{"title":"Isaac Albéniz","description":"","products":[{"product_id":"albeniz-iberia-books-1-4-etc-guillermo-95305","title":"Albeniz: Iberia Books 1-4, Etc \/ Guillermo Gonzalez","description":"Albéniz: Piano Music, Vol. 1","brand":"Naxos","offers":[{"title":"CD","offer_id":44625703403754,"sku":"636943431122","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/255055.jpg?v=1778347591"},{"product_id":"mendelssohn-rachmaninov-liszt-debussy-music-for-a-rai-7318590008836","title":"Mendelssohn \/ Rachmaninov \/ Liszt \/ Debussy: Music For A Rai","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44711232864490,"sku":"7318590008836","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263035.jpg?v=1778297342"},{"product_id":"albeniz-i-complete-piano-music-vol-1-7318590009239","title":"Albeniz, I.: Complete Piano Music, Vol. 1","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44711275430122,"sku":"7318590009239","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263065.jpg?v=1778319540"},{"product_id":"favourite-guitar-music-7318590002339","title":"Favourite Guitar Music","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44711303774442,"sku":"7318590002339","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2265576.jpg?v=1778296950"},{"product_id":"espana-albeniz-falla-granados-mompou-turina","title":"ESPANA: ALBENIZ FALLA GRANADOS MOMPOU TURINA","description":"Classical Music","brand":"ERATO","offers":[{"title":"CD","offer_id":44907997462762,"sku":"190295651497","price":19.72,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3812186.jpg?v=1778375911"},{"product_id":"paris-madrid","title":"PARIS - MADRID","description":"Classical Music","brand":"ERATO","offers":[{"title":"CD","offer_id":44907997692138,"sku":"190295693725","price":17.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3580188.jpg?v=1778375374"},{"product_id":"alfred-cortot-the-warner-classics-edition","title":"Alfred Cortot - The Warner Classics Edition","description":"\u003cp\u003eHis exceptional touch and sense of phrasing, his deep and personal understanding of the most varied repertoires, or even the legendary trio he formed together with Jacques Thibaud and Pablo Casals, made Alfred Cortot the greatest pianist of his time. Master of many disciples, notably the brilliant Dinu Lipatti, Samson François and Clara Haskil, Cortot also had a lasting influence on the Russian piano school through Samuil Feinberg and Heinrich Neuhaus, the latter himself being the revered teacher of Sviatoslav Richter.\u003c\/p\u003e\u003cp\u003eAll of the recordings in this set had undergone careful sound restoration in 2012, in order to respect as closely as possible the original sound. The remastering was carried out under the expert control of Mr. Guthrie Luke, a former disciple of Alfred Cortot who attended many recording sessions by Cortot. These recordings do not represent a \"complete\" edition: the many rolls engraved by the artist for Duo-Art, Aeolian and Pleyela labels have not been reproduced here, most of them doubling the 78-RPM repertoire. The first recordings are acoustic; and the ones with an electric microphone appeared as early as 1926.\u003c\/p\u003e","brand":"WARNER CLASSICS","offers":[{"title":"CD","offer_id":45862022086890,"sku":"5054197471940","price":83.75,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4205540-2970830.jpg?v=1778371309"},{"product_id":"invencia-piano-duo-dualities","title":"Invencia Piano Duo - Dualities","description":"The critically acclaimed Invencia Piano Duo make their Divine Art debut with Dualities, a dazzling album that expands the possibilities of the piano duet and duo repertoire. Drawing on their virtuosity and innovative spirit, the duo explores works that transcend the boundaries of traditional solo piano, delivering arrangements that demand the synergy of four hands.  Highlights of the album include Andrey Kasparov's stunning arrangements of Liszt's Totentanz, Ravel's La valse, Scriabin's Vers la flamme, and Albeniz's Triana. These beloved solo pieces are reimagined with breathtaking scope and texture, demonstrating the Invencia Piano Duo's interpretive depth.  The album also features two original compositions by Kasparov: Fantasy on Lutheran Chorales and Cadenza for LvB. These works showcase the duo's mastery of both performance and composition, taking full advantage of the dynamic and expressive potential of four-hand piano playing.  Founded by Andrey Kasparov and Oksana Lutsyshyn, the Invencia Piano Duo bring a wealth of experience and accolades to their performances. Educated at the Moscow State Conservatory and later at Indiana University's School of Music, the duo has won international recognition for their compelling interpretations and bold programming. Both artists are esteemed faculty members at Old Dominion University in Virginia and serve as artistic co-directors of the Norfolk Chamber Consort.  Their individual achievements are equally impressive. Lutsyshyn, a prizewinner at the William Kapell International Piano Competition, made her Carnegie Hall debut following her success. Kasparov, winner of the Albert Roussel Prize, has premiered significant works such as Bartok's revised Piano Concerto No. 3 and earned recognition as a composer of published and recorded works.  The Invencia Piano Duo's discography includes a celebrated four-volume series of Florent Schmitt's piano duet works on Grand Piano Records, as well as albums for Albany and Naxos. With Dualities, they continue to push artistic boundaries, presenting an arresting collection that redefines the piano duo repertoire.  This album is an essential addition for lovers of virtuosic piano music, blending brilliance, originality, and deep musicality in a singular listening experience.","brand":"Divine Art","offers":[{"title":"CD","offer_id":46012492546282,"sku":"809730112225","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4397877-3315123.jpg?v=1778223188"},{"product_id":"mystique-krzysztof-meisinger","title":"Mystique \/ Krzysztof Meisinger","description":"\u003cp\u003eBefore a phrase from the Gran vals by Francisco Tárrega unexpectedly shot to international fame as the Nokia ringtone, his most celebrated pieces included the Capricho árabe, composed in 1892. The piece is inspired by the mixture of Muslim Castilian and Christian cultures which had always been a feature of the Valencia region where Tárrega grew up.\u003c\/p\u003e\n\u003cp\u003eTárrega’s friend and near-contemporary Isaac Albéniz was a virtuoso pianist who also played the guitar. Even though he evoked the guitar brilliantly on the piano, he never composed any music for the instrument. ‘Malagueña’ was first published in the collection España. Published in 1892 as ‘Prélude’, the piece widely known as ‘Asturias’ is also imbued with the spirit of southern Spain.\u003c\/p\u003e\n\u003cp\u003eFederico Mompou’s Suite compostelana was commissioned by Andrés Segovia and was published in 1964, the same year as Segovia’s first recording of the piece.\u003c\/p\u003e\n\u003cp\u003eThe Italian guitarist and composer Carlo Domeniconi has drawn on several national traditions for his works, but has a particular interest in Turkish music which he has studied in depth. The Variationen über ein anatolisches Volkslied (Variations on an Anatolian Folksong) were composed in 1982 and are based on the song (türkü) ‘Uzun ince bir yoldayim’. Koyunbaba is a four-movement suite for guitar which started as an improvisation, and was then notated soon afterwards. The composer describes the score as ‘no more than a sketch’ and insists that players improvise in their performance – which Krzysztof Meisinger does to great effect with his additional ‘Invocazione’ at the start of the work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eIt’s a pity Mompou didn’t write more for the guitar. His only work for that instrument, the Suite compostelana, is a minor masterpiece, profound in its simplicity. It takes a player of Meisinger’s stature to pull off a successful performance, and here the Preludio, Cuna and Canción are especially well rendered.