The silky smooth vocal style of Earl Grant was, along with his keyboard skills, highly regarded among young and old record buyers from the mid-50s until his untimely death in a road accident in 1970. When he passed away prematurely, he left behind a vast catalogue of albums and singles that have mostly remained un-reissued in the digital era. Some years ago, Jasmine put together a 2CD set containing his first four albums. We are now finally following that release up with a compilation of almost all of Earl's vocal 45s from the first six years of his career - the first time, to our knowledge, that such an undertaking has been attempted and accomplished. Earl did not have many significant hits outside of his international 1958 chart smash 'The End' and the ever popular 1960 club favourite 'House Of Bamboo', but he always delivered a quality product and many of these singles sold extremely well over an extended period of time. He was with the same record label for his entire career barring his first two obscure 45s - and let's face it, that would not have happened if he hadn't been selling records! The selections here range from cool R&B covers to sublime, mature balladry, all delivered in a style not unlike that of Earl's idol Nat King Cole. The music featured has aged well, stood the test of time and offers a fine testament to his abundant talent.

SOUL KING OF BESSEMER, AL

Earl Coleman - Early Years: The Collection 1946-56 / Earl Coleman was one of a coterie of fine African-American jazz and R&B crooners who came to the fore during the post-war era, and which included Nat King Cole, Billy Eckstine, Johnny Hartman, and later examples like Brook Benton. Unlike some of those artists, however, his career never quite scaled the heights that his talent promised or merited, although he made some excellent records with notable artists along the way. This 2-CD collection comprises as many of his recordings we could amass - he was not a prolific recording artist, and some of his sides are hard to locate, and his work has not been very thoroughly compiled over the years. It features a significant proportion of his studio recordings during this era, both on singles for the Dial, Atlantic, Mercury, Jade and Prestige labels, and albums, including the titles from his album for the Prestige label "Earl Coleman Returns" and his performances with the Sonny Rollins Quartet for the Rollins' album "Tour de Force". Other notable bandleaders and musicians featured in the recordings are Miles Davis, Gene Ammons, Charlie Parker, Erroll Garner, Milt Jackson, Red Callender, Howard McGhee, Percy Heath, Kenny Clarke, Junior Mance, Linton Garner, Fats Navarro, Art Farmer, Gigi Gryce, Hank Jones, Oscar Pettiford, Sonny Rollins, Max Roach and other noted musicians. The willingness of those stars to invite him to record with them underlines the respect in which he was held. It's a collection which offers a rare showcase for a stylish performer who should have had much more success and recognition than he enjoyed over the years.

DVORÁK: STRING QUARTET AMERICA

Blues guitarist, singer and songwriter Earl King, a native of New Orleans, was one of the coterie of influential artists who helped create the distinctive style of R&B which characterised the music of the Crescent City, and which, along with the work of other New Orleans artists like Fats Domino and Allen Toussaint provided one of the musical bedrocks for the soul and R&B boom of the '60s. This 41-track 2-CD comprises the A and B sides of just about all of his releases as a solo artist during this first decade of his career, from his debut for the Savoy label in 1953, and including his subsequent releases during this era on the Specialty, Ace, Vin, Rex and Imperial imprints through to 1962, after which there was a hiatus in his recording activities until later in the 60s. It includes his R&B hits "Those Lonely, Lonely Nights" and "Always a First Time", and his classic and much-covered songs "Come On" and "Trick Bag" - "Come On" was later recorded by Jimi Hendrix on his "Electric Ladyland" album, and other songs of his were covered by the likes of Lee Dorsey, Robert Palmer, The Neville Brothers and Dr. John. This anthology represents a thorough overview of his output during this time, and is a highly entertaining showcase for his distinctive brand of up-front New Orleans R&B

MOON IS RISING

2-CD set; solo pianist pays tribute to W.C. Handy, Hoagy Carmichael & Louis Armstrong; this package contains the 3 LP's "Hines Comes in Handy", "Hines Does Hoagy" & "My Tribute to Louis"

Vocalist/trumpet player & vocalist/clarinet player are joined by Earl Humphrey-trmb, Lars Edegran-pno, Chester Zardis-string bass, Barry Martyn-drms, at Hope Hall, 1966.

In a recording career of over three decades, master guitarist Earl Klugh has been lauded as a prodigy and a groundbreaker of contemporary jazz. Klughs highly-anticipated Concord debut, HAND PICKED, is a self-produced solo album with guest guitarists Bill Frisell, Vince Gill, Jake Shimabukuro, and others.

Vinyl LP pressing. "Twelve days after Louis Armstrong died, his old friend Earl Hines recorded a solo tribute to the great trumpeter/vocalist. This album, one of three that Hines recorded in a two-day period, features eight songs associated with Satch including "Struttin' with Some Barbeque," "A Kiss to Build a Dream On," "Someday You'll Be Sorry" and two versions of Armstrong's theme "When It's Sleepy Time Down South." This set should be of particular interest to Earl Hines collectors for the pianist rarely performed most of these songs, and he gives fresh heartfelt renditions to the standards" (ORG Music / AMG). Available on vinyl for the first time in decades, the historic recordings were remastered for the format at Infrasonic Mastering and pressed at Pallas Group in Germany.

Earl Hines moved to Chicago in 1926 at the age of 21 and began his association with Louis Armstrong, with whom he recorded. Hines is recognized as a major innovator in the development of jazz piano, and he was also a major band leader performing at, and broadcasting from, the Grand Terrace Ballroom in Chicago from 1928-43. He moved to the S.F. Bay Area in 1956 & lived there until he passed in 1983. This live sextet performance was recorded May 13, 1970 in San Francisco.