Jazz CDs
Jazz CDs
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V1: MUSICMASTERS CATALOGUE
The Treasury Shows, Vol. 22: Duke Elllington & His Orchestra
The Treasury Shows, Vol. 24
Storyville Records presents: Volume 24 in the Duke Ellington Treasury Shows series, now approaching the end of this collectors’ special broadcast series. In April 1945, to promote the sale of war bonds, the US Treasury Department contacted Duke Ellington to do a series of 55 min public broadcasts. These sessions would give Ellington a wide choice of material to perform including his older work; new instrumentals and pop tunes and his extended works as well. This extended release contains a series of different radio NBC broadcasts from the famous Blue Note club in Chicago, Illinois from the summer of 1953. The album also incudes a bonus recording from April 1944, a MBS broadcast from the Hurricane Restaurant in New York City. The broadcasts are featured complete with radio speaks and encouragements to buy bonds read by The Duke himself, plus bonus material and liner notes.
The Treasury Shows, Vol.16
Dreamchild
The Treasury Shows, Volume 19
The Treasury Shows, Vol. 17
Fit as a Fiddle
The Treasury Shows, Vol. 21
This album contains a series of different radio broadcasts from The Million Dollar Theatre in Los Angeles, the El Patio Ballroom in Denver, the Orpheum Theatre in San Diego and the Trianon Ballroom in South Gate, California. The broadcasts are featured complete with radio speaks and encouragements to buy bonds read by The Duke himself + bonus material and extensive liner notes. The first disc contains a radio broadcast from The Million Dollar Theatre in Los Angeles, July 6m 1946 plus bonus tracks from a CBS Broadcast from Lakeside Park, the El Patio Ballroom in Denver, July 14, 1942. The second disc features a broadcast from the Orpheum Theatre in San Diedo, July 27, 1946, with the bonus tracks being from a radio broadcast in the Trianon Ballroom, South Gate, California dating back to May 2, 1942. As a teaser for the sound found on this volume, Duke Ellington connoisseur Brian Koller, author of the extensive liner notes, writes: “It is no wonder why the Cat Anderson composition Teardrops In The Rain was a band staple for two years. The band really swings, and when it’s time for Anderson’s solo, he shows off high note pyrotechnics that few if any other trumpeters could match. Al Sears unleashes a might tenor sax solo, then the band is briefly reduced to a rhythm trio featuring Pettiford’s bass and the Duke on piano. To close the number, the full orchestra reverses the introductory themes.” Energy like that is found all through the broadcasts!
ECKSTINE, Billy: Yours To Command (1950-1952)
Masters of Jazz Vol. 6: Stuff Smith
The Treasury Shows, Vol. 20
The Treasury Shows, Vol. 5
Love & Peace
LEGENDARY RADIO BORADCASTS VOL. 2
In Scandinavia
Over the course of his long and illustrious career, Louis Armstrong visited Scandinavia on no less than nine occasions to both tour and record. Amongst the wealth of fabulous recordings he produced on these vists are six tracks thare said to be the world's first live jazz recordings, recorded in Denmark and Sweden during the 1930's.
These and many other recordings, some previously unreleased, have been meticulously restored for this 4 CD Armstrong collector's set.
Each CD has over 70 minutes of music and is accompanied by a booklet including many unique photographs and comprehensive liner notes from the renowned Armstrong authority, Gosta Hagglof.
At the Cotton Club
Space is the Place
Great Concerts - Duke Ellington, London & New York 1963/64
Yale University Archives - Benny Goodman, Vol. 1
In Copenhagen: Ralph Sutton
In Copenhagen: Jay McShann
The Treasury Shows, Vol. 3
Five Fine Violins
Composing
Wayne Shorter once said “To hell with the rules, I’m going for the unknown”. This is what we did on this recording. No talks about tunes, keys, solos, tempos—as a matter of fact Jean-Michel and Marilyn hadn’t even played together before. We just started playing to see where the music would take us - and as you can hear it was quite a trip. We did two long sets and occasionally a tune would emerge - but most of the time we where in unchartered waters, taking us to places we haven’t been before. This is the ultimate way of improvising. Why then is the album called Composing? Well - Arnold Schoenberg also once said “Composing is improvisation slowed down”. This album is compositions in realtime. - Mads Vinding