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- Gramophone\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012495921386,"sku":"0095115227824","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4226833-3132682.jpg?v=1778234311"},{"product_id":"albeniz-laura-lootens","title":"Albéniz \/ Lootens","description":"\u003cp\u003eBorn in 1860, Spanish composer Isaac Albéniz was mainly a pianist and wrote primarily for the piano. More than any other musician, he succeeded in incorporating the Spanish guitar idiom and folklore into his style. Thus it is no wonder that many of Albéniz’s piano works have also been performed on the guitar. But things are different when we come to Albéniz’s Iberia, a suite of piano pieces so complex that few solo guitarists have ever attempted to transcribe and perform them. My selection stems from Albéniz’s most well-known cycles: Iberia, Suite Española and España.\u003c\/p\u003e","brand":"CAvi-music","offers":[{"title":"CD","offer_id":46012540485866,"sku":"4260085535385","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4246180-3141519.jpg?v=1778220495"},{"product_id":"stolen-dances","title":"STOLEN DANCES","description":"This album is inspired by the fantastic physicality and variety of dance forms in which composers from Granados to Shostakovich excelled. There are some hidden gems as well as pieces that will be familiar to all - and they have the novelty, as transcriptions, of all having been 'stolen' from the original. These arrangements are creative, fun and often virtuosic.    -Includes Shostakovich's 'Three Fantastic Dances' released in the composer's 50th death anniversary year  -Includes Ravel 'Piece en forme de habanera' released in the composer's 150th birth anniversary year","brand":"First Hand Records","offers":[{"title":"CD","offer_id":46012544352490,"sku":"5060216346182","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4445253-3422630.jpg?v=1778209743"},{"product_id":"albeniz-iberia","title":"Albéniz: Iberia \/ Goerner","description":"\u003cspan data-mce-fragment=\"1\"\u003eDebussy and Messiaen regarded \u003cem\u003eIberia\u003c\/em\u003e as THE piano masterpiece of the twentieth century: ‘One’s eyes close, as if dazzled from having gazed upon too many images’, wrote Debussy in 1905. For Nelson Goerner too, this suite in four books, which evokes Andalusia and the working-class districts of Madrid, is a work of major stature: ‘I am of Argentinian origin, this music touches me, it is like an arrow that pierces me... From the sublime incantation that is Jerez, an invocation of the mysteries of night, to Lavapiès, famous for the pianistic difficulties posed by its polyphonic convolutions and hand-crossings, Albéniz’s music exudes a panache and a joie de vivre that, in my view, make it a milestone of supreme importance.’\u003c\/span\u003e","brand":"Alpha","offers":[{"title":"CD","offer_id":46012550185194,"sku":"3760014198298","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4080183-2836072.jpg?v=1778240581"},{"product_id":"forgotten-dances","title":"Forgotten Dances","description":"His ninth solo album on Signum Records, Alessio Bax combines exceptional lyricism and insight with consummate technique and is without a doubt \"among the most remarkable young pianists now before the public\" (Gramophone). Here he presents an album of works for dancing, including tangos and waltzes spanning three centuries. Featuring composers such as J S Bach, Manuel de Falla and Franz Liszt a variety of cultures are showcased in this album for solo piano, and features contributions to an arrangement by Bax himself.","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012559032554,"sku":"635212091029","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4353105-3201939.jpg?v=1778212889"},{"product_id":"peaceful-guitar-the-spanish-collection","title":"Peaceful Guitar - The Spanish Collection","description":"Experience the beauty and tranquility of Spain with a captivating collection of peaceful guitar music, crafted by some of the country's most iconic composers.  This unique compilation brings together over three hours of enchanting melodies that celebrate the rich cultural heritage of Spain. Perfect for creating a serene atmosphere, this collection will transport you to a world of timeless elegance and natural beauty.     The Spanish guitar is more than just an instrument; it is a symbol of Spain's soul, evoking images of sun-drenched landscapes, vibrant festivals, and quiet evenings under starlit skies. This collection showcases the works of legendary composers such as Isaac Alb�niz, Manuel de Falla, Francisco T�rrega, Federico Moreno-Torroba, and many others.  Their compositions capture the essence of Spanish folklore and traditions, blending passion and grace in every note.  Featured in this collection are some of the most beloved pieces in classical guitar repertoire. From the mesmerizing arpeggios of Recuerdos de la Alhambra to the dynamic energy of Asturias, each piece tells it's own story. Discover the heartfelt melodies of La Paloma and immerse yourself in the delicate harmonies of Mompou's works. Whether you are a connoisseur of classical music or a casual listener, these timeless compositions will captivate your heart.    Whether you're looking to enhance your own music collection or searching for a thoughtful gift, this compilation is a treasure trove of artistry and emotion. It's ideal for anyone who appreciates the beauty of classical guitar and the rich traditions of Spanish music.    Let the timeless melodies of Spain inspire your soul. Add this extraordinary collection to your playlist today and embark on a musical journey you'll want to revisit time and time again.    - An extensive and highly attractive collection of quiet and peaceful music by Spanish composers, played on the country's iconic instrument, the guitar.  - Featured are famous works such as La Paloma, Recuerdos de Alhambra and Asturias, by composers Albeniz, de Falla, Sainz de la Maza, Tarrega, Mompou, Moreno-Torroba and many more.  - More than 3 hours of atmospheric Spanish music, inspired by the sounds, smells and colors of the Spanish landscape and folklore.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012575187178,"sku":"5028421975238","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4397848-3320945.jpg?v=1778195208"},{"product_id":"albeniz-suite-espanola-op-47-97-suite-ancienne-no-3-5029365102629","title":"Albeniz: Music for Solo Piano, Vol. 2 \/ Stanley","description":"\u003cp\u003eThe first volume of Sebastian Stanley’s Albéniz survey was greeted with enthusiasm for the repertoire and praise for the interpretations in the pages of Fanfare and elsewhere: ‘He is tender and sentimental in the lyrical moments, animated and energetic in his attack elsewhere. He clearly loves the music, and dispatches it with unapologetic flair.’ His sequel opens with the First Suite Española which contains several of the composer’s most colourful and best-known pieces. It begins with the vibrant guitar-strumming textures and Moorish harmonies of ‘Granada (Serenata)’ and continues with his own interpretation of a dance from his native Catalonia. Evocations of Seville, Cadiz and Asturias all spring from the pages with the sharp colours of a Goya canvas, and the suite comes to an exotic, sensuous conclusion with a Cuban habanera. The Second Suite Española is much smaller and less well-known. Its two movements are evocations of Zaragoza and (once more) Seville. Sebastian Stanley includes two further landscapes in sound: the Zambra granadina (Danse orientale) evokes flamenco dance that features a haunting melody to a seductively syncopated accompaniment. The rolled chords of Cádiz (Gaditana) suggest the strumming of guitars, setting the scene for an animated copla dance. The neoclassical side of Albéniz comes to the fore with the third of his Suites Anciennes – consisting of a graceful Minuet and sprightly Gavotte – which anticipate similar projects to revive Baroque forms in modern guise by Ravel and Respighi. As a reminder of the incomparable richness of the finest Spanish piano music,’ Sebastian Stanley’s Albéniz series should invite the attention of curious listeners and pianophiles alike.\u003c\/p\u003e","brand":"Piano Classics","offers":[{"title":"CD","offer_id":46012638200042,"sku":"5029365102629","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4169800-3141875.jpg?v=1778231687"},{"product_id":"falla-granados-albeniz-flamencos-8436605990859","title":"Falla, Granados \u0026 Albeniz: Flamencos","description":"\u003cp\u003eThis is a remastered recording of the concert given by cantaora Rocío Márquez and pianist Rosa Torres-Pardo at the Fundación Juan March on November 28, 2014. It presents a selection of Spanish classical works interspersed with music from the folk tradition that inspired their composition. The flamenco singer–classical pianist duo interweaves works by Manuel de Falla, Enrique Granados and Isaac Albéniz with popular Spanish songs (some of which were later harmonized by Federico García Lorca). The artists’ flamenco take on classical repertoire reveals the often neglected traditional origins of works whose composers drew on popular culture as they searched for the essence of Spanish music.\u003c\/p\u003e","brand":"Marchvivo","offers":[{"title":"CD","offer_id":46012642197738,"sku":"8436605990859","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4140924-3144767.jpg?v=1778241728"},{"product_id":"konrad-ragossnig-spanish-guitar-recital","title":"Konrad Ragossnig - Spanish Guitar Recital","description":"Mainstays of Spanish and South American guitar music in a rediscovered rare recording  In Prague at the turn of September and October 1969, for four days Supraphon's legendary Domovina studio was the home of the 37-year-old Konrad Ragossnig. The guitarist was in top form; he had studied in Spain under Andres Segovia, the \"king of the classical guitar\", had won the ORTF competition in Paris, and was teaching guitar in Basel at the Musik-Akademie and in Vienna at the Universitat fur Musik und darstellende Kunst. He was giving solo concerts and appearing with orchestras around Europe,  the USA, and the Far East. Besides the classical guitar, he had also mastered the Renaissance lute when interest in early music and it's authentic interpretation was just reawakening in western Europe. His chamber music partners included tenor Peter Schreier and flautist Hans Martin Linde.  Now in the Prague studio, Ragossnig returned to mainstays of Spanish  and South American guitar music. Some of the pieces are written specifically for his instrument, while others (Albeniz, Granados) are piano works that first became truly famous in guitar transcriptions. In the beautiful acoustics  of the Domovina Studio, the recording team captured all the superb qualities (beauty of tone, flawless technical brilliance, subtle inflections of rhythm, dynamics, and articulation) that make his playing and this recording special. Over half a century later, this recording remains a rare gem documenting  the guitar literature.","brand":"Supraphon","offers":[{"title":"CD","offer_id":46012645114090,"sku":"099925435820","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4410063-3332311.jpg?v=1778211657"},{"product_id":"albeniz-for-guitar","title":"Albeniz for guitar","description":"The arrangement of Albeniz's piano works for solo guitar, multiple guitars, and even guitar plus a melody instrument has a long tradition, beginning with Francisco Tarrega and Miguel Llobet as well as many other legendary guitarists. The arrangements and versions recorded here are not actually original arrangements but are compiled from a multitude of existing templates and suggestions from recordings.","brand":"Musicaphon","offers":[{"title":"CD","offer_id":46012655861994,"sku":"4012476569994","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4469946-3473520.jpg?v=1778218596"},{"product_id":"jose-iturbi-the-rediscovered-rca-victor-recordings","title":"The Rediscovered RCA Victor Recordings \/ José Iturbi","description":"\u003cp\u003e\u003cstrong\u003eThis collection stands as a valuable time capsule from which one comes away with a fuller understanding of Iturbi’s prominence in American wartime and postwar culture.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe complete RCA Victor Recordings by José Iturbi from 1933 to 1953, include his piano duo recordings with sister Amparo Iturbi as well as Amparo Iturbi’s solo recordings on 16 CDs, restored and remastered from the original lacquer discs and analogue tapes using high-resolution 24 bit\/192 kHz mastering technology with about 95% of the recordings appearing on CD for the first time and 23 pieces previously unreleased. As well as a new, captivating essay by Grammy-nominated singer, pianist, and music anthropologist Michael Feinstein on the life and work of José Iturbi and a photo book with previously unseen photos and facsimiles from the Iturbi Archives in Hollywood.\u003c\/p\u003e\n\u003cp\u003eThere was a time when classical music was a natural part of Hollywood. From the moments with Jascha Heifetz in They Shall Have Music (1939) to the unrivaled performances of Oscar Levant and Isaac Stern in Humoresque (1946). In its Golden Era, Hollywood adorned itself with the Who's Who of classical music. Today, alongside icons such as Marylin Monroe and James Dean, the names of Leonard Bernstein, Maria Callas and Arturo Toscanini, as well as Rudolf Serkin, Joseph Szigeti, or José Iturbi were immortalized on the famous Hollywood Walk of Fame. This edition is a loving homage to Hollywood in the 1940s and 1950s, made possible through the generous support of the José Iturbi Foundation and the Hollywood Museum Board of Directors, who contributed to the lavish restoration of many previously lost unpublished recordings. The publication was also made possible by contributions of singer, pianist, and music archivist Michael Feinstein, the Ambassador for the Great American Songbook.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eDuring the 1940s and 1950s the “World’s Most Popular Classical Pianist” mantle fell comfortably upon José Iturbi (1895-1980). His recognition as a radio personality led to a movie career that yielded ten feature films between 1943 and 1951 where the pianist mostly starred as himself. Yet for all of Iturbi’s renown, he was hardly a poseur. He worked with Wanda Landowska in Paris, and gave Stravinsky’s Piano Rag Music its world premiere, as well as the first complete Carnegie Hall performance of Liszt’s Transcendental Etudes.\u003c\/p\u003e\n\u003cp\u003eHe also conducted. When Eugene Ormandy assumed the Philadelphia Orchestra’s music directorship in 1936, his chief rival for the position was Iturbi, who wound up taking charge of the Rochester Philharmonic that same year. Once Hollywood beckoned, however, Iturbi became the brunt of intellectual critics, who basically wrote him off as a sell-out and an artistic lightweight.