{"title":"Hong Kong Philharmonic Orchestra","description":null,"products":[{"product_id":"villa-lobos-choros-nos-8-9-schermerhorn-233488","title":"Villa-lobos: Choros Nos 8 \u0026 9 \/ Schermerhorn, Hong Kong Phil","description":"Villa-Lobos: Choros Nos. 8 \u0026amp; 9","brand":"Marco Polo","offers":[{"title":"CD","offer_id":44711466139882,"sku":"730099232227","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4307824-3142938.jpg?v=1778202317"},{"product_id":"shostakovich-mahler-symphonies-no-10-zweden-hong-kong-philharmonic-orchestra","title":"Shostakovich: Symphony No. 10 - Mahler: Symphony No. 10 (Adagio \u0026 Purgatorio) \/ Zweden, Hong Kong Philharmonic","description":"\u003cp\u003eThese two Tenth Symphonies represent powerful statements by composers undergoing the greatest of crises in their eventful lives. Gustav Mahler’s last and incomplete symphony was kept a secret by his widow Alma for many years after his death, the desperate scrawl of ‘Almschi!’ on its final page an outburst at her betrayal of their marriage. Shostakovich’s intense and deeply symbolic SymphonyNo.10, considered by many to be his finest, was kept hidden by the composer for fear of Soviet reprisals, and was only performed after Stalin’s death in 1953.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012782674154,"sku":"747313437276","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4144557-2906087.jpg?v=1778228168"},{"product_id":"wagner-gotterdammerung-2","title":"Wagner: Götterdämmerung","description":"Gotterdammerung (Twilight of the Gods) is the epic fourth and final opera of Wagner’s great Ring cycle, with a plot that depicts the fall of heroes, gods, and the entire world. As ever with the Ring, the joys of love are all too fragile and fleeting, and the drama of Gotterdammerung revolves around dark and unsettling reversals of fortune and illusions of hope that synthesize thrilling and powerful grand opera traditions with Wagner’s revolutionary techniques. Containing all of the Ring’s essential elements, Gotterdammerung’s profoundly satisfying sense of inevitability makes it both a towering climax and a unified summation of the Ring’s abundant variety.","brand":"Naxos","offers":[{"title":"Blu-Ray","offer_id":46012967354602,"sku":"730099007566","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3893310.jpg?v=1778278773"},{"product_id":"wagner-gotterdammerung-zweden-barkmin-brenna-hong-94994","title":"Wagner: Gotterdammerung \/ Zweden, Barkmin, Brenna, Hong Kong Philharmonic","description":"\u003cp\u003e‘Gotterdammerung’ (Twilight of the Gods) is the epic fourth and final opera of Wagner’s great Ring cycle, with a plot that depicts the fall of heroes, gods, and the entire world. As ever with the Ring, the joys of love are all too fragile and fleeting, and the drama of ‘Gotterdammerung’ revolves around dark and unsettling reversals of fortune and illusions of hope that synthesize thrilling and powerful grand opera traditions with Wagner’s revolutionary techniques. 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The relationship between the label and the Hong Kong Philharmonic Orchestra has been one of the most fruitful from the early days of Naxos to the present, right up to their irreplaceable contribution to the brand new Wagner Ring cycle conducted by Jaap van Zweden.","brand":"Naxos","offers":[{"title":"CD","offer_id":46013265182954,"sku":"747313391677","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3793262.jpg?v=1778382576"},{"product_id":"b-sheng-the-blazing-mirage","title":"B. Sheng: The Blazing Mirage","description":"This recording of recent compositions by Bright Sheng, \"[a] leader in exploring and bridging musical traditions\", demonstrates once again his distinctive lyrical and dramatic fusion of Western and Asian styles and sonorities. Earlier Naxos releases include works such as the Red Silk Dance (8.559610) and Spring Dreams concerto (8.570601).","brand":"Naxos","offers":[{"title":"CD","offer_id":46013457826026,"sku":"747313061075","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2098045-2701021_905cde9b-12b3-44e7-bc60-825938bd31df.jpg?v=1778308767"},{"product_id":"wagner-der-ring-des-nibelungen-van-68365","title":"Wagner: Der Ring des Nibelungen \/ van Zweden, Hong Kong Philharmonic","description":"\u003cp\u003eWagner’s visionary Ring of the Nibelung was first performed as a cycle of four operas in 1876. Its mythic plot examines the relationship between love and earthly power through the agency of a ring which confers ultimate power on its bearer.\u003c\/p\u003e\n\u003cp\u003eOne of the most sustained and remarkable achievements in all of music, the tetralogy is performed by an all-star cast, conducted by the new music director of the New York Philharmonic Orchestra, Jaap van Zweden, in performances that have been critically acclaimed worldwide for their “thrilling sense of drama.” (The Sunday Times, London)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePast praise of previously released volumes included in this set\u003c\/em\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDas Rheingold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVan Zweden’s approach is closest in memory to Herbert von Karajan’s–intimate and chamber-like. The back and forth between the fine, unexaggerated Fricka of Michelle De Young and the remarkable, surprising Wotan of Matthias Goerne is natural and familiar, and Goerne is the surprise of the performance. His experience and expertise as a Lieder singer comes in very handy in this opera.