EARLY YEARS: THE ALBUMS COLLECTION 1957-61

Bill Frisell's project, In My Dreams, is a family reunion of sorts, which brings some of the acclaimed guitarist's closest friends together into a unique sextet - featuring Jenny Scheinman on violin, Eyvind Kang on viola, Hank Roberts on cello, Thomas Morgan on bass, and Rudy Royston on drums. Their deep musical history goes back decades, though never in this configuration, and together they travel wide expanses of American music including Frisell originals as well as jazz and Americana staples. Produced by Lee Townsend, the album is released as part of Frisell's 75th birthday celebrations.

DUOS

SOMEWHERE, EVERYWHERE

NTSANO

EVERYTHING HAPPENS TO ME

DAGGERBOARD THE SKIPPER AND MIKE CLARK

ROAR AND THE WHISPER

HERE WE GO

After many years of working to synthesize voice and trumpet, Bria Skonberg has chosen to explore them both individually. Her new album on Cellar Music is the first of those explorations - ' Brass'. For Juno award winner Skonberg studying the trumpet has been a true labor of love. Through precision, power, style, and/or subtlety, this collection of songs and arrangements is a celebration of her favorite elements of playing the trumpet. Her trio of Luther Allison, Eric Wheeler and Darrian Douglas provides a highly swinging, steady yet versatile foundation for the project. The trumpet is ultimately an extension of Bria Skonberg's voice, and the beauty of instrumental music is it can often express emotions without words. As with previous projects, Skonberg finds a way forward by building on the past - writing a number for pioneer brass instrumentalist Dolly Jones, as well as featured future trailblazer Kellin Hanas.

VITAL SPARK

GRAZING

VEINS OF RAIN

Tongue Tied marks the first single from Wong's eagerly awaited new studio album, Lost In The Wonder, arriving everywhere on Tuesday, February 3, 2026. The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.

The Bryan Ferry Orchestra - "Bitter-Sweet" Drawing inspiration from the shadowy cabarets and smoky jazz halls of late-1920s Weimar Berlin, Bitter-Sweet sees Bryan Ferry and His Orchestra reimagining his solo and Roxy Music catalogue with a sophisticated jazz sensibility. The album features elegant horn and woodwind arrangements, muted trumpet, clarinet flourishes, and a mood of urbane melancholy, transforming classics like "Alphaville," "Reason or Rhyme," and "While My Heart Is Still Beating." Ferry himself provides select vocals on eight tracks, while the remaining songs unfold as instrumental reinterpretations, arranged with the expertise of Colin Good and performed by a full ensemble of seasoned jazz musicians. The album's concept grew from Ferry's work as music consultant on the acclaimed German TV series Babylon Berlin, where several tracks were originally featured, blending cinematic drama with jazz authenticity. Available on CD packaged in Japanese-style oversized sleeve.

The Bryan Ferry Orchestra -"The Jazz Age" / Step into a world where classic art-pop meets the roaring 1920s. The Jazz Age reimagines Bryan Ferry's Roxy Music and solo catalog as elegant jazz instrumentals, presented by the Bryan Ferry Orchestra. From "Virginia Plain" and "Do the Strand" to "Love Is the Drug" and "Avalon," each track is transformed through authentic 1920s-style arrangements featuring banjo, clarinet, muted trumpet, baritone sax, and double bass, crafted by renowned arranger Colin Good. Top UK jazz players, including trumpeter Enrico Tomasso and saxophonist Alan Barnes, bring these timeless melodies to life, while mono-style production evokes the charm of vintage 78 RPM recordings. Ferry himself steps back from vocals to serve as conductor and producer, curating this inventive project born from his love of jazz and curiosity about how his songs would stand without singing. Available on CD in a Japanese-style oversized sleeve.

WE ARE PROFOUNDLY PREDISPOSED TO DROWNING

The trio-debut of pianist, composer and 2025 MacArthur Fellow, Craig Taborn with Tomeka Reid and Ches Smith has been eagerly awaited. Their approach to Dream Archives is cerebral, yet as the title suggests, a wide musical spectrum is covered as multitudes of idioms seem to be pulled from history and reconfigured to form a previously unheard sound world full of reveries. Dancing grooves and powerful lyrical accounts also arise in otherwise densely orchestrated trio interchanges. Sometimes Craig wears his influences on his sleeve, and with the trio's passes at Paul Motian's "Mumbo Jumbo" and Geri Allen's "When Kabuya Dances" two of his most important ones are paid homage to in masterful fashion. Tomeka on cello juggles with melodic lead on the one hand and a pizzicato bass bedrock on the other, coalescing - with tension - with Ches Smith's versatile sound array and Craig's comprehensive grasp of the keyboard.

Chet Baker - Two a Day Recorded on December 29, 1978 at the Ch�teau d'H�rouville with Jean-Louis Rassinfosse on bass, Jeff Brillinger on drums and Phil Markowitz on piano, then mixed at Studios Davout on December 8, 1979, Two A Day has not been reissued on vinyl since 1980. This little-known but remarkable album from Chet Baker brings together instrumental and vocal tracks, all infused with the swing and emotional depth that define his finest recordings. To fully highlight the qualities of this masterful session, a high-quality remastering has been carried out, restoring the warmth and intimacy of the legendary Ch�teau d'H�rouville studios, which also hosted artists such as David Bowie and Pink Floyd.