\u003c\/p\u003e\n\u003cp\u003eTime, of course, brings perspective, and Sony\/BMG’s lavishly produced 16-CD collection containing Iturbi’s complete RCA Victor recordings invites a fairly thorough examination of the musician behind the personality, plus an opportunity to reassess a largely forgotten body of recorded work. A 188-page coffee table book contains photos in abundance, with all original-jacket artwork represented, including the most politically incorrect cover art ever to grace Dvorák’s “New World” symphony. We get complete session and release discographies, an Iturbi filmography, plus a brilliant in-depth biographical essay by Michael Feinstein, who co-produced this collection with Robert Russ.\u003c\/p\u003e\n\u003cp\u003eIt’s a pity that the session discography is not cross-referenced to corresponding CD tracks, not to mention the absence of a discography by composer. This makes it difficult to navigate the contents with ease, especially in works that Iturbi recorded more than once. For example, it took some sleuthing on my part to discover that Discs 5 and 11 each contained the Liszt Liebestraum No. 3, Schumann Arabeske, Debussy Reverie, and Chopin Polonaise in A-flat Op. 53, and that the performances were not identical.\u003c\/p\u003e\n\u003cp\u003eWith few notable exceptions, Iturbi’s solo recordings mostly consist of short, encore-length pieces. He’s especially at home in Spanish music: Iturbi’s accentuation, phrasing, and timing throughout Falla’s Ritual Fire Dance define perfection, while he shapes Granados’ Spanish Dance No. 2 (“Oriental’) with sensitivity and tenderness. Classical selections also stand out for Iturbi’s bracing articulation. True, the outer movements of his Mozart K. 331 and 332 sonata recordings are overly facile and insufficiently inflected when measured alongside contemporaneous Mozartean rivals like Schnabel, Gieseking, Fischer, and Haskil. Yet the sheer evenness and poised symmetry of Iturbi’s finger-work easily explains why pianists like Julius Katchen and William Kapell praised his Mozart.\u003c\/p\u003e\n\u003cp\u003eIturbi also revels in the Haydn C major Theme and Variations’ sly wit. By contrast, introspection and sobriety characterize Iturbi’s measured unfolding of Beethoven’s Andante favori. Similar gravitas elevates Paderewski’s Minuet in G to near-masterpiece status. Iturbi’s virtuosic glitter befits his dashing Saint-Saëns Allegro appassionato more than in his glib Liszt Les jeux d’eaux à la Villa d’Este.\u003c\/p\u003e\n\u003cp\u003eIturbi’s Chopin hits and misses. His Mazurkas lack the ardency and rhythmic snap that distinguishes a Second Scherzo that gets better as it progresses. Also note the pianist’s dotting the duple rhythms in the A-flat Polonaise’s main theme that Horowitz, Rubinstein, and Lhevinne play straight on their rival RCA versions.\u003c\/p\u003e\n\u003cp\u003eThe later recordings reveal Iturbi’s pianism losing some of its erstwhile luster and subtlety, possibly exaggerated by the close microphone placement and twangy patina typical of late 1940s\/early 1950s piano recordings stemming from RCA’s Hollywood recording studio. For example, the two Debussy Arabesques recorded in New York in 1939 have a supple elegance missing in their glassy-sounding 1950 Hollywood counterparts (sound clips). The blustery, hard-toned, and harshly engineered Liszt Concerto No. 1, Mendelssohn Concerto No. 1, and Beethoven Concerto No. 3 were non-starters in their day, with the piano way up in the mix, relegating the crackerjack RCA Symphony musicians to doormat status. Still, the Mendelssohn’s outer movements feature some of Iturbi’s most scintillating pianism on disc.\u003c\/p\u003e\n\u003cp\u003eWhile Iturbi’s two-piano distribution of the solo part of Gershwin’s Rhapsody in Blue is surprisingly effective and discreet, he and his pianist sister Amparo turn in a crass, alternately whipped up, and sappily sentimentalized interpretation. Works of Mozart, Debussy, and Milhaud better represent their dazzling ensemble rapport, but again, the boxy, claustrophobic engineering undermines their efforts. Similar dryness typifies Amparo’s idiomatic solo recordings of Spanish repertoire. Still, it’s nice to have her rare 1954 Granados Goyescas back in circulation, although it pales alongside Alicia de Larrocha’s far more nuanced and texturally differentiated interpretation from the following year.\u003c\/p\u003e\n\u003cp\u003eThe collection also showcases Iturbi’s work on the podium. His 1940 Rochester Philharmonic versions of the Mozart D minor and Beethoven C minor concertos are more judiciously balanced than his orchestrally superior 1952 RCA Victor Symphony remakes. Each contains lively and engaging outer movements that flank wooden, hard-toned slow movements.\u003c\/p\u003e\n\u003cp\u003eIturbi’s 1951 Liszt Hungarian Fantasy with the Valencia Symphony Orchestra has a snarling rawness that differs from the sheen and suavity of the 1952 Arrau\/Ormandy and late 1940s Solomon and Moiseiwitsch editions. As with many second-tier American orchestras in the 1940s, the Rochester Philharmonic boasted strong strings but less proficient winds and brass. Consequently, Iturbi’s Mendelssohn “Scottish” Symphony took a back seat to Mitropoulos’ powerful 1941 Minneapolis version, while the aforementioned Dvorák New World lacked the Szell\/Czech Philharmonic recording’s flavorful ensemble discipline.\u003c\/p\u003e\n\u003cp\u003eThe prize of Iturbi’s Rochester discography is a snazzy and brilliantly turned-out Morton Gould “Latin American” Symphonette, which is surprisingly well-engineered for its 1944 vintage. Another delightful curiosity is William J. Reddick’s Espanharlem, a brief orchestral work whose quick changing moods and jazzy underpinnings wouldn’t be out of place in a Carl Stalling Bugs Bunny cartoon soundtrack. There’s also a previously unpublished recording conducted by Werner Janssen of Iturbi’s orchestral composition Soliloquy. The piece amounts to 14 and a half minutes’ worth of rambling 1940s film music clichés filtered through third-rate Lecuona. Why Iturbi is credited as piano soloist when there’s no piano to be heard is anyone’s guess!\u003c\/p\u003e\n\u003cp\u003eNotwithstanding the artistic unevenness of Iturbi’s recorded output he always had the self-respect to keep his technique in world-class repair, unlike his rival classical pianist turned media personality Oscar Levant. Still, music lovers who don’t want to go the whole hog, so to speak, are directed to APR’s 2016 three-disc solo Iturbi compilation. I also hope to see Iturbi’s post-cinema EMI recordings restored. However, beyond purely musical considerations, Sony\/BMG’s collection stands as a valuable time capsule from which one comes away with a fuller understanding of Iturbi’s prominence in American wartime and postwar culture.