Phantoms

This LP was originally released in the summer of 1989 with Doug Raney at age 33. He released during his rather short life (1956 – 2016) 17 leader albums for SteepleChase including this 13th piano-less horn-featured recording which won accolades from critics all over the world. “...Doug Raney is an elegant player even when he’s attacking, as he does here on most of the content .... Certainly recommended if you enjoy your jazz slightly in advance of bebop, but with all of that basic feel still there.” (Martin Richards on SCS 1249, Jazz Journal International) “...no doubt, another in the string of successful Raney releases.” (Paul B. Matthews on SCS 1249, Cadence)

Catalonian Nights, Vol. 1

Light And Lively

Teddy Edwards (April 26, 1924 – April 20, 2003) was born in Jackson, MS. He started to play alto sax as a child and later changed to tenor when he was invited to join Howard McGhee’s group in the late 1940s. Since 1945 he has been living in Los Angeles, where he has played and recorded with the bands led by Benny Carter and Gerald Wilson. Edwards is also known for his scores for TV and radio. Edwards toured in Europe frequently in the 70’s and 80’s. This recording was made late 1980 for SteepleChase. Although the pianist Kenny Drew and Edwards have long known each other, this is the only recording the two friends made together. “Edwards is a wonderful and distinctive tenor player, with a smooth tone in the middle and lower register, a bit brassier in the upper, and a great sense of swing. His work is replete with melodic ideas, a gestural sense of variation in dynamics, and a lot of freedom with the beat — here relaxed and behind, there right on top of it or a little ahead.” (Larry Koenigsberg – AAJ) “His sole SteepleChase outing found Teddy in his prime and in excellent company. The outcome was among his finest quartet sets - no hokum but simply pure jazz all the way.” (Mark Gardner)

“Prancin’ confirms what some listeners have known for many years – that Louis Smith is among the most engaging trumpet soloists in jazz. Thankfully, the opportunity to savour his mature, well rounded style is no longer being denied to us.” (Mark Gardner – Jazz Journal 1979) “Smith’s phrases, poised in their intricacy, pulse with a warmth that transcends idiom or school. Nothing sounds forced, yet he swings masterfully, building chorus upon chorus with a decisive confidence based on faultless technique and expert knowledge of this harmonically demanding style.” (Michael James – Melody Maker 1979

Wait And See

Dexter Gordon used to introduce his favorite pianist Tete Montoliu (1933 – 1997) on stage as “El grand senior from Catalonia!” The first volume of the celebrated series of live recordings from Zelesta, the famed club in Barcelona, was highly acclaimed by the critics and audience alike. “The album captures Tete at the peak of his powers, in inspirational company and among a warmly sympathetic audience…. Thanks to tracks like these we can continue to celebrate his diamond bright lines of compelling logic and vivid beauty.” (Mark Gardner) "… his extraordinary virtuosity permits him to keep the breathtaking speed while playing beautiful melody line with great confidence of improvisations. Here in 1980 trio he explodes with a bang!" (Pierre Schavey, The Lion)

“Clifford Jordan and The Magic Triangle toured in Europe in March-April 1975. I heard the group live and remember I was very impressed…With the quartet’s potential possibilities I cannot wait to see the release of the next volume…” (J.O – Orkester Journal 1978) “On Stage vol. 1 and its sequel embody the same group feelings and superb solo presentations by Jordan and Walton. They are the characteristic examples of this highly elaborated Be-bop music.” (Jørgen Siegumfeldt – Information 1978)

Suite For Chocolate

One of the bebop pioneers trumpeters Idrees Sulieman (1923-2002) (1923- 2002) studied at the Boston Conservatory. He performed and recorded with the luminaries of jazz such as Thelonious Monk, Mary Lou Williams, Randy Weston, Teddy Charles, Gene Ammons a. o. in the 40s and 50s. He moved to Europe (mainly to Denmark) in the 60s. He lived there for the following 25 years. “With a highly individual way of inflecting his often surprising phrasing and a tone that is immediately recognizable, Sulieman’s trumpet and flugelhorn has a personal stamp to it.” (Jazz Forum)

