Hitasura
12 products
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J. S. Bach: Cantata a 2
$20.99CDHitasura
Jul 18, 2025HSP012 -
Bach: Clavier-Ubung & Partitas
$20.99CDHitasura
May 09, 2025HSP011 -
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J. S. Bach: Cantata a 2
Bach: Clavier-Ubung & Partitas
PASSION
DOMENICO SCARLATTI: 35 SONATES
J. S. BACH: CONCERTOS
DAS WOHLTEMPERIRTE CLAVIER II
J.S. Bach: Musical Offering / Haas, Ausonia
At the end of his life, J.S. Bach, a living legend at the pinnacle of his art, met the music-loving, "enlightened" King Frederick who was to present him with the Royal Theme. This gift would immediately arouse Bach's prodigious creativity, and within the space of a season he would go on to compose a labyrinthine work in which beauty, complexity and seduction are united in a work of unique intensity. The Musical Offering is both a challenge and a gift, to musicians and to all music-lovers.
D. Scarlatti: 13 Sonatas from Book 3, 1753 / Haas
This is a recording to bring pleasure. Thirteen Sonatas by Domenico Scarlatti, taken from the same volume of manuscripts of the Queen of Spain, kept in Venice. Some of these sonatas are very famous, some are rarely played, but all are very beautiful: joyful, poetic, almost always sunny, sometimes melancholic. Brussels based French harpsichordist, Frédérick Haas' passion for the harpsichord started in earlychildhood and he began playing at the age of twelve. He studied the harpsichord, organ and musicology at Paris and Amsterdam, and was enriched by regular contact with important original instruments and the workshops of harpsichord builders and restorers, and at master classes. At the age of 26, he recorded his first solo album, dedicated to the harpsichord suites by J.H. Anglebert.
Couperin: Pièces des 3e et 4e Livres / Haas
Frédérick Haas writes: "Couperin is one of the three or four greatest composers to have devoted themselves completely to the harpsichord. He is the greatest poet of all. Returning to Couperin under the protective auspices of the Royaumont Foundation was pure happiness. It is like returning to the beloved places of a blissful childhood - but in the meantime the taste, the discernment has been refined. To play it with the fabulous Hemsch of 1751 seems to me an ever more miraculous experience." Frédérick Haas began playing harpsichord at the age of 12. He was awarded solo diplomas at both the Sweelinck Conservatorium of Amsterdam and the Conservatoire Royal de Bruxelles, in addition to a Musicology degree from the Sorbonne. He is professor of harpsichord at the Royal Conservatorium of Brussels.
Valente: Intavolatura Del Cimbalo, Napoli 1576 / Paola Erdas
Ovni Baroque / Dauvin
At the end of the seventeenth century, Nikolaus Bruhns played the violin, accompanying himself on the organ pedalboard. Germanic music-German or Austrian-for violin from the Baroque period is of an exceptional richness. This is due to the violinists of this vast area being multi-instrumentalists, organists, harpsichordists, kapellmeister, composers: above all, they were great musicians. From Biber to Bach, they explored their instruments in a fundamental and definitive way. For the first time on record, here we find the practice of Nikolaus Bruhns resuscitated. The music appears, in it's purity, the more transparent, the more intense.
C.P.E. Bach & Tartini: Concertos & Sonates / Ausonia
Their works represent for us in our time inexhaustible reserves of discoveries to be made and emotions to be relished. Placed within the context of dialogue, Tartini and CPE Bach appear as two poles; their methods, as differing as possible, converging with precision towards the same generous goal... moving us, to the very core.