\u003c\/p\u003e\n\u003cp\u003e-- ClassicsToday.com (Jed Distler)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMozart\u003c\/strong\u003e: Concerto for 2 Pianos and Orchestra No. 10 in E flat, K365\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMozart\u003c\/strong\u003e: Piano Concerto No. 20 in D minor, K466\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiszt\u003c\/strong\u003e: Piano Concerto No. 1 in E flat major, S124\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMendelssohn\u003c\/strong\u003e: Piano Concerto No. 1 in G minor, Op. 25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBeethoven\u003c\/strong\u003e: Piano Concerto No. 3 in C minor, Op. 37\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGershwin\u003c\/strong\u003e: Rhapsody in Blue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChambers, J C\u003c\/strong\u003e: All American\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGould, M\u003c\/strong\u003e: Symphonette No. 4 'Latin-American'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReddick\u003c\/strong\u003e: Espanharlem\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIturbi\u003c\/strong\u003e: Soliloquy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMozart\u003c\/strong\u003e: Sonata for 2 pianos in D major, K448\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChabrier\u003c\/strong\u003e: Trois Valses Romantiques\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIturbi\u003c\/strong\u003e: Spanish Dance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: En blanc et noir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMilhaud\u003c\/strong\u003e: Scaramouche, suite for two pianos, Op. 165b\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNepomuceno\u003c\/strong\u003e: La siesta\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInfante\u003c\/strong\u003e: Guadalquivir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInfante\u003c\/strong\u003e: Sevillana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Suite bergamasque: Clair de lune\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiszt\u003c\/strong\u003e: Liebestraum, S541 No. 3 (Nocturne in A flat major)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Rêverie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBeethoven\u003c\/strong\u003e: Für Elise (Bagatelle in A minor, WoO59)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchumann\u003c\/strong\u003e: Arabeske in C major, Op. 18\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Deux arabesques, L. 66\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: Dance of Terror (from El amor brujo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRachmaninoff\u003c\/strong\u003e: Prelude Op. 3 No. 2 in C sharp minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiszt\u003c\/strong\u003e: Les jeux d'eaux à la Villa d'Este, S. 163 No. 4)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: Ritual Fire Dance (from El amor brujo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaint-Saëns\u003c\/strong\u003e: Allegro appassionato, Op. 70\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAlbéniz\u003c\/strong\u003e: Malagueña (No. 3 from Espana, Op. 165)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Étude Op. 10 No. 12 in C minor ‘Revolutionary'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Polonaise No. 6 in A flat major, Op. 53 'Héroïque'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Estampe No. 3 - Jardins sous la pluie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchumann\u003c\/strong\u003e: Romance in F sharp major, Op. 28 No. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Prelude Op. 28 No. 9 in E major\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Prelude Op. 28 No. 10 in C sharp minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Prelude Op. 28 No. 15 in D flat major ‘Raindrop'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Nocturne No. 9 in B major, Op. 32 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLópez-Chavarri\u003c\/strong\u003e: El viejo castillo moro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIturbi\u003c\/strong\u003e: Cancion de cuna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGranados\u003c\/strong\u003e: Orientale (No. 2 from 12 Danzas españolas)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Mazurka No. 6 in A minor, Op. 7 No. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Mazurka No. 7 in F minor, Op. 7 No. 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Mazurka No. 24 in C major, Op. 33 No. 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Mazurka No. 27 in E minor, Op. 41 No. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Mazurka No. 25 in B minor, Op. 33 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Scherzo No. 2 in B flat minor, Op. 31\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Children's Corner\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRavel:\u003c\/strong\u003e Jeux d'eau\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGuastavino\u003c\/strong\u003e: Gato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMozart\u003c\/strong\u003e: Concerto for 2 Pianos and Orchestra No. 10 in E flat, K365\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMozart\u003c\/strong\u003e: Piano Concerto No. 20 in D minor, K466\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBeethoven\u003c\/strong\u003e: Piano Concerto No. 3 in C minor, Op. 37\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGershwin\u003c\/strong\u003e: Rhapsody in Blue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRavel\u003c\/strong\u003e: Pavane pour une infante défunte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBach, J S:\u003c\/strong\u003e Passacaglia in C minor, BWV582\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMozart\u003c\/strong\u003e: Piano Sonata No. 11 in A major, K331 'Alla Turca'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMozart:\u003c\/strong\u003e Piano Sonata No. 12 in F major, K332\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Impromptu No. 4 in C sharp minor, Op. 66 'Fantaisie-Impromptu'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Waltz No. 6 in D flat major, Op. 64 No. 1 'Minute Waltz'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Waltz No. 7 in C sharp minor, Op. 64 No. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin:\u003c\/strong\u003e Mazurka No. 5 in B flat major, Op. 7 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAlbéniz\u003c\/strong\u003e: Sevilla (from Suite Española, Op. 47)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGranados\u003c\/strong\u003e: Goyescas: Quejas ó La Maja y el Ruiseñor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScarlatti, D\u003c\/strong\u003e: Keyboard Sonata K27 in B minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScarlatti, D\u003c\/strong\u003e: Keyboard Sonata K159 in C major 'La caccia'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eParadies\u003c\/strong\u003e: Toccata in A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIturbi\u003c\/strong\u003e: Pequena danza espanola\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBeethoven\u003c\/strong\u003e: Andante Favori in F, WoO 57\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAlbéniz\u003c\/strong\u003e: Cantos de España (5), Op. 232, No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLazăr, F\u003c\/strong\u003e: Piano Sonata No. 2 in F Minor, Op. 15: III Tempo di Marcia funebre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaint-Saëns\u003c\/strong\u003e: Caprice arabe, Op. 