{"title":"Hugh Lawson","description":"","products":[{"product_id":"where-we-are-1","title":"WHERE WE ARE","description":"With Where We Are, Chad Lawson draws inspiration from the conversations and shared vulnerabilities of countless individuals who have found solace in his music and podcast during their most challenging times. The album represents a journey from solitude to solidarity - from individual experiences to shared realities. These songs form a musical sanctuary, crafted to meet you wherever you are in life and offer a gentle reprieve. Where We Are is more than an album; it's a call to unite, heal, and inspire a sense of community through music.","brand":"DECCA","offers":[{"title":"Vinyl","offer_id":44915803226346,"sku":"602465521559","price":33.54,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4328825-3271375.jpg?v=1780138007"},{"product_id":"brian-songs-for-baritone-and-piano-legend-5060113440051","title":"Brian: Songs For Baritone And Piano \/ Legend","description":"Classical Music","brand":"Toccata","offers":[{"title":"CD","offer_id":46013236248810,"sku":"5060113440051","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/963238.jpg?v=1778328344"},{"product_id":"venice-by-night-chandler-la-serenissima-83180","title":"Venice By Night \/ Chandler,  La Serenissima","description":"Adrian Chandler and La Serenissima’s 10th release for Avie—coinciding with the label’s 10th anniversary—has all the hallmarks that have made the Vivaldi specialists one of the best-selling and acclaimed period-instrument bands performing today. As with the chart-topping French Connection 2 (AVR 2218), which featured the world-premiere recording of the flute concerto “Il Gran Mogol,” Adrian has once again unearthed numerous works from this period, recorded for the first time. \u003cbr\u003e  \u003cbr\u003e  ----- \u003cbr\u003e  \u003cbr\u003e  La Serenissima's latest album, “Venice by Night,” seeks to portray a night in Venice, with several thematically linked sections, starting with the arrival by Gondola. La Serenissima plays the Concerto for Bassoon and the dashing Violin Concerto in E minor with Chandler as the nimble and lyrical soloist. The musical journey also stops at the opera house to sample two enjoyable selections from L’Olimpiade, Vivaldi's Olympics opera. The album includes some neglected but worthy composers including Veracini, Lotti and Pollarolo. A particular standout is a remarkable Sinfonia for trumpet and strings by Giovanni Porta. Why he’s not better known today is a bit of a mystery but this collection shines some welcome light on his output. \u003cbr\u003e  \u003cbr\u003e  – WQXR [7\/2012]","brand":"Avie Records","offers":[{"title":"CD","offer_id":46020391108842,"sku":"822252225723","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2003748.jpg?v=1778326089"},{"product_id":"vivaldi-music-for-the-chapel-of-the-161927","title":"Vivaldi - Music For The Chapel Of The Pietá \/Chandler, La Serenissima","description":"R E V I E W S:\u003cbr\u003e  \u003cbr\u003e \"This follow-up to La Serenissima’s anthology  \u003ca href=\"http:\/\/www.arkivmusic.com\/classical\/album.jsp?album_id=87595\"\u003e‘Vivaldi in Arcadia’\u003c\/a\u003e, is particularly interesting for the Concertos RV212 and RV554a, which have been reconstructed by Adrian Chandler. The former is a violin concerto, composed in 1712 for a festival in Padua and played by Vivaldi himself. A set of parts surviving in Dresden was damaged; the booklet note remarks, seemingly without irony, that this was ‘whilst in safe-keeping’ during the Second World War. Chandler has added the harmony here and there, and selected one of the three slow movements and two cadenzas. The result is a delight... In Laudate pueri Dominum, Mhairi Lawson sings with great passion, wonderfully responsive to the meaning of the words. In the surprisingly meditative Gloria, her vibrant soprano and Chandler’s violin sigh like lovers.The Salve regina is just as good...\u003cbr\u003e  Chandler’s direction is as gripping as his playing. As ever, one is lost in admiration at the skills of the girls who sang and played at the Ospedale della Pietà, to whom this is a noble tribute.\" \u003cbr\u003e  - Richard Lawrence, GRAMOPHONE\u003cbr\u003e  \u003cbr\u003e \"The mastermind behind this terrific CD, Adrian Chandler, is not only Director of La Serenissima and a violinist of flair and distinction; he is also a meticulous scholar, as his excellent booklet notes reveal. He has clearly engaged in much fruitful research in preparing for this recording, even carrying out imaginative reconstruction where necessary.\u003cbr\u003e  The result is a rich musical treat. All of this music was written by the ‘Red Priest’ for use in the Chapel of the Pietá, the Convent School for orphans (or ‘foundlings’) in Venice. The music on the generously filled disc consists of three instrumental concerti and two solo vocal cantatas, Laudate Pueri and Salve Regina. These are sung by the Scottish soprano Mhairi Lawson, who turns in thoroughly delightful performances... This, and all the other instrumental music, is realised superbly by the players of La Serenissima, the enlarged chamber ensemble named after the city of its inspiration; the name being, of course, a poetic soubriquet for Venice itself. The string sound is pure and bold, yet capable of great subtlety when required. They are underpinned by a continuo section of great richness: the harpsichord of Joseph McHardy, the theorbo (bass lute) of Richard Sweeney, and the organ playing of Robert Howarth.