On The Roll

Levy’s interpretation of Duke Ellington compositions released on “Mood Ellington” (SCCD 31579) was well received by critics and listeners. On this latest CD Levy explores the extraordinary legacy of one of the most influencial pianists of our time, Bill Evans.

“The music presented here …. demands attentive listening. ….The shades and textures woven by the Scott Five are neither random nor nonchalant, but carefully coloured and contoured. It is absorbing music that grows on you more with each hearing …..”Mark Gardner (Contributor, Jazz Journal International since 1962) • On Scott’s earlier album “Song for Amy” (SCCD 31561), Cadence’s Dave Dupont wrote, “…balance between drawing resources from the past and expressing musical ideas with in-the-moment urgency is what makes me inclined to sing the praises of Scott’s song.”

When Children Smile

In this long-waited first leader album in six years Oatts again reveals himself as an uncompromising and phenomenal jazz musician. In reviewing Oatts’ previous release “South Paw” (SCCD 31511) Owen Cordle of JazzTimes wrote, “ …Long-time lead alto man with the Vanguard Orchestra, Oatts comes from the Desmond- Konitz school of saxophone playing. But a sweet sound and a cerebral approach to improvising comprise only part of his style. There's also a trim muscularity in his tone and lines. And the lines can be quite angular and oblique at times. I don't hear any other alto man playing with all these qualities these days. …”

Blue And Brown

Trumpeter/composer/arranger Jason Palmer was a new name when he recorded as sideman for Billy Hart album “Sixty-Eight” (SCCD 31707). He became SteepleChase recording artist last year with his brilliant “Nothing To Hide” album (SCCD 31699) backed by his Boston-based band. For his second album here Jason put together a new group featuring saxophonist Mark Turner of whom Jason remarks, “Mark Turner is one of the most influential non-trumpeters on my approach to improvisation.” and several up-and c-coming young jazz artists from the New York scene.

Native of Umbria, Italy, pianist/composer Federico Bonifazi has become a highly acclaimed name both in national and international scene in recent years. For this his 3rd album Bonifazi composed a suite depicting the beauty of his beloved Umbria in the changing colors of autumn performed by Bonifazi’s handpicked elite Italian ensemble. “.. an album worthy of special attention, conceived and created with a strong artistic personality and with a huge communicative generosity, … with the humility and discretion that only the great artists possess and that make this CD a real pearl in the musical production of the Umbrian pianist.” (Proposito di Jazz on SCCD 33125 “You’ll See”)

Distant Dream

Mike Richmond, Grammy Award-winning bassist with vast experience with leaders such as Miles Davis, Stan Getz, Horace Silver, Jack DeJohnette, Gil Evans, Chet Baker to mention a few, leads here his own group with cello as his instrument for the first time. Cello as a jazz instrument is still a rarity but its history goes back to the 50s when Oscar Pettiford broke new ground. Richmond put together this all-Pettiford-composition album to honor the pioneer. “…Dance for Andy is one of those rare CDs that sustain interest through a 70-minute-plus duration.” (Richard Cook & Brian Morton – The Penguin Guide on SCCD 31267) “Richmond is as nimble fingered and resourceful a bassist we have heard in some time.” (New York Daily News)

Guitarist Samo Salamon hails from Marigor, Slovenia and splits his work and life between USA and European Continent, though in the last 10 plus years his activities has kept growing and expanding in the USA collecting numerous accolades from critics and public alike. “One of the more exciting and inventive improvising artists, Slovenian guitarist Samo Salamon’s stylistic modus operandi, coupled with massive chops has earned him prominence within global, progressive-jazz circles. (Glenn Astaria – Jazz Review 2012) “Guitarist Samo Salamon is one of those players quietly but fully engaged with moving the music forward.” (Nic Jones, AAJ 2011) “The guitarist is the star, though, and he is a star. He is a tremendous player, articulating each note and line with clarity and force, no matter the velocity … to say many things via many means, … without hesitation and with complete artistic conviction … exciting and satisfying.” (George Grella – The Big City 2011)

“Prancin’ confirms what some listeners have known for many years – that Louis Smith is among the most engaging trumpet soloists in jazz. Thankfully, the opportunity to savour his mature, well rounded style is no longer being denied to us.” (Mark Gardner – Jazz Journal 1979) “Smith’s phrases, poised in their intricacy, pulse with a warmth that transcends idiom or school. Nothing sounds forced, yet he swings masterfully, building chorus upon chorus with a decisive confidence based on faultless technique and expert knowledge of this harmonically demanding style.” (Michael James – Melody Maker 1979