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: L'isle joyeuse\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInfante:\u003c\/strong\u003e Danze andaluse (for 2 pianos): No. 2 Sentimento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Deux arabesques, L. 66\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBach, J S\u003c\/strong\u003e: Fantasia in C minor, BWV906\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGranados\u003c\/strong\u003e: Danza española, Op. 37 No. 10 'Melancólica'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGould, M\u003c\/strong\u003e: Boogie Woogie Etude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGould, M\u003c\/strong\u003e: Blues\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: Ritual Fire Dance (from El amor brujo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: Dance of Terror (from El amor brujo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Suite bergamasque: Clair de lune\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiszt\u003c\/strong\u003e: Liebestraum, S541 No. 3 (Nocturne in A flat major)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChopin\u003c\/strong\u003e: Polonaise No. 6 in A flat major, Op. 53 'Héroïque'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchumann\u003c\/strong\u003e: Arabeske in C major, Op. 18\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDebussy\u003c\/strong\u003e: Rêverie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHaydn\u003c\/strong\u003e: Theme and Variations in C major, Hob.XVII:5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePaderewski:\u003c\/strong\u003e Minuet in G major, Op. 14 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBeethoven\u003c\/strong\u003e: Für Elise (Bagatelle in A minor, WoO59)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchumann:\u003c\/strong\u003e Träumerei (from Kinderszenen, Op. 15)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRavel\u003c\/strong\u003e: Pavane pour une infante défunte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRachmaninoff:\u003c\/strong\u003e Humoresque in G major, Op. 10 No. 5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInfante:\u003c\/strong\u003e Danses andalouses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTchaikovsky\u003c\/strong\u003e: The Seasons, Op. 37b: June (Barcarolle)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTchaikovsky\u003c\/strong\u003e: The Seasons, Op. 37b: November (Troika)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMussorgsky\u003c\/strong\u003e: Une Larme (A Tear)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMendelssohn\u003c\/strong\u003e: Symphony No. 3 in A minor, Op. 56 'Scottish'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDvořák:\u003c\/strong\u003e Symphony No. 9 in E minor, Op. 95 'From the New World'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLiszt\u003c\/strong\u003e: Hungarian Rhapsody, S244 No. 14 in F minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: El sombrero de tres picos: Dance of the Neighbours (Seguidillas)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: El sombrero de tres picos: Danza del molinero (farruca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: El sombrero de tres picos: Final Dance (Jota)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePalau Boix\u003c\/strong\u003e: Marche burlesque\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePalau Boix\u003c\/strong\u003e: Hommage a Debussy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIturbi\u003c\/strong\u003e: Seguidillas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCuesta\u003c\/strong\u003e: Danza valenciana in A major\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFalla\u003c\/strong\u003e: Siete Canciones populares españolas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTurina\u003c\/strong\u003e: Homenaje a Lope de Vega, Op. 90: I. Cuando tan hermosa os miro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGranados\u003c\/strong\u003e: Danza española, Op. 37 No. 8 'Sardana'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGranados\u003c\/strong\u003e: Danza española, Op. 37 No. 12 'Arabesca'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGranados\u003c\/strong\u003e: Danza española, Op. 37 No. 9 'Romántica'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTurina\u003c\/strong\u003e: Mujeres Españolas, Series 1, Op. 17: 2. La andaluza sentimental\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTurina\u003c\/strong\u003e: Mujeres Españolas, Series 1, Op. 17: 3. 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While Domenico Scarlatti was born in Naples, he spent the greater part of his career on the Iberian peninsula, and died in Madrid in 1757 as the composer of 555 keyboard sonatas which would, more than any other single body of work, bring Spanish idioms into the mainstream of European classical music. Many organists and keyboard composers preceded him, but few if any could match his spirit of caprice and restless invention as he fused Hispanic rhythms with the fairly new form of the keyboard sonata.    Thus it is fitting that Scarlatti is the earliest composer on this 'Spanish Explorer' box. His music was soon taken up as a model by native composers of subsequent generations, such as Manuel Espona (1714-1779) and Antonio Soler (1729-1783), in writing quirky single-movement sonatas of unpredictably arching melodies and sometimes frenetic developments which evoke the spirit of native dances such as the fandango.    While CD1 of this box is an imaginary 'opera for piano', staged by Jean-Fran�ois Dichamp, the principle could be extended to the box as a whole. Dichamp's opera is arranged around the pillars of the monumental cycle of Goyescas by Enrique Granados (1867-1916). This cycle, along with the Iberia of Isaac Alb�niz (1860-1909), then extended the reach of Spanish piano music and defined it's character in a late-Romantic world.    While neither Alb�niz nor Granados were modernists by temperament, it is tempting to speculate how they and their music would have developed but for their early deaths in the first years of the last century. 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They were composed between 1881 and 1892 and reveal the variety and flair of which he was capable, even in the smallest of musical forms, such as the delightful mazurkas.  The Siete estudios (Seven Studies) are no mere exercises – rather they fuse the color of Iberian music with the rigor of Central European traditions.  Les Saisons is an evocative portrait of the seasons and can be seen as a forerunner of the impressionistic writing that would soon appear in French music.","brand":"Naxos","offers":[{"title":"CD","offer_id":46012940714218,"sku":"747313329373","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2604736.jpg?v=1778297044"},{"product_id":"albeniz-the-complete-piano-music-baselga-941312","title":"Albéniz: The Complete Piano Music \/ Baselga, Lü, Tenerife Symphony Orchestra","description":"\u003cp\u003eThe piano works by Isaac Albéniz range from indisputable masterpieces to ravishing salon music, the composer painting with bright Spanish colors as well as the hues of Classicism and Romanticism. On nine discs, originally released between 1998 and 2017 and gathered here, Miguel Baselga guides listeners through the music of his compatriot, earning acclaim from reviewers worldwide: ‘pianism of the highest order’ (MusicWeb-International); ‘berauschend agil und rhytmisch spannungsgeladen’ (PIANONews); ‘un pianista elegante y refinado’ (CD Compact). Composed between December 1905 and January 1908, only a year before the death of Albéniz, Iberia is the crowning achievement of the composer’s genius. Marking a high point of the post-romantic piano literature, this collection of ‘12 nouvelles impressions’ was to serve as an endless source of inspiration for other composers throughout the twentieth century, admired by Debussy and Messiaen, who called it 'the marvel of the piano'. Baselga’s exhaustive series places Iberia in its proper context, and with the assistance of Albéniz scholar Jacinto Torres, he has been able to access original editions and scores, including rarities such as the Marcha militar by a nine-year-old Albéniz and the composer's two scores for piano and orchestra. We are also given the opportunity to hear three improvisations, transcribed from a phonograph recording made by the composer in 1903.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eMiguel Baselga was the first and (I believe) only pianist to have recorded Albéniz’s complete solo piano works, a project encompassing nine CDs. The cycle has been reissued in a boxed set, together with each individual release’s original booklet. It remains a significant catalog milestone.