\u003c\/p\u003e\n\u003cp\u003e– ClassicsToday.com\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDie Walküre\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a Walküre that reveals its treasures slowly; it’s a warm, intimate reading. The Wälsungs are stunning. Stuart Skelton's tone is big and clean, wobble-free. And his cries of “Wälse” in Act 1 have to be heard to be believed. Heidi Melton as Sieglinde is wonderfully expressive. The listener hangs on every perfectly pronounced, clear word she and Skelton sing, and thanks to Zweden, who leads their interactions as if the opera were bel canto, we feel for them. Interrupting their budding love is Falk Struckmann, surprisingly (he’s a baritone, not a bass). He is a grand, scary Hunding.\u003c\/p\u003e\n\u003cp\u003e– ClassicsToday.com\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWagner: Siegfried\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVan Zweden's marvelously-rehearsed orchestra play with accuracy, brilliance, and color. I commented on the beauty and sadness of the Walküre performance, and here, added to those two qualities is, by the third act, passion.\u003c\/p\u003e\n\u003cp\u003eSimon O’Neill may not be the most intuitive Siegfried on disc, but he’s among the brightest-toned and most solid, showing no flatting even at the end of his bout with Brünnhilde. Heidi Melton is an excellent Brünnhilde and a marvelous singer\/actress, using her half hour to transform with clarity. Everyone proves their mettle, taste, and polish here, and I suspect there will be few who are disappointed.\u003c\/p\u003e\n\u003cp\u003e– ClassicsToday.com\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWagner: Götterdämmerung\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\" id=\"ctl00_MainContent_gvReviews_cell1_12_ASPxPopupControl1_ASPxLabel2\"\u003eThis is a grand finale to the Hong Kong Philharmonic’s Ring Cycle. Both Walküre and Siegfried were marvelously conceived, excellent concert performances, each with a minor flaw or two: recording balances out of whack and unfocused mid-voice for Brünnhilde in Walküre; recording too recessed in Siegfried; lack of character delineation in the Wanderer\/Mime scene in Act 1 of Siegfried. I was quite taken by the storytelling in both, finding beauty, sadness, and in the Siegfried finale, passion. This set, recorded at two concert performances (and, I suspect, a patch-up session or two—there is NO applause or audience reaction anywhere), is, in one word, majestic, which is a fitting end to the Cycle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e– ClassicsToday.com\u003c\/span\u003e\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46025283371242,"sku":"730099140348","price":52.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3581510.jpg?v=1778275927"},{"product_id":"wagner-siegfried-zweden-hong-kong-philharmonic-blu-172153","title":"Wagner: Siegfried \/ Zweden, Hong Kong Philharmonic [Blu-ray Audio]","description":"\u003ca class=\"links\" href=\"album.jsp?album_id=2261435\"\u003e\u003cb\u003eAlso available on CD\u003c\/b\u003e\u003c\/a\u003e\u003cbr\u003e  \u003cbr\u003e Der Ring des Nibelungen (The Ring of the Nibelung) is one of the most remarkable achievements in all music, and Siegfried, the third in the cycle, contains some of the greatest moments in Wagner’s entire output. Wagner conceived Siegfried as a heroic ‘man of the future,’ and his fantastical tale is one in which the human dramas of treachery and violent struggles for power become magnified in a world of gods, dragons and magic. The previous opera in this cycle, Die Walkure, was acclaimed in The Guardian as “thrillingly vivid… easily maintains the high standard and promise of Das Rheingold.” (Naxos NBD0049).\u003cbr\u003e","brand":"Naxos AudioVisual","offers":[{"title":"Blu-Ray","offer_id":46025341796586,"sku":"730099006965","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3817013.jpg?v=1778277274"},{"product_id":"villa-lobos-choros-no-8-9-schermerhorn-172687","title":"Villa-lobos: Chôros No 8 \u0026 9 \/ Schermerhorn, Hong Kong Po","description":"\u003cp\u003eOriginally issued on Marco Polo, these performances make a welcome reappearance on the Naxos label. Villa-Lobos used the \"Chôro\", a popular type of urban street music found in Rio de Janeiro, as the basis for a new and vibrant type of orchestral composition. Chôros No. 8 evokes a primeval Amazonian jungle with its wonderfully vivid sound-imagery. By making extensive use of Brazilian rhythms and percussion, particularly the caracaxa, which sounds like a huge set of maracas, Villa-Lobos gives the music an impetuous, even sinister feel. This powerful rhythmic thrust pervades throughout, taking a strangely Coplandesque turn for a brief mid-point sequence that brings to mind El salon Mexico.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e Chôros No. 9 opens in a brightly festive atmosphere, punctuated by kinetic bass drum thuds. In its colorful character, varied moods, and scenes that segue one into another, the piece is reminiscent of Respighi's Feste Romane (though there's nothing Italianate about Villa-Lobos' language). This is fun stuff--mysterious, exciting, and sensuous--and it's all done with astonishingly authentic flair by the Hong Kong Philharmonic (they really whack the percussion!) under conductor Kenneth Schermerhorn. The 1985 recordings retain their clarity, but also their tendency to brightness. 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