Live

Duke Jordan (1922-2006) famous for his intense lyricism embarked on the world jazz scene as a member of the classic Charlie Parker Quintet in the late 40s with his trademark introduction to “Embraceable You”. Jordan unlike many other American jazz musicians in Bebop era found his artistic and personal living space in Europe since the early 70s. His extensive recording output on SteepleChase including this album from 1985 recorded in Denmark makes up the huge part of his discography. “A most agreeable set that is both eminently listenable and very enterprising .… Jordan was always a fleetly swinging but subtle pianist whose all-round musicianship has never got the recognition it merits. This fine trio deserves to sell well and spared his name further afield.” (Richard Palmer, Jazz Journal International)

Confirmation

The Place To Be

Ruby My Dear

Pianist Joe Bonner (1948 – 2014) was born in Rocky Mount, North Carolina where Thelonious Monk was born about three decades earlier and left strong influence on the young pianist. An impressive modernist Joe Bonner performed in and around Denver, Colorado towards the end of his life and became a legendary figure. He spent considerable time in Denmark during the 80s. This album from Copenhagen in March 1987 is a studio recording with another American expatriate Bob Rockwell on tenor. "...The Lost Melody is a good group session, marked by strong charts ...." (The Penguin Guide to JAZZ) "... one cannot but admire the fluency and precision, the dexterous right hand...the diversity in his play is a mark of a great pianist..." (Jean-Paul Ricard, Diapason)

Duke Jordan (1922-2006) famous for his intense lyricism embarked on the world jazz scene as a member of the classic Charlie Parker Quintet in the late 40s with his trademark introduction to “Embraceable You”. Jordan unlike many other American jazz musicians in Bebop era found his artistic and personal living space in Europe since the early 70s. His extensive recording output on SteepleChase including this album from 1985 recorded in Denmark makes up the huge part of his discography. “A most agreeable set that is both eminently listenable and very enterprising .… Jordan was always a fleetly swinging but subtle pianist whose all-round musicianship has never got the recognition it merits. This fine trio deserves to sell well and spared his name further afield.” (Richard Palmer, Jazz Journal International)

This LP was originally released in the summer of 1989 with Doug Raney at age 33. He released during his rather short life (1956 – 2016) 17 leader albums for SteepleChase including this 13th piano-less horn-featured recording which won accolades from critics all over the world. “...Doug Raney is an elegant player even when he’s attacking, as he does here on most of the content .... Certainly recommended if you enjoy your jazz slightly in advance of bebop, but with all of that basic feel still there.” (Martin Richards on SCS 1249, Jazz Journal International) “...no doubt, another in the string of successful Raney releases.” (Paul B. Matthews on SCS 1249, Cadence)

DUO

Visitation

This recording, the fifth release by trumpeter/composer/educator John McNeil on SteepleChase took place during the summer of 1983 in Denmark at jazz club Montmartre as a part of the graduation concert of the famed Jamey Aebersold Jazz School. John toured Europe as a member of the staff of the Jamey Aebersold Jazz School and led this exciting group consist of the fellow “all-star teachers”: Dave Liebman, Jim McNeely, Ron McClure and Ed Soph. McNeil made this concert as a field study of “how-to-make-a-live-recording” for the students in the audience.

Time On My Hands

American trumpeter Red Rodney (1927-1994) came into the spotlight with his legendary firecracker pace and pitch late 40s and was hired by Charlie Parker to replace Miles Davis in his quintet (1949-1951). In spite of his turbulent life during the 60s and 70s Rodney made a comeback to the world scene in the 80s. For the interesting details, do read Chris Sheridan’s liner notes included in this release. This 1988 studio recording took place in Copenhagen, Denmark where he lived a couple of years. “...this excellent and restrained session will bring more accolades to this little giant of jazz, Red Rodney.” (Jazznews) “Here is one of the most listenable Red Rodney records to come along in years .... It is Rodney’s superbly lyrical work that makes this an essential record.” (Jazz Journal)

Live In Japan, Vol. 1