\u003c\/p\u003e\n\u003cp\u003eAs a stylist, Albéniz covered all bases, from unabashedly salon-like trifles and flashy neo-Lisztian fare to the Iberia Suite’s astonishing originality and labyrinthine complexities. Since Baselga wanted each disc to represent different aspects of Albéniz’s musical personality, he cunningly divided Iberia’s four parts across the first four volumes, aiming to give lesser-known masterpieces like the wild and woolly La Vega and tender Barcarola Op. 202 their due.\u003c\/p\u003e\n\u003cp\u003eThe two concerted works (the Piano Concerto No. 1 and Rapsodia Espanola) also receive impressively fresh and well-balanced readings. And for those who can’t get past the faded sound of Albéniz’s three 1903 improvisations preserved on private cylinders, Milton Laufer’s painstakingly notated editions will be revelations, especially in Baselga’s inspired hands.\u003c\/p\u003e\n\u003cp\u003eIn all, Baselga’s combination of technical brilliance, exuberant temperament, and tonal imagination yields consistently idiomatic and enjoyable results. A must-have for serious aficionados of Spanish piano music.\u003c\/p\u003e\n\u003cp\u003e– ClassicsToday.com (Jed Distler)\u003c\/p\u003e","brand":"BIS","offers":[{"title":"CD","offer_id":46013160554730,"sku":"7318590026137","price":85.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3987833-2729123.jpg?v=1778264274"},{"product_id":"albeniz-piano-music-espana-deseo-zortzico-yvonne-170672","title":"Albeniz: Piano Music - Espana; Deseo; Zortzico; Yvonne En Visite!","description":"Volume 6 of this complete edition focuses in the main on Albéniz’s richly varied, early salon style. + It includes the dazzling Chopin influenced Vals Champagne, the Estudio de concierto which rivals Liszt for virtuosity, and the famous Tango from España: Seis hojas de Álbum, a set which conjures up Spain in its rhythms, harmonies and sense of drama. + Written a year before the composer’s death, Yvonne en visite! includes a humorous scene during a pupil’s reluctant performance, while the Marcha militar is Albéniz’s earliest work, composed at the age of eight.","brand":"Naxos","offers":[{"title":"CD","offer_id":46013249814762,"sku":"747313329571","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2804718.jpg?v=1778288862"},{"product_id":"albeniz-piano-works-jones-293323","title":"Albeniz: Piano Works \/ Martin Jones","description":"Issac Albeniz, the pre-eminent Spanish composer was a prolific composer, especially of piano music. Presented here is a collection of his works performed by the celebrated pianist, Martin Jones. Included in this collection are pieces that were left unfinished at the time of Albeniz’s death and completed by Martin Jones. Martin Jones has been one of Britain’s most highly regarded solo pianists since first coming to international attention in 1968 when he received the Dame Myra Hess Award. The same year he made his London debut at the Queen Elizabeth Hall and his New York debut at Carnegie Hall, and ever since has been in demand for recitals and concerto performances on both sides of the Atlantic. He is a prolific recording artist and his many major projects include the complete solo piano works of Mendelssohn, Brahms, Debussy, Grainger, Stravinsky, Korngold, Szymanowski, Granados, Guastavino, Mompou, Ernesto Halffter, Joaquin Nin, Has Gál, Jean Françaix, Jean Roger-Ducasse, and Alan Richardson.\u003cbr\u003e \u003cbr\u003e  -----\u003cbr\u003e \u003cbr\u003e  REVIEW:\u003cbr\u003e \u003cbr\u003e  Altogether this is a well stocked and representative survey of Albéniz's colourful and imaginative piano music and Martin Jones is as always a convincing advocate; I am always impressed with character and panache that he brings to all that he plays. The liner notes are informative though are in English only. A marvellous collection of the best of Albéniz' piano music.\u003cbr\u003e \u003cbr\u003e  – MusicWeb International","brand":"Nimbus","offers":[{"title":"CD","offer_id":46013281435882,"sku":"0710357171123","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3819967-2574797.jpg?v=1778256601"},{"product_id":"albeniz-piano-music-vol-9-baselga-115610","title":"Albeniz: Piano Music, Vol. 9 \/ Baselga","description":"\u003cp\u003eThe piano works by Isaac Albeníz range from indisputable masterpieces to highly enjoyable salon music, the composer painting with bright Spanish colours as well as the hues of Classicism or Romanticism. On eight previous volumes, Miguel Baselga has guided listeners through the music of his compatriot, earning acclaim from reviewers worldwide: ‘pianism of the highest order’ (MusicWeb-International); ‘berauschend agil und rhytmisch spannungsgeladen’ (PIANONews); ‘un pianista elegante y refinado’ (CD Compact). With the assistance of Albeníz scholar Jacinto Torres, Baselga has been able to access rare editions and scores, and his exhaustive series includes the Marcha militar by a nine-year-old Albeníz (Vol. 7), as well as the four books that make up the celebrated Iberia (Vols. 1-4) and the composer's only two scores for piano and orchestra (Vol. 6). On the present disc Baselga offers us the chance to hear the last of the three Improvisations, transcribed from a phonograph recording made by Albeníz in 1903. A large part of the programme is from the late 1880s, however, a period during which the composer was a fixture at the fashionable salons of Madrid, and composed works in which the influence of composers such as Mendelssohn, Schumann and Chopin is often evident. Recuerdos de viaje, one of the best-known works from the period, nevertheless displays the Spanish flavours that were to become one of the distinguishing features of the music of Isaac Albeníz.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"CD","offer_id":46013290152170,"sku":"7318590021736","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3702970.jpg?v=1778298698"},{"product_id":"albeniz-iberia-1","title":"Albeniz: Iberia","description":"Iberia is probably the greatest masterpiece by Isaac Albniz. There are surprisingly few recordings of the complete Iberia. Paul Verona has devoted years of study to Iberia, and his performances show his abiding commitment for the work.","brand":"Centaur Records","offers":[{"title":"CD","offer_id":46013416538346,"sku":"044747325620","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2266381_1ec4cac7-2172-4daf-aed6-d3139cfa2b9c.jpg?v=1778306013"},{"product_id":"rodrigo-fantasia-para-un-gentilhombre-albeniz-cantos-de","title":"RODRIGO: Fantasia Para un Gentilhombre \/ ALBENIZ: Cantos de","description":"Classical Music","brand":"Profil","offers":[{"title":"CD","offer_id":46025340944618,"sku":"881488707359","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1127797_a398238f-b285-4a0c-888c-760d7f82ff25.jpg?v=1778328777"},{"product_id":"young-julian-bream-1956-115156","title":"Young Julian Bream 1956","description":"Classical Music","brand":"IDIS","offers":[{"title":"CD","offer_id":46025355362538,"sku":"8021945002326","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2818316.jpg?v=1778288455"},{"product_id":"albeniz-serenata-marchionda-182839","title":"Albeniz: Serenata \/ Marchionda","description":"Mallorca - Seville - Granada - Co?rdoba - mentioning these cities conjures up memories and imaginations that are associated with the magic of Spain. Nobody knew better how to capture these pictures in music than the piano virtuoso Isaac Albe?niz. The American- Italian guitarist Stephen Marchionda who lives in Spain, a renowned interpreter of Spanish music, lends new colours to this musical declaration of love.