Twenty years after their acclaimed trilogy, Eric Rasmussen and his long-standing quartet return with School of Tristano 4-a revelatory deep dive into the compositions and aesthetics of Lennie Tristano, Lee Konitz, and Warne Marsh, paired with striking originals. Drawing from decades of study, stage experience, and personal connection, Rasmussen's quartet reinvents this rich, often-underrepresented repertoire with stunning clarity, warmth, and spontaneity. While the album brims with telepathic interplay and ensemble finesse, Rasmussen's alto saxophone sings with a personal voice, never imitative, always rooted in the language of deep jazz tradition but reaching forward. Guitarist Nate Radley, bassist Dave Ambrosio, and drummer Mark Ferber bring unmatched sensitivity, groove, and lyrical depth. School of Tristano 4 offers both serious jazz heads and adventurous listeners a fresh insight into classic modernist repertoire-an album that resonates with the spirit of Tristano while speaking entirely in the quartet's own voice.

Avant de devenir le maestro des bandes originales cultes comme Mission: Impossible ou Bullitt, Lalo Schifrin etait un virtuose du piano et un grand innovateur du jazz et de la bossa nova. Avec un sens de l'arrangement dej� exceptionnel, il arrange et compose pour Dizzy Gillespie ou Quincy Jones. Ce coffret 3 CD, realise par Olivier Julien reunit les premiers enregistrements publies sous son nom et nous plonge dans les debuts eclatants d'un jeune pianiste de jazz argentin lumineux, en passe de devenir l'un des plus grands compositeurs d'Hollywood. Patrick FReMEAUX Before he became the maestro of iconic film scores like Mission: Impossible or Bullitt, Lalo Schifrin was already a piano virtuoso and a major innovator in jazz and bossa nova. With an already exceptional knack for arrangement, he arranged and composed for Dizzy Gillespie and Quincy Jones. Curated by Olivier Julien, this 3-CD box set brings together the first recordings released under Schifrin's name, offering a captivating glimpse into the brilliant early days of a young, luminous Argentine jazz pianist on the cusp of becoming one of Hollywood's greatest composers. Patrick FReMEAUX CD1 : RENDEZ-VOUS DANSANT � COPACABANA AVEC LALO SCHIFRIN, SON PIANO ET SES RYTHMES - MOULIN ROUGE - LES OIGNONS - FASCINATION - CABELLO ROJO - MON HOMME - MAMBOP - PIGALLE - SeReNADE MeDITERRANeENNE. SPECTRUM - RED SAILS IN THE SUNSET - AZURE - THE MOON WAS YELLOW - RUBY - BLACK BEAUTY - WHEN THE WIND WAS GREEN - BROWN PRELUDE - WHITE ORCHIDS - BLUE IS THE NIGHT - SCARLET RIBBONS (FOR HER HAIR) - PURPLE PASTEL. CD2 : PIANO ESPA�OL - FRENESI - THE BREEZE AND I - CAPRICHO ESPA�OL - MY SHAWL - CARAVAN - MALAGUENA - CHA CHA CHA FLAMENCO - WARSAW CONCERTO - HULABLUES - JUNGLE FANTASY - ALL THE THINGS YOU ARE - EL CUMBANCHERO. LALO = BRILLIANCE (THE PIANO OF LALO SCHIFRIN) - THE SNAKE'S DANCE - AN EVENING IN SAO PAULO - DESAFINADO - KUSH - RHYTHM-A-NING - MOUNT OLIVE - CUBANO BE - SPHAYROS. CD3 : BOSSA NOVA, NEW BRASILIAN JAZZ - BOATO - CHORA TUA TRISTEZA - POEMA DO ADEUS - APITO NO SAMBA - CHEGA DE SAUDADE - BOSSA EM NOVA YORK - O AMOR E A ROSA - O MENINO DESCE O MORRO - MENINA FEIA - OUcA - SAMBA DE UMA NOTA SO - PATINHO FEIO (UGLY DUCKLING). PIANO, STRINGS AND BOSSA NOVA - THE WAVE - INSENSATEZ - YOU AND ME (VOCE E EU) - LALO'S BOSSA NOVA (SAMBA PARA DOS) - SILVIA - MURMURIO (MURMUR) - MARIA - RAPAZ DE BEM - SAMBA NO PERROQUET (PARROT SAMBA) - RIO AFTER DARK - TIME FOR LOVE - I'm LOOKING OVER A FOUR-LEAF CLOVER. BONUS CD3 : QUINCY JONES ET LALO SCHIFRIN - SOUL BOSSA NOVA - LALO BOSSA NOVA. DIRECTION ARTISTIQUE : OLIVIER JULIEN