\u003cbr\u003e  Despite the scholarship, there is nothing ‘academic’ about the performance of this music. Indeed, it is exuberant and often full of élan and humour.\" \u003cbr\u003e  - Gwyn Parry-Jones, MusicWeb International\u003cbr\u003e \u003cbr\u003e","brand":"Avie Records","offers":[{"title":"CD","offer_id":46025337045226,"sku":"822252206326","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/722051_51dd7042-f491-4ec6-aba8-e5658d67fc09.jpg?v=1778191526"},{"product_id":"vivaldi-in-arcadia-chandler-la-serenissima","title":"Vivaldi in Arcadia - Concertos \u0026 Arias \/ Chandler, La Serenissima","description":"\u003cp data-mce-fragment=\"1\"\u003ePastoral tableau and earthly delights are on display in this vibrant and varied selection of Vivaldi’s arias and concertos for mixed forces. Vivaldi in Arcadia, the follow-up recording to Adrian Chandler’s Avie debut, Per Monsieur Pisendel (AV 0018), features the expanded forces of his ensemble La Serenissima, with the stunning string soloists engaging in a contest of style and beauty. The sparkling soprano of Mhairi Lawson, a member of English National Opera, joins them for arias from Dorilla in Tempe.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdrian Chandler’s passionate explorations of Vivaldi’s music have led to numerous critically acclaimed performances, including the UK premieres of several of the Red Priest’s stage works.\u003c\/p\u003e","brand":"Avie Records","offers":[{"title":"CD","offer_id":46025346875626,"sku":"822252003123","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/665061.jpg?v=1778346363"},{"product_id":"the-rise-of-the-north-italian-violin-186036","title":"The Rise Of The North Italian Violin Concerto Vol 1","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"ARIAL12bi\"\u003eTHE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO 1690–1740—VOL. I: THE DAWN OF THE VIRTUOSO \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Adrian Chandler (vn), dir; Mhairi Lawson (sop);\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e La Serenissima (period instruments) \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e AVIE 2106 (77:51 \u003c\/span\u003e \u003cspan class=\"EXTRAS12\"\u003e\u0026amp;\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eNAVARA\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e Sinfonia\/Sonatas: in C; in a. \u003c\/span\u003e \u003cspan class=\"COMPOSER12\"\u003eCOMPOSER X \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eLaudate pueri Dominum,\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e RV Anh 20.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1 \u003c\/span\u003e \u003cspan class=\"COMPOSER12\"\u003eLEGRENZI \u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e3 Balletti e correnti,\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e op. 16. \u003c\/span\u003e \u003cspan class=\"COMPOSER12\"\u003eALBINONI\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e Concerto in G,\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e op. 2\/8. \u003c\/span\u003e \u003cspan class=\"COMPOSER12\"\u003eVALENTINI\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e Concerto with 4 Violins Obbligato, \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eop. 7\/11. \u003c\/span\u003e \u003cspan class=\"COMPOSER12\"\u003eVIVALDI\u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e Violin Concertos: in G,\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e RV 310; \u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003efor 4 Violins, \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eRV 580 \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eAccording to the booklet’s biography, the Arts and Humanities Research Council awarded Adrian Chandler a fellowship at Southampton University to study the development of the violin concerto in northern Italy from 1690 to 1740, a project that apparently resulted in Avie’s recording items from that literature. Although the title of the collection, “The Dawn of the Virtuoso” might suggest some of Vivaldi’s most fanciful flights, the level of technique demanded by the collection’s works remains on a rather low level. Navara’s five-part Sinfonia or Sonata in C Major (as well as the one in A Minor), for example, may feature what the notes describe as “imposing” violin parts, but they can hardly make an electrifying impression on today’s audiences, inured by Ernst and Paganini to relatively subdued technical feats like Navara’s (while curiously, Vivaldi’s violin parts can still make a listener’s heart pound). \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eLaudate pueri Dominum\u003c\/span\u003e \u003cspan\u003e by “Composer X” apparently belonged to a group of pieces that Vivaldi himself had studied. Mhairi Lawson’s rich lower register lends a somber quality to the work, although she brings startlingly dramatic excitement to the “Suscitans” section. Legrenzi’s Balletti e corrente (a selection of six very brief pieces scored for what the Adrian Chandler’s notes describe as the “typical” north Italian ensemble of two violins, alto viola, tenor viola, and cello: Balletto II in G Minor, Corrente II in G Minor, Balletto IV in E Minor, Corrente IV in E Minor, Balletto VI in F Major, and Corrente VI in F) sound bracingly crisp and energetic, bubbling with virtuosic energy if not energetic virtuosity. