Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

Because George Lloyd's personal attention is a dominating influence on the scores and recordings - which he mostly conducted himself - we have decided to headline this representation the 'Signature Collection'. Scores will be cleaned, and new orchestral parts created, recordings will be reorganised into affordable sets with new notes commissioned from Paul Conway. All digital platforms will have access to a unified and comprehensive offering from a single source.

George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. Paul Conway

George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. Paul Conway

George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. Paul Conway