This is Horace Parlan’s second quintet date (the first one “Frank-ly Speaking” SCCD 31076 recorded in New York) and this time recording took place in Copenhagen with fellow expatriate Thad Jones on flugelhorn and visiting tenorman Eddie Harris on the front line. This session incidentally marks Thad Jones’ come-back as an instrumentalist after a break enforced on by an accident. “...it’s another fine addition to Parlan’s discography.” (Jazz Journal)

“… ‘Something Different’…finds Gordon at the top of his form…While melodic continuity has always been one of Gordon’s trademarks, the seamless passion of his playing here makes ‘Something Different’ one of the tenor giant’s essential albums.” (Larry Kart, Chicago Tribune) “… The great tenor saxophonist is in grand form in a quartet in which he is complemented and challenged by the young Belgian guitarist Philip Catherine and by Gordon’s favourite drummer, Billy Higgins …” (Doug Ramsey, Chronicles Of Culture) 180g Audiophile Vinyl

Legendary South African bassist Johnny “Mbizo” Dyani (1947 – 1986) left a significant musical/political legacy in spite of his short life of 39 years. While still a teenager Johnny exiled himself from South Africa where an interracial band The Blue Notes was banned under apartheid rule. Regrettably he could not live to see the end of apartheid but remained an active component of anti-apartheid movement throughout his life. Johnny Dyani left a number of superb recordings on SteepleChase during the 70s and this is his most ambitious project with colourful instrumentation including steel drums. 180g Audiophile Vinyl

Lullaby For A Monster

Destiny Is Yours

Divine Revelation

At Copenhagen Jazzhouse

One of the best assets of the Count Basie Big Band in the 50s, Eddie “Lockjaw” Davis was a frequent guest player in Europe in the 70s. In the Spring of 76 Lockjaw went into a studio in Copenhagen with “the excellent Danish rhythm section” which “manage to coax some of the best playing from the tenor saxophonist since his days with Basie” (Gramophone). “...The mood, as always with Davis, is a happy one. With the help of the fine, supportive rhythm section it becomes contagious, and ...it is an awful lot of fun to listen to.” (Fanfare) “Thankfully, the girls haven’t come home yet, so this rhythmic set of eight tunes (11 on this CD) swings out nicely...” (Billboard)

Notes On Ornette

The Highest Mountain

Bebop

Reflections Of Monk - The Final Frontier

The Nearness Of You

If We May

Here is the second volume of “In The Tradition” with all titles in first takes to complete the session which started with Volume one. The session was originally meant for Dexter Gordon. As Dexter was taken ill at the time of recording, Braxton filled in and the rest is history. “ This music confirms Braxton’s talent for striking a fine balance between the purely experimental and the more conventional.” (Jazz Journal)

Dexter In Radioland vol. 6 With his favourite rhythm section, Dexter leads the proceedings of this sixth volume of live transmission from the 60’s European jazz Mecca Montmartre . “This excellent series of records which starts with Montmartre Jazzhus live date from 1962 documents the way in which Gordon was playing when he arrived in Europe ... They prove that he was playing very well at the time...” (Barry McRae, Jazz Journal International)

Billie's Bounce

Classical Music

Classical Music