... they have revealed a work of true artistic mastery, and generational significance. In many ways, it personifies the direction of jazz music into the 21st century, a mantle to be grasped and moved forward by generation next. - All About Jazz. In his fifth decade as a major jazz artist, Hal Galper continues the innovation that has made him one of the most surprising and satisfying pianists alive. His 21st century series of albums for Origin over the last 12 years incorporates the elasticity of rubato performing as a means of melding melodic lyricism with the visceral rhythmic excitement of bebop. This 8th recording in the series highlights the deep musical bond of his trio, with bassist Jeff Johnson and drummer John Bishop, and their uncanny ability to slip into "The Zone" - where self awareness is abandoned and the music is allowed to control the proceedings. Performed in the inviting environs of the Yardbird Suite in Edmonton, Canada, it was months later that the recording from the soundboard was reviewed. Asking "Who is this piano player?," Galper recognized the music was coming from a deeper than conscious place and that documenting the trio deeply in 'the zone,' and in the wild, was necessary. "... a moment of thrilling uncertainty, slightly airborne and stretched out in unusual shapes and motions, and (the moment extended) out for the length of a song, each and every time." - Wondering Sound.

(Mike & Randy Brecker) comprised a blistering front line. Galper was in aggressive form, playing with an energy reminiscent of McCoy Tyner, a spirit of embellishment reminiscent of Art Tatum and a harmonic knowledge reminiscent of Bill Evans. Dockery and Moses formed a heart-pounding tandem. - JAZZTIMES. Captured during a pivotal, trailblazing period of his five decade career, pianist Hal Galper had come off the road with the Cannonball Adderley Quintet looking to establish his new working band. Pulling in Michael & Randy Brecker, whom he had recorded & worked with in the early '70s, along with bassist Wayne Dockery and drummer Bob Moses, Galper set up Sunday matinees at NY's Sweet Basil Jazz Club for a year to woodshed the group concept and new compositions. In the studio, 1977's 'Reach Out!' displayed an astonishingly original collective, with all matching Galper's chance-taking, high-spirited, free-wheeling approach to music making. 1979's "Speak With a Single Voice" captured the energy of the quintet live, but on this 1977 Berlin Jazz Festival performance, the band shifts into an other-worldly overdrive. From the opening salvos of Galper's "Now Hear This," the mission is defined - jazz giants, in the prime of their youth, set free to blow, pushed to the limits by Galper's facility, full-bodied sound, and fertile imagination.

With his focus on 'the art of the trio' since moving on from the Phil Woods Quintet in the late '80s - the last decade incorporating his innovative development of trio 'Rubato' playing into 7 albums on Origin Records - pianist Hal Galper made a major, personal musical statement in adding his old friend and saxophone titan Jerry Bergonzi to a late 2016 tour and live recording. Diving into the 'Rubato' deep end with the trio, Bergonzi provided another dimension and added spark, opening unforeseen avenues to the trio and quickly becoming an integral part of Galper's musical concepts going into the future. Thus, the Hal Galper Quartet, featuring Jerry Bergonzi! Recorded at Cleveland's Tri-C, Tommy LiPuma Center for Creative Arts, the quartet recorded live in an open session format with a small but involved audience. Bassist Jeff Johnson contributed much of the music for the tour and four of the tracks for the recording. His tune title "Cubist," provided the implied visual of a subject with many parts out of place or overly-dramatized, offering new perspectives on a familiar image, and a fine metaphor for the music. "... a moment of thrilling uncertainty, slightly airborne and stretched out in unusual shapes and motions, and (the moment extended) out for the length of a song, each and every time." - Wondering Sound"... The high level of integration and communication the trio displays is rare and quite thrilling to experience... " - DOWNBEAT

“...Lee has in pianist Hal Galper (former Chet Baker sideman) a sympathetic helpmate. They work together effortlessly and with a unity that suggests an ample measure of mutual respect....sober, beautifully constructed performances....” (M.G. Jazz Journal International August 1977)