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That performance, recorded at BBC studios in 1968, was miraculously captured in high fidelity audio and video, and we are proud to release this collection for the first time.","brand":"VERVE","offers":[{"title":"Vinyl","offer_id":44908016664810,"sku":"602465543698","price":33.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4339954-3194707.jpg?v=1786067007"},{"product_id":"louis-in-london-1","title":"LOUIS IN LONDON","description":"Louis Armstrong made a greater impact on American popular music than any other single artist before or since. \"What A Wonderful World\" became his biggest commercial success, first in the UK and decades later in the rest of the world. Armstrong traveled to England to celebrate this unexpected hit and gave his last great performance, which found him looking back at his entire musical career. That performance, recorded at BBC studios in 1968, was miraculously captured in high fidelity audio and video, and we are proud to release this collection for the first time.","brand":"VERVE","offers":[{"title":"CD","offer_id":44908016959722,"sku":"602465686128","price":14.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4339955-3194706.jpg?v=1785854945"},{"product_id":"wonderful-world-the-best-of-louis-armstrong-2","title":"WONDERFUL WORLD: THE BEST OF LOUIS ARMSTRONG","description":"2024 collection. Louis Armstrong made his first studio records in Richmond, Indiana 101 years ago, recording acoustically because microphones hadn't yet been invented. Microphones eventually allowed Armstrong to begin recording electrically to disc and, later, to tape in the mono and \"hi-fi\" eras. Beginning in the late 1950s, Armstrong began making records in revolutionary stereophonic sound. He had seen and conquered every trend in recording technology between 1923 and his death in 1971-and he continues to conquer them into the 21st century, over 50 years since he passed away. Today, with the advent of streaming and the resurgence of popularity in LPs, there is more music available to the public to listen to than at any previous time in history. Yet, day after day, week after week, month after month, year after year, people from around the world still choose to listen to Louis Armstrong, much more so than any other artist born at the turn of the 20th century. The question remains: Why? This new collection helps to provide answers.","brand":"VERVE","offers":[{"title":"CD","offer_id":44914036572394,"sku":"602465937381","price":14.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4364902-3234842.jpg?v=1785854534"},{"product_id":"jazz-is-back-in-grand-rapids-purple","title":"JAZZ IS BACK IN GRAND RAPIDS - PURPLE","description":"This 1956 concert by Louis Armstrong \u0026amp; His All-Stars is a historical gem, which is finally getting it's vinyl debut with this double LP release. Recorded on March 26, 1956, at the Civic Auditorium in Grand Rapids, MI, it affords jazz fans a chance to hear what the barnstorming Armstrong's shows were like in heartland America. Armstrong's affable presence is pervasive, but not always center stage, as each member of the All-Stars gets his turn in the course of the revue. The release was remastered for vinyl from analog tape and pressed at Pallas Group in Germany on purple vinyl.","brand":"ORG MUSIC","offers":[{"title":"Vinyl","offer_id":44930253258986,"sku":"711574948116","price":44.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4323460-3133167.jpg?v=1786071056"},{"product_id":"paramount-recordings-1923-1925","title":"PARAMOUNT RECORDINGS 1923-1925","description":"CD collection of classic early recordings by the jazz legend originally recorded for the Paramount Records. 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The Paramount Recordings is a historic 14-track collection of studio sessions the consummate entertainer tracked between 1923 and 1925, recorded at the time for the Paramount label and featuring King Oliver's Jazz Band, Ma Rainey, Fletcher Henderson \u0026amp; His Orchestra, Trixie Smith, Wesley Wilson and Coot Grant. Audio remastered for vinyl and pressed at Pallas Group in Germany. 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The great George Gershwin is represented by his 3 Preludes, plus I Got Rhythm, and his most popular work, the sparkling Rhapsody in Blue, which unbelievably is 100 years old in 2024. Two African American composers, Julia Perry and William Grant Still feature - Still's impressive 3 Visions, and Perry's exquisite Prelude. Aaron Jay Kernis's Before Sleep and Dreams is a 5-movement suite from 1990, which depicts in music the process of putting a small child to bed. It's precedents are Schumann's Kinderszenen and Children's Corner by Debussy. It is a delightful and touching work. 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He spent much of 1943 on a research fellowship at Columbia University transcribing Serbo-Croatian folk songs.\u003cbr\u003e  \u003cbr\u003e  As violinist James Ehnes and pianist Andrew Armstrong demonstrate on this new recording, Bartók fashioned some vibrant and colorful arrangements from his folk journeys.\u003cbr\u003e  \u003cbr\u003e  Ehnes has been a familiar face in New York lately; last summer, he performed on a New York Philharmonic broadcast from Van Cortlandt Park and also made a stop for a WQXR Café Concert. He’s been busy in the recording studio too; this wraps a three-part Bartók cycle.