2024 release. BRASIL, the new album by Lee Ritenour and Dave Grusin is a showcase for the unique talents of two of the most successful and influential musicians of their generation. It has been an enduring friendship and collaboration, from playing the famed Baked Potato in Los Angeles in the 70s, to collaborations on Dave's records and films and Lee's albums, plus years of touring together on the biggest stages. Guitarist Ritenour and pianist Grusin began their fervent involvement in Brazilian music half a century ago. And, as boldly demonstrated on BRASIL, their new studio recording in several decades dedicated to the genre, their passion remains unabated. BRASIL is a bracing survey of contemporary Brazilian sounds featuring some of that country's most notable young musicians. Also spotlighted are the talents of Swiss born harmonica ace Gr�goire Maret and Brazilian vocalist and composer Ivan Lins, whose album Harlequin with Ritenour and Grusin won a GRAMMY� Award in 1986. Ritenour and Grusin have made an indelible mark in the music industry. With the release of BRASIL, they continue to exemplify how their longevity and success is tribute to their ability to stay on the pulse of the music scene today. "Brazilian music continues to permeate the world," Lee observes. "So, now was the right time and inspiration to go to Brazil and do this recording." And their musical magic continues!

NY CHORINHOS

AS NEVER BEFORE

ANGEL OF THE PRESENCE

At the time of this recording, Thelonious Monk was at both a creative and critical peak. He had recently signed with Columbia Records, notably one of the biggest jazz labels in the world at the time, and the following year became the third jazz musician in history to appear on the cover of Time Magazine. The Classic Quartet is comprised of Charlie Rouse on tenor saxophone, Butch Warren on bass, and Frankie Dunlop on drums. The recording captures what is undoubtedly one of the very best sets of the era. The songs, classic Monk repertoire, will be familiar to any Monk fan. That includes what is by all accounts an exceptional version of one of Monk's favorite standards, "Just A Gigolo." 1. Epistrophy 5:43 2. Ba-Lue Bolivar Ba-Lues-Are 8:47 3. Evidence 8:48 4. Just A Gigalo 3:17 5. Blue Monk 11:21

ANGELICA

COGNITIVE DISSONANCE

A jazz artist to watch (NPR) and "a virtuoso in the truest sense of the word" (JazzTimes), Morgan Guerin spent nearly a year crafting his multi-dimensional Tales Of The Facade, layering instruments and sounds track upon track. And while an impressive amount of the album is performed solely by Guerin, he also enlisted stellar collaborators, including Georgia Anne Muldrow, Melanie Charles, Cisco Swank, Zacchae'us Paul, J Hoard, and Kokayi. Despite Guerin's widespread acclaim as a jazz artist, it would be reductive to call this a "jazz album." "It touches a lot of different periods and styles of music," Guerin explains. "Wayne Shorter and John and Alice Coltrane are big influences, but so are people like Stevie Wonder, Marvin Gaye, Minnie Riperton, and Kendrick Lamar. I wanted all of those sounds to be represented." What's left in the grooves obliterates concepts of genre even as it celebrates genres themselves. Now signed to Candid, Guerin's music will finally reach an audience as vast and diverse as his musical vision.

Recorded mid-November 2006 in Paris, GOLDEN LAND is an album which nourishes on a most genuine jazz feeling, between rhythmic and effervescent episodes and others marked by an atmosphere of great melodic gracefulness, such as the title track, which can be heard here in two versions: The first with the participation of Elisabeth Kontomanou and the second perofmed by the quartet. GOLDEN LAND is jazz made from muscles and above all, with much heart and just as much brain.

Pour the cafe au lait, setting into your favorite easy chair and turn on this winsome collection of classic music and wordplay. This album also features standout recordings that will stimulate your synapses. Track highlights: "Crazeology" by Red Rodney, "Ephemera" by Carla Lother, "Take Five" by the John Basile Quartet, "If I Only Had a Brain" by Livingston Taylor and more!

Led by the legendary pianist and composer Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - The Elektric Band stormed onto the jazz scene in the mid-1980s, making an immediate and lasting impact on the genre. With their electrifying performances and innovative blend of jazz fusion, the group produced a series of albums that set the bar for excellence in contemporary jazz.

JOURNEY TO DONNAFUGATA

LIVE AT THE VILLAGE VANGUARD

HAPPY TIMES

LA DOLCE VITA

DUOLOGUES

Beneath the Mask marks a return to the more commercially viable jazz-funk of the Chick Corea Elektric Band's earlier albums, and marks the end of the first stage in the bands history, which began five years earlier with the group's self-titled debut. Energy meets craft on this superlative outing, which finds the five virtuoso musicians - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master Chick Corea, drummer Dave Weckl, bassist John Patitucci, guitarist Frank Gamble, and saxophonist Eric Marienthal - engaging in a highly sophisticated yet accessible set of music. Massive in the scale of the influences it contains, the album travels from the heavy grooving funk-fusion of the title track "Beneath the Mask," to the lively West African township jive of "One of Us Over 40." to the mellow smooth jazz of "A Wave Goodbye," and the grandiose '70s styl prog-rock/fusion of "Charged Particles." Following the release of Beneath the Mask and subsequent tour, Corea would devote himself to a myriad of other musical projects, and would not reunite with this Elektric Bandmates again until the summer of 2003. Originally released on GRP Records in 1991, the album reflects the innovative spirit of The Elektric Band, pushing boundaries and creating a unique sonic landscape that captivates listeners. Produced by Corea, with longtime engineering partner Bernie Kirsch, the album features detailed liner notes by jazz writer Bill Milkowski, giving context and explicit technical notes to the listening experience.