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eChandler identifies Albinoni’s op. 2 as the first work regularly to include solo passages. But although Albinoni supposedly distributed the “lion’s share” of these in the Eighth Concerto, written for four solo violins with strings, striking solos in the manner of Vivaldi’s Concertos, op. 3 (the tenth of which La Serenissima includes in the collection) just don’t make an appearance. Valentini’s Eleventh Concerto, in six movements (one of them multisectional), sounds far more progressive in the quicksilver writing for the solo instruments in the second movement and especially in the brilliant fourth-movement Presto—as well as in the bold but skillfully laid-out chromatic passages of the opening one. At more than 17 minutes’ duration, the piece dwarfs all the other purely instrumental ones in the program. After all these historical divagations, Vivaldi still sounds masterly, both in his solo Concerto, RV 310, and in the celebrated Concerto for Four Violins, RV 580, to which Chandler and the ensemble have added stirring rhetorical flourishes and richly conceived ornamentation. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eLa Serenissima, recorded crisply in an amply resonant ambiance, plays with a bracingly accented and thumping, though bubbling, bounce that emphasizes the bass’s strong underpinning role; they eschew both the lushness of modern instrumental sounds and the whining and edgy abrasiveness of period ones. Much of the repertoire may be unfamiliar to listeners, but Chandler and La Serenissima make it highly accessible. Recommended to general listeners as heartily as to students of the period. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Robert Maxham \u003c\/span\u003e\u003cbr\u003e","brand":"Avie Records","offers":[{"title":"CD","offer_id":46025385050346,"sku":"822252210620","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/991432.jpg?v=1778186920"},{"product_id":"mozart-the-hanover-band","title":"Mozart: The Hanover Band","description":"Classical Music","brand":"Nimbus","offers":[{"title":"CD","offer_id":46025979461866,"sku":"710357709326","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2500454.jpg?v=1778320784"},{"product_id":"american-classics-fred-hersch-concert-music-2001-136477","title":"American Classics - Fred Hersch: Concert Music 2001-2006","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eHERSCH \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eCharacter Studies.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1 \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eVariations on a Bach Chorale.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e2 \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eLyric Pieces for Trio.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e3 \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eTango Bittersweet.\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e4 \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eSaloon Songs.\u003c\/span\u003e \u003cspan class=\"SUPER12b\"\u003e5 \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e• \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eNatasha Paremski (pn);\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e1\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Blair McMillen (pn);\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e2,5\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Dorothy Lawson (vc);\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e4\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Fred Hersch (pn);\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e4\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Grammercy Tr\u003c\/span\u003e \u003cspan class=\"SUPER12\"\u003e3 \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e• \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eNAXOS 8.559366 (61:09) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe concept of crossover music is certainly appealing. After all, music should be, to paraphrase Duke Ellington, either good or bad, and not about categories. Doesn’t often work that way, though. Paul McCartney, arguably one of the most important figures in rock history, embarrasses himself when he attempts to write symphonic music. The prog rock world is littered with other cases of pretentious drivel from musicians who, when they stick to their roots, are capable of powerful, sincere artistry. There are exceptions, most famously, Gershwin, but also the trail blazing saxophonist Ornette Coleman, whose orchestral outing, \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSkies of America\u003c\/span\u003e \u003cspan\u003e, is a minor masterpiece. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eAdd Fred Hersch, a widely respected jazz pianist who still spends a good deal of his professional life playing gigs on the club circuit, to the short list of successful crossover artists. He calls this material, created between 2001 and 2006, concert music, simply meaning that it is written out and not improvised. Although a rhythmic pattern here and there alludes to his jazz background, this is basically neo-Romantic material. There are two big pieces. \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eLyric Pieces for Trio\u003c\/span\u003e \u003cspan\u003e is a lovely, rather Gallic feeling work for piano, cello, and violin, in which the instrumental lines are rendered with unusual independence, resulting in a very open texture. The other large piece, and for me, the standout composition on the program, is the 24 \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eVariations on a Bach Chorale\u003c\/span\u003e \u003cspan\u003e. The theme is the haunting recurring motif from \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSaint Matthew Passion\u003c\/span\u003e \u003cspan\u003e that Bach adapted from an original theme by Hans Leo Hassler. This is a superbly written and engrossing variation set, in the manner of Bach and Beethoven, although I am certain that Hersch would forgive me for suggesting that he is not quite in those ranks. Nevertheless, the thoughtfulness and scope of drama here is impressive. There is never any sense that Hersch is merely filling out; all of the music counts for something. It is astonishing to read that he wrote this music in five days. This is a work that should get a wider audience, and the attention of more pianists. McMillen gets the notes across, but there are many moments where it seems that a higher degree of panache is called for, in terms of tonal color and dexterity. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe shorter pieces are of a kind, music of grace and beauty. The \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSaloon Songs\u003c\/span\u003e \u003cspan\u003e reveal a sure sense and deep affection for an American vernacular sound. \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eTango Bittersweet\u003c\/span\u003e \u003cspan\u003e, for cello and piano, is a written-out version of music that Hersch played as an improvisation (with cellist Erik Friedlander) for many years. It has a sweetly lilting flavor that is irresistable. The \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eCharacter Studies\u003c\/span\u003e \u003cspan\u003e, inspired by important figures in Hersch’s career, are similarly appealing. Despite my comments on McMillen’s playing, the performances and recorded sound are fine, although this is music of sufficient merit to attract additional musicians. In all, a delightful release. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Peter Burwasser \u003c\/span\u003e\u003cbr\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46026308681962,"sku":"636943936627","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1206630.jpg?v=1778333124"},{"product_id":"l-amore-per-elvira","title":"L?AMORE PER ELVIRA","description":"In 2006 La Serenissima released it's superb debut recording featuring two world premiere recordings. Now, that album is being reissued. L'Amore per Elvira, written for the Mantuan court around 1716-20, consists of three cantatas, each featuring soprano Mhairi Lawson. In Tremori al braccio, RV 799 the lover, Fileno, trembles at his inability to confess his love to Elvira, only overcoming his reticence in the finale. In the second work Elvira, anima mia, RV 654, Fileno bears the sad tidings to Elvira that he must leave for a while and asks for one last kiss before he leaves. In the final work, Lungi dal vago volto, RV 680, the returning Fileno spies Elvira in the distance and he finally reaches her in the happy concluding aria. The two 'Graz' sonatas, housed in the Diozesanarchiv in Graz, are presented here for the first time. Their brass parts, which were previously missing, have been carefully reconstructed by Adrian Chandler in order to make this recording possible. The final work, the Sonata in C minor for violin and cello, RV 83, represents the only sonata of this type known to have been written by Vivaldi and is notable for it's three-movement concerto layout. Celebrating it's 25th anniversary in 2019 La Serenissima, led by violinist Adrian Chandler, is recognized as the UK's leading exponent of the music of eighteenth century Venice and connected composers.","brand":"Linn Records","offers":[{"title":"CD","offer_id":46028034703594,"sku":"691062028172","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3848997_c30ca22b-4d33-4b1e-897d-8e68e4e8cff1.jpg?v=1778379768"},{"product_id":"next-steps","title":"NEXT STEPS","description":"Billboard #1 ranked recording artist Lawson Rollins, hailed by 'Guitar Player Magazine' as one of the \"50 Best Acoustic Guitarists of All Time\", announces the new release of his amibitious 2026 album, \"Next Steps\" a powerful statement of artistic evolution. Known for his virtuosic technique and globally inspired sound, Rollins breaks bold new ground by blending traditional jazz and clssical elements with his signature world-music fusion, creating one of the most stylistically expansive album of his career.","brand":"INFINITA RECORDS","offers":[{"title":"CD","offer_id":46055163953386,"sku":"894437002245","price":16.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4479285-3500542.jpg?v=1780079339"},{"product_id":"where-we-are","title":"WHERE WE ARE","description":"Chad Lawson - \"Where We Are\" \/ With Where We Are, Chad Lawson draws inspiration from the conversations and shared vulnerabilities of countless individuals who have found solace in his music and podcast during their most challenging times. The album represents a journey from solitude to solidarity - from individual experiences to shared realities. These songs form a musical sanctuary, crafted to meet you wherever you are in life and offer a gentle reprieve. Where We Are is more than an album; it's a call to unite, heal, and inspire a sense of community through music.","brand":"DECCA","offers":[{"title":"CD","offer_id":46055182500074,"sku":"602465521535","price":14.62,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4328824-3215578.jpg?v=1780080484"}],"url":"https:\/\/arkivmusic.com\/collections\/hugh-lawson.oembed","provider":"ArkivMusic","version":"1.0","type":"link"}