\u003cbr\u003e  \u003cbr\u003e  The three sets of folk songs on this recording illustrate how Bartók embraced the tangy exotic modes and wild irregular rhythms of the countryside, which freed him from \"the tyranny of major and minor scales,\" as he put it. Two sets of Hungarian Folks Songs features some jaunty dialogues with the piano and some added effects – pizzicato, harmonics – to make a splash. The Romanian Folk Dances ratchet up the momentum further, particularly in the final “Polka” and the rollicking “Fast Dance.”\u003cbr\u003e  \u003cbr\u003e  The sonatas offer a striking contrast but there's much to admire here too. A Bach-like grandeur underscores the unaccompanied Sonata (1944), written in the in the final months of Bartók's life for Yehudi Menuhin, and yet more traces of Hungarian folk melodies turn up in the Violin Sonata in E minor, written a half-century earlier.\u003cbr\u003e  \u003cbr\u003e  -- WQXR, Album of the Week [1\/20\/2013]","brand":"Chandos","offers":[{"title":"CD","offer_id":46013174251754,"sku":"095115175224","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2108946.jpg?v=1786019028"},{"product_id":"viennese-night-at-the-proms","title":"Viennese Night at the Proms","description":"Characteristic Viennese waltzes, polkas, and overtures represent some of the best moments from Viennese Night Prom concerts spanning a vintage period in their history. Included are works by Johann Strauss I \u0026amp; II, Franz Lehar, and Franz von Suppe.","brand":"ICA Classics","offers":[{"title":"DVD","offer_id":46013323608298,"sku":"5060244550261","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1855829.jpg?v=1786038907"},{"product_id":"bartok-chamber-works-for-violin-vol-3-243081","title":"Bartok: Chamber Works for Violin Vol 3 \/ Ehnes","description":"James Ehnes presents his third album of chamber works by Bartók. The previous volumes have, along with his outstanding concerto disc, established his formidable reputation as a Bartók interpreter. Here Ehnes is joined by the pianist Andrew Armstrong, violinist Amy Schwartz Moretti, and Michael Collins, one of the world’s leading clarinettists.\u003cbr\u003e  \u003cbr\u003e  The Sonatina, originally composed in 1915 for piano, was based on melodies which Bartók had collected during expeditions in Transylvania. The transcription for violin and piano heard here was produced ten years later by a young student of Bartók’s, Endre Gertler.\u003cbr\u003e  \u003cbr\u003e  Bartók composed Contrasts in 1938 for the jazz clarinettist Benny Goodman and violinist Joseph Szigeti, who originally had requested a work in two movements, each with a cadenza for one of the featured instruments. Fulfilling this request, Bartók added a central slow movement, entitled ‘PihenÅ‘’ (Relaxation). The opening movement, ‘Verbunkos’, alludes to a march-like Hungarian military recruiting dance. The finale, entitled ‘Sebes’ (Quick), is a lively romp at the heart of which lies an unexpected episode of haunting calmness.\u003cbr\u003e  \u003cbr\u003e  Besides writing for such outstanding musicians as Szigeti and Goodman, Bartók composed a lot of music for students, including the Forty-four Duos for two violins recorded here. These short pieces take material from a remarkably wide array of folk traditions and interlink the styles and culture of diverse peoples.","brand":"Chandos","offers":[{"title":"CD","offer_id":46013370335466,"sku":"095115182024","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2580193.jpg?v=1786048532"},{"product_id":"new-orleans-revival-1940-54","title":"NEW ORLEANS REVIVAL 1940-54","description":"Syncopated music has been played across the United States since the early 20th century, but swing first appeared in New Orleans. The unique style of its jazz bands, becoming a veritable trademark, was a major stepping-stone in the artistic history of America. World War II was followed by a surge of freedom as well as the search of jazz in its original form and America rediscovered this gem embedded in its history. This was the period of the New Orleans Revival and its riches are revealed by Dan Vernhettes. This vast panorama, interpreted by the greatest artists, portrays the gumbo jazz of New Orleans: ragtime, blues, marches, dance music, lighter tunes and religious hymns.","brand":"Frémeaux","offers":[{"title":"CD","offer_id":46017513128170,"sku":"3561302513522","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/681124.jpg?v=1786002673"},{"product_id":"l-mozart-symphonies-armstrong-new-zealand-co-120073","title":"L. Mozart: Symphonies \/ Armstrong, New Zealand Co","description":"\u003cp\u003eIncludes sinfonia(s) by Leopold Mozart.  Ensemble: New Zealand Chamber Orchestra.  Conductor: Donald Armstrong.