Irma Neumuller & Seth Sjostrom are two Swedish jazz musicians and composers based in Berlin. Their collaboration began as early as 2020 at Skurups Folk High School, where they quickly connected through their shared love of jazz and improvisation. In this project, they come together in an intimate duo setting, interpreting jazz standards, original compositions, and selected favorites from the Swedish pop and folk music repertoire. The contrasts between Irma and Seth-both as musicians and as individuals-are explored. The result is a unique and intimate sound that sheds new light on both the compositions and themselves. Over the past few years, Irma and Seth have performed in various ensembles across Sweden and the rest of Northern Europe, and both have made a name for themselves on the Nordic jazz scene.

The two-time winner of Grammy Awards, alto saxophonist Gary Bartz (b. Baltimore, Sept. 26, 1940) studied music at the Julliard School in New York. He then worked with many prominent players like Max Roach, Art Blakey, Blue Mitchell, McCoy Tyner in the 60s. His international fame came when he joined Miles Davis in the early 70s. He made his SteepleChase recording debut with Jackie McLean in 1973 ("Ode To Super" SCCD 31009). 15 years later he went into a studio in Copenhagen with the band he was touring with in Europe (except Butch Lacy replacing Joanne Brackeen on piano) to make this second album for SteepleChase. Bartz received the BNY Mellon Jazz 2015 Living Legacy Award. He is Professor of Jazz Saxophone at Oberlin College. "... one of the best of Bartz' recent releases, while it emphasizes leader's powerful playing, the well-balanced ensemble performances are quite enticing." (Sato - Swing Journal on SCS 1234)

For over four decades, Danish guitarist and composer Pierre Dorge has pushed the boundaries of jazz with a highly personal voice-combining Nordic lyricism with global rhythms, and crafting what critics call "pan-cultural jazz." On Songs for Mbizo, Dorge returns in a stripped-down quartet setting that showcases his singular tone and spiritual depth, this time in tribute to South African bassist Johnny "Mbizo" Dyani, whose legacy courses through Dorge's music like a vibrant thread. Following celebrated small-group releases such as Ballad Round the Left Corner and Blui, this new live recording features Kirk Knuffke, Thommy Andersson, and Martin Andersen (drums)-a dynamic international lineup that breathes fresh intensity into Dyani's compositions.

When Goteborg Jazz Orchestra (GJO) - and the founders Mats Eklund and Johnny Olsson - laid out plans for the band's Monday night concerts for 2021 they came up with the concert series "Swedish Jazz Heroes", playing the music and telling the story of the role models who have shaped Swedish jazz of today. They came across the trombonist Eje Thelin and his last work, the suite Raggruppamento. The suite was firts performed and recorded live by the Radiojazz gruppen (RJG) in 1989 in the presence of Eje, but since he himself was too ill, he chose to let guitarist Goran Klinghagen play his feature parts and solos.

Deluxe edition in lavish packaging and an extensive booklet lovingly furnished with full-color pictures, including complete vocal texts. This recording from 1974/1975, which was highly praised by the specialist press, unites outstanding soloists (Arleen Auger, Annelies Burmeister, Peter Schreier, Theo Adam, Michael Wittig) with the Dresdner Kreuzchor and the Dresden Philharmonic Orchestra (first trumpeter is once again Ludwig Guttler). Under the direction of Martin Flamig, the ensemble reaches top form here. Radiant chorales, yet with great attention to detail, and powerful arias characterize the recording, which also leaves little to be desired in terms of recording technology. A well-balanced overall sound, clear weighting of vocal solos and orchestral accompaniment. The members of the orchestra deserve to be mentioned individually, as each instrument is excellently cast.

