Haenssler Classic
391 products
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Unendliche Liebe
$20.99CDHaenssler Classic
Apr 17, 2026HC25057 -
Matyas Seiber
$20.99CDHaenssler Classic
Apr 17, 2026HC25053 -
J.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1003 & BW
$20.99CDHaenssler Classic
Mar 13, 2026HC25033 -
Fruhlingsrauschen - Piano works by Schubert, Grieg, Mendelss
$20.99CDHaenssler Classic
Apr 17, 2026HC25034 -
The Morkov Projekt
$20.99CDHaenssler Classic
Mar 13, 2026HC25028 -
The Final Sonata
$20.99CDHaenssler Classic
Mar 13, 2026HC25030 -
Femmes de Legende
$20.99CDHaenssler Classic
Mar 13, 2026HC25026 -
Zoltan Kodaly, Jean Sibelius & Eugene Ysaye: Works for Cello
$20.99CDHaenssler Classic
Apr 17, 2026HC25027 -
Schelb: Violin Sonatas
$20.99CDHaenssler Classic
Mar 13, 2026HC25024 -
In der Fremde / In a Foreign Land - Songs by Alexander Grech
$20.99CDHaenssler Classic
Apr 17, 2026HC25022 -
Winterreise
$20.99CDHaenssler Classic
Aug 15, 2025HC25011 -
C.P.E. Bach: Piano Concertos, Wq. 7, Wq. 37 & Wq. 42
$20.99CDHaenssler Classic
Mar 13, 2026HC25009
In Ysaye's World
C. Schumann & Hensel: O How Enchanting / Pahn, Schornsheim
“Oh, do it Clara darling!” said Robert Schumann to his bride Clara, strongly encouraging her to pursue composing. Although the pianist had always composed, when she married in 1840 – without being asked to – she was immediately willing to dispense with this part of her musical output: “A woman does not have to desire to compose – so far not one has been able to do so; should that be what I am destined to do?” Clara is caught up in a crisis and feels resigned: “But I cannot compose…I lack all talent for it.” Only after the wedding did Clara return to composing. As long as her father or husband encouraged her to do so, in her consummate adaptability she did so with joy. But after Robert’s death in 1856, Clara stopped composing entirely.
It does not appear that the Mendelssohns were able to enjoy Heine’s kinder side. Although Heine was sometimes a visitor at their home in Berlin, somehow friendly relations did not develop. However, the poet Heine held Fanny in high regard. She had already set his poems “Was will die einsame Träne” (Why this solitary tear) and “Am leuchtenden Sommermorgen” (On a radiant summer morning) to music in 1827/28. Her song setting of Heine’s “Schwanenlied” (Song of the swan) – was her first published work, but this only happened in 1846. At first Fanny chose to set poems by her bridegroom Wilhelm to music, of which she had already composed “Lebewohl” (Farewell) the same year they met and before the wedded couple were separated for a long period. Upon getting married she, too, began a busy and fruitful artistic collaboration that involved the daily morning ritual of Wilhelm leaving poems on the piano for her to set to music.
Rachmaninoff: Romances / Anisimov, Szalwinska
George Enescu Edition
Unendliche Liebe
Matyas Seiber
J.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1003 & BW
Fruhlingsrauschen - Piano works by Schubert, Grieg, Mendelss
Schumann, Vol. 3
The Morkov Projekt
The Final Sonata
Femmes de Legende
Zoltan Kodaly, Jean Sibelius & Eugene Ysaye: Works for Cello
Fanny Hensel-Mendelssohn: Choral Works & Cantatas Duets, Son
Schelb: Violin Sonatas
Scriabin: Piano Works
In der Fremde / In a Foreign Land - Songs by Alexander Grech
Josef Rheinberger: Chamber Music
Louis Ferdinand Prinz von Preussen - Complete Works
Winterreise
C.P.E. Bach: Piano Concertos, Wq. 7, Wq. 37 & Wq. 42
Bruckner 8 for organ
Mozart's Journey to Paris
Jan Dismas Zelenka - Sacred Choral Works