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46025342058730,"sku":"730099434720","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/200906.jpg?v=1785937066"},{"product_id":"j-strauss-jr-die-fledermaus-armstrong-allen-105129","title":"J. Strauss Jr.: Die Fledermaus \/ Armstrong, Allen [Blu-ray]","description":"\u003cb\u003e*** This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD or HD DVD players. ***\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e  \u003ctitle\u003e3223070.az_J_STRAUSS_II_Die.html\u003c\/title\u003e  \u003cmeta http-equiv=\"Content-Type\" content=\"text\/html; charset=utf-8\"\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eJ. STRAUSS II \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eDie Fledermaus \u003c\/span\u003e \u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Vladimir Jurowski, cond; Pamela Armstrong (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eRosalinde\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Thomas Allen (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eEisenstein\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Håkan Hagegård (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eDr. Falke\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Pär Lindskog (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eAlfred\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Malena Ernman (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003ePrince Orlovsky\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Lyubov Petrova (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eAdele\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Ragnar Ulfung (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eDr. Blind\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Artur Korn (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eFrank\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Udo Samel (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eFrosch\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Reneé Schüttengruber (\u003c\/span\u003e \u003cspan class=\"ARIAL12i\"\u003eIda\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e); Glyndebourne Ch; London PO \u003c\/span\u003e \u003cspan class=\"BULLET12\"\u003e • \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e BBC\/OPUS ARTE 7004 (Blu-ray Disc: 198:00) Live: Glyndebourne 8\/17\/2003 \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan class=\"EXTRAS12\"\u003e\u0026amp;\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Cast \u0026amp; costume galleries. \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eThe Genesis of the Waltz. The Architect Returns. \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eInterviews. \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eFrosch interlude \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThis pretty-much-perfect production of Strauss’s pretty-much-perfect operetta is an ideal specimen to demonstrate the visual and sonic virtues of the Blu-ray medium. The Glyndebourne staging is a feast to watch: the sets and costumes are lavish, the dancing accomplished. Opus Arte’s 24-bit PCM sound is \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eway \u003c\/span\u003e \u003cspan\u003ebetter than anything you’ve ever heard on a traditional DVD, both the stereo version and the spacious multichannel that puts the listener in the middle of the appreciative audience who experienced the real thing in Sussex back in August of 2003. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eDirector Stephen Lawless has moved the setting of \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eDie Fledermaus \u003c\/span\u003e \u003cspan\u003eahead a few decades to around 1910, the Vienna of Sigmund Freud and Gustav Klimt. (Eisenstein’s dressing gown, in fact, is a facsimile of Klimt’s \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eThe Kiss\u003c\/span\u003e \u003cspan\u003e.) This \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eFledermaus \u003c\/span\u003e \u003cspan\u003eis clearly viewed as a play that happens to have awfully good music, and Lawless and Daniel Dooner have created new dialogue for the production. In the hands of an ensemble of terrific singing actors, the texts never impede the headlong momentum of this comic masterpiece. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eWhat a cast! Pamela Armstrong, as Rosalinde, handles the part vocally quite well but is equally concerned with her character’s development: when she dresses up as someone else, Eisenstein’s wife discovers her “real self” (as the soprano puts it in one of the disc’s “extras”). Thomas Allen notes that the high tessitura of his role was a bit of a challenge—it sure doesn’t sound it—but his comic timing is impeccable and the man can actually dance. As Dr. Falke, Håkan Hagegård gives his character an edge: the practical joke that Eisenstein played on him months before the curtain rises for act I has deeply wounded him, and Falke is serious about getting revenge. Singing Alfred in an appropriately seductive manner is Swedish tenor Pär Lindskog who, like Allen, is obviously quite a versatile artist. You’d never know from this performance that the guy also sings Siegfried and Parsifal. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe kudos go on. Lyubov Petrova’s rendition of Adele’s big second-act aria is a showstopper and Malena Ernman is utterly convincing as the terminally bored and sexually ambiguous Orlovsky. It’s a surprise every time Ernman starts to sing and her voice jumps up an octave or two. The smaller parts—Dr. Blind, Frank, Ida, Frosch—are all covered quite well. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eVladimir Jurowski takes the music very seriously (as, the notes remind us, did Gustav Mahler) and his leadership of the LPO is spirited and knowingly inflected. To accompany the curtain calls, Jurowski conducts a rousing “Radetzky March.” Opus Arte provides subtitles in English, French, German, Spanish, and Dutch. There’s a generous supply of extras, including cast and costume “galleries” and brief featurettes on the history of the waltz and the new (in 1994) opera house at Glyndebourne, as revisited by the architect who designed it. We also get observations on \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eFledermaus \u003c\/span\u003e \u003cspan\u003efrom Armstrong, Allen, Hagegård, Jurowski, and director Lawless and, to close, some \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eshtick, \u003c\/span\u003e \u003cspan\u003emostly about champagne, by Udo Samel, the actor who has the speaking role of the jailer Frosch. