Jazz CDs
Jazz CDs
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Gabi Hartmann
V1: ON BROADWAY
Open-Minded
Die Blaue Nixe
The Unrecorded Fox
Land & Sky
The Treasury Shows, Vol. 11
The Treasury Shows, Vol. 12
THE TREASURY SHOWS VOL. 13
Horace Parlan in Copenhagen
A European tour with Miriam Makeba in 1970 had brought Parlan to Copenhagen, where four off-days gave him time to look around the city. He liked what he saw and two years later he settled down in Copenhagen. Horace Parlan enjoys playing solo piano – but haven’t had the chance to do it all that often. Parlan’s aim in making this CD was to give highly personal interpretations of compositions which he has cherished over the years but which have not been over-recorded. He says: "I am not a Tatum – I have to make the material fit my particular style and I spent quite a bit of time working on the arrangement. I wanted to do a reflective CD – no racehorse tempos, no pyrotechnics – and also make the harmonic structures as interesting as possible."
AMERICAN EXPERIENCE
HOT
The Treasury Shows, Vol.18
ACT 2
Six Strings Under
Pianists and guitarists don't always mix well,"" Eric Legnini says. There can even be a kind of competition in the air between these two instrument worlds, these two mini orchestras on their own, these two popular technical tools that everyone has tasted at one time or another. However, it is far from being his case, says the Belgian: on his side, relations are rather good - even if, he confesses in a loud laugh, that he is only a ""poor guitarist"" who can only play ""three poor Brazilian chords"". But it must be said that the native of Huy (near Liege) grew up with a father who was a fan of Django Reinhardt: ""there were always some that resonated in the house"", he recalls. And then, along the way, Eric Legnini met some of the best specimens of the genus. Whether with the pillar of the Plat Pays Philip Catherine or the legend Toots Thielemans, harmonica player of course, but also skillful six-stringed player. With Six Strings Under, the pianist accomplice of Joe Lovano, Claude Nougaro, Stefano Di Battista, Aka Moon, the Belmondo brothers or Ibrahim Maalouf certainly decides to make a kind of declaration of love for this instrument that has rocked him all his life. But not only that: in addition to a nod to the famous series Six Feet Under, of which he is a fan, this album marks a return to acoustic and instrumental formats, two areas that he had left for several years to focus on more electric and full of vocal guests: the trilogy The Vox - Sing Twice - Waxx Up with Hugh Coltman, Mamani Keïta, Yael Naïm or Krystle Warren.
Bolling: California Suite / Hubert Laws
I Gotta Right to Sing the Blues
April In Paris / Coleman Hawkins
1. Body and Soul
2. When Day Is Done
3. Bouncing With Bean
4. April in Paris
5. Angel Face
6. I Love You
7. There Will Never Be Another You
8. Little Girl Blue
9. Bean Stalks Again, The
10. Have You Met Miss Jones?
Personnel includes: Coleman Hawkins (tenor saxophone); Thelma Carpenter (vocals); Benny Carter (alto saxophone, trumpet); Eustice Moore, Budd Johnson (alto saxophone); Fats Navarro, Jimmy Nottingham, Tommy Lindsay, Joe Guy (trumpet); Jimmy Buffington (French horn); J.C. Higginbotham, J.J. Johnson, Urbie Green, Jack Satterfield (trombone); Julius Baker, Sid Jekowsky (flute); Danny Polo (clarinet); Phil Bodner (oboe); Hal McKusick, Zoot Sims, Al Cohn (reeds); Marty Wilson (vibraphone); Gene Rodgers, Hank Jones (piano); Lawrence Lucie, Chuck Wayne, Barry Gailbraith (guitar); Johnny Williams, Milt Hinton, Oscar Smith, Jack Lesberg (bass); Walter Johnson, Max Roach, Osie Johnson, Art Herbert (drums); Phil Kraus (bells).
Recorded between October 11, 1939 and January 20, 1956. Includes liner notes by Ira Gitler.
Digitally remastered by Joe Lopes and Jay Newland (1991, BMG Recording Studios, New York, New York).
On APRIL IN PARIS, the king of tenor saxophone plays in myriad musical settings recorded over three decades. Hawkins' inimitable dark-toned sound is documented over these ten tracks. However, his classic recordings from the '30s and '40s demonstrate his legacy best. Whether it is "Body and Soul" or "Bouncing With Bean," Hawk's woody, vibrato-laden approach is in full bloom.
Songs such as "There Will Never Be Another You," "Little Girl Blue," and "Have you Met Miss Jones?" are enhanced by the delicate and lush sound of a string orchestra. Hawkins, known for a thick, almost abrasive sound, plays lighter and more romantically (a la his friend Lester Young) on these tracks.
SOMETHING PERSONAL
V3: MEMORY SELECT: PARIS CONCE
EXILE'S GATE
FOR 3 STRINGS & ORCHESTRA
The Indispensable Count Basie
Disc 1:
1. Bill's Mill
2. Brand New Wagon
3. One O'Clock Boogie
4. Futile Frustration
5. Swingin' the Blues
6. St. Louis Boogie
7. Basie's Basement
8. Backstage at Stuff's
9. My Buddy
10. Shine on Harvest Moon
11. Lopin'
12. I Never Knew
13. Sugar
14. Jungle King, The
15. I Ain't Mad at You
16. After You've Gone
17. House Rent Boogie
18. South
Disc 2:
1. Don't You Want a Man Like Me
2. Seventh Avenue Express
3. Sophisticated Swing
4. Guest in a Nest
5. Your Red Wagon
6. Money Is Honey
7. Just a Minute
8. Robbin's Nest
9. Hey Pretty Baby
10. Bye Bye Baby
11. Just an Old Manuscript
12. She's a Wine-O
13. Shoutin' Blues
14. Wonderful Thing
15. Mine Too
16. Walking Slow Behind You
17. Normania
18. Rat Race
19. Sweets
Personnel includes: Count Basie (piano, organ); Taps Miller, Jimmy Rushing (vocals); Preston Love, Rudy Rutherford, Charlie Price (alto saxophone); Buddy Tate, Paul Gonsalves (tenor saxophone); Jack Washington (baritone saxophone); Ed Lewis, Emmett Berry, Clark Terry, Snooky Young, Harry Edison (trumpet); Ted Donnelly, George Matthews, Eli Robinson, Bill Johnson, Dickie Wells, George Washington (trombone); Freddie Green (guitar); Rodney Richardson, Walter Page (bass); Shadow Wilson, Jo Jones (drums).
Recorded in Los Angeles, California; New York, New York; Chicago, Illinois between January 3, 1947 and February 2, 1950. Includes liner notes by Don Waterhouse.
This is part of RCA's Jazz Tribune series.
