Archive release from the jazz great. The recording of Idrees Sulieman's fantastic quartet on The 4 American Jazz Men In Tangier not only spotlights the incredible talents of Oscar Dennard, a voice that left the jazz world too quickly due to his passing of typhoid fever in 1960, but also gives the world a fantastic example of how America's musical gift to civilization touched all corners of the world. There are those musicians who are given legendary status by their peers and the lucky few who were able to hear them. One such player is pianist Oscar Dennard. Though his professional career only lasted for a little over a decade, his modern touch on the instrument inspired an incredible list of piano masters, including Randy Weston, Ahmad Jamal and Harold Mabern. The release also includes another never before released session from the quartet that was recorded live at a party before their tour departure. The tape was allegedly recorded at Quincy Jones's apartment. Though the tape was in bad condition, the sound has been wonderfully polished by sound engineer, Blaise Favre.
One of the bebop pioneers trumpeters Idrees Sulieman (1923-2002) (1923- 2002) studied at the Boston Conservatory. He performed and recorded with the luminaries of jazz such as Thelonious Monk, Mary Lou Williams, Randy Weston, Teddy Charles, Gene Ammons a. o. in the 40s and 50s.
He moved to Europe (mainly to Denmark) in the 60s. He lived there for the following 25 years.
“With a highly individual way of inflecting his often surprising phrasing and a tone that is immediately recognizable, Sulieman’s trumpet and flugelhorn has a personal stamp to it.” (Jazz Forum)
One of the bebop pioneers trumpeters Idrees Sulieman (1923-2002) (1923- 2002) studied at the Boston Conservatory. He performed and recorded with the luminaries of jazz such as Thelonious Monk, Mary Lou Williams, Randy Weston, Teddy Charles, Gene Ammons a. o. in the 40s and 50s.
He moved to Europe (mainly to Denmark) in the 60s. He lived there for the following 25 years.
“With a highly individual way of inflecting his often surprising phrasing and a tone that is immediately recognizable, Sulieman’s trumpet and flugelhorn has a personal stamp to it.” (Jazz Forum)
