Concrete Canyon

Following the highly successful duo series by Archie Shepp (with Horace Parlan SCCD 31079 “Goin’ Home”, SCCD 31139 “Trouble In Mind” and with Niels-Henning Ørsted Pedersen SCCD 31149 “Looking At Bird”), here with Holland’s leading keyboard player Jasper Van’t Hof the great saxophonist mesmerised the audience with his electrifying performance.

Serenade To Silver

Very Early

Wire Walker

Two's Company

Story Time

In Search Of Hope

Work It

Wait And See

Tivoli Two

New York Hilton

Una Max

Pianist/composer Irving Sidney “Duke” Jordan (April 1, 1922 – August 8, 2006) was most noted for his association with Charlie Parker in the late 40s and for his compositional talent as the author of “Jordu” and “No Problem”, among others. Late 1970s and throughout 80s Duke Jordan and SteepleChase’s collaboration produced several of outstanding albums. This recording from 1978 made in New York featured the trumpeter / flugelhornist Art Farmer who was like Jordan an expatriate at the time residing in Vienna, Austria. Farmer who was a co-founder of famed Jazztet was known for his lyrical and smooth sound on his horn. Duke Jordan the quintessential bob player has played in Charlie Parker’s best group in 1947 and he contributed numerous inspiring tunes to the jazz literature.

Kenny Drew recorded in a variety of settings for SteepleChase. Among his trio recordings, The Penguin Guide to JAZZ rates this recording as “the best one”. “ ...this is a trio not only of great virtuosity, but of greatly gifted melodic sense....” (Chris Sheridan)

Let's Play

Ali Girl

The Backbeat

Unforgettable

What's Goin' On

The Greeting

Left Alone

Beautiful Love

Blue Degrees

When the album by this unlikely duet of Shepp and Parlan playing hymns and spirituals came out in 1978 for the first time, it was an instant success and has become a classic since then. It is a success of unique theme (by the producer Nils Winther) and of sheer strength of musical material and of performance executed with grace and sensitivity. “...an overwhelming and emotional listening experience.” (Atlanta Journal Weekend)