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eYes, this one’s on my Want List. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Andrew Quint \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  Picture Format: 1080i High Definition, NTSC 16:9\u003cbr\u003e  Sound Format: 2.0 \/ 5.0 PCM Audio\u003cbr\u003e  Region Code: 0 (All Regions)\u003cbr\u003e  Menu Languages: English\u003cbr\u003e  Subtitles: English, French, German, Spanish, Dutch\u003cbr\u003e  Running Time: 198 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One of the most sought-after and acclaimed virtuoso violinists today, James Ehnes is accompanied by the BBC Philharmonic conducted by Gianandrea Noseda and by the pianist Andrew Armstrong, with whom he has previously made a number of highly acclaimed Chandos recordings. The distinguished Amy Schwartz Moretti joins him in the Sonata for Two Violins.-  \u003ci\u003eChandos\u003c\/i\u003e\u003cbr\u003e  \u003cbr\u003e  Reviews\u003cbr\u003e  \u003cbr\u003e  Orchestral Choice \"... James Ehnes’s particular combination of matchless virtuosity, sweet tone, flowing tempi and interpretative restraint suits all this music down to the ground... the contribution of the BBC Philharmonic is distinguished throughout ... Strongly recommended.\" David Gutman - Gramophone magazine - October 2013\u003cbr\u003e  \u003cbr\u003e  “Wow. Everything works here. James Ehnes rarely disappoints, and the playing on this beautifully recorded two-disc set is immaculate. It’s not just the musicality, the remarkable ability to give shape and colour to the thorniest solo writing, but his modesty – he’s a player who knows exactly when to step back and let collaborators take the spotlight… Unmissable.” Graham Rickson – theartsdesk.com – 28 September 2013\u003cbr\u003e  \u003cbr\u003e  \"... Ehnes and his pianist give performances worthy of the giants (Oistrakh and Richter) for whom their parts were conceived.\" Hugh Canning - The Sunday Times - 8 September 2013\u003cbr\u003e  \u003cbr\u003e  Classical CD of the Week \"... Ehnes is joined by Amy Schwartz Moretti for an electrifying performance of the duo sonata... In their mix of lyricism and sharpe-edged rhythmic and harmonic piquancy. Ehnes and Moretti are absolutely spot on in defining the music’s character. This is playing that truly grabs you by the scruff of the neck and commands attention... For the two concertos Ehnes teams up again with an orchestra and conductor he knows well - the BBC Philharmonic and Gianandrea Noseda - who yield apt, complimentary shades of colouring, both brilliant and pungent, to match Ehnes’s superb artistry.\" ***** Geoffrey Norris - The Daily Telegraph - 28 September 2013\u003cbr\u003e  \u003cbr\u003e  \"... the sound is terrific, and given the excellence of the performance throughout, and the convenience of having all of these works ’under one roof’. as it were, there’s no reason to put off acquiring this set...\" Raymond S Tuttle - International Record Review - October 2013\u003cbr\u003e  \u003cbr\u003e  \"... 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The improvisatory character is strong throughout, as the work repeatedly alternates between the quiet and thoughtful, and the stormy and strident. The ending, in contrast to the earlier sonata, is understated, emotional, and expressive.\u003cbr\u003e  \u003cbr\u003e Bartók’s two rhapsodies for piano and violin, dedicated respectively to Joseph Szigeti and Zoltán Székely, are steeped in the tradition of Hungarian folk music. Exuberant and infectious, the works are heavily inspired by the csárdás, the national dance of Hungary, and display the traditional pairing of lassú (slow) and friss (lively) movements.\u003cbr\u003e \u003cbr\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46027694866666,"sku":"095115170526","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1925780.jpg?v=1786024247"},{"product_id":"wonderful-world-the-best-of-louis-armstrong","title":"WONDERFUL WORLD: THE BEST OF LOUIS ARMSTRONG","description":"Vinyl LP pressing. 2024 collection. Louis Armstrong made his first studio records in Richmond, Indiana 101 years ago, recording acoustically because microphones hadn't yet been invented. Microphones eventually allowed Armstrong to begin recording electrically to disc and, later, to tape in the mono and \"hi-fi\" eras. Beginning in the late 1950s, Armstrong began making records in revolutionary stereophonic sound. He had seen and conquered every trend in recording technology between 1923 and his death in 1971-and he continues to conquer them into the 21st century, over 50 years since he passed away. Today, with the advent of streaming and the resurgence of popularity in LPs, there is more music available to the public to listen to than at any previous time in history. Yet, day after day, week after week, month after month, year after year, people from around the world still choose to listen to Louis Armstrong, much more so than any other artist born at the turn of the 20th century. The question remains: Why? 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