(2-CD set) “What musically moves me the most ? There’s Ravel’s Valses Nobles et Sentimentales (...). I can’t forget Bach’s Toccata and Fugue where the music reaches my heart and makes me cry. Debussy is maybe the closest to my musical ideal as in him I can find the sensitivity and intelligence that I demand from all music”. Django REINHARDT. Includes a 40 page booklet with both French and English notes.

 Ámbar, the fifth studio album from Chilean-born talent Camila Meza, showcases the multitalented vocalist, guitarist and composer's ever-evolving artistic sensibility. Accompanied by the Nectar Orchestra, frequent collaborator Noam Wiesenberg, pianist/keyboardist Eden Ladin, drummer/percussionist Keita Ogawa, violinists Tomoko Omura and Fung Chern Hwei, violist Benjamin von Gutzeit and cellist Brian Sanders, Meza reaches new virtuosic and expressive heights as a singer, a stirring guitar soloist, an ambitious songwriter and a producer. Distinguished by it's extraordinarily close attention to sonic detail, Ámbar is Meza's boldest artistic statement to date. Steeped in metaphor, romance and complex emotion, Ámbar is a breakthrough, rooted in the incredible agility and interplay of Meza's state-of-the-art jazz group.

Ensemble 5o Elemento was formed by Mexican musicians who came together to explore jazz and all it's rhythmic, melodic, and harmonic facets. Their repertoire covers a broad spectrum, from jazz classics of the sixties a la Miles Davis, to contemporary jazz works inspired by Spanish influences. Most of the pieces they play are composed by the members themselves. The present release is presented in honor of the group's 20th anniversary and features a programme of Mexican jazz.

14.99

(2-CD set) Hawk took his hat off to no one. Includes a 16 page booklet with both French and English notes.

Many Ways

Since moving to Germany, Shannon Barnett has become very active in the local scene. Her quartet, featuring Stefan Karl Schmid (tenor saxophone), David Helm (bass) and Fabian Arends (drums) was nominated as a semi-finalist in the 2017 Neuer Deutscher Jazzpreis. They have performed widely in Germany, including at the Acht Brucken and Winterjazz Festivals, the Peng Festival and IG Jazz in Mannheim. In 2016, they toured Australia, performing at th eWangaratta Festival of Jazz and Sydney Women's Jazz Festival. This is the ensemble's debut album.

Nucleus

Although this trio has been together since 2007, this is only their third album. It's predecessor Two Lost Churches triggered an extraordinary response in the international press, and this new one will certainly surpass that!

Constantly Moving - Next Generation, Vol. 14

The Next Level

Mysterious

Markus Burger writes of his new release: "Since I was a child, I have loved the outdoors and fell in love with the vast wilderness of Alaska and Iceland. In 2000 I visited Iceland for the first time and wrote most of the songs for my solo piano release Ultreya which came out in 2001 on Jazzline Records. It took me until 2002 to go to Alaska and visit Valdez and the Kenai Peninsula. I was blown away by the beauty of Alaska and the uniqueness of the folks that live there. Through my affiliation with Idyllwild's Jazz Academy director Marshall Hawkins, one of the finest bassists on the West coast and a great Jazz Educator, I was fortunate enough to start teaching for a few semesters in Homer Alaska. In 2015 and 2016 I got to visit Kodiak Island, which left a lifetime impression on me. The songs on this album were written in Alaska over the years of my trips to this wilderness state. When planning this album's recording session, I asked Bob Magnusson to play bass, because we share the love of musical elegance and simplicity- and because I truly love Bob's bass sound (like so many others before me). I have admired Peter Erskine since I first heard him perform with his ECM Trio featuring John Taylor and Palle Danielsson. I love his playing and his compositions and I was thrilled when he agreed to be part of this musical project... Jim Linahon has been the sound wizard behind all of my albums for Challenge Records and he is in my humble opinion one of the finest engineers and producers for Jazz in the U.S. today. He was delighted that Microtech Gefell and DPA send him their fienst microphones to capture every nuance of our trio's playing... "

Classical Music

Classical Music

Hlm are Belgian jazzers Steve Houben, Charles Loos & Claude Maurane. Igloo.

Peter Beets is one of the most-recognized piano giants of our time. He is acclaimed worldwide, and his star keeps on rising while his creativity keeps increasing. In variable musical activities, from the accompaniment of "first lady of jazz" Rita Reys to his timeless arrangements of classical music, Beets' personality and signature are always unmistakable.

L’interview Brel, Brassens, Ferré

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Did you ever hear an 18th century fortepiano, a violone from 1560 and a historical drum and percussion kit playing contemporary music full of improvisation and groove? On the latest release of the Rembrandt Frerichs trio this unlikely combination has come together. And how! This mix of sounds has never before been heard, certainly not in jazz. The chosen repertoire is equally unorthodox: the trio play original compositions, baroque repertoire, modern improvisations and even Herbie Hancock's jazz-rock hit "Butterfly." Piano pioneer Rembrandt Frerichs developed a unique playing style on the fortepiano, an idea that was spawned by the many collaborations with musicians from the Middle East. The National Musical Instrument fund had such an instrument built for Rembrandt by Chris Maene in Belgium. In response to this, Tony Overwater started to master the violone, precursor to the double bass. Vinsent Planjer complements this with an unconventional collection of percussion instruments from all over the world. The Trio demonstrates that instruments from centuries gone by can sound totally modern when placed into a new context. The listener experiences a sound palette like they have never heard before, but is still somehow strangely familiar.

Classical Music