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European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia.  In support of the new record for this Swiss label, McPhee invited John Snyder on a European tour in October 1975. Snyder was a synthesizer player with whom McPhee had made the duet LP Pieces Of Light, released a year earlier on CjR. The two musicians developed an extensive repertoire, playing diverse spaces in the Hudson Valley. Geographically close gigs were a plus, since it took extra energy to hoist Snyder's ARP 2600.  \"McPhee and Snyder were invited to play at the Willisau Jazz Festival in Switzerland. If you compare this live record with Pieces Of Light, a studio effort, it's considerably more open. South African drummer Makaya Ntshoko is rolling thunder on the choral 'Voices,' shuffling under Snyder's bubbly beat on 'Bahamian Folksong.' It is quite a special combination, enough so that Hat Hut chose to release it as their next LP, Hat Hut B in their alphabetical series. The Willisau Concert represents the sound of Joe McPhee opening up, opening out, expanding his field of operations to include new figures, fresh experiences, new continents of sound.\" -John Corbett (excerpt from the liner notes)","brand":"SUPERIOR VIADUCT","offers":[{"title":"Vinyl","offer_id":44930260205802,"sku":"857661008865","price":33.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4339397-3180623.jpg?v=1786844561"},{"product_id":"black-magic-man","title":"BLACK MAGIC MAN","description":"Black Magic Man is arguably the pivotal Joe McPhee release. It bridged the span between the regional and the international, bypassing the national altogether.  Recorded in the same sessions that produced Nation Time, Black Magic Man consists of music not chosen for that LP. Like it's much-feted sister, technically it falls under the domain of CjR, Craig Johnson's herculean effort in support of McPhee. An erstwhile painter, Johnson became a self-taught audio engineer, acquiring equipment expressly to document McPhee's music. In December 1970, five years after Johnson and McPhee had met, they recorded two days of activity -a concert followed by an additional day of recordings-at Vassar College where McPhee was teaching in the Black Studies department. About half of the material was used to make Nation Time. While they had planned to issue a follow-up, the money wasn't there, so the tapes sat dormant.  \"Fast-forward five years-Werner X. Uehlinger, a Swiss businessman who worked for Sandoz Pharmaceuticals, contacted Johnson while on a trip to the US, and over dinner with McPhee, they discussed putting out some of the unused tracks from the Nation Time sessions. With this casual encounter in 1975, Hat Hut Records was inaugurated. The new label's maiden release was Black Magic Man, dubbed Hat Hut A, the first in what would become Hat Hut's letter series. Along the way, the series would feature seven Joe McPhee records, including the first four in a row.\" -John Corbett (excerpt from the liner notes)","brand":"SUPERIOR VIADUCT","offers":[{"title":"Vinyl","offer_id":44930264203498,"sku":"857661008858","price":33.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4339396-3180622.jpg?v=1786852278"},{"product_id":"center-of-the-heart","title":"CENTER OF THE HEART","description":"Classical Music","brand":"SHANACHIE","offers":[{"title":"CD","offer_id":44932221829354,"sku":"016351547323","price":17.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3728858-2502303.jpg?v=1786814559"},{"product_id":"twice-as-nice","title":"TWICE AS NICE","description":"2021 release. 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After playing a concert in \"The Stone\" in New York, part of Intakt's festival in January 2012, Lake and Parker took up the label's invitation to record their first album together in Pater Karl's studio in Brooklyn.  Both musicians contributed compositions of rare beauty. Shaped by their long experience, their intimacy created spaces for interaction and exciting improvisations. The instruments of these two mature players mingled to create a single unique sound.","brand":"INTAKT RECORDS","offers":[{"title":"CD","offer_id":44936848408810,"sku":"7640120192433","price":18.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2840847.jpg?v=1786788952"},{"product_id":"berlin-concert-3","title":"BERLIN CONCERT","description":"This magnificent concert took place at the Berlin Jazzfest 2017, where Angelika Niescier was awarded the Albert Mangelsdorff Prize (German Jazz Prize). 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Creating, not reviving as a way to evolve and to keep going forward in all directions.","brand":"INTAKT RECORDS","offers":[{"title":"CD","offer_id":44936850079978,"sku":"7640120193102","price":18.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3823152_06de8363-995f-46c2-82f9-5f5aceeed0d2.jpg?v=1786777252"},{"product_id":"signal-maker","title":"SIGNAL MAKER","description":"Everybody who is slightly interested in modern jazz  knows the name of Mark Helias. The American double  bass player has worked with everyone from Ed Blackwell,  Don Cherry and Carlos Ward to Anthony Braxton,  Muhal Richard Abrams and Cecil Taylor.  With Tom Rainey (dr) and Tony Malady (ts), Helias  founded the trio OPEN LOOSE in 1996 to play his  compositions which allow open form improvisation.  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