\u003cbr\u003e  \u003cbr\u003e Stephen Marchionda resides in Barcelona and is a proven expert in the field of Spanish music. This production is his second release on MDG, once again in the finest 2+2+2 SACD technique, which makes the listener feel that he or she is there in person. A fine and opulent result!\u003cbr\u003e","brand":"MDG","offers":[{"title":"SACD","offer_id":46025382887658,"sku":"760623173962","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1959051.jpg?v=1778332834"},{"product_id":"albeniz-piano-music-vol-3-guillermo-gonzalez-95583","title":"Albéniz: Piano Music Vol 3 \/ Guillermo González","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eALBÉNIZ \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eDanzas españolas. Pequeños valses. Mazurkas de salon \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Guillermo González (pn) \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e NAXOS 8.572196 (69:42) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eIsaac Albéniz wrote some of the defining piano music of the Spanish school. By and large, this is not it. This disc, the third in Naxos’s Albéniz series, is devoted to salon music composed early in the composer’s life. At the time, he was known as a piano virtuoso who also gave lessons to young ladies to whom he dedicated many of his salon pieces, including all six of these mazurkas. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003ePremonitions of the mature Albéniz may be glimpsed in the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eDanzas españolas\u003c\/span\u003e \u003cspan\u003e, which shares a pleasant lilt, usually in habanera rhythm, and the composer’s predilection for a melodic line in three against a languid accompanying figure in four. The pieces resemble Granados’s later set of \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eSpanish Dances\u003c\/span\u003e \u003cspan\u003e in their occasional underlying hint of melancholy, but those in Albéniz’s set are neither as formally diverse nor as pianistically challenging as are those of his slightly younger contemporary. Chopin is the predominant influence in the sets of waltzes and mazurkas. Once again the results, while mellifluous and polished, are no comparison to the works of the Polish master in terms of ingenuity and memorability. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eGonzález, a noted Albéniz specialist, has the kind of muscular technique necessary to tackle \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eIberia \u003c\/span\u003e \u003cspan\u003eand the late masterpieces, but lacks delicacy in this refined repertoire. There would be no whispering or throat clearing in his salon! Overall, this is a pleasant collection but unrepresentative of the composer’s most exciting work. If you are curious about the antecedents of \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eIberia\u003c\/span\u003e \u003cspan\u003e, it is worth a listen. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Phillip Scott \u003c\/span\u003e\u003cbr\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46025518940394,"sku":"747313219674","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1499657.jpg?v=1778323714"},{"product_id":"the-golden-years-of-andres-segovia-recordings-252425","title":"The Golden Years Of Andres Segovia: Recordings 1952-1954","description":"Classical Music","brand":"IDIS","offers":[{"title":"CD","offer_id":46025559441642,"sku":"8021945001084","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2818212.jpg?v=1778311879"},{"product_id":"the-beginning-of-a-legend-1958","title":"The Beginning of a Legend (1958)","description":"Classical Music","brand":"IDIS","offers":[{"title":"CD","offer_id":46025567338730,"sku":"8021945002241","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2818306_42609b14-78fb-4981-adac-6c01329d7990.jpg?v=1778305232"},{"product_id":"the-beginning-of-a-legend-vol-2-1960","title":"The Beginning of a Legend, Vol. 2 (1960)","description":"Classical Music","brand":"IDIS","offers":[{"title":"CD","offer_id":46025567895786,"sku":"8021945002494","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2818333.jpg?v=1778311759"},{"product_id":"albeniz-piano-duos-complete-954301","title":"Albéniz: Piano Duos (Complete)","description":"\u003cp\u003eAlbéniz’s distinctive musical vocabulary, with its sensual harmonies, rich melodic lines and characteristic rhythmic figures, has ensured lasting popularity, not least in his music for the piano. This album of four-hand piano music reveals the composer’s love of Spain’s regional music traditions, whether in the glittering sweep of the Suite española No. 1or in the Rapsodia Española where a hypnotic dreamscape meets dramatic outbursts. Two movements from Iberia – one of which is a rarely encountered arrangement by the great Spanish pianist Alicia de Larrocha – reveal a daring modernity that aligns Albéniz with Debussy and Ravel.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46025605578986,"sku":"747313434770","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4013093-2760069.jpg?v=1778265653"},{"product_id":"guitar-sensation","title":"GUITAR SENSATION","description":"As a tribute to guitar legend Andres Segovia, Profil has compiled performances by the master himself as well as up and coming guitarist Friedemann Wuttke. The works are focused on favorites and evergreens from Segovia's repertoire, works of Albeniz, Sor, Vivaldi, Carulli, Paganini, and more, played intimately and soulfully in this beautiful 2 disc set. A fitting homage to a giant.","brand":"Profil","offers":[{"title":"CD","offer_id":46025938665706,"sku":"881488120363","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2042842_f9f29f64-2334-442a-ba92-5b96095fb45e.jpg?v=1778320220"},{"product_id":"albeniz-piano-music-vol-8-laiz-95773","title":"Albeniz: Piano Music, Vol. 8 \/ Laiz","description":"\u003cp\u003eMost known for his piano works which were based on folk music idioms, Isaac Albeniz is a figurehead in Spanish classical music. Transcriptions of many of his pieces are part of the classical guitar repertoire, although he never composed for the instrument. Pianist Miguel Angel Rodriguez Laiz studied in Murcia, Madrid, Dallas, and Canada. He currently serves as a piano professor, chamber music professor, and theory professor at the Real Conservatorio Superior de Musica “Victoria Eugenia” de Granada. On this release he presents some of Albeniz’s most colorful and influential piano works, including the Rapsodia espanola.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46025958457578,"sku":"747313377978","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3747647.jpg?v=1778297335"},{"product_id":"masters-of-the-guitar-vol-2-spain-252475","title":"Masters of the Guitar, Vol. 2: Spain","description":"\u003cp\u003eThis release continues the IDIS tradition of remastering and rediscovering the most important performers of the Legendary Guitar Spanish School. This collection has very rare tracks coming directly from private collectors' discographies.\u003c\/p\u003e","brand":"IDIS","offers":[{"title":"CD","offer_id":46025986703594,"sku":"8021945003217","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3413336.jpg?v=1778286236"},{"product_id":"albeniz-iberia-arr-for-3-guitars","title":"ALBENIZ: Iberia (arr. for 3 guitars)","description":"Written between 1905 and 1908, the Suite Iberia was and is without any doubt Albeniz's masterpiece. Iberia is an ambitious and remarkably sophisticated composition with a formidable architectural structure of uniquely impressive dimensions. All the pieces are based on traditional Spanish dance rhythms, arranged in a freely artistic and idealized manner. The rhythmical dances smoothly alternate with the \\vocal\" part, the copla. 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