This new b�records album sees the unclassifiable Jocelyn Mienniel (composer) and Fiona Monbet (musical director) collaborate on a resolutely hybrid reinterpretation of Gustav Mahler's Das Lied von der Erde, created during a residency at the Royaumont Foundation. Based on an original text by Olivier Cadiot, the creation combines a chamber orchestra, a jazz ensemble, traditional Chinese instruments, electronic music, a children's choir, and vocals, drawing on improvisation and literary cut-up techniques. This transfiguration reveals Das Lied von der Erde as a resolutely modern work, whose humanism unfolds with renewed intensity.

Recorded, mixed and mastered by Gustav Davidsson at Studio Glasfageln Cover photos by Fabian Rosenberg

Composer and guitarist Marcus Klossek, long recognized as a distinctive voice on the Fender Telecaster, presents Blink 7, the latest chapter in a band whose sound has evolved steadily from his long-running Electric Trio. Rooted in clarity, dynamic contrast, and a deep sense of interaction, the project reflects more than fifteen years of close musical collaboration. At the core of the ensemble are Carsten Hein on bass and Derek Scherzer on drums, longtime partners with whom Klossek has refined a highly responsive and nuanced group language. With Blink 6, this foundation expanded into a sextet, joined by three prominent figures from Berlin's jazz scene: Nikolaus Neuser, Ignaz Dinne (tenor saxophone), and Anke Lucks. The enlarged group quickly developed a strong collective identity, equally at ease with precise structure and open improvisation. Blink 7 continues this collaboration and introduces a new and distinctive voice: Korean vocalist Chamin. Appearing on three tracks-Go Not, Another One Beyond, and Unexpected Return-she sings and partially speaks Korean lyrics written by herself. Her voice adds a new layer of texture and expression, expanding the ensemble's tonal range and interacting organically with the instrumental voices rather than standing apart from them. In contrast to Blink 6, which was composed before the musicians were chosen, all eight compositions on Blink 7 were written specifically for this lineup. Klossek shaped each piece around the individual strengths and musical personalities of the players. "I knew what everyone could bring to the music," he explains. "That allowed me to write more precisely for the sound of the band." The result is music that unites clear compositional intent with the intuitive understanding that comes from long-standing collaboration. The album opens with Violet Shift, a rhythmically intricate piece built from interlocking patterns that suggest mechanical precision while maintaining an organic flow. Go Not begins with Chamin's whispered voice, creating an atmosphere of quiet tension and ambiguity. Ephyra (Third Dance) unfolds with a restrained, melancholic beauty, while Half Past Never features one of Klossek's most unrestrained guitar solos-raw, spontaneous, and unpredictable. On Another One Beyond, Chamin's voice further broadens the ensemble's harmonic space, while Begin Again, Swift highlights the band's agility, moving fluidly between tightly woven rhythms and open, airy phrasing. Glass Bridges introduces otherworldly sounds from Carsten Hein, blending acoustic bass with electronic elements. The closing track, Unexpected Return, brings the album to an energetic conclusion, driven by rhythmic momentum as Chamin's voice merges seamlessly with the horn section. Blink 7 captures a band at a mature and confident stage, balancing detailed composition with freedom and collective improvisation-music shaped as much by individual voices as by the shared identity they have built together.

Celebrating it's legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180g audiophile edition (G1040). Captured in Copenhagen just weeks after Dexter Gordon's ambitious orchestral project SCCD 31030 More Than You Know, this session strips the setting back to it's purest form: a no-frills blowing date where Gordon's imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning �rsted Pedersen, and Tony Inzalaco, Gordon navigates standards like Just Friends, Misty, Red Cross, and So What with a mix of relaxed confidence and fiery invention. His soprano reading of In a Sentimental Mood adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet's clarity, swing, and interplay-an essential snapshot of Gordon's Copenhagen years and a definitive statement of his enduring mastery. "... Dexter plays brilliantly on every track... beautifully recorded... " (Jazz Journal, 1976)

Anthony Ferrara's fourth SteepleChase release, Straight Into The Sun Vision, marks a striking new chapter for the rising tenor saxophonist. After three acclaimed albums: SCCD 31920 Early Spring, SCCD 31932 Cold Faded, and SCCD 31975 Factory Fresh with his "dream team" veteran rhythm section, Ferrara now leads a working quartet of peers whose shared history brings a fresh cohesion to his music. In a familiar group of contemporaries, the performances took to a newly open personal level of expression. Ferrara's original compositions range from high-velocity, odd-meter burners to lyrical, atmospheric pieces, all unified by his distinctive voice and narrative improvising. Two vocal features reveal yet another facet of his artistry, including the reflective title track penned by Ferrara. Straight Into The Sun Vision captures a rapidly maturing artist stepping fully into his sound-bold, inventive, and unmistakably his own. "What is particularly impressive about Ferrara is that he not only has a mature, confident, and appealing sound, but also is finding his own voice. Ferrara is also a capable composer, penning a diverse set of songs that invite repeated hearings, a huge challenge for any musician at the beginning of their career." (Ken Dryden - NYCJR on SCCD 31938 Cold Faded)

Captured live at Ann Arbor, Michigan's renowned jazz club Blue Llama in June 2024, David Janeway presents himself at the height of his powers, joined by the world-class rhythm team of Robert Hurst III and Billy Hart. A Detroit-bred musician with a deep lineage in that city's storied jazz tradition, Janeway channels decades of mentorship, swing, and blues-rooted expression into a set that is both powerfully modern and historically grounded. The trio's telepathic interplay fuels inventive takes on standards, luminous ballads, and Janeway's distinctive originals, all delivered with the group's tightly converging sound and emotional depth that define his artistry. Following acclaimed SteepleChase releases with Hart and Cameron Brown, this live recording stands as Janeway's most vibrant statement yet-an inspired document of three master musicians creating in the moment. "It is no small feat to say that not only is Janeway's playing sparkling, but so is his ability to write tuneful compositions." Michael P. Gladstone, All About Jazz Review

Lovisa Jennervall - vocals Manne Skafvenstedt - piano, synthesizers August Eriksson - double bass, electric bass Edvin Glante - drums, percussion