The Steve Slagle Quartet

“The Danish Steeplechase imprint has long recognized the fertile dynamics of jam sessions, fronting the resources for many in its roster of players to convene in just such supportive surroundings.” (Derek Taylor – allaboutjazz)

Some Other Blues

Veteran alto saxophonist Andy Fusco, despite his long-time active career which had begun with the 5-year tenure with the Buddy Rich Big Band in the late 70s, has been notoriously under-recorded as a leader. His SteepleChase debut album last year “Whirlwind” SCCD 31811, though it took 12 years before its release, has marked the new era for the virtuoso instrumentalist. Here on his new album (only one year has passed since the last one) Fusco leads his hand-picked band to present a tasteful and full-blooded program. “Whirlwind is one of those rare releases that exceeds craft and competence, and establishes its own reasons for being. Among other things, it's a bottomless well of a jazz record. The more you play it, the more discoveries you make. The music offers multiple perspectives and can be enjoyed in a number of ways.” (David A.Orthmann – AAJ on SCCD 31811)

Standard Issue

Burak Bedikyan is a burgeoning jazz pianist/composer from Turkey, one unlikely jazz country in spite of the nation’s historical and cultural heritage which is close to the Western world. Classically trained Bedikyan was introduced to jazz though workshop in modern theory conducted by Aydin Esen, a widely respected Turkish jazz pianist and composer in 1996. Since then Bedikyan has thrived in jazz and here his development culminates in this debut album in collaboration with three superb American jazz artists: Chris Potter (sax), Peter Washington (bass) and Bill Stewart (drums). “….his music sits at the gateway of East and West, opening a window into his native culture, and helping to raise the profile of yet another nation on the jazz stage….” (Neil Tesser from the liner notes)

Yvonnick Prené, French-born, New York-based, young (29) virtuoso on the chromatic harmonica presents his much-awaited CD debut on SteepleChase LookOut. While still studying at City College of New York and New School for Jazz and Contemporary Music, Yvonnick was already establishing himself as a highly acclaimed artist performing in USA and Europe. “….we find a young phenom determine to take the harmonica to a new sense of melodic intensity, dynamic tension and improvisational techniques missing from the instrument on a consistent basis for years…Jour de Fête is a happy record, brimming with an effervescent quality that accentuates the sublime artistic gift of Prené…In short, Prené is the real deal….” (Brent Black – CriticalJazz.com)

Constant Source

Andy LaVerne continues to explore the path he set out with his previous critically acclaimed release “Genesis” (SCCD 31818), this time with an added voice in trumpet/flugelhorn by Alex Sipiagin as well as Mike Richmond’s overdubbed cello over his bass-line. As in the previous album all titles are new originals by LaVerne, who, to quote Neil Tesser, Grammy Award winning American journalist, is a committed melodist, with truly individualistic tone. “… Intelligent Design lives up to its name as one of LaVerne's best efforts thus far and one of the finest jazz releases of the year.” (C. Andrew Hovan – AAJ on SCCD 31618 Intelligent Design)

Pianist/composer Carl Winther dedicates this album to his father, legendary Danish trumpeter/composer/bandleader Jens Winther, whose untimely death February 24, 2011 stunned his fans. Carl Winther himself is an award-winning artist who - while attributes his musical foundation to his famous father - is his own voice to establish himself in the international scene. “ .. If you are into highly modern jazz trio with American roots, this album has a lot to offer.” (Brian Petre – Jazz Special on SCCD 33130 “Deconstructing Mr. X”)

Guitarist Vic Juris has assembled another organ trio this time with Brian Charette at the keyboard to showcase his ever-evolving musicality in this format. His previous organ trio album “While My Guitar Gently Weeps” (SCCD 31553) from 2004 attracted attention of Aaron Steinberg from JazzTimes who commented, “…. convincingly played, very impressive recording…” “Guitar-watchers should take note of this impressive and adventurous player” (Duck Baker – JazzTimes on “Songbook” SCCD 31483)

The album concept “Ballin Sings Berlin” is a logical conclusion of a series of tribute concert Yaala Ballin produced a while ago entitled “His Name Was Israel Baline”. The idea started with Yaala’s research into possible ancestral connection with Irving Berlin (born Israel Baline). With or without connection she ended up with the superb recital of gems by arguably the greatest American songwriter. Israli-born Yaala was classically trained but grew more attracted to jazz later on and studied with Sheila Jordan. Since her move to New York in 2004 Yaala has developed herself into one of the remarkably original singers on the NY scene. Yaala was featured on “The Music Of Duke Jordan” (SCCD 31787) with the Chris Byars Septet.

Alto Blue