Jenna Nyman

Isabel Berglund

Using simple means -yodeling, musical bow, mouth harp, gong, drum and voice- the Adadi of Atauro share their sorrows and joys, both intimately and collectively. The Atauro island has around 10,000 inhabitants, divided into three ethno-linguistic groups, of which only the Adadi (around 2,000 people) have preserved a varied musical practice, despite the fact that it (and their language) is in serious danger of extinction. The music gives rhythm to the walks to the fields, and enhances the harvest of palm wine morning and evening. It often brings tears to the eyes, but softens sadness and intensifies joy at celebrations that include all age groups and genders. Despite an abrupt interruption in transmission in 1974 by Christian missionaries, certain forbidden ritual songs are still remembered.

This CD collection features famous classical Christmas pieces presented by the ensemble German Brass

With a shared history spanning decades and a sound rooted in both the jazz tradition and the Nordic spirit, the Danish jazz trio Sophisticated Ladies - pianist Marie Louise Schmidt, bassist Helle Marstrand, and drummer Benita Haastrup - unveil their new album, That Healin' Feelin', due out on October 10 on Storyville Records. Formed in 1987 under the mentorship of American trombonist and vocalist Richard Boone (Count Basie Orchestra, Danish Radio Big Band), the trio have built a repertoire that seamlessly blends the roots of jazz with the nuances of Nordic expression. The album consists of 10 tracks with freshly interpreted standards, original compositions, and beloved pieces from the early days of the ensemble. The album opens with Les McCann's soulful title track, a nod to the group's formative years. It continues with Mary Lou Williams' J.B.'s Waltz and A Grand Night for Swinging, two foundational works from the group's early repertoire. Other highlights include takes on Duke Ellington's Going Up, Thelonious Monk's Bemsha Swing, and Abdullah Ibrahim's Blue Bolero, a trio of towering jazz voices who have left a lasting imprint on the group's sound. The record is enriched by original compositions: Svaner i Maj (Swans in May) by Marstrand, Gar pa Sol (Walk on Sun) by Haastrup, and Uden Ord (Without Words) by Schmidt. These pieces are deeply rooted in Danish song traditions and reflect the trio's Nordic musical language. Closing with the timeless What a Wonderful World, the album pays loving homage to Richard Boone, who for more than a decade toured and performed with Sophisticated Ladies. In his words, always spoken at the end of a concert: "What a Wonderful World, and then we go home, children." That Healin' Feelin' is a heartfelt continuation of a musical dialogue that began nearly 40 years ago, and a testament to the vitality and versatility of three musicians still listening deeply to each other and the world around them.

Tenor saxophonist Rich Perry returns with Dream, his 28th release on SteepleChase, reaffirming his place as one of the most introspective and lyrical voices in modern jazz. Joined by his long-standing quartet-Gary Versace (piano), Jay Anderson (bass), and John Riley (drums)-Perry crafts a set that is both timeless and deeply personal reflecting his evolving artistry and minimalist elegance. Critics have long praised Perry's "impeccable taste" and "subtle articulation" (JazzTimes), his "adventurous yet highly listenable" approach (All About Jazz), and his ability to "imbue each tune with intense feeling." Perry summarizes Dream as "a document of where I'm at right now... this is the kind of album I like to listen to.

RVB Quartet They bring a mix between rock and jazz which results in a refreshing sound. Interaction, improvisation and groove are the main ingredients that ensure vibrant compositions and crisp live performances. Hamabiwa The quartet feels like kings when they can play like children and let loose on their instruments. Hazel, Bibi, Marius (the little one) and Walt are the inspiration for this album.

Chicago's grand tenor man Earle Lavon "Von" Freeman Sr. (October 3, 1923 - August 11, 2012) was a revered and most loved elder of the jazz scene in the Windy City. Von has been on producer Nils Winther's top priority list of the musicians he wanted to record. The dream came true in the late spring of 1992, when Von was 72. Von's powerful tenor is tastefully supported by his trusted rhythm section of Jodie Christian (piano), Eddie de Haas bass) and Wilbur Campbell (drums).. "This is an excellent introduction to the Chicago style of tenor playing and to four extremely creative musicians at their peaks." (Cadence)