last as artistic director, the Minnesota Orchestra chose to present Mahler’s mammoth Eighth Symphony, which calls for one of the largest complement of performers in the history of music, a symbol of the communitarian spirit of collective cultural, social, and religious-philosophical endeavor in what has been referred to as a ‘Mass for the Masses’.\u003c\/p\u003e\n\u003cp\u003eMahler’s Eighth Symphony, unlike his others, reveals no contrary despairing voice. It is instead a monumentally affirmative expression of human spiritual achievement achieved through the union of two seemingly incompatible texts: the Latin hymn Veni Creator Spiritus and the conclusion of the second part of Goethe’s Faust. Its première in Munich in September 1910 gave rise to the greatest triumph of Mahler’s career, and a rollcall of European royalty and the artistic élite attended the final public rehearsal and the performances.\u003c\/p\u003e\n\u003cp\u003eThe Minnesota Orchestra and Osmo Vänskä are here joined by Carolyn Sampson, Jacquelyn Wagner, Sasha Cooke, Jess Dandy, Barry Banks, Julian Orlishausen, Christian Immler as well as the Minnesota Chorale, the National Lutheran Choir, the Minnesota Boychoir and the Angelica Cantanti Youth Choir.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46012574597354,"sku":"7318599924960","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4262669-3075304.jpg?v=1778265291"},{"product_id":"mahler-symphony-no-4","title":"Mahler: Symphony No. 4 \/ Reiss, Bychkov, Czech Philharmonic","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Czech Philharmonic and its Chief Conductor and Music Director Semyon Bychkov present a new recording of Mahler’s Fourth Symphony, laying the foundation of a complete Mahler symphonies cycle to appear on PENTATONE. It will be the label’s first ever full Mahler cycle, and the Czech Philharmonic’s first survey of this extraordinary symphonic opus since their recording under Vacláv Neumann between 1976 and 1982. Although chiefly active in Vienna during the heydays of his career, Mahler was born in what is now the Czech republic, and through this recording project, he returns to his native soil. For conductor Semyon Bychkov, Mahler’s symphonies are all about expressing the polyphony of life, and recording these works is the fulfilment of a life-long fascination. This cycle deliberately starts with the most popular and frequently-played Fourth, famous for its macabre scherzo, soothing slow movement and heavenly finale, sung by soprano Chen Reiss. The Czech Philharmonic is one of the world’s most acclaimed orchestras, with a rich tradition of performing Czech masters and music from Central Europe. Semyon Bychkov has led the greatest orchestras of the world, and is Chief Conductor and Music Director of the Czech Philharmonic as of the 2018\/2019 season. Soprano Chen Reiss frequently appears on the biggest opera and concert stages throughout the world. Chen Reiss, Semyon Bychkov and the Czech Philharmonic all make their PENTATONE debut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell11_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eThe music of Gustav Mahler may have no greater champions than the Czech Philharmonic Orchestra and Semyon Bychkov, the orchestra's music director since 2018. The Czech Philharmonic's association with Mahler dates back to 1908, when the composer led the orchestra in the premiere of his Symphony No. 7. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell11_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eSoprano Chen Reiss is a perfect match for the finale. She delivers the light playfulness necessary to depict a child and is equally serious when the mood shifts. The trust and communication between the musicians of the Czech Philharmonic and Bychkov is evident throughout as the orchestra responds to his demands and delivers an exciting and clean reading. One looks forward to further editions in this cycle with anticipation.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- AllMusic.com (Kevin Finke)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"PENTATONE","offers":[{"title":"CD","offer_id":46012585246954,"sku":"827949097263","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4069395-2807952_003cfbad-a7f5-46fc-8631-252492d0df58.jpg?v=1778240382"},{"product_id":"mahler-symphony-no-2-semyon-bychkov-czech-philharmonic","title":"Mahler: Symphony No. 2 \/ Bychkov, Czech Philharmonic","description":"\u003cp\u003eAfter critically-acclaimed recordings of Mahler’s Fourth and Fifth Symphony, the Czech Philharmonic and Semyon Bychkov continue their Pentatone Mahler cycle with a rendition of the composer’s Second, nicknamed “The Resurrection”. They are joined by soprano Christiane Karg, alto Elisabeth Kulman and the Prague Philharmonic Choir.\u003c\/p\u003e\n\u003cp\u003eStarting with a funeral march, passing through the introspective alto song “Urlicht” and ending in choral bliss and euphoria, Mahler’s Second is a deeply spiritual and personal contemplation on the secret of life and the possibility of overcoming death. For Bychkov, the symphony “shows the life cycle in all its struggles: suffering, joy, irony, humour, love and doubt.” The Czech Philharmonic is one of the world’s most acclaimed orchestras, with a rich tradition of performing Czech masters and music from Central Europe.\u003c\/p\u003e\n\u003cp\u003eSemyon Bychkov has led the greatest orchestras of the world, and is Chief Conductor and Music Director of the Czech Philharmonic as of the 2018\/2019 season. Orchestra and maestro released recordings of Mahler’s Fourth and Fifth Symphony (both 2022) on Pentatone, kicking off a complete Mahler cycle. Elisabeth Kulman has participated on several Pentatone releases, while Christiane Karg makes her Pentatone debut.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eYou marvel at the fresh depth and breadth that Bychkov and his players find within this towering work. The Russian-American conductor doesn’t labor over the funeral march, and in the shattering final movement he draws performances of exquisite balance, control and stillness. This is turning out to be one of the truly great Mahler sets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- The Sunday Times (U.K.)\u003c\/span\u003e\u003c\/p\u003e","brand":"PENTATONE","offers":[{"title":"CD","offer_id":46012591407338,"sku":"827949099267","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4191013-2964170.jpg?v=1778241205"}],"url":"https:\/\/arkivmusic.com\/collections\/gustav-mahler.oembed?page=6","provider":"ArkivMusic","version":"1.0","type":"link"}