For The Elektric Band's fourth outing, Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - decided to push the envelope even further then on previous albums. Writing for the band's individual strengths, Corea went full throttle on Inside Out. Here we find the Elektric Band engaging in uptempo burners, prog-rock fantasia, Latin-tinged grooves and the kind of complex and characteristic tight harmonies and unisons that characterized Corea's earlier compositions of 1970s. There is are highly orchestrated aesthetic pieces like "Make a Wish, Part 1," "Stretch It, Part 1," the driving, Latinesque swinger of "Make a Wish, Part 2," the intricate stop-time vehicle "Kicker" and the epic 20-minute, four part suite, "Tales of Daring." Notably one of Corea's most complex and demanding compositions. Originally released on GRP Records in 1990, the album reflects the innovative spirit of The Elektric Band, pushing boundaries and creating a unique sonic landscape that captivates listeners. Produced by Corea, with longtime engineering partner Bernie Kirsch, the album features detailed liner notes by jazz writer Bill Milkowski, giving context and explicit technical notes to the listening experience.

By the time Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - went into Mad Hatter Studios in Los Angeles to record the third album with his Elektric Band, the lineup had been solidified through constant touring the previous year. Dedicated to his father Armando, a trumpeter who led a Dixieland band in Boston in the 1930s and 1940s, Eye of the Beholder reflected a tightening of the ensemble playing and a greater showcasing of the individual solo prowess of these consummate musicians. With this fresh sounding five-star recording, it is clear that Corea was more open to showcasing this band's collective muscle and individual virtuosity. The group rips, in no uncertain terms, on showcases like "Cascade, Part II," "Trance Dance," and the staggering "Amnesia." There are experimental excursion into the kind of atmospheric, ambient music realms that Brian Eno pioneered on "Cascade, Part 1" and may be the most profound musical statement of the collection, on par with past Corea high points, "Beauty." Originally released on GRP Records in 1988, the album is a high-water mark for Corea and his Elektric Bandmates. Produced by Corea, with longtime engineering partner Bernie Kirsch, the vinyl LP has been cut by legendary engineer Bernie Grundman features liner notes by jazz writer Bill Milkowski, giving context and explicit technical notes to the listening experience.

This superb recording features a reunion of two of jazz's finest - tenor-saxophonist Coleman Hawkins and clarinetist Pee Wee Russell. At the time of this session, the two had not been on a recording date together in 32 years. Here they revisit "If Could Be With You One Hour", a song they first recorded in a classic version back in 1929.

DOORWAYS

Carrington's very first session, TLC & Friends features an epic and enviable lineup of collaborators, including Kenny Barron on piano, George Coleman on saxophone, and Buster Williams on bass. Her father Sonny Carrington also contributes saxophone to the Sonny Rollins classic "Sonnymoon for Two." The album masterfully showcases Carrington's artistry as a drummer and composer, highlighted by the standout original track "La Bonita," a refreshing interpretation of Billy Joel's beloved composition, "Just The Way You Are," alongside scorching renditions of standards like "Seven Steps To Heaven," and "What Is This Thing Called Love.

2024 release. Multi-Grammy winner, internationally celebrated pianist, vocalist, composer and arranger Eliane Elias returns to her signature style of Brazilian jazz with TIME AND AGAIN. Recorded in Sao Paulo, TIME AND AGAIN showcases Elias' exceptional songwriting with eight new songs including three newly revisited and revised from across her storied career. Four of the songs were co-written with her partner and renowned bass player Marc Johnson. Joining her are section of noted Brazilian musicians along with special guests virtuoso guitarist Bill Frisell, and the legendary Brazilian singer Djavan. Produced by Eliane Elias, Marc Johnson and Steve Rodby.

Softpack Wallet- Remastered by Bernie Grundman. The combo here, referred to by Mingus as The Jazz Workshop, had been in residence at the Showplace on W. 4th St. In Greenwich Village for nearly a year when they entered the studio to record what became the album Charels Mingus Presents Charles Mingus in October of 1961. To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, giving off the illusion of a live album. The charade paid off.

Softpack Wallet - Remastered by Bernie Grundman. 1992's A Walkin' Thing is the last of three albums the great American organist Shirley Scott recorded for Candid, and her final recording before her passing. First and foremost, Scott was a trained pianist, and it should be noted that towards the end of her life, she gravitated more to that instrument. But here, Scott returns to form, making this recording bitter sweet. Recorded in 1992 at the at the famed Van Gelder Studio in Englewood Cliffs, New Jersey and engineered by Rudy Van Gelder. This recording has been remastered by legendary mastering engineer Bernie Grundman.