This remarkable album marks the recording debut of German violinist Julia Fischer as well as the beginning of her extraordinary partnership with Russian-born conductor Yakov Kreizberg, which would result in numerous Pentatone releases before the conductor’s untimely death in 2011. Together they tackle three Russian violin concertos (by Khachaturian, Prokofiev, and Glazunov) which have been tragically overlooked, shedding new light on these masterpieces. After releases on SACD and vinyl, this iconic album now returns in an affordable stereo version.

A very fine and enjoyable set...just delightful—a balm to your soul.

Julia Fischer and Martin Helmchen’s interpretation of Schubert’s music for violin and piano has been highly successful from the onset, and now returns in an affordable stereo re-issue. The release uniquely features Fischer as a pianist in the Fantasia for Piano Duet D. 940. She had previously performed as a pianist in concert, but this was her recording debut. Julia Fischer and Martin Helmchen are among the most outstanding instrumentalists of their generation, and both have a vast Pentatone discography.

-- ClassicsToday.com (David Hurwitz)

Julia Fischer and Martin Helmchen’s interpretation of Schubert’s music for violin and piano has been highly successful from the onset, and now returns in an affordable stereo re-issue. The release uniquely features Fischer as a pianist in the Fantasia for Piano Duet D. 940. She had previously performed as a pianist in concert, but this was her recording debut. Julia Fischer and Martin Helmchen are among the most outstanding instrumentalists of their generation, and both have a vast Pentatone discography.

REVIEWS:

German-Slovak Julia Fischer, who nearly opted for a career as a pianist, now shines in the constellation of top young violinists. She and her gifted pianist, Martin Helmchen, capture the sunny nature of the three youthful sonatinas, where the challenge is not primarily technical but musical: how to maintain their buoyant charm. The late Rondo Brillant D895, on the contrary, has a dark portentousness in the opening andante, while the exuberant, somewhat repetitive allegro presents a greater virtuosic challenge. These outstanding players respond with persuasive vigour and freshness.

-- The Guardian

On Vol. 1:

Helmchen is adept at pinpointing the crucial harmonies… and his touch is unusually sensitive… Fischer similarly manages to combine restraint with warm expression, and the occasional moments where she plays with more abandon - as in her dramatic first entry in D385 and the ebullient Minute of D403 - stand out the more effectively.

-- Gramophone

On Vol. 2:

☆☆☆☆☆  A magnificent account of this inspired work [the F major Fantasy]...It's a challenging piece...yet Fischer and Helmchen present as fine as any account on disc...They are a marvellous team, evidently giving each other ideas as they go along.

-- BBC Music Magazine

Characteristic Schubert, played with penetrating subtlety by the two young Germans Fischer and Helmchen...The CD ends with the D940 Fantasia for piano duet, with Fischer partnering in a powerful performance: one moment fiery, the next caressing. And all such heavenly music.

-- The Times of London

'With this edition, Julia Fischer sets a new standard for Ysaye. This cycle has never been heard with such expressive truthfulness and technical flawlessness. It is a referential thing in purely musical terms. Added to this is brilliant sound engineering and a rarely flawless pressing quality. Bravo.' (onlinemerker)

Pentatone re-issues Julia Fischer’s epoch-making Mozart Violin Concertos recordings, starting with her readings of the famous 3rd and 4th concertos, as well as the Adagio in E Major and Rondo in B-flat Major, first released in 2005. Fischer performs them together with the Netherlands Chamber Orchestra under the baton of Yakov Kreizberg, with whom she developed a highly congenial partnership. When first released, Gramophone praised these performances as “full of disciplined subtlety and astonishing interpretative maturity.” After many years, this legendary recording now returns to the market in an attractive Stereo version.

REVIEW:

These performances are full of disciplined subtlety and astonishing interpretative maturity. The G major Concerto, K216, is lush and spirited, the traditional-style performance lacking nothing in warmth. The relaxed, cantabile style of her playing in the final movement serves the dancelike nature of Mozart's music.

-- Gramophone (reviewing the 2005 SACD version of this release)

First released in 2006, Julia Fischer’s recording of Tchaikovsky’s Violin Concerto, alongside other gems by this composer has proven to be a reference recording. It not only highlights Fischer’s exceptional skill, but also her unique congeniality with the late Yakov Kreizberg, who leads the Russian National Orchestra and accompanies her on the piano on Souvenir d’un lieu cher. After having been re-released in 2016, as well as on vinyl in 2019, this legendary recording now returns in a more affordable Stereo version. One of the world's leading violinists, Julia Fischer is a versatile musician also known for her extraordinary abilities as a concert pianist, a chamber musician and a violin teacher. Julia Fischer holds numerous awards including the Federal Cross of Merit, the Bavarian Maximilian Order, the Gramophone Award and the German Culture Prize. She plays a violin by Giovanni Battista Guadagnini (1742) as well as an instrument made by Phillipp Augustin (2018).

First released in 2005, Julia Fischer’s multiple award-winning recording of Johann Sebastian Bach’s Sonatas & Partitas has proven to be an evergreen. In 2017, it was re-released as a lavish 3LP boxset, as well as a re-designed 2SACD edition. This legendary recording now returns in a more affordable Stereo version. This album is a RE-RELEASED VERSION of PTC5186095 (first released in 2005).

Bach’s remarkable Sonatas and Partitas for solo violin are revered for their boundless inventiveness, technical ingenuity and emotional depth. With their brilliant preludes, stately dances and complex four-part fugues, the demands on the performer are enormous – from rapid scale passages, double stopping and arpeggios, to the skill and concentration required to create the illusion of separately moving and interweaving voices. The set is full of surprises. Sonata No. 3 contains a colossal fugue of increasing complexity and difficulty (and at over 350 bars, one of his longest). Partita No. 3 is one of Bach’s sunniest works, with the virtuoso Prelude and the charming Gavotte being regularly performed as encore pieces. Most famous of all is the legendary Chaconne from Partita No. 2, a kaleidoscopic series of variations as deeply felt and cathartic as anything Bach wrote and an incontestable milestone in classical music.

Julia Fischer’s recording for PENTATONE was showered with praise upon its first release in 2005. “Classic accounts by Milstein and Grumiaux have been usurped by this extraordinarily gifted newcomer” enthused BBC Music Magazine. “Her mastery is beyond question,” affirmed Gramophone magazine “her ability to trace a smooth, even line a source of pleasure itself.” It also achieved the rare distinction of garnering three of France’s most prestigious awards: the Diapason d’Or from Diapason; the CHOC from Le Monde de la Musique; and the highest rating from Classica-Repertoire.