Bellbird's The Call is a soaring, visceral new statement from the Montr�al avant-jazz quartet of Claire Devlin, Allison Burik, Eli Davidovici, and Mili Hong; their second album and first for Constellation Records. Building on the acclaimed self-released debut Root in Tandem (2023), the group refines it's deeply collaborative practice, merging intricate composition and free improvisation into a unified, muscular sound that bridges jazz, rock, fusion, and folk. Recorded live-off-the-floor at Montr�al's legendary Hotel2Tango by engineer Sylvaine Arnaud, The Call channels the collective's empathy, urgency, and raw dynamism. It's title track draws inspiration-and even sonic material-from the piercing cry of the white bellbird, one of nature's loudest creatures, while the album's emotional arc meditates on interconnection, climate crisis, and solidarity. An explosive, humanist record from a band redefining the parameters of modern jazz, The Call arrives as Bellbird prepares a Western Canada tour in January 2026, bringing their exhilarating live energy to audiences across the region.

ULTIMATE COLLECTION STEVE LAWRENCE / EYDI GORME The first track on this 4-CD set is "This Could Be the Start of Something Big," and it sure is: here, at last, is the Steve Lawrence and Eydie Gorm� collection all of their fans have been waiting for, the biggest and (by far) best-sounding set ever devoted to the pair of legendary pop vocalists. Under the supervision of their son David Lawrence (who contributes a personal note to the booklet), we've gone back to the original tapes for most of these 72 tracks; some of these have never appeared on CD, and, with Eric Boulanger's new remastering, the ones that have come out sound much better than they did before. Disc One, "Duet Classics," features such career touchstones for the couple as "Baby It's Cold Outside," "For Once in Your Life," and "We Got Us." Disc Two, "Steve Classics," brings the hits with "Portrait of My Love," "Footsteps," and "Go Away Little Girl" along with such signature renditions as "I've Gotta Be Me" and "I Want to Be with You" and even an unreleased track, "You and I." Eydie takes over (and how!) on Disc Three with such smashes as "Blame It on the Bossa Nova," "What Did I Have That I Don't Have," "If He Walked into My Life," "Tonight I'll Say a Prayer, and her Spanish-language classic with Trio Los Panchos, "Sabor a M�." And Disc Four revels in the duo's love of Broadway with songs like "Mama, A Rainbow," "The Ladies Who Lunch," "Two on the Aisle," and the uproarious "The Honeymoon Is Over." Like this collection, Joe Marchese's liner notes follow Steve and Eydie's career every step of the way, and we've included some rare photos courtesy of the estate. The ultimate collection indeed, the comprehensive, career-spanning collection these two icons have long deserved!

Tenor saxophonist Melissa Aldana's third Blue Note album, Filin, is an exquisite ballads album that presents stunning new versions of songs drawn from the Filin music tradition of Cuba, a style of popular song from the 1940s-60s that was deeply influenced by American musicians such as Nat King Cole. The album title is a homophone with the word feelin' and the deeply felt performances find Aldana with a remarkable quartet featuring the Cuban pianist Gonzalo Rubalcaba with Peter Washington on bass and Kush Abadey on drums, as well as special guest vocalist Cecile McLorin Salvant on two tracks. The band also interprets songs by Brazilian composers Hermeto Pascoal ("Little Church") and Cartola ("Las Rosas No Hablan").

As genre conventions continue to morph and blur, there's a wealth of stunning new music being made wherever groups of musicians have the imagination and ingenuity to transcend the old boundaries and just play whatever comes naturally. Sun Speak are such a group and their album Probiotic Orchestrations is full of music that's urgent, powerful, accessible and humorous, pulling together sounds and textures from the worlds of rock, jazz, electronica, Americana and the outer reaches of progressive music into compelling whole. Guitarist Matt Gold and drummer Nate Friedman first came together as Sun Speak ten years ago amid the white heat of the Chicago experimental scene, where they'd worked with such luminaries as Makaya McCraven and Patricia Barber. On this, their sixth release, they continue to develop their own distinctive sonic world with the aid of fellow Chicagoan Daniel Pierson who joined as engineer/sound sculptor and now increasingly takes a collaborative role as a third member of the band on keyboards. Now the trio are dispersed and live in different corners of the USA, but in 2024 they came together in a remote seaside cabin in New Hampshire, writing and recording every day in an intense undisturbed whirlwind of creativity. Probiotic Orchestrations is the result - a dazzling mix of improvisation and composition, exploring rhythm, colour and texture with the directness of rock and the fearless improvisatory flair of jazz.

MUSIC FOR CLARINET & PIANO

On Rick Braun Plays Chuck Mangione, Braun performs every track on the same Couesnon flugelhorn he played as a student at the Eastman School of Music and with the band Auracle-fitted with the cherished Giardinelli mouthpiece gifted to him by the legend himself during a meeting at the 2007 Long Beach Jazz Festival. The collection features an extraordinary roster of collaborators including original Mangione guitarist Grant Geissman, saxophonists Richard Elliot and Tom Scott, keyboardist Philippe Saisse, and flutist Steve Kujala.