Jazz Best Sellers
100 products
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The Value of Choices
$16.99CDChallenge Records
Mar 20, 2026CR 73618 -
"It's Never Over", featuring Ola Onabule and the Hazelrigg B
$22.99CDAliud
Mar 20, 2026ACDOL152-2 -
Like in the Movies
$20.99CDProphone
Mar 13, 2026PCD387 -
Suits and Scotches
$22.99CDSteepleChase
Jan 23, 2026SCCD 31994 -
Force of Nature
$19.99CDProphone
Apr 10, 2026PCD395 -
For Ray, Milt & MJQ
$19.99CDProphone
Apr 03, 2026PCD392 -
Vice Versa, Vol. 2 - Rebounce
$16.99CDChallenge Records
Mar 27, 2026CR 73599 -
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Lies! Lies! Lies!
$18.99CDLadybird Production
Feb 06, 202679556885 -
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Hard Bop Tango
$26.99VinylProphone
Feb 27, 2026PLP385 -
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- Charles Strouse, Lee Adams: A Lot of Livin' to Do
- Lennon & McCartney: And I Love Him
- Bacharach: Alfie
- Burton Lane, Alan Jay Lerner: On a Clear Day
- Mel Mitchell, Stanley Applebaum, Rita Mann: Passing Strangers
- Erroll Garner, Johnny Burke: Misty
- Gus Arnheim, Abe Lyman, Arthur Freed: I Cried for You
- Rodgers, R: Babes in Arms: My Funny Valentine
- Gerald Marks, Seymour Simons: All of Me
- Walter Gross, Jack Lawrence: Tenderly
- Howard, B: Fly Me to the Moon
- Sammy Cahn, Jule Styne: Time After Time
- Martin, Hugh: The Trolley Song (from Meet Me in St Louis)
- Webb, Jimmy: By The Time I Get To Phoenix
- Rodgers, R: No Strings: The Sweetest Sounds
- Jimmy van Heusen, / Johnny Burke: Polka Dots and Moonbeams
- Rube Bloom, Johnny Mercer: Day in, Day Out
- Gilbert Bécaud, Pierre Delanoë, Carl Sigman: What Now, My Love
- Jack Lawrence, Stan Freeman: I Had a Ball
- Webb, Jimmy: Didn't We?
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Like in the Movies
$26.99VinylProphone
Apr 10, 2026PLP387
Look To The Sky
Ember
The Value of Choices
"It's Never Over", featuring Ola Onabule and the Hazelrigg B
Like in the Movies
GENTLY DISTURBED
Suits and Scotches
Force of Nature
For Ray, Milt & MJQ
Vice Versa, Vol. 2 - Rebounce
Arvoles
Because Avishai Cohen’s previous outing—a 2017 album titled 1970 (Sony)—was his most commercially successful release thus far, one wouldn’t blame him for revisiting a similar artistic wellspring. Instead, for his 17th leader date, the bassist went in another direction, recruiting an entirely different set of musicians for the deeply personal, nostalgia-fueled Arvoles. Half the program here consists of trio recordings with pianist Elchin Shirinov and drummer Noam David, and on the other half, the band expands to a quintet with trombonist Björn Samuelsson and flutist Anders Hagberg. - DownBeat Magazine Editors' Pick
Petite Fleur / Adonis Rose & New Orleans Jazz Orchestra feat. Cyrille Aimée
The celebrated New Orleans Jazz Orchestra examines and the profound relationship of its hometown to the nation of France with its release of Petite Fleur on Storyville Records. The second album under the artistic directorship of drummer Adonis Rose features ten songs, nine of them standards associated with French and New Orleans musicians. The tenth tune is an original by Cyrille Aimée, the acclaimed jazz vocalist born and raised in France but now living and working in The Big Easy itself.
Aimée is the NOJO’s collaborator and vocalist on the album. It was the singer who initiated the collaboration, telling Rose that she would like to work with the 18-piece big band and asking if he had any ideas for a project. “I said, ‘Well, okay, musically, how can I tell a story here?’” Rose recalls. “I thought about the long, shared history of those two places, and that became the concept. A narrative about the musical relationship between New Orleans and France.” The title tune, a standard by early jazz clarinet legend Sidney Bechet, epitomizes the concept: A composition by a New Orleans artist living in France, performed by a New Orleans band with a French vocalist. Composers from both sides of the Atlantic, from Michel Legrand to Jelly Roll Morton, get similar treatment. So do various New Orleanian styles, from a stomp (“Get the Bucket”) to a second line (“Down”) to Fats Domino-style rock ’n’ roll (“I Don’t Hurt Anymore”). In addition to being its spotlight vocalist, Aimée is also Petite Fleur’s featured soloist, applying her razor-sharp scat singing to “In the Land of Beginning Again,” “On a Clear Day,” and “Undecided.”
REVIEW:
Petite Fleur is essentially a meditation on the ties that bind Crescent City art to French culture. Teaming up for 10 songs that cross styles and oceans while exploring that particular connection, the New Orleans Jazz Orchestra and French vocalist Cyrille Aimée make a perfect match, united in the act of storytelling.
The album speaks to Artistic Director and drummer Adonis Rose’s sure-handed helming of the NOJO, the entire band roster’s contributions in part(s) and sum, Aimée’s well-documented gifts, and a shared vision that brings them all together.
-- JazzTimes (Dan Bilawsky)
Ugly Beauty
Organic Music Society
Lies! Lies! Lies!
Jazz Club Montmartre - CPH 1988 - First Set
Debut in The Netherlands 1958 / Dave Brubeck Quartet
With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam. The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.
The Touch Of Your Lips
Hard Bop Tango
Play Ballads
Integrale - Jazz & Bossa Nova 1955-1962
Live at the Berlin Philharmonie 1969 / Sarah Vaughan
Never before entirely released concert recorded on 9 November 1969 at the Berlin Philharmonie. These emotionally intense concerts are all the more remarkable because of the artists high wire act, a balance constantly maintained throughout between her professional savoir faire (a vocal technique at the apex of her art and her interpretive skills) and her emotional abandonment to the moment as she gives her all. The entire performance, with Vaughan pouring out her heart, seems in hindsight at once perfectly timeless in terms of its formal classicism yet thoroughly in the fleeting moment. At the end of the day, these recordings are invaluable. As Vaughan explores the most lyrical, emotional aspects of her art, she overwhelms her listeners as she bares her soul. Her virtuosity in using her imagination to deploy all her technical skills and the extraordinary range of her tessitura are restrained rather than ostentatious. She literally reaches the stars and gives us a unique lesson in music as a form of the art of living.
CONTENTS:
From Darkness
Activism
